by L.H. Cosway
God. Why does the way he says “keep you” in that deep voice have to make my heart flutter? It’s been literally thirty seconds, and I’m already well on my way to developing a crush.
He makes some keen eye contact with me, then turns and continues up the stairs to the office. I’m already on the street when I realise I hadn’t offered my name, and yet he knew it. Perhaps he’d been browsing our website. Our offices might be shoddy, but I always make sure to keep our online presence up to scratch. There’s a picture of me, Dad, and Will, the other solicitor who works for the practice, on the “About Us” page.
So if he knew who I was already, why did he ask if he had the right place?
Miracle of all miracles, was he actually, like, chatting me up or something? Be still my beating heart. Or is he just the friendly, chatty type? I consider these questions as I walk inside the café three buildings down from our office and order two lattes to go. I briefly think about ordering something for the tiger, aka Jay Fields, but he might be one of those picky coffee drinkers, so I don’t.
When I get back, I find Dad’s shut himself inside his office with Jay, and the next appointment is already waiting to be seen. She’s a middle-aged woman wearing a neck brace. I haven’t had the chance to look at her information, but I can imagine what she’s here for. Some sort of accident claim.
What I really want to know is what Jay’s here for. Yep, I’m already wondering about this man way too much. I remember him calling up last week to make the appointment, and somehow I neglected to ask him what kind of a claim he wanted to make. It’s weird, too, because I have my set spiel for appointments, and I never forget to ask for all the information I need. It’s almost like my subconscious knew I was speaking with a gorgeous man, thus rendering me double “F-ed”: frazzled and forgetful.
Knowing Dad will want his caffeine fix as soon as possible, I knock lightly on the door and wait to be let in. Dad calls for me to enter and I do, opening the door with the paper coffee cup in my hand. Jay’s sitting in the seat in front of Dad’s desk, his hands clasped together over his head as he lounges back, casual as you please. I can feel his eyes on me as I walk to Dad and give him his beverage. He seems a little out of sorts, so I put a hand on his shoulder and ask, “Everything okay?”
Dad looks lost in his own head for a minute, and I have to repeat the question a second time to get him to answer me.
“What? Oh, yes, everything’s fine. Thanks for the coffee, chicken,” he mutters.
“It might be me who’s the problem,” Jays puts in. “I just presented your old man with a case he’s not sure he wants to take.”
I look at Jay now, my brow furrowing. Who the hell is this guy? What he’s said has piqued my curiosity, though, so I close the door and fold my arms. Unless I’m needed to take notes, I don’t normally sit in on meetings with clients, but Dad’s demeanour has put me on edge, my protective instincts kicking into gear.
Jay grins in a way that makes me think he’s pleased with my attention. “Oh, now she’s curious.”
Okay, this man might be beautiful, but he’s also kind of strange.
“Did you want to make a claim against someone?” I ask, because Dad still isn’t talking. I suppose he’s still considering whatever Jay’s case is.
“Nope. I want to sue someone,” says Jay, all matter-of-fact.
“For what?”
“Defamation of character,” he answers before pulling a newspaper out of his bag. He flips through it, folds it open to the page he’s looking for, and hands it to me. I glance down at the tabloid, scanning the bold headline that reads, “Illusionist Jay Fields Causes Death of Volunteer.” I let my eyes drift briefly over the article, which features a promotional picture of Jay holding up a six of hearts card. Oh. Now I remember where I know him from.
A couple of weeks ago The Daily Post broke a story about an Irish-American illusionist with a new show coming to RTÉ. He was filming an upcoming episode when a tragic accident hit. I scan the article before me, recalling the details. A couple of hours after wrapping up the filming of an episode where Jay was paying homage to Houdini by re-creating a version of his “Buried Alive” stunt, the volunteer who’d taken part had died of a heart attack.
