Detection by Gaslight

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by Unknown


  “I shall be proud to do it,” said Kalon, inclining his still crowned head, “but I am not sure that I understand.”

  “Why, it’s like this,” said Father Brown, in his frankly doubtful way: “We are taught that if a man has really bad first principles, that must be partly his fault. But, for all that, we can make some difference between a man who insults his quite clear conscience and a man with a conscience more or less clouded with sophistries. Now, do you really think that murder is wrong at all?”

  “Is this an accusation?” asked Kalon very quietly.

  “No,” answered Brown, equally gently, “it is the speech for the defence.”

  In the long and startled stillness of the room the prophet of Apollo slowly rose; and really it was like the rising of the sun. He filled that room with his light and life in such a manner that a man felt he could as easily have filled Salisbury Plain. His robed form seemed to hang the whole room with classic draperies; his epic gesture seemed to extend it into grander perspectives, till the little black figure of the modern cleric seemed to be a fault and an intrusion, a round, black blot upon some splendour of Hellas.

  “We meet at last, Caiaphas,” said the prophet. “Your church and mine are the only realities on this earth. I adore the sun, and you the darkening of the sun; you are the priest of the dying and I of the living God. Your present work of suspicion and slander is worthy of your coat and creed. All your church is but a black police; you are only spies and detectives seeking to tear from men confessions of guilt, whether by treachery or torture. You would convict men of crime, I would convict them of innocence. You would convince them of sin, I would convince them of virtue.

  “Reader of the books of evil, one more word before I blow away your baseless nightmares for ever. Not even faintly could you understand how little I care whether you can convict me or no. The things you call disgrace and horrible hanging are to me no more than an ogre in a child’s toy-book to a man once grown up. You said you were offering the speech for the defence. I care so little for the cloudland of this life that I will offer you the speech for the prosecution. There is but one thing that can be said against me in this matter, and I will say it myself. The woman that is dead was my love and my bride; not after such manner as your tin chapels call lawful, but by a law purer and sterner than you will ever understand. She and I walked another world from yours, and trod palaces of crystal while you were plodding through tunnels and corridors of brick. Well, I know that policemen, theological and otherwise, always fancy that where there has been love there must soon be hatred; so there you have the first point made for the prosecution. But the second point is stronger; I do not grudge it you. Not only is it true that Pauline loved me, but it is also true that this very morning, before she died, she wrote at that table a will leaving me and my new church half a million. Come, where are the handcuffs? Do you suppose I care what foolish things you do with me? Penal servitude will only be like waiting for her at a wayside station. The gallows will only be going to her in a headlong car.”

  He spoke with the brain-shaking authority of an orator, and Flambeau and Joan Stacey stared at him in amazed admiration. Father Brown’s face seemed to express nothing but extreme distress; he looked at the ground with one wrinkle of pain across his forehead. The prophet of the sun leaned easily against the mantelpiece and resumed:

  “In a few words I have put before you the whole case against me—the only possible case against me. In fewer words still I will blow it to pieces, so that not a trace of it remains. As to whether I have committed this crime, the truth is in one sentence: I could not have committed this crime. Pauline Stacey fell from this floor to the ground at five minutes past twelve. A hundred people will go into the witness-box and say that I was standing out upon the balcony of my own rooms above from just before the stroke of noon to a quarter-past—the usual period of my public prayers. My clerk (a respectable youth from Clapham, with no sort of connection with me) will swear that he sat in my outer office all the morning, and that no communication passed through. He will swear that I arrived a full ten minutes before the hour, fifteen minutes before any whisper of the accident, and that I did not leave the office or the balcony all that time. No one ever had so complete an alibi; I could subpoena half Westminster. I think you had better put the handcuffs away again. The case is at an end.

