The Nightmare Factory

by Thomas Ligotti

  I could see him through the paned windows of the front door, the eyes of his thin face squinting into the dimness of the medicine shop. With his right hand he kept beckoning, as if this incessant gesturing alone could bring me to open the door for him. Another person is about to enter the place where one of these visits is occurring, I thought to myself. But there seemed to be nothing I could do, nothing I could say, not with the clown puppet only a few feet away in the back room. I stepped around the counter of the medicine shop, unlocked the front door, and let Mr. Vizniak inside. As the old man shuffled in I could see that he was wearing an old robe with torn pockets and a pair of old slippers.

  “Everything is all right,” I whispered to him. And then I pleaded: “Go back to bed. We can talk about it in the morning.”

  But Mr. Vizniak seemed to have heard nothing that I said to him. From the moment he entered the medicine shop he appeared to be in some unusual state of mind. His whole manner had lost the vital urgency he displayed when he was rapping at the door and beckoning to me. He pointed one of his pale, crooked fingers upward and slowly gazed around the shop. “The light…the light,” he said as the reddish-gold illumination shone on his thin, wrinkled face, making it look as if he were wearing a mask that had been hammered out of some strange metal, some ancient mask behind which his old eyes were wide and bright with fear.

  “Tell me what happened,” I said, trying to distract him. I had to repeat myself several times before he finally responded. “I thought I heard someone in my room upstairs,” he said in a completely toneless voice. “They were going through my things. I thought I might have been dreaming, but I was awake when I heard something going down the stairs. Not footsteps,” he said. “Just something quietly brushing against the stairs. I wasn’t sure. I didn’t come down right away.”

  “I didn’t hear anyone come down the stairs,” I said to Mr. Vizniak, who now seemed lost in a long pause of contemplation. “I didn’t see anyone on the street outside. You were probably just dreaming. Why don’t you go back to bed and forget about everything,” I said. But Mr. Vizniak no longer seemed to be listening to me. He was staring at the curtained doorway leading to the back room of the medicine shop.

  “I have to use the toilet,” he said while continuing to stare at the curtained doorway.

  “You can go back to your room upstairs,” I suggested.

  “No,” he said. “Back there. I have to use the toilet.”

  Then he began shuffling toward the back room, his old slippers lightly brushing against the floor of the medicine shop. I called to him, very quietly, a number of times, but he continued to move steadily toward the back room, as if he were in a trance. In a few moments he had disappeared behind the curtain.

  I thought that Mr. Vizniak might not find anything in the back room of the medicine shop. I thought that he might see only the bottles and jars and boxes upon boxes of medicines. Perhaps the visit has already ended, I thought. It occurred to me that the visit could have ended the moment the puppet creature went behind the curtain of the doorway leading to the back room. I thought that Mr. Vizniak might return from the back room, after having used the toilet, and go upstairs again to his rooms above the medicine shop. I thought all kinds of nonsense in the last few moments of that particular visit from the clown puppet.

  But in a number of its significant aspects this was unlike any of the previous puppet visits I had experienced. I might even claim that I was not the one whom the puppet creature was visiting on this occasion, or at least not exclusively so. Even though I had always felt that my encounters with the clown puppet were nothing but the most outrageous nonsense, the very nadir of the nonsensical, as I have said, I nonetheless always had the haunting sense of being singled out in some way from all others of my kind, of being cultivated for some special fate. But after Mr. Vizniak disappeared behind the curtained doorway I discovered how wrong I had been. Who knows how many others there were who might say that their existence consisted of nothing but the most outrageous nonsense, a nonsense that had nothing unique about it at all and that had nothing behind it or beyond it except more and more nonsense—a new order of nonsense, perhaps an utterly unknown nonsense, but all of it nonsense and nothing but nonsense.

