Spellsinger 03 - The Day of the Dissonance

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by Foster, Alan Dean;


  "It doesn't matter," said the second mushroom. "Noth-

  ing matters. We're wasting our efforts."

  "Wait." Jon-Tom approached the major mushroom,

  feeling a little silly as he did so. "You're doing something

  to us. You have been ever since we entered the deep

  moors."

  "What makes you think we're doing anything to you?"

  said the spokesthing. "Why should we make the effort to

  do anything to anyone?"

  "We've changed since we entered this land. We feel

  different."

  "Different how, man?" asked the toadstool.

  "Depressed. Tired, worn-out^ useless, hopeless. Our

  outlook on life has been altered."

  "What makes you think we're responsible?" said the

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  Alan Dean Poster

  second mushroom. "That's just how life is. It's the normal

  state of existence. You can't blame us for that."

  "It's not the normal state of existence."

  "It is in the Moors," argued the first mushroom.

  Jon-Tom held his ground. "There's some kind of telepa-

  thy at work here. We've been absorbing your feelings of

  hopelessness, your idea that nothing's worth much of

  anything. It's been eating at us."

  "Look around you, man. What do you see?"

  Jon-Tom turned a slow circle. Instead of the half-hoped-

  for revelation, his gaze swept over more of what they'd

  seen the past dreary days—rocks, mushrooms, lichens and

  mosses, mist and cloud cover.

  "Now, I ask you," sighed the first mushroom, "is that

  depressing or what? I mean, it is de-press-ing."

  Jon-Tom could feel his resolve slipping dangerously.

  Mudge and Roseroar were half-asleep already. He had the

  distinct feeling that if he joined them, none of them would

  ever wake up again. The sight of white bone nearby

  revitalized him. How long had it taken the owner of that

  skeleton to become permanently depressed?

  "I guess you might consider your existence here

  depressing."

  "Might consider?" moaned the toadstool. "It is de-

  pressing. No maybes about it. Like, I'm afiingus, man.

  That's depressing all by itself."

  "I've eaten some mushrooms that were downright excit-

  ing," Jon-Tom countered.

  "A cannibal, too," said the tall toadstool tiredly. "How

  depressing." It let out a vast telepathic sigh, a wave of

  anxiety and sadness that rolled over Jon-Tom like a wave.

  He staggered, shook off the cobwebs that threatened to

  bind his mind. "Stop that."

  "Stop what? Why sweat it? Just relax, man. You're full

  of hurry, and desire, and all kinds of useless mental

  baggage. Why knock yourself out worrying about things

  that don't matter? Nothing matters. Lie down here, relax,

  THE DAY OF THE DISSONANCE

  73

  take it easy. Let your foolish concerns fly bye-bye. Open

  yourself to the true blandness of reality and see how much

  better you'll feel for it."

  Jon-Tom started to sit down, wrestled himself back to an

  upright stance. He pointed toward the skeleton.

  "Like that one?"

  "He was only reacting sensibly," said the toadstool.

  "He's dead." Jon-Tom's voice turned accusing. "You

  killed him. At least, this place killed him."

  "Life killed him. Slain by dullness. Murdered by mo-

  notony. He did what comes naturally to all life. He

  decayed."

  "Decayed? You flourish amidst decay, don't'you? You

  thrive on it."

  "He calls this thriving," mumbled another toadstool.

  "He went the way of all flesh, that's all. Sure, we broke

  down his organic components. Sometimes I wonder why

  we bother. It's all such a waste. We live for death. Talk

  about dull, man. It's, like, numbsville."

  Jon-Tom turned and walked over to shake Roseroar,

  shoving hard against the enormous shoulder. "Wake up,

  Roseroar. Come on, wake up, damn it!"

  "Why bother?" she murmured sleepily, eyeing him

  through half-closed eyes. "Let me sleep. No, don't !et me

  sleep." The feeble plea hit him like a cry for help.

  "Don't worry, I won't. Wake up!" He continued to

  shake her until she sat up and rubbed at her eyes.

  He moved over to where Mudge lay sprawled on his

  side, kicked the otter ungently. "Move it, water rat! This

  isn't like you- Think about where we're going. Think of

  the ocean, of clear salt air."

  "I'd rather not, mate," said the otter tiredly. "No point

  to it, really."

  "True true, true," intoned the fungoid chorus of doom.

  "I'll get up in a minute, guv'nor. There's no rush, and

  we're in no 'urry. Let me be."

  "Like hell, I will. Think of the food we've enjoyed.

