“I am showing you her picture, cut from the local paper—crudely taken, crudely printed, many times enlarged, yet even all these factors cannot dim her radiance. It was taken shortly before she died—not two months before, as a matter of fact. It cannot give the flowerlike beauty of her coloring, the red-gold hair, the sea-blue eyes, the exquisite flush of exultant youth that played about her like an enchantment; but perhaps even this cold, black-and-white shadow of a laughing girl in a flowered frock will give you enough of a suggestion of her warm enchantment to make the incredible disaster that resulted from that enchantment more credible. It is for that purpose that I am showing it to you now. and to remind you, if you feel pity for another woman, that never more again in all this world will that girl’s laughter be heard, young and careless and joyous. I ask you most solemnly to remember that.
“Mimi Dawson Bellamy was the daughter of the village dressmaker, who had married Frederick Dawson, a man considerably above her socially, as he was a moderately successful real-estate broker in the village of Rosemont. He was by no manner of means a member of the local smart set, however, and was not even a member of the country club. They lived in a comfortable, unpretentious house a little off the main street, and in the boarding house next to them lived Mrs. Daniel Ives and her son Patrick.
“Mrs. Ives, a widow, was very highly regarded in the village, to which she had come many years previously, and was extremely industrious in her efforts to supplement their meager income. She gave music lessons, did mending, looked after small children whose mothers were at the movies, and did everything in her power to assist her son, whose principal contribution to their welfare up to the time that he was twenty-one seemed to be a genuine devotion to his mother. At that age Mr. Dawson took him in to work with him in the real-estate business, hoping that his charm and engaging manners would make up for his lack of experience and industry. To a certain extent they did, but they created considerably more havoc with Mr. Dawson’s beautiful daughter than they did with his clients. A boy-and-girl affair immediately sprang up between these two—the exquisite, precocious child of seventeen and the handsome boy of twenty-two were seen everywhere together, and it was a thoroughly understood thing that Mimi Dawson and Pat Ives were going together, and that one of these days they would go as far as the altar.
“A year later war was declared. Patrick Ives enlisted at once, and was among the first to reach France. The whole village believed that if he came back alive he would marry Mimi. But they were counting without Mimi.
“War, gentlemen, changed more things than the map of Europe. It changed the entire social map in many an American community; it changed, drastically and surprisingly, the social map of the community of Rosemont in the county of Bellechester. For the first time since the country club was built and many of the residents of New York discovered that it was possible to live in the country and work in the city, the barrier between the villagers and the country club members was lowered, and over this lowered barrier stepped Mimi Dawson, straight into the charmed sewing circles, knitting circles, Red Cross circles, bandage-making circles that had sprung up overnight—straight, moreover, into the charmed circle of society, about whose edges she had wistfully hovered—and straight, moreover, into the life of Elliot Farwell.
“Elliot Farwell was the younger brother of Mrs. George Dallas, at whose house met the Red Cross Circle of which Mrs. Dallas was president. Many of the village girls were asked to join her class in bandage making—after all, we were fighting this war to make the world safe for democracy, so why not be democratic? A pair of hands from the village was just as good as a pair of hands from the club—possibly better. So little Mimi Dawson found herself sitting next to the great Miss Thorne, wrapping wisps of cotton about bits of wood and going home to the village with rapidly increasing regularity in Mr. Elliot Farwell’s new automobile, quite without the knowledge or sanction of Mr. Farwell’s sister, whose democracy might not have stood the strain.
“Elliot Farwell was one of the two or three young men left in Rosemont. His eyes made it impossible for him to get into any branch of the service, so he remained peaceably at home, attending to a somewhat perfunctory business in the city as a promoter. He would have had to be blind enough to require the services of a dog and a tin cup not to have noted Mimi Dawson’s beauty, however; as a matter of fact, he noted it so intently that three months after peace was declared and three weeks before Patrick Ives returned from the war, Mr. and Mrs. Frederick Dawson announced the engagement of their daughter Madeleine to Mr. Elliot Farwell—and a startled world. Not the least startled member of this world, possibly, was Susan Thorne, to whom young Farwell had been moderately attentive for several years.
