“Where is it?” he first seemed to ask himself; then louder, “Where?” he demanded of the room at large; then a roar erupted from the doorway: “What have you done with it, you vicious witch?”
A cold wash of fear cleared away her thoughts of revenge.
“What are you talking about?”
“My book,” he said. “Where is it? What have you done with it?”
He came at her hunched like an advancing wolf. They circled the butcher block. She gripped the knife and dared not blink, for fear that he would take a split second advantage and lunge for her.
“You have many books.”
“And I only care about one!” His hand shot out and caught her wrist, bringing her arm down against the scarred wood with a painful shock. The knife fell from her hand.
He dragged her into the library. “There,” he said, pointing to the shelf where her book had been. “Six of twelve. It was there and now it’s not.” He relaxed his grip without letting go. “If you borrowed it, it’s fine. I just want it back.” He released her and forced a smile. “Now, where is it?”
“You’re right,” she said, “I borrowed it. I didn’t realize it was so important to you.”
“It’s very special.”
“Yes,” she said, her voice low and hard, “it is.”
And with that, she knew she had given herself away.
Miles shoved her away from him. She fell into the bookcase as he left the small library and shut door behind him. A key turned in the lock.
It was too late.
She rested with her forehead against the door and caught her breath. She tried to pry open the small window, but it was sealed shut with layers of paint. She considered breaking the glass, and then thought better of it; she could escape from this house, it was true, but not from this world. For that, she still needed Miles.
She watched the sun set through the dirty window, and tried to decide what to do when he let her out. She heard him pacing through the house, talking to himself with ever greater stridency, but the words made no sense to her. It gave her a headache.
The sound of the key in the door woke her. She grabbed at the first thing that might serve as a weapon, a sturdy hardcover. She held in front of her like a shield.
Miles stood in the doorway, a long, wicked knife in his hand.
“Who are you?” he finally asked, his eyes narrowed with suspicion. “And how did you know?”
“Someone whose life you destroyed. Liar. Thief. Murderer.” She produced Emil’s ring.
He seemed frozen where he stood, his eyes darting back and forth between the ring in her hand and her face. “I am none of those things,” he said.
“You took all of this,” she gestured around the room. “You took him, and you took me. And what did you do with the things that were of no use to you?”
She had been edging toward him while he talked. She threw the book at his arm and it struck him just as she had hoped. The knife fell to the floor and she dove for it, snatching it up before Miles could stop her.
She had him now, she thought, and pressed the blade against his throat. He tried to push her off but she had a tenacious grip on him and he ceased his struggle when the knife pierced his thin skin. She felt his body tense in her hands, barely breathing and perfectly still.
“You still haven’t told me who you are.”
“Where is he?” she demanded.
“Where is who?” His voice was smooth and controlled.
“The man you stole, like you stole me. Like you stole all of it. Where is he?”
“You’re obviously very upset. Put that down, let me go, and we’ll talk about it. I don’t know about any stolen man, but maybe I can help you find him.”
He voice was calm, slightly imploring, asking for understanding and offering help. She hesitated, wondering what threat she was really willing to carry out against an enemy who was also her only hope.
She waited a moment too long. Miles grabbed a heavy jar off the shelf and hurled it at the wall.
The East Wind ripped through the room, finally free.
Fatigued and half-starved, Emil made his way slowly toward his home, and tried to unlock the spell. Soon he had three words, and then five, and soon a dozen. He would say them aloud, emphasizing this part or that, elongating a sound or shortening it, until the day he gave voice to the last character on the page, and something happened: a spark, a glimmer of magic.
He had ciphered out the spell.
Finally, on the coldest night he could remember, with not a soul in sight, he raised his voice against the howling wind, and shouted out the thirteen words of power.
As weeks turned into months the stories of Emil the Sorcerer grew, until finally even the King had heard, and wanted his power within his own control.
But Emil could not be found.