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  Alan Dean Poster

  Think of the good times ahead, of the money to be made.

  Think," he said with sudden alacrity, "of die three days

  you spent at the Elegant Bitch."

  The otter opened his eyes wide, smiling weakly. "Aye,

  now that's a memory t' 'old tight to."

  "Useless, useless, useless," boomed the a cappella

  ascomycetes.

  " Tis kind o' pointless, mate," said the otter. For an

  instant Jon-Tom despaired, fearing he'd lost his friend for

  good. Then Mudge sprang to his feet and glared at the

  surrounding growth. "But 'tis also one 'ell of a lot o'

  fun!"

  "Help Roseroar," Jon-Tom ordered him, a great relief

  surging through him. He turned his attention back to their

  subtle, even indifferent, assailants.

  "Look, I can't help what you are and I can't help it if

  you find your existences so depressing."

  "It's not how we find them," said the first mushroom.

  "It's how they are. Don't you think we'd change it if we

  could? But we can't. This is iife: boring, dull, unchanging,

  gray, depressing, decay..."

  "But it doesn't have to be that way. It's you who let it

  remain so." Unslinging the duar, he launched into the

  brightest, cheeriest song he could think of: John Denver's

  "Rocky Mountain High." He finished with Rick Springfield's

  "We All Need the Human Touch." The gray sky didn't

  clear, the mist didn't lift, but he felt a lot better.

  "There! What did you think of that?"

  "Truly depressing," said the toadstool. "Not the songs.

  Your voice."

  Eighty million mushrooms in the Muddletup Moors,

  Jon-Tom mused, and I have to get a music critic. He

  laughed at the absurdity of it, and the laughter made him

  feel better still.

  "Isn't there anything that can lighten your existence,

  make your lives more bearable so you'll leave us alone?"

  "We can't help sharing our feelings," said the second

  THE DAY OF THE DISSONANCE

  75

  mushroom, "We're not laying all this heavy stuff on you

  to be mean, man. We ain't mean. We're indifferent.

  What's bringing you down is your own knowledge of life's

  futility and your own inability to do anything about it.

  Face it, man: the cosmos is a downer."

  Hopeless. These beings were h
opeless, Jon-Tom told

  himself angrily. How could you fight something that didn't

  come at you with shields and swords and spears? What

  could he employ against a broadside of moroseness, a

  barrage of doubt?

  They sounded so sure of themselves, so confident of the

  truth. All right then, he'd show them the truth! If he

  couldn't fight them by differing with them, maybe he

  could win by agreeing with them.

  He took a deep breath. "The trouble with you is that

  you're all manic-depressives."

  A long silence, an atmosphere of consideration, before

  the toadstool inquired, "What are you talking about,

  man?" In the background a couple of rusts whispered to

  one another, "Talk about a weird dude."

  "I haven't had that much psychology, but pre-law re-

  quires some," Jon-Tom explained. "You know, I'll bet not

  one of you has ever considered psychoanalysis for your

  problems."

  "Considered what?" asked the first mushroom.

  Jon-Tom found a suitable rock—a hard, uncomfortable

  one sure to keep him awake. "Pay attention now. Anybody

  here ever heard of Franz Kafka?"

  Several hours passed. Mudge and Roseroar had time to

  reawaken completely, and the mental voices surrounding

  them had become almost alive, though all were still flat

  and tinged with melancholy.

  ". . .And another thing," Jon-Tom was saying as he

  pointed upward, "that sky you're all always referring to.

  Nothing but infantile anal-retentive reinforcement. Well,

  maybe not exactly that," he corrected himself as he

  reminded himself of the rather drastic anatomical differ-

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  Alan Dean Foster

  THE DAY OF THE DISSONANCE

  77

  ences between himself and his audience, "but it's the

  same idea."

  "We can't do anything about it," said the giant toad-

  stool. "The mist and clouds and coolness are always with

  us. If they weren't, we'd all die. That's depressing. And

  what's even more depressing is that we don't particularly

  like perpetual mist and clouds and fog."

  Jon-Tom struggled desperately for a reply, feeling victo-

  ry slipping from his grasp. "It's not the fact that it's

  cloudy and damp all the time that matters. What matters is

  your outlook on the fact."

  "What do you mean, our outlook?" asked a newcomer,

  an interested slime mold. "Our outlook is glum and

  miserable and pointless."

