I did not sleep for long, no more than a few minutes, but this time I definitely dreamed. There was no nightmarish scenery in this dream, no threatening scenarios. Only darkness…darkness and a voice. The voice was that of Quinn. He was calling out to me from a great distance, a distance that did not seem a matter of physical space but one of immeasurable and alien dimensions. His words were distorted, as if passing through some medium that was misshaping them, turning human sounds into a beastlike rasping—the half-choking and half-shrieking voice of a thing being slowly and methodically wounded. First he called my name several times in the wild modulations of a coarse scream. Then he said, as well as I can remember: “Stopped watching for them…fell asleep…where are you…help us…they’re dreaming too…they’re dreaming…shaping things with their dreams…”
I awoke and the first thing I saw was what seemed a great shapeless mass of color, which was only the giant images of the film. My eyes focused and I looked down the rows toward Quinn. He seemed to be slumped over very low in his seat or was nodding somehow, the top of his head much too near his shoulders. A mound of movement struggled on the other side of the seat, emerging sideways into the aisle. I could see it easily, its faint luminosity at first appearing to my vision as a reflection of the colors flickering erratically on the movie screen. But because of the diminished size and strange proportions, I could not be sure if it was Quinn or someone else. The bottom of his overcoat dragged along the floor, its sleeves hanging loose and handless, its collar caving in. The thing fought to take each awkward step, as if it did not have full control of its motion, like a marionette jerking this way and that way as it labors forth. Its glow seemed to be gaining in radiance now, a pulsing opalescent aura that crawled or flowed all around the lumbering dwarf.
I might still be in a dream, I reminded myself. This might be a distorted after-vision, a delirious blend of images derived from nightmare, imagination, and that enormous stain of colors at the front of the dark auditorium in which I had just awakened. I tried to collect myself, to focus upon the thing that was disappearing behind that thick curtain beneath the lighted exit sign.
I followed, passing through the opening in the frayed and velvety curtain. Beyond the curtain was a cement stairway leading up to the metal door that was now swinging closed. Halfway up the stairs I saw a familiar shoe which must have been lost in Quinn’s frantic yet retarded haste. Where was he running and from what? These were my only thoughts now, without consideration of the pure strangeness of the situation. I had abandoned all connections to any guiding set of norms by which to judge reality or unreality, and merely accepted everything. However, all that was needed to shatter this acceptance waited outside—something of total unacceptability, an ascent upon the infinite and rickety scaffold of estrangement. After I stepped out the door at the top of the stairs, I discovered that the previous events of that night had only served as a springboard into other realms, a point of departure from a world now diminishing with a furious velocity behind me.
The area outside the theater was unlit but nonetheless was not dark. Something was shining in a long narrow passageway between the theater and an adjacent building. This was where he had gone. Illumination was there, and sounds.
From around the corner’s edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not bum vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it.
The entire experience was temporally rather brief, though its unreal quality made it seem of an indefinite duration—the blink of an eye or an eon. Suddenly the brightness ceased flowing out from the other side of the wall, as if some strange spigot had been abruptly turned off somewhere. The screaming had also stopped. I stood in the silence and moonlit darkness behind the theater. Immediately I rushed around the corner of the building, but everything was now hopelessly safe, beyond rescue or recovery.
There was, in fact, nothing there. Nothing to relieve my sense of doubt as to what exactly had happened. (Though not a mere novitiate of the unreal, I have had my moments of dazed astonishment.) But perhaps there was one thing. On the ground was a burnt-out patch of earth, a shapeless and bare spot that was deprived of the weeds and litter that covered the surrounding area. Possibly it was only a place from which some object had recently been removed, spirited off, leaving the earth beneath it vacant and dead. For a moment, when I first looked at the spot, it seemed to twinkle with a faint luminosity. Possibly I only imagined its outline as being that of a human silhouette, though one contorted in such a way that it might also have been mistaken for other things, other shapes. In any case, whatever had been there was now gone.
And around this barren little swatch of ground was only trash: newspapers mutilated by time and the elements; brown bags reduced by decay to their primal pulp; thousands of cigarette butts; and one item of debris that was almost new and had yet to have any transformations worked upon it. It was a thin book-like box. I picked it up. There were still two fresh cigars in it.
3.
I do not recall making my way back to the apartment that night, but I woke up there the next morning. When I saw the sunlight shafting through my bedroom window, the enormous divide between night and day seemed comfortingly unbridgeable. Then I realized I had fallen asleep with all my clothes on and the connection was made once again. I jumped out of bed and stumbled over to my roommate’s room, which of course was empty. For a moment I had entertained the protective thought that I had dreamed the events of the night before. Or perhaps dream merely overlapped reality in certain places—props and stage sets from one having been deceptively transferred in my memory to the other. On another hand, maybe everything I recalled was just one dream mingling with its own kind, all of it lacking any point of contact with real facts and experiences, whatever they might finally be.
