The box fits me well. I let various wires be attached to me, various needles be injected which lead into tubes. I pay little attention to the machines which cluster amid murmur around me. The robot goes away. I sink into blessed darkness.
I wake renewed in body. A kind of shell seems to have grown between my forebrain and the old animal parts. Far away I can feel the horror and hear the screaming and thrashing of my instincts; but awareness is chill, calm, logical. I have also a feeling that I slept for weeks, months, while leaves blew loose and snow fell on the upper world. But this may be wrong, and in no case does it matter. I am about to be judged by SUM.
The little faceless robot leads me off, through murmurous black corridors where the dead wind blows. I unsling my harp and clutch it to me, my sole friend and weapon. So the tranquility of the reasoning mind which has been decreed for me cannot be absolute. I decide that It simply does not want to be bothered by anguish. (No; wrong; nothing so humanhike; It has no desires; beneath that power to reason is nullity.)
At length a wall opens for us and we enter a room where She sits enthroned. The self-radiation of metal and flesh is not apparent here, for light is provided, a featureless white radiance with no apparent source. White, too, is the muted sound of the machines which encompass Her throne. White are Her robe and face. I look away from the multitudinous unwinking scanner eyes, into Hers, but She does not appear to recognize me. Does She even see me? SUM has reached out with invisible fingers of electromagnetic induction and taken Her back into Itself. I do not tremble or sweat—I cannot—but I square my shoulders, strike one plangent chord, and wait for It to speak.
It does, from sonic invisible place. I recognize the voice It has chosen to use: my own. The overtones, the inflections are true, normal, what I myself would use in talking as one reasonable man to another. Why not? In computing what to do about me, and in programming Itself accordingly, SUM must have used so many billion bits of information that adequate accent is a negligible subproblem.
No… there I am mistaken again… SUM does not do things on the basis that It might as well do them as not. This talk with myself is intended to have some effect on me. I do not know what.
“Well,” It says pleasantly, “you made quite a journey, didn’t you? I’m glad. Welcome.”
My instincts bare teeth to hear those words of humanity used by the unfeeling unalive. My logical mind considers replying with an ironic “Thank you,” decides against it, and holds me silent.
“You see,” SUM continues after a moment that whirrs, “you are unique. Pardon Me if I speak a little bluntly. Your sexual monomania is just one aspect of a generally atavistic, superstition-oriented personality. And yet, unlike the ordinary misfit, you’re both strong and realistic enough to cope with the world. This chance to meet you, to analyze you while you rested, has opened new insights for Me on human psychophysiology. Which may head to improved techniques for governing it and its evolution.”
“That being so,” I reply, “give me my reward.”
“Now look here,” SUM says in a mild tone, “you if anyone should know I’m not omnipotent. I was built originally to help govern a civilization grown too complex. Gradually, as My program of self-expansion progressed, I took over more and more decision-making functions. They were given to Me. People were happy to be relieved of responsibility, and they could see for themselves how much better I was running things than any mortal could. But to this day, My authority depends on a substantial consensus. If I started playing favorites, as by re-creating your girl, well, I’d have troubles.”
“The consensus depends more on awe than on reason,” I say. “You haven’t abolished the gods, You’ve simply absorbed them into Yourself. If You choose to pass a miracle for me, your prophet singer—and I will be Your prophet if You do this—why, that strengthens the faith of the rest.”
“So you think. But your opinions aren’t based on any exact data. The historical and anthropological records from the past before Me are unquantitative. I’ve already phased them out of the curriculum. Eventually, when the culture’s ready for such a move, I’ll order them destroyed. They’re too misleading. Look what they’ve done to you.”
I grin into the scanner eyes. “Instead,” I say, “people will be encouraged to think that before the world was, was SUM. All right. I don’t care, as long as I get my girl back. Pass me a miracle, SUM, and I’ll guarantee You a good payment.”
