His imagination quailed at the thought of a repetition of last night's horrors. He had been badly shaken by his collision with the table and even more so by the events that had followed it. Those revolver shots still rang in his ears.
It was probably the memory of those shots that turned the scale. It was unlikely he would again become entangled with a man bearing a tongue and the other things--he had given up in despair the attempt to unravel the mystery of the tongue; it completely baffled him--but it was by no means unlikely that if he spent another night in the gallery looking on the hall he might not again become a target for Lord Emsworth's irresponsible firearm. Nothing, in fact, was more likely; for in the disturbed state of the public mind the slightest sound after nightfall would be sufficient cause for a fusillade.
He had actually overheard young Algernon Wooster telling Lord Stockheath he had a jolly good mind to sit on the stairs that night with a shotgun, because it was his opinion that there was a jolly sight more in this business than there seemed to be; and what he thought of the bally affair was that there was a gang of some kind at work, and that that feller--what's-his-name?--that feller Baxter was some sort of an accomplice.
With these things in his mind Baxter decided to remain that night in the security of his bedroom. He had lost his nerve. He formed this decision with the utmost reluctance, for the thought of leaving the road to the museum clear for marauders was bitter in the extreme. If he could have overheard a conversation between Joan Valentine and Ashe Marson it is probable he would have risked Lord Emsworth's revolver and the shotgun of the Honorable Algernon Wooster.
Ashe, when he met Joan and recounted the events of the night, at which Joan, who was a sound sleeper, had not been present, was inclined to blame himself as a failure. True, fate had been against him, but the fact remained that he had achieved nothing. Joan, however, was not of this opinion.
"You have done wonders," she said. "You have cleared the way for me. That is my idea of real teamwork. I'm so glad now that we formed our partnership. It would have been too bad if I had got all the advantage of your work and had jumped in and deprived you of the reward. As it is, I shall go down and finish the thing off to-night with a clear conscience."
"You can't mean that you dream of going down to the museum to-night!"
"Of course I do."
"But it's madness!"
"On the contrary, to-night is the one night when there ought to be no risk at all."
"After what happened last night?"
"Because of what happened last night. Do you imagine Mr. Baxter will dare to stir from his bed after that? If ever there was a chance of getting this thing finished, it will be to-night."
"You're quite right. I never looked at it in that way. Baxter wouldn't risk a second disaster. I'll certainly make a success of it this time."
Joan raised her eyebrows.
"I don't quite understand you, Mr. Marson. Do you propose to try to get the scarab to-night?"
"Yes. It will be as easy as--"
"Are you forgetting that, by the terms of our agreement, it is my turn?"
"You surely don't intend to hold me to that?"
"Certainly I do."
"But, good heavens, consider my position! Do you seriously expect me to lie in bed while you do all the work, and then to take a half share in the reward?"
"I do."
"It's ridiculous!"
"It's no more ridiculous than that I should do the same. Mr. Marson, there's no use in our going over all this again. We settled it long ago."
Joan refused to discuss the matter further, leaving Ashe in a condition of anxious misery comparable only to that which, as night began to draw near, gnawed the vitals of the Efficient Baxter.
...
Breakfast at Blandings Castle was an informal meal. There was food and drink in the long dining-hall for such as were energetic enough to come down and get it; but the majority of the house party breakfasted in their rooms, Lord Emsworth, whom nothing in the world would have induced to begin the day in the company of a crowd of his relations, most of whom he disliked, setting them the example.
When, therefore, Baxter, yielding to Nature after having remained awake until the early morning, fell asleep at nine o'clock, nobody came to rouse him. He did not ring his bell, so he was not disturbed; and he slept on until half past eleven, by which time, it being Sunday morning and the house party including one bishop and several of the minor clergy, most of the occupants of the place had gone off to church.
Baxter shaved and dressed hastily, for he was in state of nervous apprehension. He blamed himself for having lain in bed so long. When every minute he was away might mean the loss of the scarab, he had passed several hours in dreamy sloth. He had wakened with a presentiment. Something told him the scarab had been stolen in the night, and he wished now that he had risked all and kept guard.