What Jay proposed to do was to put the volunteer, David Murphy, into a hypnotic state whereby he would only breathe in very little air, allowing him to be buried for twenty-four hours in an empty grave and not suffocate in the process. An impossible feat, many would say. The volunteer was given a panic button, and if anything went wrong, he could press it, and he’d be immediately dug up. In the end the panic button wasn’t needed, and he miraculously managed to survive the entire twenty-four hours underground. However, when he went to bed that night, he suffered a fatal heart attack and died.
Needless to say, the tabloids caught on to the story and began posing questions about whether or not Jay’s stunt had somehow caused David Murphy to have his heart attack. After all, being buried alive is quite the traumatic experience.
The piece before me, written by a well-known crime journalist named Una Harris, who was the one to break the initial story about Jay, is certainly extreme. It delves into Jay’s background in America, where she claims he spent a year in a juvenile detention facility for assaulting a man on the street. Before that he’d been a runaway, squatting in derelict buildings in Boston.
Harris poses questions about Jay’s less than squeaky-clean background. She wonders how a man who spent time in prison, even if it was a young offenders’ prison, would be given permission to carry out dangerous stunts as he had been doing in his show. She also wonders why Jay, who had been performing some very successful live shows in Las Vegas, would give all that up to move to such a small pond as Ireland to film a series that would only reach a tiny audience in comparison to the States.
Overall, she basically out and out claims that Jay had shady motives for coming here, and perhaps he even intended for David Murphy to die. He did, after all, almost beat a man to death when he was just fifteen. Perhaps he’s simply come up with a more elaborate way to feed his need to harm people, Harris muses.
Whoa, this woman really doesn’t pull any punches with her insinuations. It’s almost like she’s begging for a lawsuit. I mean, I’ve worked with my dad long enough to know that you should always have hard evidence before you publicly make claims about people that could be construed as libellous. And aside from a few hazy pieces of information about Jay’s teenage years, Una Harris has zero evidence.
I draw my attention away from the newspaper to find that my dad and Jay had been having a conversation while I was lost in the article.
“Don’t get me wrong,” says Dad. “The thought of taking on such a case excites me. I haven’t worked on anything like this in years, but at the same time I need to be selfless and tell you that there are far better solicitors out there for the job. I can even give you a few names to contact. You do actually want to win this case, I presume?”
Jay uncrosses his legs and folds his arms. “Hell, yeah, I want to win it. And I know you’re the man for the job, Hugh, no matter how much you try to convince me otherwise.”
I silently hand him back the newspaper and he takes it, his fingertips brushing mine. The contact makes my skin tingle. Stupid handsome bastard.
Dad stares at Jay, and I can tell by the look in his eyes that he wants to say yes — he just doesn’t have the confidence to do it. In all honesty, I’m hoping he continues to say no. I know how stressful the kind of case Jay is proposing can be, and I don’t want Dad going through all that. He just turned sixty last month. The landmark birthday only functioned to make me more aware of how many years he might have left.
“I’m sorry, Mr Fields, but I’m going to have to stick to my guns on his one,” Dad says apologetically. “Taking on a journalist is one thing, but suing a newspaper is going to require a top-notch firm. As you can probably see, we’re not that.”
Oh. Jay wants to sue the actual newspaper? I’m im
pressed. That takes some serious balls.
Okay, Matilda, stop thinking about the man’s balls.
Jay lets out a long sigh and turns his head to the window. A second later he gets up from his seat and thrusts his hand out at Dad. “Well, if there’s no way I can convince you,” he replies, and the two men shake hands. “Thanks for your time anyway.”
Jay goes to walk out the door but then turns back for a second, an impish gleam in his eye. “Oh, before I go, can you recommend anywhere I might be able to rent a place close to the city? I’ve had to move out of the apartment I’d been staying in.”
I take in a quick breath as Dad’s eyes light up. A couple of weeks ago he got it into his head to renovate the spare bedroom in our house so that he could take on a lodger and make a little extra money. I haven’t been too keen on the idea, since I don’t really want to share my living space with a stranger, but once Dad settled on the idea, there was no deterring him.
