III
Duress journey was successful in that he obtained from Charles V. what he sought — the confirmation of his privilegium.
CHARLES, by God’s grace, Roman Emperor Elect, etc.
Honourable, trusty, and well-beloved,
Whereas the most illustrious Prince, Emperor Maximilian, our dear lord and grandfather of praiseworthy memory, appointed and assigned unto our and the Empire’s trusty and well-beloved Albrecht Dürer the sum of 100 florins Rhenish every year of his life to be paid from and out of our and the Empire’s customary town contributions, which you are bound to render yearly into our Imperial Treasury; and whereas we, as Roman Emperor, have graciously agreed thereto, and have granted anew this life pension unto him according to the terms of the above letter; we therefore earnestly command you, and it is our will, that you render and give unto the said Albrecht Dürer henceforward every year of his life, from and out of the said town contributions and in return for his proper quittance, the said life pension of 100 florins Rhenish, together with whatever part of it stands over unpaid since the Emperor Maximilian’s grant; etc.
Given at our and the Holy Empire’s town Köln on the fourth day of the month November (1520), etc.
(Signed) KARL.
(Signed) ALBRECHT, Cardinal, Archbishop of Mainz, Chancellor.
Besides, he got back to Nuremberg without falling in with highwaymen, though the following little letter shows us that in this he was fortunate.
Dear Master Wolf Stromer, — My most gracious lord of Salzburg has sent me a letter by the hand of his glass-painter. I shall be glad to do anything I can to help him. He is to buy glass and materials here. He tells me that near Freistadtlein he was robbed and had twenty florins taken from him. He has asked me to send him to you, for his gracious lord told him if he wanted anything to let you know. I send him, therefore, to your Wisdom with my apprentice. Your Wisdom’s,
ALBRECHT DÜRER.
No doubt he had enriched his mind and cheered his heart in the company of prosperous, go-ahead, and earnest men; but as he says, “when I was in Zeeland, a wondrous sickness overcame me, such as I never heard of from any man, and this sickness remains with me” (see ). And, alas! it was to remain with him till he died of it. So that his journey cannot be considered as altogether fortunate.
CHAPTER VII. DÜRER’S LAST YEARS
I
Dürer came back home with health broken: yet it is to this period that the magnificent portraits at Berlin of Nuremberg Councillors belong, and certainly his hand and eye had never been more sure than when he produced them. The hall of the Rathhaus was decorated under his direction and from his designs, the actual painting being, it is supposed, chiefly the work of George Penz, who with his fellow prentices became famous in 1524 as one of “the three godless painters.”
We now come to a letter dated
NÜRNBERG, December 5, 1523, Sunday after Andrew’s
My dear and gracious Master Frey — I have received the little book you sent to Master (Ulrich) Varnbüler and me; when he has finished reading it I will read it too. As to the monkey-dance you want me to draw for you, I have drawn this one here, unskilfully enough, for it is a long time since I saw any monkeys; so pray put up with it. Convey my willing service to Herr Zwingli (the reformer), Hans Leu (a Protestant painter), Hans Urich, and my other good masters. ALBRECHT DÜRER. Divide these five little prints amongst you: I have nothing else new.
This Master Felix Frey was a reformer at Zurich: he was probably not closely related to Hans Frey, Dürer’s father-in-law, whose death is thus recorded in Dürer’s book:
In the year 1523 (as they reckon it), on our dear Lady’s Day, when she was offered in the Temple, early, before the morning chimes, Hans Frey, my dear father-in-law, passed away. He had lain ill for almost six years and suffered quite incredible adversities in this world. He received the Sacraments before he died. God Almighty be gracious to him.
Next we have letters from and to Niklas Kratzer, Astronomer to Henry VIII. He had been present when Dürer drew Erasmus’ portrait at Antwerp. Dürer had also made a drawing of Kratzer, and later on Holbein was to paint his masterpiece in the Louvre from the Oxford professor.
To the honourable and accomplished Albrecht Dürer, burgher of Nürnberg, my dear Master and Friend. LONDON, October 24, 1524. Honourable, dear Sir,
I am very glad to hear of your good health and that of your wife. I have had Hans Pomer staying with me in England. Now that you are all evangelical in Nürnberg I must write to you. God grant you grace to persevere; the adversaries, indeed, are strong, but God is stronger, and is wont to help the sick who call upon Him and acknowledge Him. I want you, dear Herr Albrecht Dürer, to make a drawing for me of the instrument you saw at Herr Pirkheimer’s, wherewith they measure distances both far and wide. You told me about it at Antwerp. Or perhaps Herr Pirkheimer would send me the design of it — he would be doing me a great favour. I want also to know how much a set of impressions of all your prints costs, and whether anything new has come out at Nürnberg relating to my art. I hear that our friend Hans, the astronomer, is dead. Would you write and tell me what instruments and the like he has left, and also where our Stabius’ prints and wood-blocks are to be found? Greet Herr Pirkheimer for me. I hope to make him a map of England, which is a great country, and was unknown to Ptolemy. He would like to see it. All those who have written about England have seen no more than a small part of it. You cannot write to me any longer through Hans Pomer. Pray send me the woodcut which represents Stabius as S. Koloman.I have nothing more to say that would interest you, so God bless you. Given at London, October 24. Your servant, NIKLAS KRATZEH. Greet your wife heartily for me.
