influence of, 210, 287
mixing Chinese art and, 125, 131–32, 135, 210
Western artists, egotism of, 114
Westminster Classic Tours, 212
Williamson, Sue, 149, 160, 161
Willis, Graham Denyer, 414
Wilson, Robert, 97
Win Min, 468, 470
Wirathu, Ashin, 460, 461, 481
Wolf, John, 34
World Bank, 303, 319, 348
World Monuments Fund (WMF), 373, 383
World War I, 448
World War II, 2, 5, 188, 294, 301–2
Burma in, 450–51
Wu Tien-chang, Portrait as a Sailor, 209
Wu Wenguang, 124
Wu Yuren, 138
Wu Zhen, 201
xenophobia, 39, 122
Xi’an, China, nightlife in, 21–22
Xi Jinping, 137, 139
Xu Bing, 129, 139
Xu Hong, 130
Yang Feiyun, 125
Yanghee Lee, 480
Yang Shaobin, 118–19
Yang Xu, 119–20
Yang Yiping, 123
Yangzhou gardens, 378
Yan Zhengxue, 132–34, 137
Yashin, Ilya, 102
Yasuda, Kan, Secret of the Sky, 289
Yeltsin, Boris, 61–62, 63, 64, 66, 71, 91–96, 98
Yin Myo Su, see Borit, Misuu
Yokoo, Teshima, 291
Yongzheng Emperor, 382
Younge, Gavin, 150
Yousefzada, Munera, 284
Yuan dynasty, 193, 201
Yuanmingyuan (artists’ village), China, 118–19, 128, 131, 132–34, 136, 137
Yue Minjun, 118–19, 135–36, 140
Execution, 135
Yugoslavia, former, 470
Yu Youhan, 112, 120
Zacchi, José Maria, 409
Zagarev, Viktor, 64
Zaki, Zakia, 284
Zambia, 219–27
Kapishya Hot Springs Lodge in, 221–22
safari in, 220–27
Shiwa Ngandu house in, 222
tourism in, 227
Zamzama (Shakila), 276–77
Zanabazar, king and sculptor (Mongolia), 246
Zarqawi, Abu Musab al-, 325
Zeng Fanzhi:
The Last Supper, 135
Mask Series 1996 No. 6, 135
Zhang Peili, 114–17, 122, 128, 130
The Correct Procedure for Washing a Chicken (video), 117
Zhang Wei, 131
Zhang Xiaogang, 135
Zhao Bandi, 111, 124
Zhao Mengjian, 199
Zhao Zhao, 137–38
Zhejiang Academy, Hangzhou, 108, 114
Zhirinovsky, Vladimir, 177–79
Zhou Enlai, 29
Zhou Tiehai, 119–20
Zhuangzi, 187
Zhu Qizhan, 124–25
Zhu Yu, 137
Zimbabwe:
gay people threatened in, 35
travel in, 18, 165
Zionists, 340
Zlitni, A. M., 327, 336, 342
Zulu people, 153, 156
Zuma, Jacob, 175, 176
Zuu, Erdene, 246
Zvezdochetov, Kostya, 14, 61, 63–65, 66–69
Zvezdochetova, Larisa Rezun-, 13, 60, 65, 66–68
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Far and Away: Reporting From the Brink of Change Page 68