  “But last of all, that no breath of this idiotic suspicion remain in the air, I will tell you all you want to know. I believe I do know how my unhappy friend came by her death. You can, if you choose, blame me for it, or my faith and philosophy at least; but you certainly cannot lock me up. It is well known to all students of the higher truths that certain adepts and illuminati have in history attained the power of levitation—that is, of being self-sustained upon the empty air. It is but a part of that general conquest of matter which is the main element in our occult wisdom. Poor Pauline was of an impulsive and ambitious temper. I think, to tell the truth, she thought herself somewhat deeper in the mysteries than she was; and she has often said to me, as we went down in the lift together, that if one’s will were strong enough, one could float down as harmlessly as a feather. I solemnly believe that in some ecstasy of noble thoughts she attempted the miracle. Her will, or faith, must have failed her at the crucial instant, and the lower law of matter had its horrible revenge. There is the whole story, gentlemen, very sad and, as you think, very presumptuous and wicked, but certainly not criminal or in any way connected with me. In the short-hand of the police-courts, you had better call it suicide. I shall always call it heroic failure for the advance of science and the slow scaling of heaven.”

  It was the first time Flambeau had ever seen Father Brown vanquished. He still sat looking at the ground, with a painful and corrugated brow, as if in shame. It was impossible to avoid the feeling which the prophet’s winged words had fanned, that here was a sullen, professional suspecter of men overwhelmed by a prouder and purer spirit of natural liberty and health. At last he said, blinking as if in bodily distress: “Well, if that is so, sir, you need do no more than take the testamentary paper you spoke of and go. I wonder where the poor lady left it.”

  “It will be over there on her desk by the door, I think,” said Kalon, with that massive innocence of manner that seemed to acquit him wholly. “She told me specially she would write it this morning, and I actually saw her writing as I went up in the lift to my own room.”

  “Was her door open then?” asked the priest, with his eye on the corner of the matting.

  “Yes,” said Kalon calmly.

  “Ah! it has been open ever since,” said the other, and resumed his silent study of the mat.

  “There is a paper over here,” said the grim Miss Joan, in a somewhat singular voice. She had passed over to her sister’s desk by the doorway, and was holding a sheet of blue foolscap in her hand. There was a sour smile on her face that seemed unfit for such a scene or occasion, and Flambeau looked at her with a darkening brow.

  Kalon the prophet stood away from the paper with that loyal unconsciousness that had carried him through. But Flambeau took it out of the lady’s hand, and read it with the utmost amazement. It did, indeed, begin in the formal manner of a will, but after the words “I give and bequeath all of which I die possessed” the writing abruptly stopped with a set of scratches, and there was no trace of the name of any legatee. Flambeau, in wonder, handed this truncated testament to his clerical friend, who glanced at it and silently gave it to the priest of the sun.

  An instant afterwards that pontiff, in his splendid sweeping draperies, had crossed the room in two great strides, and was towering over Joan Stacey, his blue eyes standing from his head.

  “What monkey tricks have you been playing here?” he cried. “That’s not all Pauline wrote.”

  They were startled to hear him speak in quite a new voice, with a Yankee shrillness in it; all his grandeur and good English had fallen from him like a cloak.

  “That is the only thing on her desk,” sa
id Joan, and confronted him steadily with the same smile of evil favour.

  Of a sudden the man broke out into blasphemies and cataracts of incredulous words. There was something shocking about the dropping of his mask; it was like a man’s real face falling off.

  “See here!” he cried in broad American, when he was breathless with cursing, “I may be an adventurer, but I guess you’re a murderess. Yes, gentlemen, here’s your death explained, and without any levitation. The poor girl is writing a will in my favour; her cursed sister comes in, struggles for the pen, drags her to the well, and throws her down before she can finish it. Sakes! I reckon we want the handcuffs after all.”

  “As you have truly remarked,” replied Joan, with ugly calm, “your clerk is a very respectable young man, who knows the nature of an oath; and he will swear in any court that I was up in your office arranging some typewriting work for five minutes before and five minutes after my sister fell. Mr. Flambeau will tell you that he found me there.”

  There was a silence.

