To two, in particular, He came so near that they could feel his breath of hills and fields upon their eyes. He touched them with both mighty hands. He stroked the marble breasts, He felt the little hidden horns ... and, as they bent lower so that their lips met together for an instant, He took her arms and twined them about the curved, brown neck that she might hold him closer still. ...
Again a footfall sounded far away upon an unruined world ... and He was gone—back into the wind and water whence He came. The thousand faces lifted; all stood up; the hush of worship still among them. There was a quiet as of the dawn. The piping floated over woods and fields, fading into silence. All looked at one another. ... And then once more the laughter and the play broke loose.
4
“We’ll go,” she cried, “and peep upon that other world where life hangs like a prison on their eyes!” And, in a moment, they were across the soaking grass, the lawn and flower-beds, and close to the walls of the heavy mansion. He peered in through a window, lifting her up to peer in with him. He recognised the world to which outwardly he belonged; he understood; a little gasp escaped him; and a slight shiver ran down the girl’s body into his own. She turned her eyes away. “See,” she murmured in his ear, “it’s ugly, it’s not natural. They feel guilty and ashamed. There is no innocence!” She saw the men; it was the women that he saw chiefly.
Lolling ungracefully, with a kind of boldness that asserted independence, the women smoked their cigarettes with an air of invitation they sought to conceal and yet showed plainly. He saw his familiar world in nakedness. Their backs were bare, for all the elaborate clothes they wore; they hung their breasts uncleanly; in their eyes shone light that had never known the open sun. Hoping they were alluring and desirable, they feigned a guilty ignorance of that hope. They all pretended. Instead of wind and dew upon their hair, he saw flowers grown artificially to ape wild beauty, tresses without lustre borrowed from the slums of city factories. He watched them manœuvring with the men; heard dark sentences; caught gestures half delivered whose meaning should just convey that glimpse of guilt they deemed to increase pleasure. The women were calculating, but nowhere glad; the men experienced, but nowhere joyous. Pretended innocence lay cloaked with a veil of something that whispered secretly, clandestine, ashamed, yet with a brazen air that laid mockery instead of sunshine in their smiles. Vice masqueraded in the ugly shape of pleasure; beauty was degraded into calculated tricks. They were not natural. They knew not joy.
“The forward ones, the civilised!” she laughed in his ear, tweaking his horns with energy. “We are the backward!”
“Unclean,” he muttered, recalling a catchword of the world he gazed upon.
They were the civilised! They were refined and educated—advanced. Generations of careful breeding, mate cautiously selecting mate, laid the polish of caste upon their hands and faces where gleamed ridiculous, untaught jewels—rings, bracelets, necklaces hanging absurdly from every possible angle.
“But—they are dressed up—for fun,” he exclaimed, more to himself than to the girl in skins who clung to his shoulders with her naked arms.
“Undressed!” she answered, putting her brown hand in play across his eyes. “Only they have forgotten even that!” And another shiver passed through her into him. He turned and hid his face against the soft skins that touched his cheek. He kissed her body. Seizing his horns, she pressed him to her, laughing happily.
“Look!” she whispered, raising her head again; “they’re coming out.” And he saw that two of them, a man and a girl, with an interchange of secret glances, had stolen from the room and were already by the door of the conservatory that led into the garden. It was his wife to be—and his distinguished cousin.
“Oh, Pan!” she cried in mischief. The girl sprang from his arms and pointed. “We will follow them. We will put natural life into their little veins!”
“Or panic terror,” he answered, catching the yellow panther skin and following her swiftly round the building. He kept in the shadow, though she ran full into the blaze of moonlight. “But they can’t see us,” she called, looking over her shoulder a moment. “They can only feel our presence, perhaps.” And, as she danced across the lawn, it seemed a moonbeam slipped from a sapling birch tree that the wind curved earthwards, then tossed back against the sky.