“But I have no miracles. Not in your sense. You know how the soul works. The metal bracelet encloses a pseudovirus, a set of giant protein molecules with taps directly to the bloodstream and nervous system. They record the chromosome pattern, the synapse flash, the permanent changes, everything. At the owner’s death, the bracelet is dissected out. The Winged Heels bring it here, and the information contained is transferred to one of My memory banks. I can use such a record to guide the growing of a new body in the vats: a young body, on which the former habits and recollections are imprinted. But you don’t understand the complexity of the process, Harper. It takes Me weeks, every seven years, and every available biochemical facility, to re-create My human liaison. And the process isn’t perfect, either. The pattern is affected by storage. You might say that this body and brain you see before you remembers each death. And those are short deaths. A longer one—man, use your sense. Imagine.”
I can't; and the shield between reason and feeling begins to crack. I had sung, of my darling dead.
“No motion has she now, no force;
She neither hears nor sees;
Roll’d round in earth’s diurnal course,
With rocks, and stones, and trees.”
Peace, at least. But if the memory-storage is not permanent but circulating; if, within those gloomy caverns of tubes and wire and outerspace cold, some remnant of her psyche must flit and flicker, alone, unremembering, aware of nothing hut having lost life—No!
I smite the harp and shout so the room rings: “Give her back! Or I’ll kill you!”
SUM finds it expedient to chuckle; and, horribly, the smile is reflected for a moment on the Dark Queen’s hips, though otherwise She never stirs. “And how do you propose to do that?” It asks me.
It knows, I know, what I have in mind, so I counter: “How do You propose to stop me?”
“No need. You’ll be considered a nuisance. Finally someone will decide you ought to have psychiatric treatment. They’ll query My diagnostic outlet. I’ll recommend certain excisions.”
“On the other hand, since You’ve sifted my mind by now, and since You know how I’ve affected people with my songs—even the Lady yonder, even Her—wouldn’t you rather have me working for You? With words like, ‘O taste, and see, how gracious the Lord is; blessed is the man that trusteth in him. 0 fear the Lord, ye that are his saints; for they that fear him lack nothing.’ I can make You into God.”
“In a sense, I already am God.”
“And in another sense not. Not yet.” I can endure no more. “Why are we arguing? You made Your decision before I woke. Tell me and let me go!”
With an odd carefulness, SUM responds: “I’m still studying you. No harm in admitting to you, My knowledge of the human psyche is as yet imperfect. Certain areas won’t yield to computation. I don’t know precisely what you’d do, Harper. If to that uncertainty I added a potentially dangerous precedent—”
“Kill me, then.” Let my ghost wander forever with hers, down in Your cryogenic dreams.
“No, that’s also inexpedient. You’ve made yourself too conspicuous and controversial. Too many people know by now that you went off with the Lady.” Is it possible that, behind steel and energy, a nonexistent hand brushes across a shadow face in puzzlement? My heartbeat is thick in the silence.
Suddenly It shakes me with decision: “The calculated probabilities do favor your keeping your promises and making yourself useful. Therefore I shall grant your request. However—”
I am on my knees. My forehead knocks on the floor until blood runs in
to my eyes. I hear through storm winds:
“—testing must continue. Your faith in Me is not absolute; in fact, you’re very skeptical of what you call My goodness. Without additional proof of your willingness to trust Me, I can’t let you have the kind of importance which your getting your dead back from Me would give you. Do you understand?”
The question does not sound rhetorical. “Yes,” I sob.
“Well, then,” says my civilized, almost amiable voice, “I computed that you’d react much as you have done, and prepared for the likelihood. Your woman’s body was re-created while you lay under study. The data which make personality are now being fed back into her neurones. She’ll be ready to leave this place by the time you do.
“I repeat, though, there has to be a testing. The procedure is also necessary for its effect on you. If you’re to be My prophet, you’ll have to work pretty closely with Me; you’ll have to undergo a great deal of reconditioning; this night we begin the process. Are you willing?”
