by Denise Mina
She rubbed her stomach theatrically.
“Still got that photo, have you?”
She didn’t answer him.
He swiveled on his heels, looked around the dark yard, looking at head height, looking for people. “Ye want a safety tip? Get rid of the picture.”
“Yeah.” She was annoyed he hadn’t asked her about her stomach. “No one likes the McBree picture. I gathered that.”
He moved closer to her, sliding in, shoulder on. “Meehan, Paddy, if I can call you that.” He was standing so close to her and his voice was so low she thought for a moment he was going to try and kiss her. “That picture.” He shook his head and stopped, staring hard at the bins. He stepped away from her and raised a hand. “This is my office, ye know. This bar, this filthy yard. This is where I do all my business. I got quite a thrill when you came to see me the other day. I don’t know who told you I was the man to talk to, but they were wrong.” His face laughed but his eyes didn’t. “I used to be the man, but now . . .”
Donaldson was a bit pissed, she realized. It made him more animated than he had been the other day, loose, and it suited him.
“What are you doing in Scotland?”
“Oh, I’m out. They sent me away. I used to be the king of the Sweetie Bottle Bar. Drank with all of them, gave orders from there. If a woman was worried about her boy she’d come and see me, ask me . . .” He stopped, looked back at her, staring at her chest, taking that male, every-seven-seconds moment.
She circled her sore stomach with her hand, finding it helped. “Sweetie Bottle Bar?”
His face warmed in remembrance of a better time, when he mattered. “Ye know the Sweetie Bottle?”
“No, just . . . good name. I read about your son in the clippings. I’m sorry for your troubles.”
“Aye.” He didn’t react. He must have heard it a hundred times.
They stared at each other across the gloom of the evening, both fat and out of shape, both sick thinking about their sons.
“What should I do with the picture?”
He answered quickly. “Burn it.”
“Or one of you’ll kill me?”
He shook his head slowly. “Not us.”
“McBree came to my house. He threatened me. I was lucky. My son was out and someone else was there or I don’t know what he’d have done.”
“But we don’t kill journalists.”
“Ye bombed the Stock Exchange a month ago.”
“We gave fourteen different coded warnings half an hour before it went off.”
“Are you telling me McBree’s working alone?”
He shrugged.
“Why won’t the police touch him then?”
He looked surprised at that, gave her a warning look, and glanced back at the door to the bar. “Won’t they?”
“I got warned off by a DCS, no less.”
Donaldson looked at the door, at her, at the ground, fitting bits of something together in his head, something that made him angry and upset. Whatever it was, he shook his head, glanced at the bar door and back to her. His eyes were wet.
“They won’t listen to me.”
“Who?”
But he just shook his head again. His voice sounded strained when he spoke. “You know, Miss Meehan, if I was a journalist with a death wish I’d be asking who that other fella in the photograph was.” He nodded at the door. “McBree’ll know that you came here. He’ll see it as a provocation, wonder what you’re telling me. Someone could be on the phone to him right now. He hears everything.”
He turned away, took a deep breath, blinked his sadness away, and pushed the door open, walking back into the light and the noise. The door banged shut behind him.
She stood in the dark, rank yard, heard a bus rumble past beyond the wall, a dog bark a long way away, and thought about what he’d said for a moment. McBree was acting alone because he had something to hide and whatever his secret was, Kevin had captured it in the photograph. The fat man in the suit.
Her lung was still aching but she felt freshly fired up as she scouted the yard for a back way out, but the wall around the yard was solid and the gate was locked.
She had to knock on the fire exit and wait for the Mountain to come and let her back in. The tracksuit was gone and Donaldson was back at the bar, ignoring her as the Mountain escorted her to the main door, apologizing over and over, barely audible through the wall of catcalls and whistles from the other men.
TWENTY-SIX
GET AWAY, MUTLEY
I
Dub waited in the car, listening patiently to a comedy show on the radio, saying he didn’t mind.