Keeping just ahead, they led the pair, by methods known instinctively to elemental blood yet not translatable—led them towards the little grove of waiting pines. The night wind murmured in the branches; a bird woke into a sudden burst of song. These sounds were plainly audible. But four little pointed ears caught other, wilder notes behind the wind and music of the bird—the cries and ringing laughter, the leaping footsteps and the happy singing of their merry kin within the wood.
And the throng paused then amid the revels to watch the “civilised” draw near. They presently reached the trees, halted, looked about them, hesitated a moment—then, with a hurried movement as of shame and fear lest they be caught, entered the zone of shadow.
“Let’s go in here,” said the man, without music in his voice. “It’s dry on the pine needles, and we can’t be seen.” He led the way; she picked up her skirts and followed over the strip of long wet grass. “Here’s a log all ready for us,” he added, sat down, and drew her into his arms with a sigh of satisfaction. “Sit on my knee; it’s warmer for your pretty figure.” He chuckled; evidently they were on familiar terms, for though she hesitated, pretending to be coy, there was no real resistance in her, and she allowed the ungraceful roughness. “But are we quite safe? Are you sure?” she asked between his kisses.
“What does it matter, even if we’re not?” he replied, establishing her more securely on his knees. “But, as a matter of fact, we’re safer here than in my own house.” He kissed her hungrily. “By Jove, Hermione, but you’re divine,” he cried passionately, “divinely beautiful. I love you with every atom of my being—with my soul.”
“Yes, dear, I know—I mean, I know you do, but——”
“But what?” he asked impatiently.
“Those detectives——”
He laughed. Yet it seemed to annoy him. “My wife is a beast, isn’t she?—to have me watched like that,” he said quickly.
“They’re everywhere,” she replied, a sudden hush in her tone. She looked at the encircling trees a moment, then added bitterly: “I hate her, simply hate her.”
“I love you,” he cried, crushing her to him, “that’s all that matters now. Don’t let’s waste time talking about the rest.” She contrived to shudder, and hid her face against his coat, while he showered kisses on her neck and hair.
And the solemn pine trees watched them, the silvery moonlight fell on their faces, the scent of new-mown hay went floating past.
“I love you with my very soul,” he repeated with intense conviction. “I’d do anything, give up anything, bear anything—just to give you a moment’s happiness. I swear it—before God!”
There was a faint sound among the trees behind them, and the girl sat up, alert. She would have scrambled to her feet, but that he held her tight.
“What the devil’s the matter with you to-night?” he asked in a different tone, his vexation plainly audible. “You’re as nervy as if you were being watched, instead of me.”
She paused before she answered, her finger on her lip. Then she said slowly, hushing her voice a little:
“Watched! That’s exactly what I did feel. I’ve felt it ever since we came into the wood.”
“Nonsense, Hermione. It’s too many cigarettes.” He drew her back into his arms, forcing her head up so that he could kiss her better.
“I suppose it is nonsense,” she said, smiling. “It’s gone now, anyhow.”
He began admiring her hair, her dress, her shoes, her pretty ankles, while she resisted in a way that proved her practice. “It’s not me you love,” she pouted, yet drinking in his praise. She listened to his repeated assurances that he loved her with his “soul” and
was prepared for any sacrifice.
“I feel so safe with you,” she murmured, knowing the moves in the game as well as he did. She looked up guiltily into his face, and he looked down with a passion that he thought perhaps was joy.
“You’ll be married before the summer’s out,” he said, “and all the thrill and excitement will be over. Poor Hermione!” She lay back in his arms, drawing his face down with both hands, and kissing him on the lips. “You’ll have more of him than you can do with—eh? As much as you care about, anyhow.”
“I shall be much more free,” she whispered. “Things will be easier. And I’ve got to marry some one——”
She broke off with another start. There was a sound again behind them. The man heard nothing. The blood in his temples pulsed too loudly, doubtless.
“Well, what is it this time?” he asked sharply.
She was peering into the wood, where the patches of dark shadow and moonlit spaces made odd, irregular patterns in the air. A low branch waved slightly in the wind.
