It is my habit to express my opinions audibly sometimes, when impressions are strong enough to warrant it; but now I only sighed “Oh, dear,” as I extricated my legs from many rugs and went into the house. A tall parlor-maid, with the bearing of a grenadier, received me, and standing behind her was Mrs. Marsh, the housekeeper, whom I remembered because her untidy back hair had suggested to me that it had been burnt. I went at once to my room, my hostess already dressing for dinner, but Frances came in to see me just as I was struggling with my black tie that had got tangled like a bootlace. She fastened it for me in a neat, effective bow, and while I held my chin up for the operation, staring blankly at the ceiling, the impression came—I wondered, was it her touch that caused it?—that something in her trembled. Shrinking perhaps is the truer word. Nothing in her face or manner betrayed it, nor in her pleasant, easy talk while she tidied my things and scolded my slovenly packing, as her habit was, questioning me about the servants at the flat. The blouses, though right, were crumpled, and my scolding was deserved. There was no impatience even. Yet somehow or other the suggestion of a shrinking reserve and holding back reached my mind. She had been lonely, of course, but it was more than that; she was glad that I had come, yet for some reason unstated she could have wished that I had stayed away. We discussed the news that had accumulated during our brief separation, and in doing so the impression, at best exceedingly slight, was forgotten. My chamber was large and beautifully furnished; the hall and dining room of our flat would have gone into it with a good remainder; yet it was not a place I could settle down in for work. It conveyed the idea of impermanence, making me feel transient as in a hotel bedroom. This, of course, was the fact. But some rooms convey a settled, lasting hospitality even in a hotel; this one did not; and as I was accustomed to work in the room I slept in, at least when visiting, a slight frown must have crept between my eyes.
“Mabel has fitted a work-room for you just out of the library,” said the clairvoyant Frances.
“No one will disturb you there, and you’ll have fifteen thousand books all catalogued within easy reach. There’s a private staircase too. You can breakfast in your room and slip down in your dressing gown if you want to.” She laughed. My spirits took a turn upwards as absurdly as they had gone down.
“And how are you?” I asked, giving her a belated kiss. “It’s jolly to be together again. I did feel rather lost without you, I’ll admit.”
“That’s natural,” she laughed. “I’m so glad.”
She looked well and had country color in her cheeks. She informed me that she was eating and sleeping well, going out for little walks with Mabel, painting bits of scenery again, and enjoying a complete change and rest; and yet, for all her brave description, the word somehow did not quite ring true. Those last words in particular did not ring true. There lay in her manner, just out of sight, I felt, this suggestion of the exact reverse—of unrest, shrinking, almost of anxiety. Certain small strings in her seemed over-tight. “Keyed-up” was the slang expression that crossed my mind. I looked rather searchingly into her face as she was telling me this.
“Only—the evenings,” she added, noticing my query, yet rather avoiding my eyes, “the evenings are—well, rather heavy sometimes, and I find it difficult to keep awake.”
“The strong air after London makes you drowsy,” I suggested, “and you like to get early to bed.”
Frances turned and looked at me for a moment steadily. “On the contrary, Bill, I dislike going to bed—here. And Mabel goes so early.” She said it lightly enough, fingering the disorder upon my dressing table in such a stupid way that I saw her mind was working in another direction altogether. She looked up suddenly with a kind of nervousness from the brush and scissors.
“Billy,” she said abruptly, lowering her voice, “isn’t it odd, but I hate sleeping alone here? I can’t make it out quite; I’ve never felt such a thing before in my life. Do you—think it’s all nonsense?”
And she laughed, with her lips but not with her eyes; there was a note of defiance in her I failed to understand.
“Nothing a nature like yours feels strongly is nonsense, Frances,” I replied soothingly.
But I, too, answered with my lips only, for another part of my mind was working elsewhere, and among uncomfortable things. A touch of bewilderment passed over me. I was not certain how best to continue. If I laughed she would tell me no more, yet if I took her too seriously the strings would tighten further. Instinctively, then, this flashed rapidly across me: that something of what she felt, I had also felt, though interpreting it differently. Vague it was, as the coming of rain or storm that announce themselves hours in advance with their hint of faint, unsettling excitement in the air. I had been but a short hour in the house—big, comfortable, luxurious house—but had experienced this sense of being unsettled, unfixed, fluctuating—a kind of impermanence that transient lodgers in hotels must feel, but that a guest in a friend’s home ought not to feel, be the visit short or long. To Frances, an impressionable woman, the feeling had come in the terms of alarm. She disliked sleeping alone, while yet she longed to sleep. The precise idea in my mind evaded capture, merely brushing through me, three-quarters out of sight; I realized only that we both felt the same thing, and that neither of us could get at it clearly.
Degrees of unrest we felt, but the actual thing did not disclose itself.
It did not happen.
I felt strangely at sea for a moment. Frances would interpret hesitation as endorsement, and encouragement might be the last thing that could help her.
