Springsteen on Springsteen: Interviews, Speeches, and Encounters

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Springsteen on Springsteen: Interviews, Speeches, and Encounters Page 47

by Jeff Burger


  Holly, Buddy, 77, 92, 105, 280

  and the Crickets, 280

  Holmdel farmhouse, 358

  home, searching for, 251–52, 319

  homophobia, 237, 238, 241–42, 244–45

  homosexual rights, 234–35, 241, 243, 245

  Hood, Sam, 4

  Hornby, Nick, 312–19

  Hot Press article, 141–54

  “Hound Dog” (Presley), 116

  Houston concert (1978), 81, 87–88, 90, 345

  Howlin’ Wolf, 391

  “Human Touch,” 181

  Human Touch

  concept, 168–69, 171, 180

  recording process, 167

  release, 161

  reviews, 161

  sound, 164–65

  success, 163, 179

  “Human Touch” (Strauss), 191–208

  Humphries, Patrick, 141–54

  “Hungry Heart,” 108

  “I Can’t Help Falling in Love with You” (Presley), 70

  Ienner, Donny, 284

  “If I Should Fall Behind,” 161, 290

  “If You Wanna Be Happy for the Rest of Your Life (Never Make a Pretty Woman Your Wife)” (Soul), 101

  “I’ll Never Get Out of This World Alive” (Williams), 395

  immigration issues, 214, 215, 228

  “I’m Turning into Elvis,” 204

  “Incident on 57th Street,” 16–17, 25

  In Concert: MTV Plugged, 184, 185

  “Independence Day,” 108, 114, 143, 172, 372

  Indursky, Artie, 285

  International Musician and Recording World article, 131–40

  “Intervention” (Arcade Fire), 321

  interview, film festival, with Ed Norton, 345–56

  interviews, radio

  with Dave Herman, 54–68

  with Ed Sciaky, 69–80

  with Ian Dempsey, 184–88

  interviews, television

  with Brian Williams, 357–66

  with Charlie Rose, 262–80

  with Molly Meldrum, 367–78

  with Ted Koppel, 298–303

  In Their Own Words (Pollock), 3

  “Into the Fire,” 294–95

  Invisible Man (Ellison), 260–61

  Iovine, Jimmy, 75, 310

  iPod commercials, 310–11

  isolation, 134, 237, 240

  “I Still Haven’t Found What I’m Looking For” (U2), 309

  “It’s All Right” (Impressions), 393

  “It’s Hard to Be a Saint in the City,” 11, 25, 35, 55, 271

  “It’s My Life” (Animals), 249, 392

  “It’s Over” (Orbison), 324, 390

  “It’s Sign Up a Genius Month” (article), 15

  “It’s the Little Things That Count,” 221

  It Takes a Nation of Millions to Hold Us Back (Public Enemy), 306

  “I Wanna Marry You,” 108, 202

  “I Wish I Were Blind,” 172

  Jackson, Bruce, 71

  Jackson, Michael, 141, 163

  Jackson, Mississippi, concert (1978), 94–95

  “Jackson Cage,” 108

  Jacksons, the, 141

  Jagger, Mick, 230

  “Jersey Girl,” 182

  Jesse (surfer), 103

  “John Kerry Campaign Rally Speech” (Springsteen), 304–5

  “Johnny 99,” 135, 144

  “Johnny B. Goode” (Berry), 252

  “Johnny Bye-Bye,” 146

  Johnson, Robert, 143, 216, 306

  John Wesley Harding (Dylan), 30

  Joplin, Janis, 7, 51

  Journey to Nowhere (Maharidge), 211, 212

  “Jungleland,” xi, 29, 35–37, 48, 56, 156

  Kandell, Steve, 320–29

  K.C. and the Sunshine Band, 100

  “Keep On Pushin’” (Impressions), 393

  “Keep the Car Running” (Arcade Fire), 321, 329

  Kennedy Center Honors, 344

