Black Rock

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Black Rock Page 40

by Steve Harris


  That’s abo­ut what you’d ex­pect on yo­ur way to a ha­un­ted ho­use to me­et yo­ur fa­te, she told her­self. I ex­pect the thun­der and light­ning will start as so­on as I go down the track and can see the ho­use wa­iting for me at the bot­tom. May­be I went to sle­ep and wo­ke up in a low-bud­get film …

  She ma­de the tight turn at the end of the ro­ad and pa­used at the top of the ste­ep track, her al­re­ady ham­me­ring he­art whac­king up its work-ra­te a few mo­re be­ats-per-mi­nu­te. She now tho­ught she knew how no­vi­ce pa­rac­hu­tists felt the first ti­me they sta­red out of the open hatch of an aerop­la­ne. On­ce the thres­hold was cros­sed the­re was no tur­ning back.

  Except that pa­rac­hu­tists ex­pect to be still in one pi­ece af­ter they re­ach the gro­und, she told her­self. This is li­ke jum­ping out wit­ho­ut a pa­rac­hu­te and ho­ping that you’ll get down sa­fely by flap­ping yo­ur arms.

  She fo­und first ge­ar and rol­led slowly to­wards the track.

  From abo­ut half-way down she co­uld see the hu­ge Ame­ri­can sa­lo­on bloc­king the track ahe­ad of her. It sto­od the­re on the track with the dri­ver’s do­or wi­de open as tho­ugh so­me­one had left it in a hurry. Pro­bably, S’n’J sur­mi­sed, so­met­hing to do with the fact that the car lo­oked as if so­me­one had do­used it in pet­rol and put a lit match to it.

  It wasn’t just bur­ned, it was to­tal­ly an­ni­hi­la­ted.

  As she drew clo­ser to it, S’n’J re­ali­zed that the pi­les of black ash that lay be­si­de the car’s whe­els had on­ce be­en its tyres. The ve­hic­le’s pa­int­work no lon­ger exis­ted. The­re was no glass in any of the win­dows, but she co­uld see a po­ol of what might ha­ve be­en mel­ted plas­tic lying on the bo­ot lid.

  It bur­ned hot eno­ugh to melt the glass, S’n’J told her­self, and be­fo­re she co­uld cut off the tho­ught, her mind ad­ded, and you know who was dri­ving it, don’t you?

  S’n’J felt te­ars well up in her eyes. James. He had co­me he­re last night, exactly li­ke a pa­per­back he­ro. He’d bro­ken his pro­mi­se to her, not kno­wing how dan­ge­ro­us it was.

  And this is what hap­pe­ned, she told her­self, rol­ling to a halt be­hind the car.

  She tur­ned off the Si­er­ra’s en­gi­ne, pic­ked up her rol­ling-pin and got out, wil­ling her­self to be­li­eve that James had es­ca­ped un­har­med.

  Ahe­ad of her, the ho­use lo­oked hunc­hed and ten­se, as if it was a wild ani­mal wa­iting to po­un­ce the mo­ment she went in thro­ugh the ent­ran­ce whe­re the front ga­te sho­uld ha­ve be­en.

  He­re I am wal­king to­wards my de­ath, or eter­nal dam­na­ti­on, S’n’J tho­ught, fin­ge­ring the bot­tle of tap-wa­ter in her jac­ket poc­ket, and what am I car­rying? A rol­ling-pin, a bot­tle of wa­ter, and a pic­tu­re bib­le, that’s what. I wo­uld ha­ve be­en car­rying a tiny Swiss Army kni­fe with a two-inch bla­de too, if I’d be­en ab­le to find it. This is exactly the kind of thing that pe­op­le in hor­ror sto­ri­es do. Why do they ne­ver pho­ne the po­li­ce? That’s what you sho­uld do.