“Sleeping in a strange house,” I answered at length, “is often difficult at first, and one feels lonely. After fifteen months in our tiny flat one feels lost and uncared-for in a big house. It’s an uncomfortable feeling—I know it well. And this is a barrack, isn’t it? The masses of furniture only make it worse. One feels in storage somewhere underground—the furniture doesn’t furnish. One must never yield to fancies, though—”
Frances looked away towards the windows; she seemed disappointed a little.
“After our thickly-populated Chelsea,” I went on quickly, “it seems isolated here.”
But she did not turn back, and clearly I was saying the wrong thing. A wave of pity rushed suddenly over me. Was she really frightened, perhaps? She was imaginative, I knew, but never moody; common sense was strong in her, though she had her times of hypersensitiveness. I caught the echo of some unreasoning, big alarm in her. She stood there, gazing across my balcony towards the sea of wooded country that spread dim and vague in the obscurity of the dusk. The deepening shadows entered the room, I fancied, from the grounds below. Following her abstracted gaze a moment, I experienced a curious sharp desire to leave, to escape. Out yonder was wind and space and freedom. This enormous building was oppressive, silent, still.
Great catacombs occurred to me, things beneath the ground, imprisonment and capture. I believe I even shuddered a little.
I touched her shoulder. She turned round slowly, and we looked with a certain deliberation into each other’s eyes.
“Fanny,” I asked, more gravely than I intended, “you are not frightened, are you? Nothing has happened, has it?”
She replied with emphasis, “Of course not! How could it—I mean, why should I?” She stammered, as though the wrong sentence flustered her a second. “It’s simply—that I have this ter—this dislike of sleeping alone.”
Naturally, my first thought was how easy it would be to cut our visit short. But I did not say this. Had it been a true solution, Frances would have said it for me long ago.
“Wouldn’t Mabel double-up with you?” I said instead, “or give you an adjoining room, so that you could leave the door between you open? There’s space enough, heaven knows.”
And then, as the gong sounded in the hall below for dinner, she said, as with an effort, this thing:
“Mabel did ask me—on the third night—after I had told her. But I declined.”
“You’d rather b
e alone than with her?” I asked, with a certain relief.
Her reply was so gravely given, a child would have known there was more behind it: “Not that; but that she did not really want it.”
I had a moment’s intuition and acted on it impulsively. “She feels it too, perhaps, but wishes to face it by herself—and get over it?”
My sister bowed her head, and the gesture made me realize of a sudden how grave and solemn our talk had grown, as though some portentous thing were under discussion. It had come of itself—indefinite as a gradual change of temperature. Yet neither of us knew its nature, for apparently neither of us could state it plainly. Nothing happened, even in our words.
“That was my impression,” she said, “—that if she yields to it she encourages it. And a habit forms so easily. Just think,” she added with a faint smile that was the first sign of lightness she had yet betrayed, “what a nuisance it would be—everywhere—if everybody was afraid of being alone—like that.”
I snatched readily at the chance. We laughed a little, though it was a quiet kind of laughter that seemed wrong. I took her arm and led her towards the door.
“Disastrous, in fact,” I agreed.
She raised her voice to its normal pitch again, as I had done. “No doubt it will pass,” she said, “now that you have come. Of course, it’s chiefly my imagination.” Her tone was lighter, though nothing could convince me that the matter itself was light—just then. “And in any case,” tightening her grip on my arm as we passed into the bright enormous corridor and caught sight of Mrs. Franklyn waiting in the cheerless hall below, “I’m very glad you’re here, Bill, and Mabel, I know, is too.”
“If it doesn’t pass,” I just had time to whisper with a feeble attempt at jollity, “I’ll come at night and snore outside your door. After that you’ll be so glad to get rid of me that you won’t mind being alone.”
“That’s a bargain,” said Frances.
I shook my hostess by the hand, made a banal remark about the long interval since last we met, and walked behind them into the great dining room, dimly lit by candles, wondering in my heart how long my sister and I should stay, and why in the world we had ever left our cozy little flat to enter this desolation of riches and false luxury at all. The unsightly picture of the late Samuel Franklyn, Esq., stared down upon me from the farther end of the room above the mighty mantelpiece.
He looked, I thought, like some pompous Heavenly Butler who denied to all the world, and to us in particular, the right of entry without presentation cards signed by his hand as proof that we belonged to his own exclusive set. The majority, to his deep grief, and in spite of all his prayers on their behalf, must burn and “perish everlastingly.”
CHAPTER IV
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WITH THE INSTINCT OF THE healthy bachelor I always try to make myself a nest in the place I live in, be it for long or short. Whether visiting, in lodging-house, or in hotel, the first essential is this nest—one’s own things built into the walls as a bird builds in its feathers. It may look desolate and uncomfortable enough to others, because the central detail is neither bed nor wardrobe, sofa nor armchair, but a good solid writing-table that does not wriggle, and that has wide elbowroom.
And The Towers is vividly described for me by the single fact that I could not “nest” there.