The house was very quiet as he made his way rapidly to the hall. As he passed a window he perceived Lord Emsworth, in an un-Sabbatarian suit of tweeds and bearing a garden fork--which must have pained the bishop--bending earnestly over a flower bed; but he was the only occupant of the grounds, and indoors there was a feeling of emptiness. The hall had that Sunday-morning air of wanting to be left to itself, and disapproving of the entry of anything human until lunch time, which can be felt only by a guest in a large house who remains at home when his fellows have gone to church.
The portraits on the walls, especially the one of the Countess of Emsworth in the character of Venus rising from the sea, stared at Baxter as he entered, with cold reproof. The very chairs seemed distant and unfriendly; but Baxter was in no mood to appreciate their attitude. His conscience slept. His mind was occupied, to the exclusion of all other things, by the scarab and its probable fate. How disastrously remiss it had been of him not to keep guard last night! Long before he opened the museum door he was feeling the absolute certainty that the worst had happened.
It had. The card which announced that here was an Egyptian scarab of the reign of Cheops of the Fourth Dynasty, presented by J. Preston Peters, Esquire, still lay on the cabinet in its wonted place; but now its neat lettering was false and misleading. The scarab was gone.
...
For all that he had expected this, for all his premonition of disaster, it was an appreciable time before the Efficient Baxter rallied from the blow. He stood transfixed, goggling at the empty place.
Then his mind resumed its functions. All, he perceived, was not yet lost. Baxter the watchdog must retire, to be succeeded by Baxter the sleuthhound. He had been unable to prevent the theft of the scarab, but he might still detect the thief.
For the Doctor Watsons of this world, as opposed to the Sherlock Holmeses, success in the province of detective work must always be, to a very large extent, the result of luck. Sherlock Holmes can extract a clew from a wisp of straw or a flake of cigar ash; but Doctor Watson has to have it taken out for him and dusted, and exhibited clearly, with a label attached.
The average man is a Doctor Watson. We are wont to scoff in a patronizing manner at that humble follower of the great investigator; but as a matter of fact we should have been just as dull ourselves. We should not even have risen to the modest height of a Scotland Yard bungler.
Baxter was a Doctor Watson. What he wanted was a clew; but it is so hard for the novice to tell what is a clew and what is not. And then he happened to look down--and there on the floor was a clew that nobody could have overlooked.
Baxter saw it, but did not immediately recognize it for what it was. What he saw, at first, was not a clew, but just a mess. He had a tidy soul and abhorred messes, and this was a particularly messy mess. A considerable portion of the floor was a sea of red paint. The can from which it had flowed was lying on its side--near the wall. He had noticed that the smell of paint had seemed particularly pungent, but had attributed this to a new freshet of energy on the part of Lord Emsworth. He had not perceived that paint had been spilled.
"Pah!" sa
id Baxter.
Then suddenly, beneath the disguise of the mess, he saw the clew. A footmark! No less. A crimson footmark on the polished wood! It was as clear and distinct as though it had been left there for the purpose of assisting him. It was a feminine footmark, the print of a slim and pointed shoe.
This perplexed Baxter. He had looked on the siege of the scarab as an exclusively male affair. But he was not perplexed long. What could be simpler than that Mr. Peters should have enlisted female aid? The female of the species is more deadly than the male. Probably she makes a better purloiner of scarabs. At any rate, there the footprint was, unmistakably feminine.
Inspiration came to him. Aline Peters had a maid! What more likely than that secretly she should be a hireling of Mr. Peters, on whom he had now come to look as a man of the blackest and most sinister character? Mr. Peters was a collector; and when a collector makes up his mind to secure a treasure, he employs, Baxter knew, every possible means to that end.