To the honourable and venerable Herr Niklas Kratzer, servant to his Royal Majesty in England, my gracious Master and Friend.
NÜRNBERG, Monday after Barbara’s (December 5), 1524.
First my most willing service to you, dear Herr Niklas. I have received and read your letter with pleasure, and am glad to hear that things are going well with you. I have spoken for you to Herr Wilibald Pirkheimer about the instrument you wanted to have. He is having one made for you, and is going to send it to you with a letter. The things Herr Hans left when he died have all been scattered; as I was away at the time of his death I cannot find out where they are gone to. The same has happened to Stabius’ things; they were all taken to Austria, and I can tell you no more about them. I should like to know whether you have yet begun to translate Euclid into German, as you told me, if you had time, you would do.
We have to stand in disgrace and danger for the sake of the Christian faith, for they abuse us as heretics; but may God grant us His grace and strengthen us in His word, for we must obey Him rather than men. It is better to lose life and goods than that God should cast us, body and soul, into hell-fire. Therefore, may He confirm us in that which is good, and enlighten our adversaries, poor, miserable, blind creatures, that they may not perish in their errors.
Now God bless you! I send you two likenesses, printed from copper, which you will know well. At present I have no good news to write you, but much evil. However, only God’s will cometh to pass. Your Wisdom’s,
ALBRECHT DÜRER.
Another letter to Dürer from Cornelius Grapheus at Antwerp gives us some help towards understanding how the Reformation affected Dürer and his friends.
To Master Albrecht Dürer, unrivalled chief in the art of painting, my friend and most beloved brother in Christ, at Nürnberg; or in his absence to Wilibald Pirkheimer.
I wrote a good long letter to you, some time ago, in the name of our common friend Thomas Bombelli, but we have received no answer from you. We are, therefore, the more anxious to hear even three words from you, that we may know how you are and what is going on in your parts, for there is no doubt that great events are happening. Thomas Bombelli sends you his heartiest greeting. I beg you, as I did in my last letter, to greet Wilibald Pirkheimer a score of times for me. Of my own condition I will tel
l you nothing. The bearers of this letter will be able to acquaint you with everything. They are very good men and most sincere Christians. I commend, them to you and my friend Pirkheimer as if they were myself; for they, themselves the best of men, merit the highest recommendation to the best of men. Farewell, dearest Albrecht. Amongst us there is a great and daily increasing persecution on account of the Gospel. Our brethren, the bearers, will tell you all about it more openly. Again farewell.
Wholly yours,
CORNELIUS GRAPHEUS.
ANTWERP, February 23, 1524.
II
The events which made Dürer an ardent Evangelical and Reformer in a coarser paste proved a leaven of anarchy and subversion. Young, hot-headed nobles like Ulrich Von Hutten became iconoclastic, were foremost at the dispersion of convents and nunneries, often playing a part on such occasions that was anything but a credit to the cause they were championing. Among the prentice lads and among the peasants, the unrest, discontent, and appetite for change took forms if not more offensive at least more alarming. The Peasants’ War gave rulers a foretaste of the panic they were to undergo at the time of the French Revolution. And in the towns men like “the three godless painters” made the burghers shake in their shoes for the social order which kept them rich and respected and others poor and servile. It is strange that all three should have come from Dürer’s workshop. Probably they were the most talented prentices of the craft, since the great master chose them: besides, painting was an occupation which allowed of a certain intellectual development. They may have often listened with hungry ears to disputes between Pirkheimer and Dürer, and envied the good luck, grace and gift which had enabled the latter to bridge over a gulf as great as that which separated them from him, between him and Pirkheimer or Vambüler. All this and much more we can by taking thought imagine to our satisfaction; but the point which we would most desire to satisfactorily conjecture we are utterly in the dark about. Though his prentices were tried, Dürer appeared neither for nor against them; nor can we help ourselves to understand a fact so strange by any other mention of his attitude. He had a year or two previously married his servant, (perhaps the girl that his wife took with her to the Netherlands), to Georg Penz, who went the farthest in his scepticism, recanted soonest, and possessed least talent of the three. But this fact, which is not quite assured, narrows the grounds of conjecture but little; we still face an almost boundless blank. It is difficult to imagine that Dürer was quite as shocked as the Town Council by a man who said “he had some idea that there was a God, but did not know rightly what conception to form of him,” who was so unfortunate as to think “nothing” of Christ, and could not believe in the Holy Gospel or in the word of God; and who failed to recognise “a master of himself, his goods and everything belonging to him” in the Council of Nuremberg. Now-a-days, when we think of the licence of assertion that has obtained on these questions, we are inclined to admire the honesty and intellectual clarity of such a confession. And Dürer, who resolved the similar question of authority as to “things beautiful” in a manner much the same as this, may, we can at least hope, have viewed his prentices with more of pity than of anger. All the three “godless painters” were banished from reformed Nuremberg; but Georg, whose confession had been most godless, recanted and was allowed to return. The others, Sebald and Barthel Beham, managed to perpetuate their names as “little masters” without the approbation of the Town Councillors, and are to-day less forgotten than those who condemned them. Hieronymus Andreae, the most skilful and famous of Dürer’s wood engravers, caused the Council the same kind of alarm and concern. He took part with the peasants in their rebellion; but rebellion against a known authority was more pardonable than that against the unknown, or else his services were of greater value. At any rate he was pardoned not once but many times, being apparently an obstreperous character.