I certainly don’t want to share my living space with Jay Fields. Not because of his supposed history mapped out by Una Harris, but because I wouldn’t be able to relax around him. He has this magnetic energy that makes me feel anxious and excited all at once.
“It’s funny you should ask,” says Dad. “I’ve been planning on renting out our spare room — if you’re interested, of course. It’s got an en-suite, newly refurbished.”
I squeeze my fists tight and walk back out to the reception area, taking a seat at my desk and slugging back a gulp of my coffee. I don’t like how rapidly my heart beats at the thought of Jay moving into that room, so I leave before I hear his answer. Please, please, please let him say no.
My Dad’s raucous laughter streams out from the office; Jay’s obviously in there charming the pants off him. I silently curse my father for being such an easily charmed hussy.
No more than a minute later, both Dad and Jay leave his office. I can see Jay looking at me out of the corner of my eye, but I continue typing into the computer in front of me, feeling like if I look directly at him, he’ll somehow be able to tell how attractive I find him.
“Matilda, could you do me a huge favour and bring Jay out to the house on your lunch break to see the room? I’d do it myself, only I have a meeting to go to.”
Oh, Dad. You have no idea how you’re torturing me right now. It takes me several beats to answer. When I finally do, my voice is quiet. “Yeah, okay.”
What I really want to say is hell, no, but that would make me look like a bitch. And I’m not a bitch. Well, outside my own inner dialogue, I’m not.
“Great,” says Dad before turning to the waiting neck-brace woman. “Ah, Mrs Kelly. You can come on in now.”
Mrs Kelly follows Dad into his office, leaving me alone with Jay.
“What time do you have lunch?” he asks in a low voice, stepping closer to my desk.
“One o’clock. We’ll have to get a taxi, because I need to be back here by two.”
“That’s okay. I can drive us,” says Jay, and I bite my lip, looking up at him now. Wow, his eyes are kind of mesmerising, not quite brown, not quite green. We stare at one another for a long moment, and there’s a faint smile on his perfectly sculpted lips.
“All right. See you at one,” I tell him breezily, and then my eyes return to the screen in front of me as he leaves. On the outside I’m all business. On the inside I’m a nervous wreck. How in the hell am I going to act like a normal human being while spending at least an hour in his company? He really doesn’t know what he’s in for.
I wager I’ll last about five minutes before I blurt out something stupid, thus rendering the following fifty-five minutes an awkward delight. And when I say “delight,” I mean nightmare.
Just as I’m simultaneously organising files on my computer and agonising over my impending social doom, Will walks in the door, his wisp of brown hair a windswept mess atop his head. He was in court this morning, which is why he’s late to the office. Unlike most men, I get along with Will just fine. That’s probably because I find him about as sexually appealing as a pair of oversized granny knickers. So, when I said I’m crap with all men, I suppose I should adjust that statement. I’m just crap with all men that I fancy.
Sure, I can be their friend. But their girlfriend? Well, that just never seems to pan out. My one and only boyfriend from several years ago unceremoniously dumped me by text, and that just says it all. I’m still scarred from the experience.
“Morning, Will,” I greet my colleague as a folder slides out of his half-open briefcase. He bends over to pick it up, and I’m greeted with his unimpressive rear end. Two flat fried eggs in a hanky.
What? I said my inner dialogue was a bitch. The important thing is that I’d never actually say something so mean out loud. We all have thoughts that we would never, ever vocalise. And people who say they don’t are liars.
“Hi, Matilda, could you be a love and make me a cup of tea? I’m parched.”
“Sure,” I reply. “It’s a good thing you’re a tea man, because the coffee machine’s on the outs again.”
He shakes his head. “That machine is broken more often than it’s functioning. I think it’s time to retire the poor old dear.”
I let out a mock gasp. “Don’t ever let Dad hear you say that. You know he never throws anything out until it’s well and truly dead.”