Baxter was now in a state of great excitement. He was hot on the scent and his brain was working like a buzz saw in an ice box. According to his reasoning, if Aline Peters' maid had done this thing there should be red paint in the hall marking her retreat, and possibly a faint stain on the stairs leading to the servants' bedrooms.
He hastened from the museum and subjected the hall to a keen scrutiny. Yes; there was red paint on the carpet. He passed through the green-baize door and examined the stairs. On the bottom step there was a faint but conclusive stain of crimson!
He was wondering how best to follow up this clew when he perceived Ashe coming down the stairs. Ashe, like Baxter, and as the result of a night disturbed by anxious thoughts, had also overslept himself.
There are moments when the giddy excitement of being right on the trail causes the amateur--or Watsonian--detective to be incautious. If Baxter had been wise he would have achieved his object--the getting a glimpse of Joan's shoes--by a devious and snaky route. As it was, zeal getting the better of prudence, he rushed straight on. His early suspicion of Ashe had been temporarily obscured. Whatever Ashe's claims to be a suspect, it had not been his footprint Baxter had seen in the museum.
"Here, you!" said the Efficient Baxter excitedly.
"Sir?"
"The shoes!"
"I beg your pardon?"
"I wish to see the servants' shoes. Where are they?"
"I expect they have them on, sir."
"Yesterday's shoes, man--yesterday's shoes. Where are they?"
"Where are the shoes of yesteryear?" murmured Ashe. "I should say at a venture, sir, that they would be in a large basket somewhere near the kitchen. Our genial knife-and-shoe boy collects them, I believe, at early dawn."
"Would they have been cleaned yet?"
"If I know the lad, sir--no."
"Go and bring that basket to me. Bring it to me in this room."
...
The room to which he referred was none other than the private sanctum of Mr. Beach, the butler, the door of which, standing open, showed it to be empty. It was not Baxter's plan, excited as he was, to risk being discovered sifting shoes in the middle of a passage in the servants' quarters.
Ashe's brain was working rapidly as he made for the shoe cupboard, that little den of darkness and smells, where Billy, the knife-and-shoe boy, better known in the circle in which he moved as Young Bonehead, pursued his menial tasks. What exactly was at the back of the Efficient Baxter's mind prompting these maneuvers he did not know; but that there was something he was certain.
He had not yet seen Joan this morning, and he did not know whether or not she had carried out her resolve of attempting to steal the scarab on the previous night; but this activity and mystery on the part of their enemy must have some sinister significance. He lathered up the shoe basket thoughtfully. He staggered back with it and dumped it down on the floor of Mr. Beach's room. The Efficient Baxter, stooped eagerly over it. Ashe, leaning against the wall, straightened the creases in his clothes and flicked disgustedly at an inky spot which the journey had transferred from the basket to his coat.
"We have here, sir," he said, "a fair selection of our various foot coverings."
"You did not drop any on your way?"
"Not one, sir."
The Efficient Baxter uttered a grunt of satisfaction and bent once more to his task. Shoes flew about the room. Baxter knelt on the floor beside the basket, and dug like a terrier at a rat hole. At last he made a find and with an exclamation of triumph rose to his feet. In his hand he held a shoe.
"Put those back," he said.
Ashe began to pick up the scattered footgear.
"That's the lot, sir," he said, rising.
"Now come with me. Leave the basket there. You can carry it back when you return."
"Shall I put back that shoe, sir?"
"Certainly not. I shall take this one with me."
"Shall I carry it for you, sir?"
Baxter reflected.
"Yes. I think that would be best."
Trouble had shaken his nerve. He was not certain that there might not be others besides Lord Emsworth in the garden; and it occurred to him that, especially after his reputation for eccentric conduct had been so firmly established by his misfortunes that night in the hall, it might cause comment should he appear before them carrying a shoe.
Ashe took the shoe and, doing so, understood what before had puzzled him. Across the toe was a broad splash of red paint. Though he had nothing else to go on, he saw all. The shoe he held was a female shoe. His own researches in the museum had made him aware of the presence there of red paint. It was not difficult to build up on these data a pretty accurate estimate of the position of affairs.
