And also herein may be discerned that nostalgia for color and warmth and beauty which explains this boy’s nomadic instincts.
“We should have a land of sun,
Of gorgeous sun,
And a land of fragrant water
Where the twilight
Is a soft bandanna handkerchief
Of rose and gold,
And not this land where life is cold,”
he sings. Again, he tells his dream:
“To fling my arms wide
In the face of the sun,
Dance! whirl! whirl!
Till the quick day is done.
Rest at pale evening.…
A tall, slim tree.…
Night coming tenderly,
Black like me.”
More of this wistful longing may be discovered in the poems entitled The South and As I Grew Older. His verses, however, are by no means limited to an exclusive mood; he writes caressingly of little black prostitutes in Harlem; his cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race in Cross and The Jester; he sighs, in one of the most successful of his fragile poems, over the loss of a loved friend. Always, however, his stanzas are subjective, personal. They are the (I had almost said informal, for they have a highly deceptive air of spontaneous improvisation) expression of an essentially sensitive and subtly illusive nature, seeking always to break through the veil that obscures for him, at least in some degree, the ultimate needs of that nature.
To the Negro race in America, since the day when Phillis Wheatley indited lines to General George Washington and other aristocratic figures (for Phillis Wheatley never sang “My way’s cloudy,” or “By an’ by, I’m goin’ to lay down dis heavy load”) there have been born many poets. Paul Laurence Dunbar, James Weldon Johnson, Claude McKay, Jean Toomer, Georgia Douglas Johnson, Countée Cullen, are a few of the more memorable names. Not the least of these names, I think, is that of Langston Hughes, and perhaps his adventures and personality offer the promise of as rich a fulfillment as has been the lot of any of the others.
—CARL VAN VECHTEN
New York
August 3, 1925
PROEM
I am a Negro:
Black as the night is black,
Black like the depths of my Africa.
I’ve been a slave:
Cæsar told me to keep his door-steps clean.
I brushed the boots of Washington.
I’ve been a worker:
Under my hand the pyramids arose.
I made mortar for the Woolworth Building.
I’ve been a singer:
All the way from Africa to Georgia
I carried my sorrow songs.
I made ragtime.
I’ve been a victim:
The Belgians cut off my hands in the Congo.
They lynch me now in Texas.
I am a Negro:
Black as the night is black,
Black like the depths of my Africa.
THE WEARY BLUES
THE WEARY BLUES
Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway.…
He did a lazy sway.…
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man’s soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
“Ain’t got nobody in all this world,
Ain’t got nobody but ma self.
I’s gwine to quit ma frownin’
And put ma troubles on the shelf.”
Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
“I got the Weary Blues
And I can’t be satisfied.
Got the Weary Blues
And can’t be satisfied—
I ain’t happy no mo’
And I wish that I had died.”
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that’s dead.
JAZZONIA
Oh, silver tree!
Oh, shining rivers of the soul!
In a Harlem cabaret
Six long-headed jazzers play.
A dancing girl whose eyes are bold
Lifts high a dress of silken gold.
Oh, singing tree!
Oh, shining rivers of the soul!
Were Eve’s eyes
In the first garden
Just a bit too bold?
Was Cleopatra gorgeous
In a gown of gold?
Oh, shining tree!
Oh, silver rivers of the soul!
In a whirling cabaret
Six long-headed jazzers play.
NEGRO DANCERS
“Me an’ ma baby’s
Got two mo’ ways,
Two mo’ ways to do de Charleston!
Da, da,
Da, da, da!
Two mo’ ways to do de Charleston!”
Soft light on the tables,
Music gay,
Brown-skin steppers
In a cabaret.
White folks, laugh!
White folks, pray!
“Me an’ ma baby’s
Got two mo’ ways,
Two mo’ ways to do de Charleston!”
THE CAT AND THE SAXOPHONE (2 A. M.)
EVERYBODY
Half-pint,—
Gin?
No, make it
LOVES MY BABY
corn. You like
liquor,
don’t you, honey?
BUT MY BABY
Sure. Kiss me,
DON’T LOVE NOBODY
daddy.
BUT ME.
Say!
EVERYBODY
Yes?
WANTS MY BABY
I’m your
BUT MY BABY
sweetie, ain’t I?
DON’T WANT NOBODY
Sure.
BUT
Then let’s
ME,
do it!
SWEET ME.
Charleston,
mamma!
!
YOUNG SINGER
One who sings “chansons vulgaires”
In a Harlem cellar
Where the jazz-band plays
From dark to dawn
Would not understand
Should you tell her
That she is like a nymph
For some wild faun.
CABARET
Does a jazz-band ever sob?
They say a jazz-band’s gay.
Yet as the vulgar dancers whirled
And the wan night wore away,
One said she heard the jazz-band sob
When the little dawn was grey.
TO MIDNIGHT NAN AT LEROY’S
Strut and wiggle,
Shameless gal.
Wouldn’t no good fellow
Be your pal.
Hear dat music.…
Jungle night.
Hear dat music.…
And the moon was white.
Sing your Blues song,
Pretty baby.
You want lovin’
And you don’t mean maybe.
Jungle lover.…
Night black boy.…
Two against the moon
And the moon was joy.
Strut and wiggle,
Shameless Nan.
Wouldn’t no good fellow
Be your man.
TO A LITTLE LOVER-LASS, DEAD
She
Who searched for lovers
In the night
Has gone the quiet way
Into the still,
Dark land of death
Beyond the rim of day.
Now like a little lonely waif
She walks
An endless street
And gives her kiss to nothingness.
Would God his lips were sweet!