  “Why, then,” cried Flambeau, “Pauline was alone when she fell, and it was suicide!”

  “She was alone when she fell,” said Father Brown, “but it was not suicide.”

  “Then how did she die?” asked Flambeau impatiently.

  “She was murdered.”

  “But she was alone,” objected the detective.

  “She was murdered when she was all alone,” answered the priest.

  All the rest stared at him, but he remained sitting in the same old dejected attitude, with a wrinkle in his round forehead and an appearance of impersonal shame and sorrow; his voice was colourless and sad.

  “What I want to know,” cried Kalon, with an oath, “is when the police are coming for this bloody and wicked sister. She’s killed her flesh and blood; she’s robbed me of half a million that was just as sacredly mine as——”

  “Come, come, prophet,” interrupted Flambeau, with a kind of sneer; “remember that all this world is a cloudland.”

  The hierophant of the sun-god made an effort to climb back on his pedestal. “It is not the mere money,” he cried, “though that would equip the cause throughout the world. It is also my beloved one’s wishes. To Pauline all this was holy. In Pauline’s eyes—”

  Father Brown suddenly sprang erect, so that his chair fell over flat behind him. He was deathly pale, yet he seemed fired with a hope; his eyes shone.

  “That’s it!” he cried in a clear voice. “That’s the way to begin. In Pauline’s eyes——”

  The tall prophet retreated before the tiny priest in an almost mad disorder. “What do you mean? How dare you?” he cried repeatedly.

  “In Pauline’s eyes,” repeated the priest, his own shining more and more. “Go on—in God’s name, go on. The foulest crime the fiends ever prompted feels lighter after confession; and I implore you to confess. Go on, go on—in Pauline’s eyes——”

  “Let me go, you devil!” thundered Kalon, struggling like a giant in bonds. “Who are you, you cursed spy, to weave your spiders’ webs round me, and peep and peer? Let me go.”

  “Shall I stop him?” asked Flambeau, bounding towards the exit, for Kalon had already thrown the door wide open.

  “No; let him pass,” said Father Brown, with a strange deep sigh that seemed to come from the depths of the universe. “Let Cain pass by, for he belongs to God.”

  There was a long-drawn silence in the room when he had left it, which was to Flambeau’s fierce wits one long agony of interrogation. Miss Joan Stacey very coolly tidied up the papers on her desk.

  “Father,” said Flambeau at last, “it is my duty, not my curiosity only—it is my duty to find out, if I can, who committed the crime.”

  “Which crime?” asked Father Brown.

  “The one we are dealing with, of course,” replied his impatient friend.

  “We are dealing with two crimes,” said Brown, “crimes of very different weight—and by very different criminals.”

  Miss Joan Stacey, having collected and put away her papers, proceeded to lock up her drawer. Father Brown went on, noticing her as little as she noticed him.

  “The two crimes,” he observed, “were committed against the same weakness of the same person, in a struggle for her money. The author of the larger crime found himself thwarted by the smaller crime; the author of the smaller crime got the money.”

  “Oh, don’t go on like a lecturer,” groaned Flambeau; “put it in a few words.”

  “I can put it in one word,” answered his friend.

  Miss Joan Stacey skewered her business-like black hat on to her head with a business-like black frown before a little mirror, and, as the conversation proceeded, took her handbag and umbrella in an unhurried style, and left the room.

  “The truth is one word, and a short one,” said Father Brown. “Pauline Stacey was blind.”

  “Blind!” repeated Flambeau, and rose slowly to his whole huge stature.

  “She was subject to it by blood,” Brown proceeded. “Her sister would have started eyeglasses if Pauline would have let her; but it was her special philosophy or fad that one must not encourage such diseases by yielding to them. She would not admit the cloud; or she tried to dispel it by will. So her eyes got worse and worse with straining; but the worst strain was to come. It came with this precious prophet, or whatever he calls himself, who taught her to stare at the hot sun with the naked eye. It was called accepting Apollo. Oh, if these new pagans would only be old pagans, they would be a little wiser! The old pagans knew that mere naked Nature-worship must have a cruel side. They knew that the eye of Apollo can blast and blind.”