The angry vortex threw everything off the shelves. Audra ducked and covered her head as she was pummeled by books and debris. Miles crouched behind the trunk, which offered little protection from the gale.
There was a crash above Audra’s head; her arms flew up to protect her eyes; broken glass struck her arms and legs, some falling away, some piercing her skin.
The window broke with a final crash and the captive wind escaped the room. The storm was over. Books thumped and glass tinkled to the ground.
Audra opened her eyes to the wreckage. Miles was already sifting through the pages and torn covers.
“No,” he said, “no! It has to be here, my story has to be here . . . ” He bled from a hundred small cuts but he paid them no mind. Audra plucked shards of dark glass out of her flesh. The shards gave off no reflection at all.
A cloud drifted from where the Mirror had hung over the wreckage-strewn shelves, searching. On the floor beside Audra’s trunk, the lid torn off in the storm, it seemed to find what it was looking for. It slipped between the pages of a blue cloth-bound volume and disappeared.
“Here!” Audra said, clutching the volume to her chest. He scrambled toward her until they kneeled together in the middle of the floor, face to face.
Smoke curled out of the pages, only a wisp at first. Then more, green and glowing like a sunbeam in a mossy pond, crept out and wrapped itself around both them.
“The Guide you sought was always here,” a voice whispered. “Your captive, Emil, and your friend, Aurora.” Audra—Aurora—looked at the man she had hated and saw what was there all along: her Emil, thirty years since he had disappeared, with bald head and graying beard. Miles, who kept her because she looked like his lost love, but who wouldn’t touch her, in faith to his beloved.
Emil looked back at her, tears in the eyes that had seemed so dead and without hope until now.
“Now, Emil, speak the words,” the voice said, “and we will go home.”
So should you happen across a blue cloth-bound book, the sixth in a set of twelve, do not look for “The Magician and the Maid,” because it is not there.
Read the other stories, though, and in the story of the fairy who brought the waterfall to the mountain, you may find that she has a friend called Audra, though you will know the truth: it is not her real name.
If you read further you may find Emil as well, for though he never did become the King’s magician, every story needs a little magic.
According to Locus Magazine, Mike Resnick has won more awards for short fiction than any other science fiction writer, living or dead. He is perhaps best known for his critically-acclaimed Kirinyaga series of short stories, but is also the author of more than fifty novels. In addition to his work as a writer, Resnick has also edited dozens of anthologies and served as executive editor for the online magazine Jim Baen’s Universe. Recent work includes a new collection, Blasphemy, just out from Golden Gryphon, and a new novel, The Buntline Special, from Pyr, due in December. Also, earlier this year, a nonfiction book, The Business of Science Fiction (written with Barry Malzberg), was released. Learn more at mikeresnick.com.
Perhaps the most famous
wizard of them all is Merlin the magician, a staple of Arthurian legend. The character goes all the way back to Geoffrey of Monmouth in the twelfth century, and the story has been embellished over the years by numerous other authors, such as Thomas Malory (Le Morte d’Arthur), T. H. White (The Once and Future King), and Mary Stewart (The Crystal Cave). Though there are many variations, Merlin is generally remembered as having been sired by an incubus (a demon), which gave him supernatural powers. He tutored Arthur and helped him become king, and was eventually imprisoned in a crystal cave by the Lady of the Lake.
“I wrote this story the day I learned that my late mother-in-law had Alzheimer’s,” Resnick says. “I tried to imagine what it was like for her, going to bed each night and knowing she’d wake up a little less intelligent each morning. I knew I needed to work it out fictionally. Then I remembered that the Merlin of The Once and Future King, my favorite fantasy novel, lived backward in time, and I decided I could use that as a metaphor.”
Winter Solstice
Mike Resnick
It is not easy to live backwards in time, even when you are Merlin the Magnificent. You would think it would be otherwise, that you would remember all the wonders of the future, but those memories grow dim and fade more quickly than you might suppose. I know that Galahad will win his duel tomorrow, but already the name of his son has left me. In fact, does he even have a son? Will he live long enough to pass on his noble blood? I think perhaps he may, I think that I have held his grandchild upon my knee, but I am not sure. It is all slipping away from me.