I took several days to discover this, but the first impression of impermanence was truer than I knew. The feathers of the mind refused here to lie one way. They ruffled, pointed, and grew wild.
Luxurious furniture does not mean comfort; I might as well have tried to settle down in the sofa and armchair department of a big shop. My bedroom was easily managed; it was the private workroom, prepared especially for my reception, that made me feel alien and outcast.
Externally, it was all one could desire: an antechamber to the great library, with not one, but two generous oak tables, to say nothing of smaller ones against the walls with capacious drawers.
There were reading desks, mechanical devices for holding books, perfect light, quiet as in a church, and no approach but across the huge adjoining room. Yet it did not invite.
“I hope you’ll be able to work here,” said my little hostess the next morning, as she took me in—her only visit to it while I stayed in the house—and showed me the ten-volume Catalogue.
“It’s absolutely quiet and no one will disturb you.”
“If you can’t, Bill, you’re not much good,” laughed Frances, who was on her arm. “Even I could write in a study like this!”
I glanced with pleasure at the ample tables, the sheets of thick blotting paper, the rulers, sealing wax, paper knives, and all the other immaculate paraphernalia. “It’s perfect,” I answered with a secret thrill, yet feeling a little foolish. This was for Gibbon or Carlyle, rather than for my potboiling insignificancies. “If I can’t write masterpieces here, it’s certainly not your fault,” and I turned with gratitude to Mrs. Franklyn. She was looking straight at me, and there was a question in her small pale eyes I did not understand. Was she noting the effect upon me, I wondered?
“You’ll write here—perhaps a story about the house,” she said, “Thompson will bring you anything you want; you only have to ring.” She pointed to the electric bell on the central table, the wire running neatly down the leg. “No one has ever worked here before, and the library has been hardly used since it was put in. So there’s no previous atmosphere to affect your imagination—er—adversely.”
We laughed. “Bill isn’t that sort,” said my sister; while I wished they would go out and leave me to arrange my little nest and set to work.
I thought, of course, it was the huge listening library that made me feel so inconsiderable—the fifteen thousand silent, staring books, the solemn aisles, the deep, eloquent shelves. But when the women had gone and I was alone, the beginning of the truth crept over me, and I felt that first hint of disconsolateness which later became an imperative No. The mind shut down, images ceased to rise and flow. I read, made copious notes, but I wrote no single line at The Towers.
Nothing completed itself there. Nothing happened.
The morning sunshine poured into the library through ten long narrow windows; birds were singing; the autumn air, rich with a faint aroma of November melancholy that stung the imagination pleasantly, filled my antechamber. I looked out upon the undulating wooded landscape, hemmed in by the sweep of distant Downs, and I tasted a whiff of the sea. Rooks cawed as they floated above the elms, and there were lazy cows in the nearer meadows. A dozen times I tried to make my nest and settle down to work, and a dozen times, like a turning fastidious dog upon a hearth rug, I rearranged my chair and books and papers. The temptation of the Catalogue and shelves, of course, was accountable for much, yet not, I felt, for all. That was a manageable seduction. My work, moreover, was not of the creative kind that requires absolute absorption; it was the mere readable presentation of data I had accumulated. My notebooks were charged with facts ready to tabulate—facts, too, that interested me keenly. A mere effort of the will was necessary, and concentration of no difficult kind. Yet, somehow, it seemed beyond me: something forever pushed the facts into disorder … and in the end I sat in the sunshine, dipping into a dozen books selected from the shelves outside, vexed with myself and only half-enjoying it. I felt restless. I wanted to be elsewhere.
And even while I read, attention wandered. Frances, Mabel, her late husband, the house and grounds, each in turn and sometimes all together, rose uninvited into the stream of thought, hindering any consecutive flow of work. In disconnected fashion came these pictures that interrupted concentration, yet presenting themselves as broken fragments of a bigger thing my mind already groped for unconsciously. They fluttered round this hidden thing of which they were aspects, fugitive interpretations, no one of them bringing complete revelation. There was no adjective, such as pleasant or unpleasant, that I could attach to what I felt, beyond that the result was unsettling. Vague as the atmosphere of a drea
m, it yet persisted, and I could not dissipate it.
Isolated words or phrases in the lines I read sent questions scouring across my mind, sure sign that the deeper part of me was restless and ill at ease.
Rather trivial questions too—half-foolish interrogations, as of a puzzled or curious child: Why was my sister afraid to sleep alone, and why did her friend feel a similar repugnance, yet seek to conquer it? Why was the solid luxury of the house without comfort, its shelter without the sense of permanence? Why had Mrs. Franklyn asked us to come, artists, unbelieving vagabonds, types at the farthest possible remove from the saved sheep of her husband’s household? Had a reaction set in against the hysteria of her conversion? I had seen no signs of religious fervor in her; her atmosphere was that of an ordinary, high-minded woman, yet a woman of the world. Lifeless, though, a little, perhaps, now that I came to think about it: she had made no definite impression upon me of any kind. And my thoughts ran vaguely after this fragile clue.
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