The Algernon Blackwood Collection

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by Algernon Blackwood


  Then came the voice of Julius suddenly:

  “Fate is the true complement of yourself; it completes your nature. By doing it, you become one with your surroundings. Note attitude and gesture — of yourself and of everything. They are signs. Our attitudes must coincide with that of the earth to the heavens — possible only at the Equinox. We must feel-with her. We then act with her. Do not resist. Let this valley say to you what it will. Regard it, and regard our life here at the moment, as a symbol, clothed in a whole story of information, the story varying with every hour of the day and with the slightest change of the earth in relation to the universe.”

  It seemed I watched the track of some unknown animal upon the ground, and tried to reconstruct the entire creature. Such imprint is but a trace of the invisible being that has made it. All about this valley there were tracks offering a hint of Beings that had left them — that any moment might reveal themselves. Julius talked on in his calm and unimpassioned way. I both understood and could not understand. I realised that there is a language for the mind, but no language for the spirit. There are no words in which to express big cosmic meanings. Action — a three-dimensional language — alone could be their vehicle. The knowledge must be performed — acted out in ceremony. Comprehension filtered into me, though how I cannot say.

  “Symbols are merely the clues,” he went on. “It is a question of stimulating your own imagination. Into the images created by your own activities the meaning flows. You must play with them and let them play with you. They depend for their meaning on history and happenings, and vary according to their setting — the time of day or night, the season of the year, the year itself, the exact relation of your Self to every other Self, human or otherwise, in the universe. Let your life and activities now arrange themselves in such a way that they shall demonstrate the workings of the elemental powers you feel about you. Every automatic activity of your body, every physiological process in you, links you on to this great elemental side of things. Be open now to the language of action. Think of the motion of all objects here as connected with the language of symbols, a living, ever-moving language, and do not allow your mind to mutilate the moods that come upon you. Let your nerves, if they will, come into contact with the Nature Powers, and so realise that the three kingdoms are alive. Watch your own automatic activities — I mean what you do unconsciously without deliberate thinking. For what you do consciously you are learning, but what you do unconsciously you have learned before. We have to become the performance by acting it — instantaneous understanding. All such attitudes are language, and the power to read it comes from a synthetical, intuitive feeling of the entire being. The heart may get one letter only, but that letter is a clue, an omen. A moth flies into the room and everything immediately looks different; it remains the same, yet means something different. It’s like the vowel in the ancient languages — put in later, according to the meaning. You have, I know, forgotten” — he paused a moment and put his hand on my shoulder — “but every wind that blows across our valley here, and every change in temperature that lowers or raises the heat and fire of your own particular system” — he looked at me with a power in bearing and gesture impossible to describe — “is a sign and hint of whether ”

  He stopped, glancing suddenly down the steep grass slopes. A breeze stirred the hair upon his forehead. It brushed my eyes and cheeks as well. I felt as though a hand had touched me as it passed invisibly. A momentary sensation of energy, of greater life swept over me, then disappeared as though the wind had borne it off.

  “Of whether your experiment will be successful?” I broke in.

  Turning his eyes from the sunny valley to my face again, he said slowly:

  “These Powers can only respond to the language they understand. My deliverance must be experienced, acted out.”

  “A ceremony?” I asked, wondering uneasily what “acts of language” he might demand of me and of another.

  “To restore them finally — where they rightfully belong,” he answered, “I must become them. There is no other way.”

  How little intelligible result issued from this conversation must be apparent from the confused report here given, yet that something deep and true was in his mind lay beyond all question. At the back of my own, whence no satisfactory sentences could draw it out into clean description, floated this idea that the three of us were already acting out some vast, strange ceremonial in which Nature, indeed the very earth and heavens themselves, were acting with us. There was this cooperation, this deep alliance. The “experiment” we approached would reveal itself in natural happenings and circumstances. Action was to take the place of words, conveying meaning as speech or handwriting conveys a message. The attitude of ourselves, the very grouping of inanimate objects, of trees and hills, the effects of light and shade, the moods of day and night, above all, the time and season of the year which is nothing but the attitude of the earth towards the rest of the universe — all these, as modes of intelligent expression, would belong to the strange performance. They were the conscious gestures of the universe. If I could feel-with them, interpretation would be mine.

  And, that I understood even this proved memory.