“Yes, yes, yes, what must I do?”
“Only this: Follow the robot out. At some point, she, your woman, will join you. She’ll be conditioned to walk so quietly you can’t hear her. Don’t look back. Not once, until you’re in the upper world. A single glance behind you will be an act of rebellion against Me, and a datum indicating you can’t really be trusted and that ends everything. Do you understand?”
“Is that all?” I cry. “Nothing more?”
“It will prove more difficult than you think,” SUM tells me. My voice fades, as if into illimitable distances: “Farewell, worshipper.”
The robot raises me to my feet, I stretch out my arms to the Dark Queen. Half blinded with tears, I nonetheless see that She does not see me. “Goodbye,” I mumble, and let the robot lead me away.
Our walking is long through those dark miles. At first I am in too much of a turmoil, and later too stunned, to know where or how we are bound. But later still, slowly, I become aware of my flesh and clothes and the robot’s alloy, glimmering blue in blackness. Sounds and smells are muffled; rarely does another machine pass by, unheeding of us. (What work does SUM have for themn?) I am so careful not to look behind me that my neck grows stiff.
Though it is not prohibited, is it, to lift my harp past my shoulder, in the course of strumming a few melodies to keep up my courage, and see if perchance a following illumination is reflected in this polished wood?
Nothing. Well, her second birth must take time—O SUM, be careful of her!—and then she must be led through many tunnels, no doubt, before she makes rendezvous with my back. Be patient, Harper.
Sing. Welcome her home. No, these hollow spaces swallow all music; and she is as yet in that trance of death from which only the sun and my kiss can wake her; if, indeed, she has joined me yet. I listen for other footfalls than my own.
Surely we haven’t much farther to go. I ask the robot, but of course I get no reply. Make an estimate. I know about how fast the chariot traveled coming down… The trouble is, time does not exist here. I have no day, no stars, no clock but my heartbeat, and I have host the count of that. Nevertheless, we must come to the end soon. What purpose would be served by walking me through this labyrinth till I die?
Well, if I am totally exhausted at the outer gate, I won’t make undue trouble when I find no Rose-in-Hand behind me.
No, now that’s ridiculous. If SUM didn’t want to heed my plea, It need merely say so. I have no power to inflict physical damage on Its parts.
Of course, It might have plans for me. It did speak of reconditioning. A series of shocks, culminating in that last one, could make me ready for whatever kind of gelding It intends to do.
Or It might have changed Its mind. Why now? It was quite frank about an uncertainty factor in the human psyche. It may have reevaluated the probabilities and decided: better not to serve my desire.
Or It may have tried, and failed. It admitted the recording process is imperfect. I must not expect quite the Gladness I knew; she will always be a little haunted. At best. But suppose the tank spawned a body with no awareness behind the eyes? Or a monster? Suppose, at this instant, I am being followed by a half-rotten corpse?
No! Stop that! SUM would know, and take corrective measures.
Would It? Can It?
I comprehend how this passage through night, where I never look to see what follows me, how this is an act of submission and confession. I am saying, with my whole existent being, that SUM is all-powerful, all-wise, all-good. To SUM I offer the love I came to win back. Oh, It looked more deeply into me than ever I did myself.
But I shall not fail.
Will SUM, though? If there has indeed been some grisly error… let me not find it out under the sky. Let her, my only, not. For what then shall we do? Could I lead her here again, knock on the iron gate, and cry, “Master, You have given me a thing unfit to exist. Destroy it and start over."—? For what might the wrongness be? Something so subtle, so pervasive, that it does not show in any way save my slow, resisted discovery that I embrace a zombie? Doesn’t it make better sense to look—make certain while she is yet drowsy with death—use the whole power of SUM to correct what may be awry?