Paddy checked her notes again, read the door numbers on the gates opposite, and turned back, certain that this was number eight. Dub always said that house envy was the one sure symptom of middle age. The sight of it made her mouth water.
It was everything she would have wanted Eriskay House to be: in the city, gloriously well kept and absolutely massive. A trellis arch from the street was hung with roses, the flowers faded and dropping onto the pavement, littering the path to the house.
The asymmetric façade had Arts and Crafts decoration on every finial and doorknob, small, perfect details that spoke of class and taste, oak leaves and acorns worked into the carving on the architraves, faces easing out of the stones, a lizard frozen midscamper across the door frame. To the right of the building was a glass conservatory, leaves of lush plants pressed hard against the greening windows. She paused to look in through the glass and saw trays of seedlings and flowering potted plants on a bench.
The doorbell was ceramic and chimed a timeworn gong into the hallway. She waited, looking back out into the street to see Dub alone in the car, laughing.
Suddenly the door was opened by a young girl with blond hair pulled up in a ponytail, her face fresh and welcoming, making Paddy feel shabby and fat and old.
“Paddy Meehan?”
“Hi.”
“Come in, come in.” She almost giggled with delight as Paddy shuffled in. “Mum’s still working, believe it or not.”
A square stairwell filled the hallway, carved in warm red wood, Gothic details elaborate enough for a church pew, with coats hung irreverently on delicate finials. A spindly jardinière held a chunky black Bakelite phone. The stone floor was littered with welly boots, sandals, leashes and mauled tennis balls. It smelled of dog.
The girl led her through a passageway to the left of the door, a narrow servants’ corridor that ran between the rooms, into a back office covered in papers and poster-sized book covers. French windows gave onto a garden and a golden Labrador was dozing outside in the early evening sunshine, tail dreamily batting the ground.
Smiling, Joan Forsyth stood up to meet her. She was a mannish version of the pretty girl, in her forties but still vigorous. She was dressed in a white tailored shirt with the collar standing up in the manner of rugby players. Her hair was carefully unkempt, thick and blond with traces of white around the temples. She wore expensively cut green slacks with a thin yellow check through them.
“Hello.” She leaned on top of her desk with one hand and took Paddy’s hand with the other, pumped firmly once and let go. “Do sit down.”
She let Paddy settle, flashing her another smile and offering tea.
“Oh, lovely, thanks.”
“Darjeeling?”
“Fine.”
“Tippy.” She addressed her daughter. “Pot of Darj and two cups, please.”
Tippy twitched her head at Paddy, mock sulk. “She’s using you as an excuse to boss me, you know.”
Paddy pretended to give a shit. “Sorry.”
“Never mind,” Tippy said prettily and turned on her heels, disappearing back through the dark corridor.
“So, you’re Paddy Meehan?”
The Labrador was awake, nuzzling at the door, but Joan Forsyth ignored it.
“I am, yeah. I hope you don’t mind me coming to see you but I wanted to ask about Terry Hewitt’s book
.”
“Right.” She nodded and waited for Paddy to continue.
“You knew Terry personally?”
“I knew Amy, his mother. We were at school together in Perthshire. He came to me with a book proposal and I thought it sounded good, the pictures were great, so, yes, I said yes.” She seemed a little defensive.
“But you didn’t really know Terry that well?”
“No.” She sounded very sharp. “I knew his mother.”
Paddy waited, listening to the dog whine at the door, snuffling hard at the joist.
“Get away, Mutley.”
The dog gave a whine and backed off. Paddy was almost afraid to speak again in case Joan shouted at her. “I see,” she said quietly. “I just went out to Eriskay House, you know? Where they lived?”
“Ayrshire?”
“Aye, Ayrshire. The road’s very dangerous. Did they die there?”
“Yes. At the end of the driveway. A lorry took the corner at seventy and lost control. Lucky Terry wasn’t in the car. He should have been. He was in the house at the time. First on the scene.”
Paddy saw him then, with his shaved head and scars showing on his scalp, standing in the thick grass staring wide-eyed at the end of the driveway. He’d never told her that he’d been there, never even hinted at it. He was all of seventeen.