One fact, however, was later established: Quinn never returned to the apartment. After a few days I reported him as missing to the Nortown police. Before doing this I destroyed the notebook in his room, for in a fit of paranoia I thought the police would find it in the course of their investigations and then ask some rather uncomfortable questions. I did not want to explain to them things that they simply would not believe, especially activities indulged in that final night. This would only have erroneously cast suspicion upon myself. Fortunately, the Nortown authorities are notoriously lax in their official functions. As it turned out, the police asked very few questions and never came around to the apartment.
After Quinn’s disappearance I immediately began looking for another apartment. And although my roommate was gone, the strange dreams continued during my last days at the old residence. But these dreams were different in some particulars. The general backdrop was much the same nightmare expanse, but now I viewed it from some mysterious distance outside the dream. It was actually more like watching a film than dreaming, and they did not seem to be my own dreams at all. Perhaps these were Quinn’s leftover visions or terrors still haunting the apartment, for he played the dreams’ central role. Perhaps
it was in these dreams that I continued to follow Quinn beyond the point at which I lost him. For at that point I imagined him as already starting to change, and in my last dreams he changed further.
He no longer bore any resemblance to my former roommate, though with dreamlike omniscience I knew it was he. His shape kept changing, or rather was deliberately being changed by those kaleidoscopic beasts. Playing out a scene from some Boschian hell, the tormenting demons encircled their victim and were dreaming him. They dreamed him through a hideous series of grotesque transfigurations, maliciously altering the screaming mass of the damned soul. They were dreaming things out of him and dreaming things into him. Finally, the purpose of their transformations became apparent. They were torturing their victim through a number of stages which would ultimately result in his becoming one of them, fulfilling his most fearful and obsessive vision. I no longer recognized him but saw that there was now one more glittering beast that took its place with the others and frolicked among them.
This was the last dream I had before leaving the apartment. There have been no others—at least none that have troubled my own sleep. I cannot say the same for that of my new roommate, who rages in his slumber night after night. Once or twice he has attempted to communicate to me his strange visions and the company into which they have led him. But he can see that I myself am not afflicted with the same disease of dreams. Perhaps he will never suspect that I am now its carrier.
THE MYSTICS OF MUELENBURG
If things are not what they seem and we are forever reminded that this is the case—then it must also be observed that enough of us ignore this truth to keep the world from collapsing. Though never exact, always shifting somewhat, the proportion is crucial. For a certain number of minds are fated to depart for realms of delusion, as if in accordance with some hideous timetable, and many will never be returning to us. Even among those who remain, how difficult it can be to hold the focus sharp, to keep the picture of the world from fading, from blurring in selected zones and, on occasion, from sustaining epic deformations over the entire visible scene.
I once knew a man who claimed that, overnight, all the solid shapes of existence had been replaced by cheap substitutes: trees made of flimsy posterboard, houses built of colored foam, whole landscapes composed of hair-clippings. His own flesh, he said, was now just so much putty. Needless to add, this acquaintance had deserted the cause of appearances and could no longer be depended on to stick to the common story. Alone he had wandered into a tale of another sort altogether; for him, all things now participated in this nightmare of nonsense. But although his revelations conflicted with the lesser forms of truth, nonetheless he did live in the light of a greater truth: that all is unreal. Within him this knowledge was vividly present down to his very bones, which had been newly simulated by a compound of mud and dust and ashes.
In my own case, I must confess that the myth of a natural universe—that is, one that adheres to certain continuities whether we wish them or not—was losing its grip on me and was gradually being supplanted by a hallucinatory view of creation. Forms, having nothing to offer except a mere suggestion of firmness, declined in importance; fantasy, that misty domain of pure meaning, gained in power and influence. This was in the days when esoteric wisdom seemed to count for something in my mind, and I would willingly have sacrificed a great deal in its pursuit. Hence, my interest in the man who called himself Klaus Klingman; hence, too, that brief yet profitable association between us, which came about through channels too twisted to recall.
Without a doubt, Klingman was one of the illuminati and proved this many times over in various psychic experiments, particularly those of the séance type. For those outside scientific circles, I need only mention the man who was severally known as Nemo the Necromancer, Marlowe the Magus, and Master Marinetti, each of whom was none other than Klaus Klingman himself. But Klingman’s highest achievement was not a matter of public spectacle and consisted entirely of this private triumph: that he had attained, by laborious effort, an unwavering acceptance of the spectral nature of things, which to him were neither what they seemed to be nor were they quite anything at all.