"Come with me," said Baxter.
He left the room. Ashe followed him.
In the garden Lord Emsworth, garden fork in hand, was dealing summarily with a green young weed that had incautiously shown its head in the middle of a flower bed. He listened to Baxter's statement with more interest than he usually showed in anybody's statements. He resented the loss of the scarab, not so much on account of its intrinsic worth as because it had been the gift of his friend Mr. Peters.
"Indeed!" he said, when Baxter had finished. "Really? Dear me! It certainly seems--It is extremely suggestive. You are certain there was red paint on this shoe?"
"I have it with me. I brought it on purpose to show you." He looked at Ashe, who stood in close attendance. "The shoe!"
Lord Emsworth polished his glasses and bent over the exhibit.
"Ah!" he said. "Now let me look at--This, you say, is the--Just so; just so! Just--My dear Baxter, it may be that I have not examined this shoe with sufficient care, but--Can you point out to me exactly where this paint is that you speak of?"
The Efficient Baxter stood staring at the shoe with wild, fixed stare. Of any suspicion of paint, red or otherwise, it was absolutely and entirely innocent!
The shoe became the center of attraction, the center of all eyes. The Efficient Baxter fixed it with the piercing glare of one who feels that his brain is tottering. Lord Emsworth looked at it with a mildly puzzled expression. Ashe Marson examined it with a sort of affectionate interest, as though he were waiting for it to do a trick of some kind. Baxter was the first to break the silence.
"There was paint on this shoe," he said vehemently. "I tell you there was a splash of red paint across the toe. This man here will bear me out in this. You saw paint on this shoe?"
"Paint, sir?"
"What! Do you mean to tell me you did not see it?"
"No, sir; there was no paint on this shoe."
"This is ridiculous. I saw it with my own eyes. It was a broad splash right across the toe."
Lord Emsworth interposed.
"You must have made a mistake, my dear Baxter. There is certainly no trace of paint on this shoe. These momentary optical delusions are, I fancy, not uncommon. Any doctor will tell you--"
"I had an aunt, your lordship," said Ashe chattily, "who
was remarkably subject--"
"It is absurd! I cannot have been mistaken," said Baxter. "I am positively certain the toe of this shoe was red when I found it."
"It is quite black now, my dear Baxter."
"A sort of chameleon shoe," murmured Ashe.
The goaded secretary turned on him.
"What did you say?"
"Nothing, sir."
Baxter's old suspicion of this smooth young man came surging back to him.
"I strongly suspect you of having had something to do with this."
"Really, Baxter," said the earl, "that is surely the least probable of solutions. This young man could hardly have cleaned the shoe on his way from the house. A few days ago, when painting in the museum, I inadvertently splashed some paint on my own shoe. I can assure you it does not brush off. It needs a very systematic cleaning before all traces are removed."
"Exactly, your lordship," said Ashe. "My theory, if I may--"
"Yes?"
"My theory, your lordship, is that Mr. Baxter was deceived by the light-and-shade effects on the toe of the shoe. The morning sun, streaming in through the window, must have shone on the shoe in such a manner as to give it a momentary and fictitious aspect of redness. If Mr. Baxter recollects, he did not look long at the shoe. The picture on the retina of the eye consequently had not time to fade. I myself remember thinking at the moment that the shoe appeared to have a certain reddish tint. The mistake--"
"Bah!" said Baxter shortly.
Lord Emsworth, now thoroughly bored with the whole affair and desiring nothing more than to be left alone with his weeds and his garden fork, put in his word. Baxter, he felt, was curiously irritating these days. He always seemed to be bobbing up. The Earl of Emsworth was conscious of a strong desire to be free from his secretary's company. He was efficient, yes--invaluable indeed--he did not know what he should do without Baxter; but there was no denying that his company ended after a while to become a trifle tedious. He took a fresh grip on his garden fork and shifted it about in the air as a hint that the interview had lasted long enough.
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