  “You will gradually become conscious,” he said, “of various signs about you. Analyse these signs. But analyse them with a view to creating language. For language does not create ideas; Ideas become language. Put the vowels in. When communication begins to be established, the inanimate world here will talk to you as in the fairy tales — seem alive. Play with it, as you play with symbols in algebra before you rise to the higher mathematics. So, notice and think about anything that” — he emphasised the verb significantly — “draws your attention. Do not point out at the moment; that’s compulsion and rouses opposition; just be aware and accept by noticing. And do not concentrate too much; what flows in must also be able to flow out; otherwise there comes congestion, and so — fear. In this valley the channels all are open, and wonder everywhere. The more you wonder, the more your memory will come back and consciousness extend. Great language has no words. The only way to grow in consciousness is to be for ever changing your ideas and point of view. Accept Nature here. Feel like a tree and then like a star. Be violent with wind, and burn with fire. These things are forgotten Today because Wonder has left the world — and with it worship. So do not be ashamed to wonder at anything you notice. It all lies in you — I know that — and here it will rise to the surface.” He laughed. “If a woman,” he went on, “wears embroidered lilies on her dress, all London seems full of flower-sellers. They were there before, but she had nothing in herself to make her conscious of them. Notice all the little things, for you are a portion of the universe as much as Sirius or Vega, and in living relation with every other atom. You can share Nature, and here in our secret valley you may welcome her without alarm. The cosmic organism, denied by civilisation, survives in you as it survives also in myself and in — my wife. Through that, and through that alone, is the experiment possible to us.”

  And it flashed into me that my visit to this enchanted valley would witness no concentrated, miniature “ceremonial,” reduced in form for worship as in a church or temple, but that all we did and experienced in the course of normal, every-day life would mark the outlines of this vast performance. Understanding would come that way.

  And then the mention of his “wife” brought me sharply back to emotions of — another kind. My thought leaped back again — by what steps I cannot say, it seemed so disconnected with what had just occupied my mind — to his statement of ten minutes before.

  “By becoming them,” I asked, “you mean that you must feel-with wind and fire to the point of being them?”

  “You think this might be done alone, without your help or hers?” he asked, picking the thought straight out of my mind. “But only a group could have done what we did — a group, moreover, in perfect sympathy. For as love between the three of us was essential to success then, so is love between us essential now.
A group, combined by love into a unit, exerts a power impossible to an individual. The secret of our power lies in that — ideal love and perfect sympathy.”

  I listened, sure of one thing only — that I would keep an open mind. To deny, object, criticise, above all to ridicule would rob me of an experience. I believe honestly this was my attitude: to miss no value that might be in it by assuming it was nonsense merely because it was so strange. Apart from the curious fact that something in me was sympathetic to a whole world of deep ideas behind his language, I felt the determined desire to see the matter through. There was no creed or religious dogma in me to offend. I made myself receptive. For, out of this singular exposition the conviction grew that I was entering almost a new order of existence, and that an earlier mode of consciousness revived.

  In this lonely valley, untouched by the currents of modern thought and feeling, companioned by Julius LeVallon and that old, recovered soul, his wife, the conditions of our previous existence together perhaps reformed themselves. Behind his talk came ideas that bore an aspect of familiarity, although my present brain, try as it might, failed to mould them into any acceptable form. The increasing change in myself was certainly significant. The crumbling of old shibboleths continued. A relationship between my inner nature and the valley seemed established in some way that was new, yet not entirely forgotten. The very sunlight and the wind assisted. Closer to the natural things I felt, the earth not alien to me....

  We had neared the chalet again. I saw the peat smoke rising against the background of the ridges. The “man” was whistling at his work in the yard behind the building. The column of smoke, I remember, was agitated by the wind towards the top; it turned, blew downwards. No other sign of movement was anywhere visible, for in the bottom of the hollow where we now stood, the wind did not even stir the isolated larches or tall yellow gentians. Sunshine flooded everything. Out of this peace and stillness then came a sudden cry and the sight of something moving rapidly — both from the chalet.

  “Julius!” called a shrill voice, as the figure of Mrs. LeVallon, with flying hair and skirts, came running over the meadow towards us. “Julius! — Professor! Quick!”

  The voice and figure startled me; both came, it seemed, out of some other place; a picture from my youth rose up — a larch grove in October upon the Pentland Hills. I experienced a sense of deep and thrilling beauty similar to what I had felt then. But as I watched the slim, hurrying figure I was aware of another thing that left me breathless: For with her, as she passed through chequered sun and shadow along the fringe of forest, there moved something else enormously larger than herself. It was in the air about her Like that strange Pentland memory, it whirled. It was formless, and owing to its huge proportions gave the impression of moving slowly, yet its very formlessness was singularly impressive and alive, so that the word “body” sprang instantly into my mind. Actually it moved at a tremendous speed.

  In my first confusion and bewilderment I remember saying aloud in sheer amazement: “a fragment of the day has broken off; it’s clothed in wind and sunlight!”

  A phrase quite meaningless, of course, yet somehow accurately descriptive, for it appealed to me as a fragment of conditionless, universal activity that had seized upon available common elements to furnish itself a visible appearance. I got the astounding suggestion that it was heat and air moving under intelligent and conscious direction. Combined with its airy lightness there was power, for in its brief, indeed its instantaneous, appearance I felt persuaded of an irresistible strength that no barrier of solid matter could possibly withstand. At the same time it was transparent, for I saw the trees upon its further side. It passed’ ahead of the human figure, so close it seemed to touch her dress, rose with a kind of swift, driving plunge into the air, slipped meltingly into the clean blue colour of the atmosphere — and disappeared.