“Such was the state of affairs when the tide of exodus to Europe turned, and back on the very crest of the incoming waves rode Major Patrick Ives, booted, spurred, belted, and decorated—straight over the still-lowered barrier into the very heart of the country-club set. He was, not unnaturally, charmed with his surroundings, and apparently the fact that he found Mimi Dawson already installed there with a fiancé did not dampen his spirits in the slightest. From the day that he first went around the golf course with Susan Thorne, he was as invariably at her side as her shadow. Mr. Curtiss Thorne’s open and violent disapproval left them unchastened and inseparable. Apparently they found the world well lost, as did Farwell and his fiancée. And into the midst of this idyllic scene, a month or so later, wanders the last of our actors, Stephen Bellamy.
“Stephen Bellamy was older than these others—seven years older than Susan Thorne or Patrick Ives, twelve years older than the radiant Mimi. He was the best friend of Susan’s elder brother Douglas, and a junior partner of Curtiss Thorne. He had done well in the war, as he had in his business, and he was generally supposed to be the best masculine catch in Rosemont—intelligent, distinguished, and thoroughly substantial. It was everybody’s secret that Curtiss Thorne wanted him for his son-in-law, and he and Elliot Farwell were the nearest approaches to beaus that Susan Thorne had had before the war.
“Within a week of their respective returns, she had lost both of them. The sober, reserved, conservative Stephen Bellamy fell even more violently and abjectly a victim to Mimi Dawson’s charms than had Elliot Farwell. The fact that she was engaged to another man who had been at least a pleasant acquaintance of his did not seem to deter Mr. Bellamy for a second. At any rate, the third week in June in 1919 brought three shocks to the conservative community of Rosemont that left it rocking for many moons to come. On Monday, after a violent and public quarrel with Farwell, Mimi Dawson broke her engagement to him; on Wednesday Sue Thorne eloped with Patrick Ives, and on Thursday Miss Dawson and Mr. Bellamy were married by the justice of the peace in this very courthouse.
“It is a long stride from that amazing week in June to another June, but I ask you to make it with me. In the seven years that have passed, the seeds that were sown in those far-off days—seeds of discord, of heartbreak, of envy and malice—have waxed and grown into a mighty vine, heavy with bitter fruit; and the day of harvest is at hand—and the hands of the harvesters shall be red. But on this peaceful sunny summer afternoon of the nineteenth of June, 1926, those who are sitting in the vine’s shadow seem to find it a tranquil and a pleasant place.
“It is five o’clock at the Rosemont Country Club, and the people that I have brought before you in the brief time at my disposal are gathered on the lawn in front of the club; the golfers are just coming in; it is the prettiest and gayest hour of the day. Mimi Bellamy is there, waiting for her husband. She has driven over in their little car to take him home for supper; it is parked just now beside Sue Ives’s sleek and shining car with its sleek and shining chauffeur, and possibly Mimi Bellamy is wondering what strange fate makes one man a failure in the world of business and another a success. For the industrious and intelligent Stephen Bellamy has never recovered from the setback that he received when Curtiss Thorne’s business crashed; he is still struggling valiantly t
o keep a roof over his wife’s enchanting head—he can do little more. True, they have a maid of all work and a man of all work; but Sue Ives, who married the village ne’er-do-well, has eight servants and three cars and the prettiest gardens in Rosemont. So does fate make fools of the shrewdest of us!
“Gathered about in little groups are the George Dallases, Elliot Farwell, and Richard Burgoyne, the man with whom he keeps bachelor hall in a small bungalow near the village; the Ned Conroys and Sue Ives, whose husband has been cheated out of golf by a business engagement in the city, in spite of the fact that it is Saturday afternoon. She has, however, found another cavalier. Seated on the club steps, a little apart from the others, she is deep in conversation with Elliot Farwell, who is consuming his third highball in rapid succession. Gentlemen, if I could let you eavesdrop on the seemingly casual and actually momentous discussion that is going on behind those amiable masks, much that is dark to you now would be clear as day. I ask your patient and intelligent interest until that moment arrives. It will arrive, I promise you.