“Poor little thing,” Forsyth said absently. “He was a lovely boy. She adored him.”
Paddy cleared her throat. “Terry and I went out together, not long afterwards, when he first moved to the city.”
“I see.” She seemed to soften. “You knew Terry?”
“Yeah, I knew him very well. He left me the house in his will.”
“Oh.” She leaned back in her chair. “I thought you were writing an article about him or something.”
“Well, I kind of am.”
“Not that awful column? You insulted a very good friend of mine in that rag—you know, Margaret Hamilton, the newsreader? Said her hair was made from wood.”
Before Paddy could apologize Tippy clattered in with the tea on a wooden tray and a plate of digestive biscuits,. Paddy thanked her as she unloaded the things onto the desk, trying to think of a new approach. But she was too tired to be subtle. She asked Tippy for milk in the tea, not lemon, bit off a mouthful of biscuit, and waited until Tippy had retreated before coming clean.
“Look, I’m sorry about your friend, Misty’s a bit scurrilous sometimes but this is important. The photographer, Kevin, he’s been killed too.” Forsyth’s jaw fell open. “They had a photograph of a major player in the IRA in that book, in the background of one of the shots, and he’s hanging about Glasgow. It can’t be a coincidence. If it was about the picture, if someone wanted the book stopped, I need to know who could have seen it before it was published. Could you have shown it to anyone?”
“No!” Joan thought hard and her eyes opened wide in surprise. “No! Kevin’s dead?”
“Did you know Kevin?”
Forsyth looked wildly around the walls of her office. “God, how awful. What a dreadful— God!”
“Who got to see the pictures from your side?”
“Well, I didn’t show them to anyone, but everyone in the book got their own picture. Kevin was a news journalist, so he didn’t know that much about the portraiture business. We had to send them all a copy with a release form to get consent to use their images.”
“Everyone in the book got a copy of their own photograph?”
“Sure.”
“But they only got their own photograph?”
“Yeah. God—”
“Who sent the photographs out to people?”
“Me.”
Joan didn’t seem able to make the next logical leap so Paddy had to spell it out for her. “Maybe we can trace the person who got that photograph. Do you have all the names and addresses somewhere?”
“Um—yes, but I don’t know who got what. We put a release form in each envelope, addressed them, then Terry came in with a small six-by-four of each portrait and put the right one in each before we sent them off.”
She still had the list of addresses though, a messy sheet of lined foolscap with Terry’s handwritten list on it, thirty-four names and addresses. Over half of them were men’s names. It shouldn’t be too hard to find the black woman.
Paddy smiled at the jagged, childish scrawl. Like herself, Terry was spoiled by the speed of shorthand and his letters tumbled messily over each other. She remembered a note she left on the notice board at work once, when she wanted to sell her old car. Someone drew a speech bubble, attaching it to the last letter on the page: “Stop pushing at the back!” Journos doing interviews often wrote notes without looking at the page, keeping eye contact with an interviewee. Terry had forgotten to look at the page sometimes while he was copying the addresses and his writing escaped the lines, soaring upwards.
She folded the sheet and put it in her bag. “Look, can I be a terrible bother and borrow your phone to make a quick call?”
Forsyth was still stunned about Kevin’s death. She waved a hand vaguely over the phone on the desk but Paddy stood up. “I’ll use the one out in the hall, on my way out. I don’t want to interrupt your work.”
“Sure, sure.” Joan stood up to shake Paddy’s hand again. “If you ever have an idea for a book come to me.” She looked her up and down. “You’re very marketable.”
Paddy wasn’t altogether sure it was a compliment. “Tell your friend I’m sorry for insulting her hair.”
“No.” She waved the offense away. “She had it cut because of you, no bad thing.”
“And I’m sorry the book won’t come out.”
“Are you joking?” Forsyth managed a weak smile. “With a story like this attached to it, it bloody well will come out.”