“Did you hear that?” she asked nervously.
“Wind,” he replied, annoyed that her change of mood disturbed his pleasure.
“But something moved——”
“Only a branch. We’re quite alone, quite safe, I tell you,” and there was a rasping sound in his voice as he said it. “Don’t be so imaginative. I can take care of you.”
She sprang up. The moonlight caught her figure, revealing its exquisite young curves beneath the smother of the costly clothing. Her hair had dropped a little in the struggle. The man eyed her eagerly, making a quick, impatient gesture towards her, then stopped abruptly. He saw the terror in her eyes.
“Oh, hark! What’s that?” she whispered in a startled voice. She put her finger up. “Oh, let’s go back. I don’t like this wood. I’m frightened.”
“Rubbish,” he said, and tried to catch her by the waist.
“It’s safer in the house—my room—or yours——” She broke off again. “There it is—don’t you hear? It’s a footstep!” Her face was whiter than the moon.
“I tell you it’s the wind in the branches,” he repeated gruffly. “Oh, come on, do. We were just getting jolly together. There’s nothing to be afraid of. Can’t you believe me?” He tried to pull her down upon his knee again with force. His face wore an unpleasant expression that was half leer, half grin.
But the girl stood away from him. She continued to peer nervously about her. She listened.
“You give me the creeps,” he exclaimed crossly, clawing at her waist again with passionate eagerness that now betrayed exasperation. His disappointment turned him coarse.
The girl made a quick movement of escape, turning so as to look in every direction. She gave a little scream.
“That was a step. Oh, oh, it’s close beside us. I heard it. We’re being watched!” she cried in terror. She darted towards him, then shrank back. He did not try to touch her this time.
“Moonshine!” he growled. “You’ve spoilt my—spoilt our chance with your silly nerves.”
But she did not hear him apparently. She stood there shivering as with sudden cold.
“There! I saw it again. I’m sure of it. Something went past me through the air.”
And the man, still thinking only of his own pleasure frustrated, got up heavily, something like anger in his eyes. “All right,” he said testily; “if you’re going to make a fuss, we’d better go. The house is safer, possibly, as you say. You know my room. Come along!” Even that risk he would not take. He loved her with his “soul.”
They crept stealthily out of the wood, the girl slightly in front of him, casting frightened backward glances. Afraid, guilty, ashamed, with an air as though they had been detected, they stole back towards the garden and the house, and disappeared from view.
And a wind rose suddenly with a rushing sound, poured through the wood as though to cleanse it, swept out the artificial scent and trace of shame, and brought back again the song, the laughter, and the happy revels. It roared across the park, it shook the windows of the house, then sank away as quickly as it came. The trees stood motionless again, guarding their secret in the clean, sweet moonlight that held the world in dream until the dawn stole up and sunshine took the earth with joy.
THE WINGS OF HORUS
..................
BINOVITCH HAD THE BIRD IN him somewhere: in his features, certainly, with his piercing eye and hawk-like nose; in his movements, with his quick way of flitting, hopping, darting; in the way he perched on the edge of a chair; in the manner he pecked at his food; in his twittering, high-pitched voice as well; and, above all, in his mind. He skimmed all subjects and picked their heart out neatly, as a bird skims lawn or air to snatch its prey. He had the bird’s-eye view of everything. He loved birds and understood them instinctively; could imitate their whistling notes with astonishing accuracy. Their one quality he had not was poise and balance. He was a nervous little man; he was neurasthenic. And he was in Egypt by doctor’s orders.
Such imaginative, unnecessary ideas he had! Such uncommon beliefs!
“The old Egyptians,” he said laughingly, yet with a touch of solemn conviction in his manner, “were a great people. Their consciousness was different from ours. The bird idea, for instance, conveyed a sense of deity to them—of bird deity, that is: they had sacred birds—hawks, ibis, and so forth—and worshipped them.” And he put his tongue out as though to say with challenge, “Ha, ha!”