  Every place I had been was only a place for puppet nonsense. The medicine shop was only a puppet place like all the others. I came there to work behind the counter and wait for my visit, but I had no idea until that night that Mr. Vizniak was also waiting for his. Upon reflection, it seemed that he knew what was behind the curtained doorway leading to the back room of the medicine shop, and that he also knew there was no longer any place to go except behind that curtain, since any place he could ever go would only be another puppet place. Yet it still seemed he was surprised by what he found back there. And this is the most outrageously nonsensical thing of all—that he should have stepped behind the curtain and cried out with such profound surprise as he did. You, he said, or rather, cried out. Get away from me. These were the last words that I heard clearly before Mr. Vizniak’s voice faded quickly out of earshot, as though he were being carried away at incredible velocity toward some great height.

  When morning finally came, and I looked behind the curtain, there was no one there. I told myself at that moment that I would not be so surprised when my time came. No doubt, Mr. Vizniak, at some time, had told himself the same, utterly nonsensical, thing.

  THE RED TOWER

  The ruined factory stood three stories high in an otherwise featureless landscape. Although somewhat imposing on its own terms, it occupied only the most unobtrusive place within the gray emptiness of its surroundings, its presence amounting to no more than a faint smudge of color upon a desolate horizon. No road led to the factory, nor were there any traces of one that might have led to it at some time in the distant past. If there had ever been such a road it would have been rendered useless as soon as it arrived at one of the four, red-bricked sides of the factory, even in the days when the facility was in full operation. The reason for this was simple: no doors had been built into the factory, no loading docks or entranceways allowed penetration of the outer walls of the structure, which was solid brick on all four sides without even a single window below the level of the second floor. The phenomenon of a large factory so closed off from the outside world was a point of extreme fascination to me. It was almost with regret that I ultimately learned about the factory’s subterranean access. But of course that revelation in its turn also became a source for my truly degenerate sense of amazement, my decayed fascination.

  The factory had long been in ruins, its innumerable bricks worn and crumbling, its many windows shattered. Each of the three enormous stories that stood above the ground level was vacant of all but dust and silence. The machinery, which densely occupied the three floors of the factory as well as considerable space beneath it, is said to have evaporated, I repeat, evaporated, soon after the factory ceased operation, leaving behind it only a few spectral outlines of deep vats and tanks, twisting tubes and funnels, harshly grinding gears and levers, giant belts and wheels that could be most clearly seen at twilight—and later, not at all. According to these strictly hallucinatory accounts, the whole of the Red Tower, as the factory was known, had always been subject to fadings at certain times. This phenomenon, in the delirious or dying words of several witnesses, was due to a profound hostility between the noisy and malodorous operations of the factory and the desolate purity of the landscape surrounding it, the conflict occasionally resulting in temporary erasures, or fadings, of the former by the latter.

  Despite their ostensibly mad or credulous origins, these testimonies, it seemed to me, deserved more than a cursory hearing. The legendary conflict between the factory and the grayish territory surrounding it may very well have been a fabrication of individuals who were lost in the advanced stages of either physical or psychic deterioration. Nonetheless, it was my theory, and remains so, that the Red Tower was not always that peculiar color for which it ultimately e
arned its fame. Thus the encrimsoning of the factory was a betrayal, a breaking-off, for it is my postulation that this ancient structure was in long-forgotten days the same pale hue as the world which encompassed it. Furthermore, with an insight born of dispassion to the point of total despair, I envisioned that the Red Tower was never solely devoted to the lowly functions of an ordinary factory.

  Beneath the three soaring stories of the Red Tower were two, possibly three, other levels. The one immediately below the ground floor of the factory was the nexus of a unique distribution system for the goods which were manufactured on all three of the floors above. This first subterranean level in many ways resembled, and functioned in the manner of, an old-fashioned underground mine. Elevator compartments enclosed by a heavy wire mesh, twisted and corroded, descended far below the surface into an expansive chamber which had been crudely dug out of the rocky earth and was haphazardly perpetuated by a dense structure of supports, a criss-crossing network of posts and pillars, beams and rafters, that included a variety of materials—wood, metal, concrete, bone, and a fine sinewy webbing that was fibrous and quite firm. From this central chamber radiated a system of tunnels that honeycombed the land beneath the gray and desolate country surrounding the Red Tower. Through these tunnels the goods manufactured by the factory could be carried, sometimes literally by hand, but more often by means of small wagons and carts, reaching near and far into the most obscure and unlikely delivery points.