Paddy remembered Kevin sitting in his living room on a quiet Sunday night, proudly showing her the portfolio, saying Terry had offended someone in Liberia and nothing would happen to him.
“Joan, I’d keep that really quiet for a while if I were you.”
II
Tippy was playing music upstairs somewhere, and Paddy was alone in the hall. She rang Burns.
Sandra picked up, putting on a breathy telephone voice and answering as “the Burnses’ residence.” Paddy kept her voice down and asked for Pete. Sandra leaned away from the phone and called, “Peter, Peter,” into the kitchen. Paddy could hear the theme to Ghost Train playing on the video in the background.
“All right, son? What are you doing?”
The sound of his voice made her relax, resting her forehead on the cool wall above the telephone table. He was monosyllabic, probably looking into the kitchen where the video was, but he sounded happy and said he’d been to a neighbor’s kid’s party and had a lot of Coke and crisps. His dad said Pete didn’t need to have a bath tonight and he’d had toast for dinner.
“No veg?”
“Crisps are made from potatoes,” he said, quoting BC, who compounded his fatness by being a smart-arse.
“Are you quite happy staying there tonight? Have you got a clean shirt for school?”
“Yes and yes,” he said, succinct because he wanted to get off the phone. “The video . . .”
She made him promise to phone her at home and say good night before she let him go. She hung up and let herself out into the cool of the evening.
TWENTY-SEVEN
ENJOYING THE SLIDE
I
It was dark outside. Paddy and Dub had been everywhere they could think of, up to Springburn, where Callum came from, on the off chance he’d managed to get a train and bus up there, back down the road for a scour of Rutherglen and the fields around it, following the bus routes from the main road nearby, to a local supermarket that opened late, into a couple of cafés that were brightly lit and a pub that stood out cheerily against the dark because of the red neon FOOD sign in the window. As Dub pointed out, Callum wasn’t off looking for a good time, he was hiding. He would be hiding in a dark ditch so
mewhere, not going into the obvious places. Paddy knew one thing for sure: she didn’t want to be the one to find him. He was scary enough with the lights on.
She told Dub about her conversation with Burns and how he wasn’t feeding Pete properly.
“It’s only one night, you’d think he could cook him something once.”
“Yeah,” said Dub. “Maybe I’ll phone him.”
“Let him phone you.”
They drove past Sean’s street, stopping and peering down the road to see the hordes parked up outside the house. Photographers stood in groups, their bags at their feet, fingering their cameras and looking bored. Journalists stood separately. She knew the scatter pattern well enough: clusters of the genial ones, gathering around to swap lies about their wages and expense accounts and all the coups they nearly had, the loners hanging about on the fringes, telling themselves lies and coming up with schemes to trounce the others and get the story. A large television van was parked up on Sean’s side of the road, a massively tall transmission aerial sticking out of the top. She could already imagine the complaints from the press journalists: the van would be in their view, spoil the pictures. But that was why it was there, to get the logo in any of the pictures that got published and show that STV were on the scene too.
Dub suggested they get fish suppers and park to eat them and she realized how hungry she was. She hadn’t had any lunch, just the biscuit at the publisher’s house. No wonder she felt so ropy.
Rutherglen was her old stamping ground. When she dated Sean they often went to the Burnside café to pick up fish suppers for his mum and brothers. It faced onto a dark, hilly park full of old trees and they used to hand in the order and then go across and snog behind a tree for ten minutes while the man cooked their food.
She parked across the road and Dub said he’d get them if she waited in the car, so she asked for a battered haggis supper with lots of vinegar and a can of juice. He mugged a sad face at her. “No veg?”
“Batter is made from veg.”
The café was empty. Paddy watched through the car window as the bored proprietor chucked chips into plastic trays, wrapping them expertly in white-and-brown paper, picking the haggis from a display shelf sitting above the fryers. That meant the haggis had been fried earlier in the evening. That meant it would be dried out. She was cursing to herself, imagining the rubbery casing around the meat, when she looked over to the park and saw something move behind a tree. A head, a big head, the right height for Callum as well.