  Kerouac, Jack, 28, 351

  Kerry, John, xviii, 298–303, 304–5

  “Keynote Speech” (Springsteen, South by Southwest Music Festival), 384–98

  Keyport Matawan Roller Dome, 386

  Kihn, Greg, 120–21

  killers, 232–33

  King, Carole, 45

  King, Martin Luther, Jr., 388

  King Biscuit Flower Hour (radio show), 54–68

  KISS, 385, 387

  “Kitty’s Back,” 26, 35, 48

  Klein, Joe, 144, 396

  Knobler, Peter, 15

  Koppel, Ted, 298–303

  Kovic, Ron, 247

  Kristofferson, Kris, 11

  Lady Gaga, 342, 375

  Landau, Barbara, 286

  Landau, Jon, 29, 52, 54, 68, 165, 287, 310

  Born to Run, 48–49

  as a critic, 151, 167–68, 348

  Dylan concert, 162, 163

  on expectations, 165

  famous quote/review, 20, 26, 41, 49, 50, 58–59, 99, 285

  Greatest Hits song selection, 193, 207

  legal issues, 98–99

  as manager, 53, 111, 124, 285–86

  meeting Springsteen, 58

  on MTV Unplugged, 185

  relationship with Springsteen, 59–60, 352

  on Springsteen, 20, 25–26, 42–43

  “Land of Hope and Dreams,” 290, 294, 379

  landscapes, 348–49

  “Last Time, The” (Rolling Stones), 133

  “Lawdamercy, Springsteen Saves!” (Duncan), 81–96

  Led Zeppelin, 77

  legal issues

  with Appel, 54, 74–75, 84, 98–99, 124, 346, 368

  with Batlan and Sutphin, 169–70

  with Dare (record label), 200

  Legendary Shack Shakers, Th’, 342

  Lennon, John, 111, 125

  Let It Bleed (Rolling Stones), 30

  “Let the Four Winds Blow” (Domino), 22

  Lewis, Bobby, 106

  Lewis, Jerry Lee, 142, 216, 350, 396

  “Life Has Its Little Ups and Downs” (Rich), 395

  “Light of Day,” 182

  “Like a Rolling Stone” (Dylan), 30, 159, 160, 232

  lip-syncing, 149

  Little Richard, 105, 179, 315

  Little Vini, 62

  Live 1975–85, 158, 164

  “Live Again, Springsteen Still Has Mettle” (Graff), 178–83

  Live in Dublin (album, film), 320

  Live in New York City (album, film), 288–89

  live recordings, 148, 156, 158

  “Living Proof,” 168

  “Local Hero,” 162

  Loder, Kurt, 153, 154

  Lofgren, Nils, 132, 136, 179–80, 278, 286

  London, England, 124, 202, 231

  London Calling: Live in Hyde Park (film), 379

  Lone Justice, 166

  “Long Goodbye, The,” 166

  Long Way Down, A (Hornby), 312

  Lopez, Vini “Mad Dog,” 6, 23, 25, 61–62, 64, 286

  Los Angeles, California, 175, 228

  “Lost Highway” (Williams, Hank), 395

  “Lost in the Flood” (interview by Williams, Paul), 29–38

  “Lost in the Flood” (song), 24, 35

  “Louie Louie” (Kingsmen), 177, 258

  love, experience of, 169

  love songs, 202

  Lucky Town, 162, 191, 202, 227

  concept, 168–69, 171, 180

  recording process, 168, 184–85

  release, 161

  reviews, 161

  sound, 164–65

  success, 163, 179

  Lydon, John, 111

  lyrics. See also songwriting

  characters in songs, 16, 25

  death themes, 24

  development of style, 22–23

  editing, 37

  Lester Bangs on, 8

  overwhelmed by music, 296

  Wild, the Innocent & the E Street Shuffle, The, 27

  Madison Square Garden concerts, 99, 289

  Madonna, 163, 388<
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  Magic, 320, 321, 356