  But in her ca­se, it was too la­te. The po­li­ce wo­uld find not­hing un­to­ward go­ing on at Black Rock. The­re was anot­her fic­ti­on con­ven­ti­on that wo­uld co­me in­to play if she cal­led the po­li­ce: Squ­ad cars ar­ri­ve, lights flas­hing. Po­li­ce lo­ok sus­pi­ci­o­usly at bur­ned-out hulk of Ame­ri­can Car. Po­li­ce­man #1 turns to part­ner and says, ‘That car wasn’t just bur­ned, Dick, the bas­tard has be­en cre­ma­ted!’ The po­li­ce walk down to the ho­use and ham­mer on the do­or. A char­ming and hand­so­me man ans­wers the­ir knoc­king, in­vi­tes them in and spe­aks to them in so­ot­hing to­nes. ‘Yes,’ he says, ‘I saw the car af­ter it ca­ught fi­re. I tho­ught I saw so­me­one be­hind it, hur­rying back up the track. I went up to it, but co­uldn’t get clo­se be­ca­use of the tre­men­do­us he­at. I went back in­do­ors and cal­led you guys. I tho­ught I’d bet­ter let you de­al with it.’

  We ha­ve no re­cord of that call,’ Po­li­ce­man #1 says. Po­li­ce­man #2 gets on the horn to ba­se. Call has in­de­ed be­en pla­ced, but for so­me stran­ge re­ason, not ac­ted on. ‘Sorry to ha­ve bot­he­red you,’ Po­li­ce­man #1 says. They le­ave, frow­ning. So­met­hing is wrong but they ha­ve no evi­den­ce.

  ‘And me­anw­hi­le so­met­hing li­ke this hap­pens,’ S’n’J mut­te­red. Girl go­es to ha­un­ted ho­use be­ca­use that’s the only pla­ce her mis­sing fri­ends co­uld be. Pan up track from cro­uc­hed ho­use to frigh­te­ned girl. She is hol­ding a rol­ling-pin. In her poc­kets are ot­her use­less items. Cue mu­sic of the ‘Go­ing to her de­ath’ va­ri­ety.

  She was ac­ting li­ke so­me­one from a lo­usy bo­ok simply be­ca­use the­re was no ot­her al­ter­na­ti­ve. If she’d sta­yed ho­me co­we­ring be­hind her do­or, Pe­ter wo­uld simply de­le­te a few pa­rag­raphs from his ma­gi­cal word-pro­ces­sor and rew­ri­te. When you had cont­rol of re­ality it didn’t mat­ter what pe­op­le did: you co­uld still get them.

  S’n’J wal­ked slowly to­wards Black Rock, wis­hing for Di­amond Amb­ro­se Ans­tey, who was not in po­si­ti­on on his tra­iler po­in­ting down at her, nor in the ro­ad in front of her. Di­amond wo­uld help her. Di­amond was trap­ped, just as she wo­uld end up be­ing. He was a ghost dog, she knew that now. He was a spi­rit ent­rap­ped by Black Rock in exactly the sa­me way she was. Pe­ter Per­fect had pro­bably spot­ted him and writ­ten him in­to the story. Af­ter all, when you sud­denly be­ca­me a new god, you didn’t just rush in and start chan­ging the world, did you? You star­ted small - with so­met­hing li­ke a dog - and wor­ked yo­ur way up.

  Di­amond wasn’t a de­mon dog at all, but a po­or trap­ped so­ul. And he’d known that S’n’J was get­ting in­to tro­ub­le. He’d tri­ed to warn her off, in the only way he co­uld.

  May­be, if only he wo­uld turn up, he co­uld still help her so­me­how.

  But Di­amond was now­he­re to be se­en.

  That do­esn’t fit in with what you wro­te, S’n’J tho­ught. Ac­cor­ding to the bo­ok, he sho­uld be how­ling li­ke a bans­hee by now. And I sho­uld al­re­ady be mo­re Snowd­rop than Sa­rah-jane.

  ‘He’s rew­ri­ting,’ she whis­pe­red to her­self as she sta­red down at the ho­use. ‘He’s up the­re in his work-ro­om at this very mo­ment, de­le­ting li­nes and rep­la­cing them with fresh ones. He has to catch re­ality and al­ter it and that’s what he’s do­ing now. In re­al li­fe things don’t work out exactly as they do in the bo­ok, so he has to al­ter the bo­ok to su­it. And he’s got to a comp­lex part now. The part when fan­tasy wrests cont­rol from re­ality. Per­ma­nently as far as I’m con­cer­ned.’