Klingman lived in the enormous upper story of a warehouse that had been part of his family’s legacy to him, and there I often found him wandering amidst a few pieces of furniture and the cavernous wasteland of dim and empty storage space. Collapsing into an ancient armchair, reposing far beneath crumbling rafters, he would gaze beyond the physical body of his visitor, his eyes surveying remote worlds and his facial expression badly disorganized by dreams and large quantities of alcohol. “Fluidity, always fluidity,” he shouted out, his voice carrying through the expansive haze around us, which muted daylight into dusk. The embodiment of his mystic precepts, he appeared at any given moment to be on the verge of an amazing disintegration, his particular complex of atoms ready to go shooting off into the great void like a burst of fireworks.
We discussed the dangers—for me and for the world—of adopting a visionary program of existence. “The chemistry of things is so delicate,” he warned. “And this word chemistry, what does it mean but a mingling, a mixing, a gushing together? Things that people fear.” Indeed, I had already suspected the hazards of his company, and, as the sun was setting over the city beyond the great windows of the warehouse, I became afraid. With an uncanny perception of my feelings, Klingman pointed at me and bellowed:
“The worst fear of the race—yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth—to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal voice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: ‘Lay down your burden.’ Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak…sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?”
“And you?” I asked.
“I?”
“Yes, don’t you shoulder the universe in your own way?”
“Not at all,” he replied, smiling and sitting up in his chair as on a throne. “I am a lucky one, parasite of chaos, maggot of vice. Where I live is nightmare, thus a certain nonchalance. In a previous life, you know, I may actually have been at Muelenburg before it was lost in the delirium of history. Who can say? Smothered by centuries now. But there was an opportunity, a moment of distraction in which so much was nearly lost forever, so many lost in that medieval gloom, catastrophe of dreams. How their minds wandered in the shadows even as their bodies were seemingly bound to narrow rutted streets and apparently safeguarded by the spired cathedral which was erected between 1365 and 1399. A rare and fortuitous juncture when the burden of the heavens was heaviest—so much to keep in its place—and the psyche so ill-developed, so easily taxed and tempted away from its labors. But they knew nothing about that, and never could. They only knew the prospect of absolute terror.”
“In Muelenburg”, I said, hoping to draw his conversation outward before it twisted further into itself. “You said the cathedral.”
“I see the cathedral, the colossal vault above, the central aisle stretching out before us. The woodcarvings leer down from dark corners, animals and freaks, men in the mouths of demons. Are you taking notes again? Fine, then take notes. Who knows what you will remember of all this? Or will memory help you at all? In any case we are already there, sitting among the smothered
sounds of the cathedral. Beyond the jeweled windows is the town in twilight.”
Twilight, as Klingman explained and I must paraphrase, had come upon Muelenburg somewhat prematurely on a certain day deep into the autumn season. Early that afternoon, clouds had spread themselves evenly above the region surrounding the town, withholding heaven’s light and giving a dull appearance to the landscape of forests, thatched farmhouses, and windmills standing still against the horizon. Within the high stone walls of Muelenburg itself, no one seemed particularly troubled that the narrow streets—normally so cluttered with the pointed shadows of peaked roofs and jutting gables at this time of day—were still immersed in a lukewarm dimness which turned merchants’ brightly colored signs into faded artifacts of a dead town and which made faces look as if they were fashioned in pale clay. And in the central square—where the shadow from the clock-tower of the town hall at times overlapped those cast by the twin spires of the cathedral on the one hand, or the ones from high castle turrets looming at the border of the town on the other—there was only grayness undisturbed.
Where were the minds of the townspeople? How had they ceased paying homage to the ancient order of things? And when had the severing taken place that sent their world drifting on strange waters?
For some time they remained innocent of the disaster, going about their ways as the ashen twilight lingered far too long, as it encroached upon the hours that belonged to evening and suspended the town between day and night. Everywhere windows began to glow with the yellow light of lamps, creating the illusion that darkness was imminent. Any moment, it seemed, the natural cycle would relieve the town of the prolonged dusk it had suffered that autumn day. How well received the blackness would have been by those who waited silently in sumptuous chambers or humble rooms, for no one could bear the sight of Muelenburg’s twisting streets in that eerie, overstaying twilight. Even the nightwatchman shirked his nocturnal routine. And when the bells of the abbey sounded for the monks’ midnight prayers, each toll spread like an alarm throughout the town still held in the strange luminousness of the gloaming.
The Nightmare Factory Page 37