HARLEM NIGHT CLUB
Sleek black boys in a cabaret.
Jazz-band, jazz-band,—
Play, plAY, PLAY!
Tomorrow.… who knows?
Dance today!
White girls’ eyes
Call gay black boys.
Black boys’ lips
Grin jungle joys.
Dark brown girls
In blond men’s arms.
Jazz-band, jazz-band,—
Sing Eve’s charms!
White ones, brown ones,
What do you know
About tomorrow
Where all paths go?
Jazz-boys, jazz-boys,—
Play, plAY, PLAY!
Tomorrow.… is darkness.
Joy today!
NUDE YOUNG DANCER
What jungle tree have you slept under,
Midnight dancer of the jazzy hour?
What great forest has hung its perfume
Like a sweet veil about your bower?
What jungle tree have you slept under,
Night-dark girl of the swaying hips?
What star-white moon has been your mother?
To what clean boy have you offered your lips?
YOUNG PROSTITUTE
Her dark brown face
Is like a withered flower
On a broken stem.
Those kind come cheap in Harlem
So they say.
TO A BLACK DANCER IN “THE LITTLE SAVOY”
Wine-maiden
Of the jazz-tuned night,
Lips
Sweet as purple dew,
Breasts
Like the pillows of all sweet dreams,
Who crushed
The grapes of joy
And dripped their juice
On you?
SONG FOR A BANJO DANCE
Shake your brown feet, honey,
Shake your brown feet, chile,
Shake your brown feet, honey,
Shake ’em swift and wil’—
Get way back, honey,
Do that low-down step.
Walk on over, darling,
Now! Come out
With your left.
Shake your brown feet, honey,
Shake ’em, honey chile.
Sun’s going down this evening—
Might never rise no mo’.
The sun’s going down this very night—
Might never rise no mo’—
So dance with swift feet, honey,
(The banjo’s sobbing low)
Dance with swift feet, honey—
Might never dance no mo’.
Shake your brown feet, Liza,
Shake ’em, Liza, chile,
Shake your brown feet, Liza,
(The music’s soft and wil’)
Shake your brown feet, Liza,
(The banjo’s sobbing low)
The sun’s going down this very night—
Might never rise no mo’.
BLUES FANTASY
Hey! Hey!
That’s what the
Blues singers say.
Singing minor melodies
They laugh,
Hey! Hey!
My man’s done left me,
Chile, he’s gone away.
My good man’s left me,
Babe, he’s gone away.
Now the cryin’ blues
Haunts me night and day.
Hey!…Hey!
Weary,
Weary,
Trouble, pain.
Sun’s gonna shine
Somewhere
Again.
I got a railroad ticket,
Pack my trunk and ride.
Sing ’em, sister!
Got a railroad ticket,
Pack my trunk and ride.
And when I get on the train
I’ll cast my blues aside.
Laughing,
Hey!…Hey!
Laugh a loud,
Hey! Hey!
LENOX AVENUE: MIDNIGHT
The rhythm of life
Is a jazz rhythm,
Honey.
The gods are laughing at us.
The broken heart of love,
The weary, weary heart of pain,—
Overtones,
Undertones,
To the rumble of street cars,
To the swish of rain.
Lenox Avenue,
Honey.
Midnight,
And the gods are laughing at us.
DREAM VARIATIONS
DREAM VARIATION
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me,—
That is my dream!
To fling my arms wide
In the face of the sun,
Dance! whirl! whirl!
Till the quick day is done.
Rest at pale evening.…
A tall, slim tree.…
Night coming tenderly
Black like me.
WINTER MOON
How thin and sharp is the moon tonight!
How thin and sharp and ghostly white
Is the slim curved crook of the moon tonight!
POÈME D’AUTOMNE
The autumn leaves
Are too heavy with color.
The slender trees
On the Vulcan Road
Are dressed in scarlet and gold
Like young courtesans
Waiting for their lovers.
But soon
The winter winds
Will strip their bodies bare
And then
The sharp, sleet-stung
Caresses of the cold
Will be their only
Love.
FANTASY IN PURPLE
Beat the drums of tragedy for me.
Beat the drums of tragedy and death.
And let the choir sing a stormy song
To drown the rattle of my dying breath.
Beat the drums of tragedy for me,
And let the white violins whir thin and slow,
But blow one blaring trumpet note of sun
To go with me
to the darkness
where I go.
MARCH MOON
The moon is naked.
The wind has undressed the moon.
The wind has blown all the cloud-garments
Off the body of the moon
And now she’s naked,
Stark naked.
But why don’t you blush,
O shameless moon?
Don’t you know
It isn’t nice to be naked?
JOY
I went to look for Joy,
Slim, dancing Joy,
Gay, laughing Joy,
Bright-eyed Joy,—
And I found her
Driving the butcher’s cart
In the arms of the butcher boy!
Such company, such company,
As keeps this young nymph, Joy!
THE NEGRO SPEAKS OF RIVERS
THE NEGRO SPEAKS OF RIVERS
(To W
. E. B. DuBois)
I’ve known rivers:
I’ve known rivers ancient as the world and older than the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I’ve seen its muddy bosom turn all golden in the sunset.
I’ve known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
CROSS
My old man’s a white old man
And my old mother’s black.
If ever I cursed my white old man
I take my curses back.
If ever I cursed my black old mother
And wished she were in hell,
I’m sorry for that evil wish
And now I wish her well.
My old man died in a fine big house.
My ma died in a shack.
I wonder where I’m gonna die,
Being neither white nor black?
THE JESTER
In one hand
I hold tragedy
And in the other
Comedy,—
Masks for the soul.
The Weary Blues Page 2