Once I knew all the secrets of the universe. With no more than a thought I could bring Time to a stop, reverse it in its course, twist it around my finger like a piece of string. By force of will alone I could pass among the stars and the galaxies. I could create life out of nothingness, and turn living, breathing worlds into dust.
Time passed—though not the way it passes for you—and I could no longer do these things. But I could isolate a DNA molecule and perform microsurgery on it, and I could produce the equations that allowed us to traverse the wormholes in space, and I could plot the orbit of an electron.
Still more time slipped away, and although these gifts deserted me, I could create penicillin out of bread mold, and comprehend both the General and Special Theories of Relativity, and I could fly between the continents.
But all that has gone, and I remember it as one remembers a dream, on those occasions I can remember it at all. There was—there someday will be, there may come to you—a disease of the aged, in which you lose portions of your mind, pieces of your past, thoughts you’ve thought and feelings you’ve felt, until all that’s left is the primal id, screaming silently for warmth and nourishment. You see parts of yourself vanishing, you try to pull them back from oblivion, you fail, and all the while you realize what is happening to you until even that perception, that realization, is lost. I will weep for you in another millennium, but now your lost faces fade from my memory, your desperation recedes from the stage of my mind, and soon I will remember nothing of you. Everything is drifting away on the wind, eluding my frantic efforts to clutch it and bring it back to me.
I am writing this down so that someday someone—possibly even you—will read it and will know that I was a good and moral man, that I did my best under circumstances that a more compassionate God might not have forced upon me, that even as events and places slipped away from me, I did not shirk my duties, I served my people as best I could.
They come to me, my people, and they say, It hurts, Merlin. They say, Cast a spell and make the pain go away. They say, My baby burns with fever, and my milk has dried up. Do something, Merlin, they say; you are the greatest wizard in the kingdom, the greatest wizard who has ever lived. Surely you can do something.
Even Arthur seeks me out. The war goes badly, he confides to me; the heathen fight against baptism, the knights have fallen to battling amongst themselves, he distrusts his queen. He reminds me that I am his personal wizard, that I am his most trusted friend, that it was I who taught him the secret of Excalibur (but that was many years ago, and of course I know nothing of it yet). I look at him thoughtfully, and though I know an Arthur who is bent with age and beaten down by the caprices of Fate, an Arthur who has lost his Guinevere and his Round Table and all his dreams of Camelot, I can summon no compassion, no sympathy for this young man who is speaking to me. He is a stranger, as he will be yesterday, as he will be last week.
An old woman comes to see me in the early afternoon. Her arm is torn and miscolored, the stench of it makes my eyes water, the flies are thick around her.
I cannot stand the pain any longer, Merlin, she weeps. It is like childbirth, but it does not go away. You are my only hope, Merlin. Cast your mystic spell, charge me what you will, but make the pain cease.
I look at her arm, where the badger has ripped it with his claws, and I want to turn my head away and retch. I finally force myself to examine it. I have a sense that I need something, I am not sure what, something to attach to the front of my face, or if not my whole face then at least across my nose and mouth, but I cannot recall what it is.
The arm is swollen to almost twice its normal size, and although the wound is halfway between her elbow and her shoulder, she shrieks in agony when I gently manipulate her fingers. I want to give her something for her pain. Vague visions come to mind, images of something long and slender and needlelike flash briefly before my eyes. There must be something I can do, I think, something I can give her, some miracle that I employed when I was younger and the world was older, but I can no longer remember what it is.
I must do more than mask her pain, this much I still know, for infection has set in. The smell becomes stronger as I probe and she screams. Gang, I think suddenly: the word for her condition begins with gang—but there is another syllable and I cannot recall it, and even if I could recall it I can no longer cure it.