“For here, on this sunlit lawn, I propose to leave them for the present. Others will tell you what happened from that sunlit moment until the dark and dreadful one in the gardener’s little cottage, when a knife rose and fell. I have not gone thus exhaustively into the shadowy past from which these figures sprang in order to retail to you the careless chatter of a country club and a country village. I have gone into it because I have felt it entirely imperative that you should know the essential facts in the light of which you will be able to read more clearly the evidence that I am about to submit to you. It is inevitable that each one of you must say to himself as you sit there: ‘How is it possible that this young woman seated before our eyes, charming, well bred, sheltered, controlled, intelligent—how is it possible that this woman can have wilfully, brutally, and deliberately murdered another woman? How is it possible that the man seated beside her, a gentleman born and bred, irreproachable in every phase of his past life, can have aided and abetted her in her project?’
“How are these things possible, you ask? Gentleman, I say to you that we expect to prove that these things are not possible—we expect to prove that these things are certain. I am speaking neither rashly nor lightly when I assure you that the state believes that it can demonstrate their certainty beyond the shadow of a possible doubt. I am not seeking a conviction; I am no bloodhound baying for a victim. If you can find it in your hearts when I have done with this case to hold these two guiltless, you will, indeed, be fortunate—and I can find in my heart no desire to deprive you of that good fortune. It is my most painful duty, however, to place the facts before you and to let them speak for themselves.
“I ask you, gentlemen, to bear these things in mind. Susan Ives is a woman accustomed to luxury and security; she has once before been roughly deprived of it. What dreadful scars those three years in New York left on the gallant and spirited girl who went so recklessly to face them we can only surmise. But perhaps it is sufficient to say that the scars seared so deep that they sealed her lips forever. I have not been able to discover that she has mentioned them to one solitary soul, and I have questioned many. She was threatened with a hideous repetition of this nightmare. Her religious principles, as you will learn, prevented her from ever accepting or seeking a divorce, and she was too intelligent not to be fully aware that if Patrick Ives ran away with Mimi Bellamy, he would inevitably have lost his position in the ultra-conservative house in which he was a partner, and thus be absolutely precluded from providing for her or her children, even if he had so desired.
“The position of a young woman thrown entirely on her own resources, with two small children on her hands, is a desperate one, and it is our contention that Susan Ives turned to desperate remedies. Added to this terror was what must have been a truly appalling hatred for the girl who was about to turn her sunny and sheltered existence into a nightmare. Cupidity, love, revenge—every murder in this world that is not the result of a drunken blow springs from one of these motives. Gentlemen, the state contends that Susan Ives was moved by all three.
“As for Stephen Bellamy, his idolatry of his young and beautiful wife was his life—a drab and colorless life save for the light and color that she brought to it. When he discovered that she had turned that idolatry to mockery, madness descended on him—the madness that sent Othello staggering to his wife’s bed with death in his hands; the madness that has caused that wretched catch phrase ‘the unwritten law’ to become almost as potent as our written code—to our shame, be it said. Do not be deceived by the memory of that phrase, gentlemen. There was another law, written centuries ago in letters of flame on the peaks of a mountain—‘Thou shalt not kill.’ Remember that law written in flame and forget the one that has been traced only in the blood of its victims. These two before you stand accused of breaking that law, written on Sinai—that sacred law on which hangs all the security of the society that we have so laboriously wrought out of chaos and horror—and we are now about to show you why they are thus accused.
“From the first step that each took toward the dark way that was to lead them to the room in the gardener’s cottage, we will trace them—to its very threshold—across its threshold. There I will leave them, my duty will have been done. Yours, gentlemen, will be yet to do, and I am entirely convinced that, however painful, however hateful, however dreadful, it may seem to you, you will not shrink from performing that duty.”