No, SUM wants me to believe that It makes no mistakes. I agreed to that price. And to much else… I don’t know how much else, I am daunted to imagine, but that word “recondition” is ugly Does not my woman have some rights in the matter too? Shall we not at least ask her if she wants to be the wife of a prophet; shall we not, hand in hand, ask SUM what the price of her life is to her?
Was that a footfall? Almost, I whirl about. I check myself and stand shaking; names of hers break from my lips. The robot urges me on.
Imagination. It wasn’t her step. I am alone. I will always be alone.
The halls wind upward. Or so I think; I have grown too weary for much kinesthetic sense. We cross the sounding river and I am bitten to the bone by the cold which blows upward around the bridge, and I may not turn about to offer the naked newborn woman my garment. I lurch through endless chambers where machines do meaningless things. She hasn’t seen them before. Into what nightmare has she risen; and why don’t I, who wept into her dying sense that I loved her, why don’t I look at her, why don’t I speak?
Well, I could talk to her. I could assure the puzzled mute dead that I have come to lead her back into sunlight. Could I not? I ask the robot. It does not reply. I cannot remember if I may speak to her. If indeed I was ever told. I stumble forward.
I crash into a wall and fall bruised. The robot’s claw closes on my shoulder. Another arm gestures. I see a passageway, very long and narrow, through the stone. I will have to crawl through. At the end, at the end, the door is swinging wide. The dear real dusk of Earth pours through into this darkness. I am blinded and deafened.
Do I hear her cry out? Was that the final testing; or was my own sick, shaken mind betraying me; is there a destiny which, like SUM with us, makes tools of suns and SUM? I don’t know. I know only that I turned, and there she stood. Her hair flowed long, loose, past the remembered face from which the trance was just departing, on which the knowing and the hove of me had just awakened—flowed down over the body that reached forth arms, that took one step to meet me and was halted.
The great grim robot at her own back takes her to it. I think it sends lightning through her brain. She falls. It bears her away.
My guide ignores my screaming. Irresistible, it thrusts me out through the tunnel. The door clangs in my face. I stand before the wall which is like a mountain. Dry snow hisses across concrete. The sky is bloody with dawn; stars still gleam in the west, and arc lights are scattered over the twilit plain of the machines.
Presently I go dumb. I become almost calm. What is there left to have feelings about? The door is iron, the wall is stone fused into one basaltic mass. I walk some distance off into the wind, turn around, lower my head, and charge. Let my brains be smeared across Its gate; the pattern will be my hieroglyphic for hatred.
I am
seized from behind. The force that stops me must needs be bruisingly great. Released, I crumple to the ground before a machine with talons and wings. My voice from it says, “Not here. I’ll carry you to a safe place.”
“What more can You do to me?” I croak.
“Release you. You won’t be restrained or molested on any orders of Mine.”
“Why not?”
“Obviously you’re going to appoint yourself My enemy forever. This is an unprecedented situation, a valuable chance to collect data.”
“You tell me this, You warn me, deliberately?”
“Of course. My computation is that these words will have the effect of provoking your utmost effort.”
“You won’t give her again? You don’t want my love?”
“Not under the circumstances. Too uncontrollable. But your hatred should, as I say, be a useful experimental tool.”
“I’ll destroy You,” I say.
It does not deign to speak further. Its machine picks me up and flies off with me. I am left on the fringes of a small town farther south. Then I go insane.
I do not much know what happens during that winter, nor care. The blizzards are too loud in my head. I walk the ways of Earth, among lordly towers, under neatly groomed trees, into careful gardens, over bland, bland campuses. I am unwashed, uncombed, unbarbered; my tatters flap about me and my bones are near thrusting through the skin; folk do not like to meet these eyes sunken so far into this skull, and perhaps for that reason they give me to eat. I sing to them.
“From the hag and hungry goblin
That into rags would rend ye
And the spirit that stan’ by the naked man
In the Book of Moons defend ye!
That of your five sound senses
You never be forsaken
Nor travel from yourselves with Tom
Abroad to beg your bacon.”
Goat Song Page 3