“They also worshipped cats and crocodiles and cows,” grinned Palazov. Binovitch seemed to dart across the table at his adversary. His eyes flashed; his nose pecked the air. Almost one could imagine the beating of his angry wings.
“Because everything alive,” he half screamed, “was a symbol of some spiritual power to them. Your mind is as literal as a dictionary and as incoherent. Pages of ink without connected meaning! Verb always in the infinitive! If you were an old Egyptian, you—you”—he flashed and spluttered, his tongue shot out again, his keen eyes blazed—“you might take all those words and spin them into a great interpretation of life, a cosmic romance, as they did. Instead, you get the bitter, dead taste of ink in your mouth, and spit it over us like that”—he made a quick movement of his whole body as a bird that shakes itself—“in empty phrases.”
Khilkoff ordered another bottle of champagne, while Vera, his sister, said half nervously, “Let’s go for a drive; it’s moonlight.” There was enthusiasm at once. Another of the party called the head waiter and told him to pack food and drink in baskets. It was only eleven o’clock. They would drive out into the desert, have a meal at two in the morning, tell stories, sing, and see the dawn.
It was in one of those cosmopolitan hotels in Egypt which attract the ordinary tourists as well as those who are doing a “cure,” and all these Russians were ill with one thing or another. All were ordered out for their health, and all were the despair of their doctors. They were as unmanageable as a bazaar and as incoherent. Excess and bed were their routine. They lived, but none of them got better. Equally, none of them got angry. They talked in this strange personal way without a shred of malice or offence. The English, French, and Germans in the hotel watched them with remote amazement, referring to them as “that Russian lot.” Their energy was elemental. They never stopped. They merely disappeared when the pace became too fast, then reappeared again after a day or two, and resumed their “living” as before. Binovitch, despite his neurasthenia, was the life of the party. He was also a special patient of Dr. Plitzinger, the famous psychiatrist, who took a peculiar interest in his case. It was not surprising. Binovitch was a man of unusual ability and of genuine, deep culture. But there was something more about him that stimulated curiosity. There was this striking originality. He said and did surprising things.
“I could fly if I wanted to,” he said once when the airmen came to astonish the natives with their biplanes over the desert, “but without all that machinery and noise. It’s only a question of believing and unde
rstanding——”
“Show us!” they cried. “Let’s see you fly!”
“He’s got it! He’s off again! One of his impossible moments.”
These occasions when Binovitch let himself go always proved wildly entertaining. He said monstrously incredible things as though he really did believe them. They loved his madness, for it gave them new sensations.
“It’s only levitation, after all, this flying,” he exclaimed, shooting out his tongue between the words, as his habit was when excited; “and what is levitation but a power of the air? None of you can hang an orange in space for a second, with all your scientific knowledge; but the moon is always levitated perfectly. And the stars. D’you think they swing on wires? What raised the enormous stones of ancient Egypt? D’you really believe it was heaped-up sand and ropes and clumsy leverage and all our weary and laborious mechanical contrivances? Bah! It was levitation. It was the powers of the air. Believe in those powers, and gravity becomes a mere nursery trick—true where it is, but true nowhere else. To know the fourth dimension is to step out of a locked room and appear instantly on the roof or in another country altogether. To know the powers of the air, similarly, is to annihilate what you call weight—and fly.”
“Show us, show us!” they cried, roaring with delighted laughter.
“It’s a question of belief,” he repeated, his tongue appearing and disappearing like a pointed shadow. “It’s in the heart; the power of the air gets into your whole being. Why should I show you? Why should I ask my deity to persuade your scoffing little minds by any miracle? For it is deity, I tell you, and nothing else. I know it. Follow one idea like that, as I follow my bird idea—follow it with the impetus and undeviating concentration of a projectile—and you arrive at power. You know deity—the bird idea of deity, that is. They knew that. The old Egyptians knew it.”
The Algernon Blackwood Collection Page 385