III
If we can form no conjecture as to Dürer’s relations with his heretical aids, we have evidence as to his relations with their judges; for in 1524 he wrote to the Town Council thus:
Prudent, honourable and wise, most gracious Masters, — During long years, by hardworking pains and labour under Gods blessing, I have saved out of my earnings as much as 1000 florins Rhenish, which I should now be glad to invest for my support.
I know, indeed, that your Honours are not often wont at the present time to grant interest at the rate of one florin for twenty; and I have been told that before now other applications of a like kind have been refused. It is not, therefore, without scruple that I address your Honours in this matter. Yet my necessities impel me to prefer this request to your Honours, and I am encouraged to do so above all by the particularly gracious favour which I have always received from your Honourable Wisdoms, as well as by the following considerations.
Your Wisdoms know how I have always hitherto shown myself dutiful, willing, and zealous in all matters that concerned your Wisdoms and the common weal of the town. You know, moreover, how, before now, I have served many individual members of the Council, as well as of the community here, gratuitously rather than for pay, when they stood in need of my help, art, and labour. I can also write with truth that, during the thirty years I have stayed at home, I have not received from people in this town work worth 500 florins — truly a trifling and ridiculous sum — and not a fifth part of that has been profit. I have, on the contrary, earned and attained all my property (which, God knows, has grown irksome to me) from Princes, Lords, and other foreign persons, so that I only spend in this town what I have earned from foreigners.
Doubtless, also, your Honours remember that at one time Emperor Maximilian, of most praiseworthy memory, in return for the manifold services which I had performed for him, year after year, of his own impulse and imperial charity wanted to make me free of taxes in this town. At the instance, however, of some of the elder Councillors, who treated with me in the matter in the name of the Council, I willingly resigned that privilege, in order to honour the said Councillors and to maintain their privileges, usages, and rights.
Again, nineteen years ago, the government of Venice offered to appoint me to an office and to give me a salary of 200 ducats a year. So, too, only a short time ago when I was in the Netherlands, the Council of Antwerp would have given me 300 Philipsgulden a year, kept me there free of taxes, and honoured me with a well-built house; and besides I should have been paid in addition at both places for all the work I might have done for the gentry. But I declined all this, because of the particular love and affection which I bear to your honourable Wisdoms and to my fatherland, this honourable town, preferring, as I did, to live under your Wisdoms in a moderate way rather than to be rich and held in honour in other places.
It is, therefore, my most submissive prayer to your Honours, that you will be pleased graciously to take these facts into consideration, and to receive from me on my account these 1000 florins, paying me 50 florins a year as interest. I could, indeed, place them well with other respectable parties here and elsewhere, but I should prefer to see them in the hands of your Wisdoms. I and my wife will then, now that we are both growing daily older, feebler, and more helpless, possess the certainty of a fitting household for our needs; and we shall experience thereby, as formerly, your honourable Wisdoms’ favour and goodwill. To merit this from your Honours with all my powers I shall ever be found willing.
Your Wisdoms’ willing, obedient burgher,
ALBRECHT DÜRER.
Dürer obtained the desired five per cent. on his savings annually until his death, and afterwards his widow received four per cent. until her death.
In 1526 the grateful artist finished and dedicated to his fellow-townsmen his most important picture, representing the four temperaments in the persons of St. John, St. Peter, St. Paul, and St. Mark; he wrote thus to the Council:
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