  Magnetic Fields, 342

  Magovern, Terry, xiii, 322

  Maharidge, Dale, 211, 212

  Main Point nightclub, 76, 79, 261

  “Mama Tried” (Haggard), 268

  Manfred Mann, 47

  “Man on the Train, The” (Percy), 251–52, 254–55, 257

  “Mansion on the Hill,” xviii

  “Man’s Job,” 161

  marriage

  gay and lesbian rights, 234–35, 242

  meaning of, 242

  Marsh, Dave, xvi, 220, 285

  Martin, Gavin, 218–33

  “Mary, Queen of Arkansas,” 5

  Mason, Bobbie Ann, 248

  Max’s Kansas City, xi, 3, 4, 6, 7

  “Maybelline” (Berry), 101

  Mayfield, Curtis, and the Impressions, 393

  McGovern, George, 351

  McGuinness, Paul, 310

  McLeese, Don, 131–40

  Meadowlands concert, 146

  Mean Streets (film), 348

  media coverage

  amount of, 100, 328

  comparisons, 4–5

  comparisons to Dylan, 8–12

  early hype, 322–23

  emotional effect, 117

  of personal life, 170, 236, 241

  pressure from praise, 20

  temptation to criticize, 109

  “Meeting Across the River,” 109

  Meet the Beatles (Beatles), 390–91

  Meldrum, Ian “Molly,” 208, 330, 367–78

  Merchants of Venus, 166

  Message in the Bottle, The (Percy), 251–52

  “Message, The” (Grandmaster Flash), 159

  Miami Steve. See Van Zandt, Steven military, 14, 145–46, 153

  Mitchell, Joni, 9, 34, 45, 387

  Moon, Keith, 286

  Moondog Matinee (the Band), 187

  Moore, Sam, 394

  morality, Springsteen on, 183

  Morrison, Jim, 7

  Morrison, Van, 7, 16, 17, 26, 31, 46, 110

  Mother Jones article, 213–17

  Mother Lovers, 268

  Mothers of Invention, 104

  Motown, 196, 325, 393

  Mottola, Tommy, 284

  MoveOn.org, 302

  Moviegoer, The (Percy), 246

  movies, as an influence, 248

  MTV, 150, 157, 161, 184, 185, 195

  MTV Unplugged (TV show), 161, 195

  Mullen, Larry, 307, 308

  Muller, Bobby, 247

  “Murder Incorporated,” 151, 194

  Murphy, Elliott, xi–xiv, xx, 370, 393

  music

  Dylan’s influence, 159–60

  evocative nature, 149

  function of, 341–42, 362

  as grounding force, 195–96

  growth of popular music, 385–87

  historical influences, 327, 350

  importance of, 188

  influence on people’s lives, 202

  innocence of an era, 318–19, 347

  as language, 253, 297, 394

  message of freedom, 216

  personal nature, 361

  power of, 306

  purpose of, 238, 252–53, 258

  spirit of, 147

  topics expressed in, 172

  music industry

  effect of digital downloads, 375–76

  monetary focus, 32, 217

  power plays, 49–50

  pressure to do everything, 120

  promotion/hype, 50–51, 73

  rhythm of, 328

  Muswell Hill, 166

  “My Beautiful Reward,” 161, 164, 182

  “My Body Is a Cage” (Arcade Fire), 321

  “My Bucket’s Got a Hole in It” (Williams), 395

  “My City of Ruins,” 294

  “My Father’s House,” xviii, 149, 313

  “My Generation” (Who), 292

  “My Hometown,” 131, 143, 207

  “My Love Will Not Let You Down,” 290

  “Mysterious Ways” (U2), 308

  “Mystic Eyes” (Them), 386

  Nassau Coliseum concert, 99

  “Nebraska,” xviii, 132, 134, 135, 210, 233

  Nebraska, 131, 149, 157, 164, 209, 235, 264, 313, 318, 325, 327, 373

  concept, 134, 356

  described, 132, 143, 222

  influences, 248

  production time, 134–35

  recording process, 134–35, 137, 144, 265

  sound, 144–45, 295

  success, 140

  Nelson, Paul, xi–xii, 68, 108

  Neon Bible (Arcade Fire), 321, 324

  Nestle factory, 102

  “New Glory Days” (Graff), 288–92

  New Jersey, xvii, 25, 119, 330–32, 358, 363–64

  “New Jersey Hall of Fame Induction

  Acceptance Speech” (Springsteen), 330–32

  Newman, Melinda, 261

  Newman, Randy, 9

  New Musical Express articles, 8–12, 41–53, 218–33

  New Orleans, 89–93

  Newsweek cover, 14, 41, 43–44, 52, 72–73, 123, 186, 210, 273, 322

  New Times magazine, 29

  “New York City Serenade,” 26, 35, 37

  Nicholson, Jack, 23, 45

  “Night Chicago Died, The” (Paper Lace), 31

  Nightline interview, 298–303

  Night Owl nightclub, 103

  Nirvana, 196–97, 217, 353

  No Nukes (film), 315n

  Norton, Ed, 345–56

  Norton, Mark J., 112–13

  “No Surrender,” 132, 142, 151, 305

  notebooks, 362–63, 376

  “Notes for a Novel About the End of the

  World” (Percy), 256

  NU disks, 120