  Unbid­den, S’n’J’s mind lit up with a fan­tasy of its own. In it she was in the ori­gi­na­tor’s work-ro­om sta­ring at the scre­en of his word-pro­ces­sor. It was no or­di­nary IBM com­pa­tib­le: it was a ter­mi­nal that con­nec­ted di­rectly to the for­ce that sha­ped re­ality. He’d hac­ked in­to re­ality’s prog­ram and was al­te­ring it. She knew this as she sto­od the­re in front of it, watc­hing words scroll up the scre­en. The words of her story. And Pe­ter Per­fect’s and Janie’s and Mar­tin’s and James’s. The words of Black Rock. She al­so knew that the­re was a very simp­le way of bre­aking that link and dest­ro­ying the fic­ti­on that had be­en wo­ven aro­und her and her fri­ends - and pro­bably dest­ro­ying Pe­ter Per­fect too. All she had to do was smash the com­pu­ter with the rol­ling-pin that was cur­rently clutc­hed in her right hand. Just put it thro­ugh the scre­en, then at­tack the plas­tic ca­se in which the com­pu­ter’s guts re­si­ded.

  The only qu­es­ti­on she had was whet­her do­ing this wo­uld short-cir­cu­it all re­ality too. If this thing re­al­ly was con­nec­ted to God or wha­te­ver dro­ve the uni­ver­se and everyt­hing i
n it, its re­mo­val by for­ce might send out shock-wa­ves. It might be the end of everyt­hing, she told her­self so­lemnly. Not just me and Pe­ter Per­fect and my fri­ends, but everyt­hing that ever exis­ted. All li­fe. All his­tory. All pos­sib­le fu­tu­res. Then she de­ci­ded that if it was, it wasn’t her fa­ult, and swung the rol­ling-pin at the scre­en.

  S’n’J gri­ma­ced as the fan­tasy it­self exp­lo­ded in her he­ad. If she co­uld get to his work-ro­om, she wo­uld gi­ve it a go. As bat­tle-plans went, it ra­ted abo­ut o.oo­o­oi on a sca­le of no­ught to ten, but at le­ast it ga­ve her so­met­hing which might, if she co­uld ma­ke her­self be­li­eve in it, be const­ru­ed as ho­pe.

  ‘Smash the bas­tard,’ she whis­pe­red. ‘That’s what I’ll do!’

  Ahe­ad of her Black Rock lit up.

  Or rat­her, tran­s­for­med it­self.

  Sud­denly it was the brigh­test thing on the lands­ca­pe. It lo­oked ar­ti­fi­ci­al, as if it had be­en re-pa­in­ted in brigh­ter co­lo­urs than nor­mal. Or as if the­re was a row of spot­lights in front of it, shi­ning on it. The win­dows bo­re the spark­ling tra­ce­ri­es of the frost she’d se­en be­fo­re thro­ugh her car’s re­ar-vi­ew mir­ror, and the win­dow on the right-hand si­de - the bed­ro­om in which Snowy slept - was black and empty. The ebony front do­or ref­lec­ted al­most no light and lo­oked as if it had ope­ned on to the dar­kest night ever wit­nes­sed. Its shi­ning do­or knob glin­ted li­ke a sing­le gold to­oth in an empty mo­uth.

  Aro­und the rock on which the ho­use sto­od, the sea lo­oked dull and flat and li­fe­less. The gre­enery which ed­ged the pro­perty lo­oked as if it had be­en co­lo­ured with tho­usand-ye­ar-old pa­int. The only thing which lo­oked re­al and vib­rant and ali­ve was the ho­use it­self.

  Abo­ve it, the sky was dark and rest­less. An in­vi­sib­le hand stir­red the clo­uds in­to rest­less to­we­ring sha­pes li­ke hu­ge bat­tle-cru­isers.

  S’n’J pa­used for a mo­ment, sta­ring open-mo­ut­hed at the trans­for­ma­ti­on. The thing that hor­ri­fi­ed her most was that the­re was a lar­ge part of her which re­j­o­iced at the chan­ge she was wit­nes­sing. This part - her wi­de-eyed lit­tle girl - was watc­hing a mi­rac­le ta­king pla­ce and badly wan­ted to be a part of it.

  That’s why he wants you! she scol­ded her­self. Be­ca­use the­re’s a part of you that wants to li­ve in a ma­gi­cal world! But the fe­eling of joy didn’t go away. If it can be as go­od as this … the lit­tle girl tho­ught, what’s wrong? If it can he this bril­li­ant, this ma­gi­cal, why don’t we just ac­cept it, go down the­re and go in­si­de. It’ll be won­der­ful!