But she must have some surcease from her agony, she believes in my powers and she is suffering and my heart goes out to her. I mumble a chant, half-whispering and half-singing. She thinks I am calling up my ethereal servants from the Netherworld, that I am bringing my magic to bear on the problem, and because she needs to believe in something, in anything, because she is suffering such agony, I do not tell her that what I am really saying is God, just this one time, let me remember. Once, years, eons from now, I could have cured her; give me back the knowledge just for an hour, even for a minute. I did not ask to live backward in Time, but it is my curse and I have willingly borne it—but don’t let this poor old woman die because of it. Let me cure her, and then You can ransack my mind and take back my memories.
But God does not answer, and the woman keeps screaming, and finally I gently plaster mud on the wound to keep the flies away. There should be medicine too, it comes in bottles—(bottles? Is that the right word?)—but I don’t know how to make it, I don’t even remember its color or shape or texture, and I give the woman a root, and mutter a spell over it, and tell her to sleep with it between her breasts and to believe in its healing powers and soon the pain will subside.
She believes me—there is no earthly reason why she should, but I can see in her eyes that she does—and then she kisses my hands and presses the root to her bosom and wanders off, and somehow, for some reason, she does seem to be in less discomfort, though the stench of the wound lingers long after she has gone.
Then it is Lancelot’s turn. Next week or next month he will slay the Black Knight, but first I must bless his sword. He talks of things we said to each other yesterday, things of which I have no recollection, and I think of things we will say to each other tomorrow.
I stare into his dark brown eyes, for I alone know his secret, and I wonder if I should tell Arthur. I know they will fight a war over it, but I do not remember if I am the catalyst or if Guenivere herself confesses her infidelities, and I can no longer recall the outcome. I concentrate and try to see the future, but all I see is a city of towering steel and glass str
uctures, and I cannot see Arthur or Lancelot anywhere, and then the image vanishes, and I still do not know whether I am to go to Arthur with my secret knowledge or keep my silence.
I realize that it has all happened, that the Round Table and the knights and even Arthur will soon be dust no matter what I say or do, but they are living forward in Time and this is of momentous import to them, even though I have watched it all pass and vanish before my eyes.
Lancelot is speaking now, wondering about the strength of his faith, the purity of his virtue, filled with self-doubt. He is not afraid to die at the hands of the Black Knight, but he is afraid to face his God if the reason for his death lies within himself. I continue to stare at him, this man who daily feels the bond of our friendship growing stronger while I daily find that I know him less and less, and finally I lay a hand on his shoulder and assure him that he will be victorious, that I have had a vision of the Black Knight lying dead upon the field of battle as Lancelot raises his bloody sword in victorious triumph.
Are you sure, Merlin, he asks doubtfully.
I tell him that I am sure. I could tell him more, tell him that I have seen the future, that I am losing it as quickly as I am learning the past, but he has problems of his own—and so, I realize, have I, for as I know less and less I must pave the way for that youthful Merlin who will remember nothing at all. It is he that I must consider—I speak of him in the third person, for I know nothing of him, and he can barely remember me, nor will he know Arthur or Lancelot or even the dark and twisted Modred—for as each of my days passes and Time continues to unwind, he will be less able to cope, less able to define even the problems he will face, let alone the solutions. I must give him a weapon with which to defend himself, a weapon that he can use and manipulate no matter how little he remembers of me, and the weapon I choose is superstition. Where once I worked miracles that were codified in books and natural law, now as their secrets vanish one by one, I must replace them with miracles that bedazzle the eye and terrify the heart, for only by securing the past can I guarantee the future, and I have already lived the future. I hope I was a good man, I would like to think I was, but I do not know. I examine my mind, I try to probe for weaknesses as I probe my patients’ bodies, searching for sources of infection, but I am only the sum of my experience, and my experience has vanished and I will have to settle for hoping that I disgraced neither myself nor my God.
Way of the Wizard Page 33