  Oakland Press article, 288–92

  Oasis, 223, 315

  Obama, Barack, xviii, 333–35, 343, 362, 374

  O’Brien, Brendan, 296, 339, 363

  O’Brien, Conan, 286, 291

  Observer Music Monthly article, 312–19

  O’Connor, Flannery, 247, 248

  Of Mice and Men, 248

  Old Crow Medicine Show, 342

  O’Mahoney, Mike, 8–9

  Once Upon a Time in the West (film), 321

  “One” (U2), 310

  “Open All Night,” 135

  Orbison, Roy, 158, 283, 288, 324, 342, 389–90

  O’Reilly, Bill, 326

  Orleans, 21–22

  Orwell, George, 326

  Oscar awards, 191, 232, 234, 235, 236, 262, 344

  “Out in the Street,” 132

  outtakes, 140, 194, 200, 266, 345

  Pantages Theatre concert, 162, 163

  “Papa Was a Rolling Stone” (Temptations), 325

  Parcher, Peter, 285

  parenting, 171, 201, 234, 243–44, 259, 268

  Parks, Van Dyke, 201

  Parry, Richard Reed, 321

  Pater, Walter, 317n

  Pat Garrett and Billy the Kid (film), 8

  PBDs (Potential Bob Dylans), 10, 11

  Pearl Jam, 217, 387

  Percy, Walker, 246, 248, 251–52, 256

  Percy, Will, 246–61

  performing

  dedication to, 119

  holding contradictory views, 326, 397–98

  vs. making records, 151–52

  renewal vs. repetition, 341

  sensation of, 107

  sense of purpose, 181

  Pet Sounds (Beach Boys), 159, 325, 355

  Petty, Tom, 187

  Philadelphia (film), 191, 200, 223, 234, 235, 236–37

  Philadelphia Spectrum concert, 69–70, 80

  Philbin, Peter Jay, 21, 27, 43

  Phillips, Julianne (first wife), 155, 161, 170, 236

  Phish, 385

  Phoenix-area concerts, 64–65, 108

  “Pink Cadillac,” 140

  Pirner, Dave, 205

  Pittsburgh Post-Gazette article, 209–12

  Playboy magazine, 45

&nbs
p; Plotkin, Charlie “Chuck,” 167, 285

  “Poetry in Motion” (Tillotson), 32

  Point Blank magazine, 126

  Pointer Sisters, 375

  political issues

  economy, 361–62

  expressed in music, 214, 216, 274–75

  involvement of celebrities, 374–75

  support for Kerry, 298–303, 304–5

  support for Obama, 333–35, 343

  Pollock, Bruce, 3–7

  Pop, Iggy, 387

  pop culture, 254–55, 258

  populism, 325–26

  Presley, Elvis, 77, 92, 124, 142, 152, 179, 216, 342

  anniversary, 70

  influence on Springsteen, 11, 57, 78, 105, 123, 147, 273, 370, 388–89

  Lester Bangs on, 387

  social consciousness, 258

  spontaneity, 116

  tribute show, 204

  “Pretty Flamingo” (Manfred Mann), 47

  “Pride (In the Name of Love)” (U2), 159, 309

  Prine, John, 11, 12, 370, 393

  “Promise, The,” 140, 267, 353–54

  Promise: The Darkness on the Edge of Town

  Story, The (box set)

  Asbury Park performance, 345, 364, 376–77

  notebooks, 362–63

  outtakes, 345, 372

  overview, 345

  Promise: The Making of Darkness on the Edge of Town, The (documentary film), 345, 349, 365–66, 367–68, 371

  “Promised Land, The,” 156, 294, 349

  “Protection” (Summer), 375

  “Prove It All Night,” 68, 108, 156, 181, 183, 312, 392

  “Psychotic Reaction” (Count Five), 159

  Public Enemy, 306, 387, 388

  publicists, 100, 105

  Pulp, 315

  punk rock, 254, 346, 392–93

  Purdie, Bernard, 286

  “Q Interview, The: Bruce Springsteen” (Hepworth), 161–75

  “Quarter to Three” (Bonds), 22, 106, 110, 315n

  “Racing in the Street,” 57, 85, 114, 318

  racism, 291, 382

  Radio Times article, 339–44

  Rainforest Benefit, 204

  “Ramrod,” 143

  Raves, the, 104

  Reagan, Ronald, 153, 232, 239, 275, 343, 361

  Real Paper (Boston newspaper), 20, 25–26, 49, 99

  Reed, Lou, 120

  relationships, Springsteen on, 170–71, 173, 188, 198–99, 202, 207, 224, 279

  religion, 85, 243, 296, 324–25

  “Rendezvous” (Kihn), 120–21

  requests, 365

  “Rhinestone Cowboy” (Soul Asylum), 205

  Rich, Buddy, 286

  Richards, Keith, 132, 205

  Rifkin, Marty, 266

  Rihanna, 324

  ring incident, 92

  riots, 175

  Rising, The, 293, 294, 295–96, 318, 356, 377

  “River, The,” 108, 143, 202, 262, 264, 290, 315n

  River, The, xii, 110, 117, 122, 131, 138, 164, 351, 372

  concept, 113–14, 115, 143, 145

  described, 108

  outtakes, 266

  production process, 119

  production time, 108, 112, 114, 115–16

  release, 107

  success, 107

  Robertson, Robbie, 8

 

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