Will laughs and walks into his office. I register the next couple of appointments as they arrive and spend the hours before lunch carrying out my usual mundane administrative tasks. I’d much rather be at home working at my sewing machine.
By day I might be a legal secretary, but by night I’m a dress designer extraordinaire. I design and make my own creations, and sell them through Etsy. It doesn’t make me enough money to be a proper wage, though, which is why I work here.
Before she died, my mother was a seamstress, and one of my earliest memories was of her teaching me how to sew. The hobby stuck with me, and now it’s my true escape. I find it wonderfully therapeutic to lose myself in a new design. In fact, it’s one of the only ways that I can still feel close to my mum.
When I glance at the clock and see it’s almost one, I make a quick run to the bathroom to fix my hair and the little makeup I put on this morning, staring at my face in the mirror. If I’d known I’d be meeting someone like Jay Fields today, I would’ve made more of an effort.
My friend Michelle tells me I have great lips and that I should try to enhance my best features. Actually, her exact words were “blowjob lips,” and I blushed like a maniac. I tend to get along with people who are the opposite of me. Confident girls who take to men and sex like ducks to water. They paddle through the lake of dating without a care in the world. Michelle is one of those girls, and I admire that about her. There’s a certain bravery in not giving a crap what other people think and simply grabbing what you want in life.
I run a brush through my long dark brown hair, making sure to sweep it close to my face on the side with my scar. I almost always wear my hair down in order to disguise it. It’s just a few silver lines, and yet I’m constantly aware of their presence, hoping people don’t notice.
I can barely remember his face, and yet I hate the man who scarred me more than anything else in this world. And I hate him more for killing my mother. Hate is an ugly emotion, though, so I try not to let it consume me.
After swiping on one more layer of mascara to frame my light blue eyes, I pack up my handbag and walk back out to the reception. I stop in my tracks when I find Jay leaning against the wall, his arms folded casually across his chest. I hadn’t heard anyone enter the office, so I get a tiny fright, my hand going to my heart for a second. Damn, he’s got those super-silent ninja skills.
His eyes are on me, and I know it must only be one-sided, but every time our eyes connect, I feel a fire burning low.
What is it about this man? He’s incredibly attractive, yes, but there’s something else, and for the life of me I can’t figure it out.
He smiles at
me, showing teeth, and jangles some car keys in his pocket. “You all set, Matilda?” he asks.
I take a deep breath and nod my head.
Two
The first thing I notice as we round the corner to where Jay parked is that he’s got a really nice car. A black Aston Martin V8. One of Dad’s favourite television shows is Top Gear, so I can’t help unconsciously absorbing useless car information sometimes. The second is that he seems to have all his worldly possessions packed in the back seat.
It’s bizarre to think that he’s temporarily homeless, and yet he’s driving around in a car worth well over 100,000 euros. It just doesn’t make sense. I slide into the passenger seat when Jay opens the door for me, savouring the feel of the leather. For a second I pretend I’m a sassy Bond girl about to be chauffeured by my spy lover to a swanky hotel for sweaty, passionate, over-the-top sex.
“So, where to?” Jay asks, now in the driver’s seat and waiting for my instructions. I got a little lost in the fantasy there.
“Oh, our house is in Clontarf. Do you know the way?”
“I know the gist of it. You can direct me once we get close,” he responds, smiling, and pulling away from the curb.
As he starts the engine, the radio comes on, heavy rock music blasting from the speakers. I glance at the dash to check what station is playing, my nervous disposition urging me to fill this short car journey with some variety of conversation.
“Oh, I see you’re a Phantom FM fan,” I say over the music. The sentence couldn’t have come out any nerdier, but it’s the first crappy thing that popped into my head.
Jay’s eyes flick to me, then to the dash, then back to the road ahead of him. His expression is blank before the edges of his mouth curve in a smile.
“Yeah, I guess I am,” he finally responds before lowering the music so we can talk properly. Oh, no, don’t do that. “They play some good shit.”