The moment he perceived her he ran to her with open arms, blessing the happy moment that presented her again to his sight, and heaping benedictions on the generous Beast who had permitted him to return; he looked about for him in every direction, to offer him his most humble thanks for all the favors he had heaped on his family, and particularly on his youngest daughter. He was vexed at not seeing him, and began to apprehend that his conjectures were erroneous. Still, the presence of all his children seemed to support the idea he had formed, as they would scarcely have been all assembled in that spot if some solemn ceremony, such as that marriage, were not to be celebrated.
These reflections, which the good man made to himself, did not prevent him from pressing Beauty fondly in his arms, and bathing her cheek with tears of joy.
After allowing due time for this first expression of his feelings, “Enough, good man,” said the Fairy. “You have sufficiently caressed this Princess. It is time that, ceasing to regard her as a father, you should learn that that title does not appertain to you, and that you must now do her homage as your sovereign. She is the Princess of the Fortunate Island, daughter of the King and Queen whom you see before you. She is about to become the wife of this Prince. Here stands the Prince’s mother, sister of the King. I am a Fairy, her friend, and the aunt of Beauty. As to the Prince,” added the Fairy, observing the expression of the good man’s face, “he is better known to you than you imagine; but he is much altered since you last saw him. In a word, he was the Beast himself.”
The father and his sons were enchanted at these wonderful tidings, while the sisters felt a painful jealousy, but they endeavored to conceal it under the mask of a gratification which deceived no one. The others, however, feigned to believe them sincere. As to the lovers, who had been rendered inconstant by the hope of possessing Beauty, and who had only returned to their first attachments on their despairing to obtain her, they knew not what to think.
The merchant could not help weeping, without being able to tell whether his tears were caused by the pleasure of seeing the happiness of Beauty, or by the sorrow of losing so perfect a daughter. His sons were agitated by similar feelings. Beauty, extremely affected by this evidence of their love, entreated those on whom she now depended, as well as the Prince, her future husband, to permit her to reward such tender attachment. Her entreaty testified the goodness of her heart too sincerely not to be listened to. They were laden with bounties, and by permission of the King, the Prince, and the Queen, Beauty continued to call them by the tender names of father, brothers, and even sisters, though she was not ignorant that the latter were as little so in heart as they were in blood. She desired they would all, in return, call her by the name they were wont to do when they believed her to be a member of their family. The old man and his children were appointed to offices in the Court of Beauty, and enjoyed the pleasure of living continually near her, in a station sufficiently exalted to be generally respected. The lovers of her sisters, whose passion for Beauty might easily have been revived, if they had not known it would be useless, thought themselves too happy in being united to the good man’s daughters, and becoming allied to persons for whom Beauty retained so much goodwill.
All those she desired to be present at her wedding having arrived, the celebration of it was no longer delayed. The festivities lasted many days, and ended at length only because the fairy aunt of the young bride pointed out to them the propriety of leaving that beautiful retreat, and returning to their dominions, to show themselves to their subjects.
It was quite time she should recall their kingdom to their recollection and the indispensable duties which demanded their presence. Enraptured with the scenes around them, entranced by the pleasure of loving and expressing their love to each other, they had entirely forgotten their royal state and the cares that attend it.
The newly-married pair, indeed, proposed to the Fairy that they should abdicate, and resign their power into the hands of any one she should select; but that wise being represented to them clearly that they were under as great an obligation to fulfill the destiny which had confided to them the government of a nation as that nation was to preserve for them an unshaken loyalty.
They yielded to these just remonstrances, but the Prince and Beauty stipulated that they should be allowed occasionally to visit that spot, and cast aside for a while the cares inseparable from their station, and that they should be waited on by the invisible Genii or the animals who had attended them during the preceding years. They availed themselves as often as possible of this liberty. Their presence seemed to embellish the spot. All were eager to please them. The Genii awaited their visits with impatience, and received them with joy, testifying in a hundred ways the delight their return afforded them.
The Fairy, whose foresight neglected nothing, gave them a chariot, drawn by twelve white stags with golden horns and hoofs, like those she drove herself. The speed of these animals was almost greater than that of thought; and, drawn by them, you could easily make the tour of the world in two hours. By this means they lost no time in traveling. They profited by every moment of leisure, and went frequently in this elegant equipage to visit their father, the King of the Fortunate Island, who had grown so young again through the return of his Fairy Queen, that he equaled in face and form the Prince, his son-in-law. He felt also equally happy, being neither less enamored nor less eager to prove to his wife his unceasing affection, while she, on her part, responded to his love with all that tenderness which had previously been the cause of so much misfortune to her.
She had been received by her subjects with transports of joy as great as those of grief which her loss had occasioned them. She had always loved them dearly, and her will being now unfettered, she proved as much, by showering upon them for many centuries all the benefits they could desire. Her power, assisted by the friendship of the Queen of the Fairies, preserved the life, health, and youth of the King, her husband, for ages. He only ceased to exist because no mortal can live forever.
The Queen and the Fairy, her sister, were equally attentive to Beauty, her husband, the Queen, his mother, the old man, and all his family, so that there never was known people who lived so long. The Queen, mother of the Prince, caused this marvelous history to be recorded in the archives of her kingdom and in those of the Fortunate Island, that it might be handed down to posterity. They also disseminated copies of it throughout the Universe, so that the world at large might never cease to talk of the wonderful adventures of Beauty and the Beast.
ABOUT THE AUTHOR
GABRIELLE-SUZANNE BARBOT DE VILLENEUVE (1695–1755) was born in Paris, France, in 1695. Her work was influenced by various writers at the time, including Charles Perrault, the author of Cinderella, and Baroness D’Aulnoy, who created the phrase “fairy tales.” Throughout her lifetime, Gabrielle-Suzanne published numerous novels, but she is best remembered as the original author of The Beauty and the Beast.
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ABOUT THE ILLUSTRATORS
MinaLima Design is an award-winning graphic design studio founded by Miraphora Mina and Eduardo Lima, best known for their ten-year involvement in the Harry Potter film franchise, where they established the visual graphic style of the film series. From their London studio they have continued telling stories through visuals from designing books and packaging to creating graphic props for films such as Sweeney Todd (2007), The Imitation Game (2014), and Fantastic Beasts and Where to Find Them (2016). They also designed the bestselling book The Case of Beasts: Explore the Film Wizardry of Fantastic Beasts and Where to Find Them, Peter Pan, and The Jungle Book.
COPYRIGHT
THE BEAUTY AND THE BEAST. Gabrielle-Suzanne Barbot de Villeneuve. Illustrations copyright © 2017 MinaLima Ltd. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this te
xt may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.
First published in 2017 by
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ISBN 978-0-06-245621-2
EPub Edition January 2017 ISBN 9780062456229
Library of Congress Control Number: 2015957852
This edition of Gabrielle-Suzanne Barbot de Villeneuve’s La Belle et la Bête from Four-and-Twenty Fairy Tales, translated by J. R. Planché in 1858.
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