The compelling voice with its curious ring fell abruptly to silence—a silence that lingered, deepened, and then abruptly broke into irrepressible and incautious clamor.
“Silence! Silence!”
Ben Potts’s voice and Judge Carver’s gavel thundered down the voices.
“Once and for all, this courtroom is not a place for conversation. Kindly remain silent while you are in it. Court is dismissed for the day. It will convene again at ten to-morrow.”
The red-headed girl dragged stiffly to her feet. The first day of the Bellamy trial was over.
CHAPTER II
THE red-headed girl was late. The clock over the courtroom door said three minutes past ten. She flung herself, breathless, into the seat next to the lanky young man and inquired in a tragic whisper, “Have they started?”
“Nope,” replied that imperturbable individual. “Calm yourself. You haven’t missed a single hear ye. Your hat’s a good deal over one eye.”
“I ran all the way from the station,” gasped the red-headed girl. “Every step. There’s not a taxi in this whole abominable place. And you were gone last night before I had a chance to ask you what you thought of the prosecutor’s speech.”
“Perhaps that’s why I went.”
“No, truly, what did you think of it?”
“Well, I think that boys being boys, jurors being jurors, prosecutors being prosecutors, and Mrs. Patrick Ives being Mrs. Patrick Ives, he did about as well as could be expected—better than I expected.”
“He can’t prove all those things, can he?” asked the red-headed girl, looking a little pale.
“Ah, that’s it! When you get right down to it, the only things of any importance that he claimed he was going to prove were in one last sentence: That Bellamy and Sue Ives met and went to the front parlor of the gardener’s cottage, to confront Mimi Bellamy—that’s his case. And a pretty good case, too, if you ask me. The rest of it was just a lot of good fancy, expansive words strung together in order to create pity, horror, prejudice, and suspicion in the eyes of the jury. And granted that purpose, they weren’t bad words, though there were a few bits that absolutely yelled for ‘Hearts and Flowers’ on muted strings somewhere in the background—that little piece about going through the starlight to her lover. . . .”
“I thought the idea was that the prosecutor was after truth, not a conviction,” said the red-headed girl gravely.
“The ideal, not the idea, my child. You didn’t precisely get the notion that he was urging the jury to consider that, though there was
a pretty strong case against Mrs. Ives and Stephen Bellamy, there were a whole lot of other people who might have done it too—or did you?”
“He certainly said most distinctly that he wasn’t any bloodhound baying for a victim.”
“Well, if he isn’t, I’ll bet that he gives such a good imitation of one that if Eliza should happen to hear him while she was crossing the ice she’d take two cakes at one jump. What did I tell you about Mr. Farr and the classics? Did you get ‘she loved not wisely but too well’? That beats ‘I could not not love thee, dear, so much.’____”
Ben Potts’s high, clear voice pulled them abruptly to their feet. “The Court!”
Through the little door behind the dais came the tall figure of Judge Carver, his spacious silks folding him in dignity—rather a splendid figure. The jury, the counsel, the defendants—Mrs. Ives was wearing the same hat . . .
“Hear ye! Hear ye! Hear ye! All those having business before this honorable court draw near, give your attention, and you shall be heard!”
The clear singsong was drowned in the rustle of those in the courtroom sinking back into their seats.
“Is Mr. Conroy in court?”
“Mr. Herbert Conroy!” intoned the crier.
All heads turned to watch the small spare figure hurrying down the aisle toward the witness box.
“You do solemnly swear that the testimony that you shall give to the court and jury in this case now on trial shall be truth, the whole truth, and nothing but the truth, so help you God?”
“I do.”
Mr. Conroy’s faded blue eyes darted about him quietly as he mounted the stand, as though he were looking for a way out.
“Mr. Conroy, what is your profession?”
“I am a real-estate broker.”
“Is your office in Rosemont?”
The Bellamy Trial (American Mystery Classics) Page 4