  And lo­oking at the ho­use, S’n’J co­uld see what this part of her me­ant. The­re was Black Rock, a me­re ha­ir’s bre­adth away from twink­ling li­ke a star. Set aga­inst the backd­rop of the mun­da­ne re­al world, it lo­oked very in­vi­ting in­de­ed.

  If she had just be­en ab­le to for­get that be­hind its front do­or lay eter­nal dam­na­ti­on, she might ha­ve skip­ped all the way down the­re li­ke a lit­tle scho­ol­girl lo­oking for­ward to a half-day ho­li­day.

  Black Rock was ma­gi­cal. It was be­a­uti­ful.

  And it had no right to exist.

  If the­re’s a way of get­ting rid of it, I’ll find it! S’n’J told her­self.

  But Mr Win­ter was in the­re. The man of her dre­ams. Her ide­al. Her Mis­ter Right. Things co­uld be per­fect! the lit­tle girl sa­id, and sho­wed her a fle­eting ima­ge of just how per­fect the lo­ve-ma­king - on that she­eps­kin rug in front of the open fi­re - was go­ing to be.

  S’n’J thrust the ima­ge away and rep­la­ced it with one of her own: the ima­ge of her and James last night, con­su­ming one anot­her’s bo­di­es with a pas­si­on so in­ten­se it had ma­de them both scre­am. But stan­ding he­re in front of the ho­use, the ima­ge of her and James was the thing that se­emed un­re­al. The ot­her pic­tu­re se­emed very re­al in­de­ed.

  She sho­ok her he­ad. Way out at sea, a hu­ge wa­ve was for­ming, pi­ling it­self up in­to a fo­aming wed­ge.

  You can’t frigh­ten me with that old tricky S’n’J tho­ught. I’ve se­en it all be­fo­re!

  She glan­ced back at the ho­use - upon the ro­of of which no myste­ri­o­us wri­ter was ba­lan­ced - and told her­self that no mat­ter how much she ac­hed to be a part of it, she was he­re to dest­roy it and she mustn’t for­get that. She fe­ared that she was chan­ging in­to Snowy af­ter all, and re­min­ded her­self that this was what the wri­ter wan­ted her to think. It wasn’t go­ing to be that easy for him to ac­comp­lish or it wo­uld ha­ve hap­pe­ned al­re­ady.

  She lo­oked back at the sea, which was now flat aga­in, and cong­ra­tu­la­ted her­self. She se­emed to ha­ve ac­hi­eved at le­ast so­me prog­ress. Per­haps the­re was a chan­ce for her af­ter all.

  The who­le sky was now lo­oking dis­tur­bed tho­ugh, and the angry area of clo­ud abo­ve the ho­use was per­for­ming so­me kind of trick whe­re va­po­ur stre­amed off from the bot­tom of it to­wards the top and pi­led up the­re, for­ming a tall, ugly sha­pe. It lo­oked rat­her li­ke it might be a thun­derc­lo­ud.

  But it won’t stri­ke you, even if it is, she as­su­red her­self. He isn’t go­ing to hurt you. He wants you to be his Snow­d­rop.

  She mo­ved slowly to­wards the ho­use, trying not to lo­ok up at the stran­ge sha­pes that swir­led in the sky. To her left King Art­hur’s Cast­le sto­od on its ‘fi­gu­re eight’ sha­ped pa­ir of rocks. A mist was ri­sing from the sea at the­ir fo­ot and tend­rils we­re flo­wing up to­wards the Cast­le. S’n’J lo­oked at it on­ce, saw the slen­der li­ne of mist that ran di­rectly from the Cast­le’s rocks ac­ross the bay to the rock on which the ho­use sto­od, and told her­self that Janie was right. The si­te of the Cast­le -and of Black Rock - had be­en cho­sen be­ca­use the pla­ce had so­me kind of po­wer. Art­hur’s knights pro­bably hadn’t ma­de fa­ir be­gin­ning of a nob­ler ti­me at all. Or if they had used the po­wer in a po­si­ti­ve way, who­ever had pla­ced Black Rock he­re sin­ce had cor­rup­ted that po­wer.

  She re­sol­ved not to lo­ok over the­re aga­in. She didn’t want to know what was hap­pe­ning over at the Cast­le; her ima­gi­na­ti­on co­uld qu­ite hap­pily co­nj­ure up pic­tu­res of de­ad knights co­ming back to li­fe and marc­hing on Tin­ta­gel with bla­zing ban­ners. They wo­uld be uns­top­pab­le and they wo­uld show no mercy.