  There was a pause, and the priest went on in a gentle and even broken voice. “Whether or no that devil deliberately made her blind, there is no doubt that he deliberately killed her through her blindness. The very simplicity of the crime is sickening. You know he and she went up and down in those lifts without official help; you know also how smoothly and silently the lifts slide. Kalon brought the lift to the girl’s landing, and saw her, through the open door, writing in her slow, sightless way the will she had promised him. He called out to her cheerily that he had the lift ready for her, and she was to come out when she was ready. Then he pressed a button and shot soundlessly up to his own floor, walked through his own office, out on to his own balcony, and was safely praying before the crowded street when the poor girl, having finished her work, ran gaily out to where lover and lift were to receive her, and stepped——”

  “Don’t!” cried Flambeau.

  “He ought to have got half a million by pressing that button,” continued the little father, in the colourless voice in which he talked of such horrors. “But that went smash. It went smash because there happened to be another person who also wanted the money, and who also knew the secret about poor Pauline’s sight. There was one thing about that will that I think nobody noticed: although it was unfinished and without signature, the other Miss Stacey and some servant of hers had already signed it as witnesses. Joan had signed first, saying Pauline could finish it later, with a typical feminine contempt for legal forms. Therefore, Joan wanted her sister to sign the will without real witnesses. Why? I thought of the blindness, and felt sure she had wanted Pauline to sign in solitude because she had wanted her not to sign at all.

  “People like the Staceys always use fountain pens; but this was specially natural to Pauline. By habit and her strong will and memory she could still write almost as well as if she saw; but she could not tell when her pen needed dipping. Therefore, her fountain pens were carefully filled by her sister—all except this fountain pen. This was carefully not filled by her sister; the remains of the ink held out for a few lines and then failed altogether. And the prophet lost five hundred thousand pounds and committed one of the most brutal and brilliant murders in human history for nothing.”

  Flambeau went to the open door and heard the official police ascending the stairs. He turned and said: “You must have followed everything de
vilish close to have traced the crime to Kalon in ten minutes.”

  Father Brown gave a sort of start.

  “Oh! to him,” he said. “No; I had to follow rather close to find out about Miss Joan and the fountain pen. But I knew Kalon was the criminal before I came into the front door.”

  “You must be joking!” cried Flambeau.

  “I’m quite serious,” answered the priest. “I tell you I knew he had done it, even before I knew what he had done.”

  “But why?”

  “These pagan stoics,” said Brown reflectively, “always fail by their strength. There came a crash and a scream down the street, and the priest of Apollo did not start or look round. I did not know what it was. But I knew that he was expecting it.”

  Robert W. Chambers

  (1865–1933)

  BROOKLYN-BORN ROBERT W. CHAMBERS wrote light, frothy, forgettable (and, for the most part, forgotten) romances. With Charles Dana Gibson, he created the image of womanhood known both as “The Gibson Girl” and “The Chambers Girl.” Typical of his work in the mystery field is The Tracer of Lost Persons (1906) in which Westrel Keen seeks lost loves for his clients.

  More significant are Chambers’ fantasy and supernatural writings. The King in Yellow (1895) is, according to E. F. Bleiler, “one of the basic documents in the history of fantastic fiction,” and it directly influenced the works of H. P. Lovecraft. Police!!! (1915), despite its title, also contains fantasy rather than detective stories. But he did write one great tale of detection, “The Purple Emperor,” the first story in The Mystery of Choice (1897), which may be the only (it’s certainly the first) mystery surrounding butterfly collecting. The remainder of the book, told by the same narrator, is made up of fantasy and supernatural inventions, one story going so far as to feature a living dinosaur.

  The Purple Emperor

  Un souvenir heureux est peut-être, sur terre,

 

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