  And so swift was the entire presentment of the thing, that even while I tried to focus my sight upon it to make sure I was not deceived, it had both come and gone. The same second Julius caught my arm. I heard him utter a quick, low cry, stifled instantly. He gasped. He quivered. I heard him whispering:

  “Already! Your presence here — the additional forces that you bring — are known and recognised! See, how complete we are — a unit — you, she and I— a trinity!”

  A coldness not of this world touched me as I heard. But that first sense of joy and beauty followed. I felt it true — the three of us were somehow one.

  “You saw it too?” I asked, exhilaration still about me.

  “They are everywhere and close,” he whispered quickly, as the running figure came on toward us, “breaking out into visible manifestation even. Hold yourself strong and steady. Remember, your attitude of mind and feeling are important. Each detail of behaviour is significant.”

  His anxiety, I realised, was for us, not for himself. Already, it seemed, our souls were playing vital roles in some great dramatic ceremonial just beginning. What we did and felt and thought was but a partial expression of something going forward with pregnant completeness behind the visible appearances all round. Mrs. LeVallon stood breathless in front of us. She was hatless, her hair becomingly dishevelled; her arms bare to the elbow and white with flour. She stopped, placed her hands upon her hips, and panted for a full minute before she could get breath enough to speak. Her eyes, a deep, luminous sea-green, looked into ours. Her face was pale, yet the emotion was excitement rather than alarm. I was aware of a superb, nymph-like grace and charm about her. I caught my breath. Julius made no movement, spoke no word. I wondered. I made a step forward to catch her. But she did not fall; she merely sank down upon the ground at our feet.

  “Julius,” she panted, “that thing I’ve dreamed about so often ”

  She stopped short, glancing up at me, the eyes, charged with a sweet agitation, full upon my own. I turned to Julius with a gesture of uncontrollable impatience.

  He spoke calmly, sitting down on the slope beside her. “You felt it again — the effect of your vivid dreaming? Or did you this time — see anything?”

  The swiftness and surprise of the little scene had been bewildering, but the moment he spoke confusion and suspense both vanished. The sound of his quiet voice restored the threatened balance. Peace came back into the sunlight and the air. There was composure again.

  “You certainly were not frightened!” he added, as she made no reply. “You look too happy and exhilarated for that.” He put his hand on hers.

  I sat down then beside her, and she turned and looked at me with a pathetic mingling of laughter and agitation still in her wide-opened eyes. The three of us were close together. He kept his hand on hers. Her shoulder touched me. I was aware of something very wonderful there between us. We comforted her, but it was more, far more, than that. There was sheer, overflowing Happiness in it.

  “It came into the house,” she said, her breath recovered now, and her voice gentle. “It follered me — out here. I ran.” She looked swiftly round at me. The radiance in her face was quite astonishing, turning her almost beautiful. Her eyelids quivered a moment and the corners of her lips seemed trying to smile — or not to smile. She was happy there, sitting between us two. Yet there was nothing light or foolish in her. Something of worship rose in me as I watched her.

  “Well,” urged Julius, “and then — what?” I saw him watching me as well as her. “You remembered your dream, you felt something, and — you ran out here to us. What else?”

  She hesitated deliciously. But it was not that she wanted coaxing. She evidently knew not how to tell the thing she had to say. She looked hard into my face, her eyes keenly searching.

  “It has something to do with him, you mean?” asked Julius, noting the direction of her questioning gaze.

  “Oh, I’m glad he’s here,” she answered quickly. “It’s the best thing that could happen.” And she looked round again at Julius, moving her hand upon his own.

  “We need him,” said Julius simply with a smile. Then, suddenly,
she took my hand too, and held it tightly. “He’s a protection, I think, as well,” she added quite gravely; “that’s how I feel him.” Her hand lay warm and fast on mine.

  There was a pause. I felt her fingers strongly clasp my own. The three of us were curiously linked together somehow by those two hands of hers. A great harmony united us. The day was glorious, the power of the sun divine, there was power in the wind that touched our faces.

  “Yes,” she continued slowly, “I think it had to do with him — with you, Professor,” she repeated emphatically, fixing her bright gaze upon me. “I think you brought it — brought my dream back — brought that thing I dreamed about into — the house itself.” And in her excitement she said distinctly “ ’ouse.”

  I found no word to say at the moment. She kept her hand firmly upon mine.

  “I was making bread there, by the back winder as usual,” she went on, “when suddenly I started thinking of that splendid dream I’ve had so offen — of you,” looking at her husband, “and me and another man — that’s you I’m sure,” she gazed at me — “all three of us doing some awful thing together in a place underground somewhere, but dressed quite different to what we are now, and standing round a lot of people sleeping in a row — when something we expected, yet were frightened at, used to come in — and give me such a start that I always woke up before knowing what was really going to happen.”

  She paused a second. She was confused. Her sentences ran into each other.

 

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