  She ga­zed down at the gro­und as she wal­ked be­ca­use she co­uld no lon­ger be­ar to lo­ok at the be­a­uti­ful icy thing the ho­use had be­co­me, eit­her. It was too wrong. And a part of her was too imp­res­sed with it.

  But af­ter she’d ta­ken two mo­re steps, S’n’J no­ti­ced so­met­hing won­der­ful. Spring had co­me.

  She knew this be­ca­use in the pla­ces whe­re she had trod­den, ve­ge­ta­ti­on had sprung up in the sha­pe of her sho­es. For a mo­ment she tho­ught she was ima­gi­ning it, then she tur­ned and lo­oked back at the way she’d co­me. She had left tracks. Each of her steps was out­li­ned with tiny bla­des of grass and fil­led in with purp­le flo­wers.

  Frow­ning - and figh­ting off the part of her that wan­ted to be de­ligh­ted and char­med - S’n’J pe­ered at the last two fo­ots­teps she had ta­ken. The flo­wers the­re we­ren’t just tiny, they we­re mi­nu­te. Each had fo­ur flat pe­tals and a lit­tle black cent­re part that lo­oked furry. No­ne of the flo­wers had a di­ame­ter of mo­re than fo­ur mil­li­met­res. The­re had to be tho­usands of them in each fo­otp­rint. S’n’J knelt down and snif­fed at the ne­arest one. It smel­led va­gu­ely li­ke ho­ney­suck­le and hit her ol­fac­tory ner­ves in much the sa­me way as a bot­tle of smel­ling-salts. One in­ha­la­ti­on was eno­ugh to ma­ke her fe­el as if her bra­in had ex­pan­ded in­si­de her he­ad.

  S�
��n’J ins­pec­ted the so­les of her sho­es, which we­re unc­han­ged. Ex­pe­ri­men­tal­ly, she pla­ced one fo­ot on the gro­und ahe­ad of her, then withd­rew it. The flo­wers we­re al­re­ady the­re when she to­ok it away. She put the fo­ot back in­to the print, ex­pec­ting it to sink in­to the earth. Not­hing hap­pe­ned at all. The flo­wers we­ren’t even crus­hed.

  What do­es it me­an? the lit­tle girl part of her as­ked ent­hu­si­as­ti­cal­ly.

  S’n’J snap­ped her mind down on the vo­ice of the lit­tle girl and put the qu­es­ti­on out of her mind. What it me­ant was that Pe­ter Per­fect was trying to bring out that wil­ling part of her and ma­ke it ta­ke over. If she co­uld ke­ep it at bay, she had a chan­ce. If she let her­self be se­du­ced by this ma­gic, she was sunk.

  Don’t you re­mem­ber? the lit­tle girl as­ked pla­in­ti­vely. At Tin­ta­gel Cast­le, whe­re Art­hur’s knights ma­de fa­ir be­gin­ning of a nob­ler ti­me? Don’t you re­mem­ber what hap­pe­ned then? When we went the­re? Don’t you re­mem­ber the ma­gic he sho­wed us?

  S’n’J sho­ok her he­ad. The last ti­me she’d go­ne the­re she’d just se­en a ru­in of a well-pla­ced cast­le.

  You’re just shut­ting it out be­ca­use you’re frigh­te­ned! the lit­tle girl comp­la­ined. You co­uld re­mem­ber if you wan­ted to!

  But S’n’J didn’t want to, be­ca­use the­re was a me­mory the­re. A de­eply bu­ri­ed one which thre­ate­ned to sur­fa­ce so­on. She fran­ti­cal­ly pi­led things on top of the pla­ce in her he­ad whe­re the me­mory se­emed to be lo­ca­ted, be­ca­use she didn’t be­li­eve it was one of hers. It was his, a ma­de-up, fal­se one.

  Lo­oking at the track ahe­ad of her, and ne­ver up at the bu­il­ding it­self, S’n’J went to­wards the enc­han­ted ho­use.

  She was awa­re that she’d pas­sed thro­ugh the ent­ran­ce to Black Rock’s gro­unds when the light chan­ged. It be­ca­me brigh­ter. Much brigh­ter. At her fe­et, the shing­le sho­ne li­ke jewels, each sto­ne glin­ting and win­king.

 

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