  The trade that was originally produced by the Red Tower was in some sense remarkable, but not, at first, of an extraordinary or especially ambitious nature. These were a gruesome array of goods that could perhaps best be described as novelty items. In the beginning there was a chaotic quality to the objects and constructions produced by the machinery at the Red Tower, a randomness that yielded formless things of no consistent shape or size or apparent design. Occasionally there might appear a particular ashen lump that betrayed some semblance of a face or clawing fingers, or perhaps an assemblage that looked like a casket with tiny irregular wheels, but for the most part the early productions seemed relatively innocuous. After a time, however, things began to fall into place, as they always do, rejecting a harmless and uninteresting disorder—never an enduring state of affairs—and taking on the more usual plans and purposes of a viciously intent creation.

  So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual’s death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling “hands” were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.

  As it was revealed to me, and as I have already revealed to you, the means of distributing the novelty goods fabricated at the Red Tower was a system of tunnels located on the first level, not the second (or, possibly, third), that had been excavated below the three-story factory building itself. It seems that these subterranean levels were not necessarily part of the original foundation of the factory but were in fact a perverse and unlikely development that might have occurred only as the structure known as the Red Tower underwent, over time, its own mutation from some prior state until it finally became a lowly site for manufacturing. This mutation would then have demanded the excavating—whether from above or below I cannot say—of a system of tunnels as a means for distributing the novelty goods which, for a time, the factory produced.

  As the unique inventions of the Red Tower achieved their final forms, they seemed to have some peculiar location to which they were destined to be delivered, either by hand or by small wagons or carts pulled over sometimes great distances through the system of underground tunnels. Where they might ultimately pop up was anybody’s guess. It might be in the back of a dark closet, buried under a pile of undistinguished junk, where some item of the highest and most extreme novelty would lie for quite some time before it was encountered by sheer accident or misfortune. Conversely, the same invention, or an entirely different one, might be placed on the night-table beside someone’s bed for near-immediate discovery. Any delivery point was possible, none was out of the reach of the Red Tower. There has even been testimony, either intensely hysterical or semi-conscious, of items from the factory being uncovered within the shelter of a living body, or one not long deceased. I know that such an achievement was within the factory’s powers, given its later production history. But my own degenerate imagination is most fully captured by the thought of how many of those monstrous novelty goods produced at the Red Tower had been scrupulously and devoutly delivered—solely by way of those endless underground tunnels—to daringly remote places where they would never be found, nor ever could be.

  Just as a system of distribution tunnels had been created by the factory when it developed into a manufacturer of novelty goods, an expansion of this system was required as an entirely new phase of production gradually evolved. Inside the wire-mesh elevator compartment that provided access between the upper region of the factory and the underground tunnels, there was now a special lever installed which, when pulled back, or possibly pushed forward (I do not know such details), enabled one to descend to a second subterranean level. This latterly excavated area was much smaller, far more intimate, than the one directly above it, as could be observed the instant the elevator compartment came to a stop and a full view of things was attained. The scene which now confronted the uncertain minds of witnesses was, in many ways, like that of a secluded graveyard, one surrounded by a rather crooked fence of widely spaced pickets held together by rusty wire. The headstones inside the fence all closely pressed against one another and were quite common, though somewhat antiquated, in their design. However, there were no names or dates inscribed on these monuments, nothing at all, in fact, with the exception of some rudimentary and abstract ornamentation. This could be verified only when the subterranean graveyard was closely approached, for the lighting at this level was dim and unorthodox, provided exclusively by the glowing stone walls enclosing the area. These walls seemed to have been covered with phosphorescent paint which bathed the graveyard in a cloudy, grayish haze. For the longest time—how long I cannot say—my morbid reveries were focused on this murky vision of a graveyard b
eneath the factory, a subterranean graveyard surrounded by a crooked picket fence and suffused by the highly defective illumination given off by phosphorescent paint applied to stone walls. For the moment I must emphasize the vision itself, without any consideration paid to the utilitarian purposes of this place, that is, the function it served in relation to the factory above it.