  "Only if you think of it that way," Jon-Tom informed

  it. "Sure, you can think of yourselves as hopeless. But

  why not view your situation in a positive light? It's just a

  matter of redirecting your outlook on life. Instead of

  regarding your natural state as depressing, think of the

  constancy of climate and terrain as stabilizing, reassuring.

  In mental health, attitude is everything."

  "I'm not sure I follow you, man," said another mushroom.

  "Me neither, mate."

  "Be quiet, Mudge. Listen, existence is what you make

  of it. How you view your surroundings will affect how you

  feel about them."

  "How can we feel anything other than depressed in

  surroundings like these?" wondered the liverworts.

  "Right, then. If you feel more comfortable, go with

  those thoughts. There's nothing wrong with being de-

  pressed and miserable all the time, so long as you feel

  good about it. Have you ever felt bright and cheery?"

  "No, no, no," was the immediate and general consensus.

  "Then how do you know that it's any better than feeling

  depressed and miserable? Maybe one's no better than the

  other.''

  "That's not what the other travelers who come our way

  say," murmured the toadstool, "before they relax, see it

  our way, and settle down for a couple of months of steady

  decomposition."

  Jon-Tom shivered slightly. "Sure, that's what they say,

  but do they look any better off, act any more contented,

  any more in tune with their surroundings than you do?"

  "Naturally they're not as in tune with their surround-

  ings," said the first mushroom, "but these surroundings

  are.. •"

  "...Damp and depressing," Jon-Tom finished for it.

  "That's okay if you accept it. It's all right to feel de-

  pressed all the time if you feel good about it. Why can't it

  be fun to feel depressed? If that's how your environment

  makes you feel, then if you feel that why it means you're

  in tune with your environment, and that should make you

  feel good, and secure, and confident."

  Roseroar's expression reflected her confusion, but she

  said nothing. Mudge just sat quietly, shaking his head.

  But they were thinking, and it kept them from growing

  dangerously listless again.

  "Hey," murmured a purple toadstool, "maybe it is

  okay to feel down and dumpy all the time, if that's what

  works for you."

  "That's it," said Jon-Tom excitedly. "That's the point

  I'm trying to make. Everything, every entity, is different.

  Just because one state of mind works for us ambulatories

  doesn't mean it ought to work the same way for you. At

  least you aren't confused all the time, the way most of my

  kind are."

  "Far fucking out," announced one enlightened truffle

  from beneath a clump of shelf fungi. "Existence is point-

  less. Life is decrepit. Consciousness sucks. And you know

  what? I feel good about it! It all fits."

  "Beautiful," said Jon-Tom. "Go with that." He put his

  hands on his hips and turned a circle. "Anybody else here

  have any trouble dealing with that?"

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  Alan Dean Foster

  THE DAY OF THE DISSONANCE

  79

  "Well, we do," said a flotilla of mushrooms clinging to

  a scummy pile of dead weeds near a small pool.

  "Tell me about it," said Jon-Tom coaxingly.

  "It started when we were just spores. ..."

  It went on like that all through the night. By morning,

  Jon-Tom was exhausted, but the fungoid forest surround-

  ing him was suffused with the first stages of exhilaration... in

  a maudlin manner, of course. But by and large, the

  group-therapy session had been wildly successful,

  Mudge and Roseroar had recovered completely from

  their insidiously induced lethargies and were eager to set

  out again. Jon-Tom held back. He wanted to make certain

  the session would have at least a semipermanent effect, or

  it wouldn't last them through the Moors to the Glittergeist.

  "You've certainly laid a heavy trip on us, man," said

  the large mushroom that served as speaker for the rest of

  the forest.

  "I'm sure that if you hold to those thoughts, go with the

  flow, make sure you leave yourselves enough mental space,

  you'll find that you'll always feel better about your places

  in existence," Jon-Tom assured it.

  "I don't know," said the big toadstool, and for an

  instant the veil of gloom which had nearly proved lethal

  descended about Jon-Tom a
ll over again. "But just consid-

  ering it makes me more inclined to accept it."

  The cloud of despair dissipated. "That's it." Jon-Tom

  grew aware of just how tired he was. "I'd like to stay and

  chat some more, but we need to be on our way to the

  Glittergeist again. You wouldn't happen to know in which

  direction it lies?"

  Behind him, the shapes of three giant amanitas crooked

  their crowns into the mist. "This way, friend. Pass freely

  from this place.. . though if you'd like to join us in our

  contented dissolution, you're more than welcome to re-

  main and decompose among us."

  "Couldn't think of it," Jon-Tom replied politely, falling

  in behind Mudge and Roseroar as they started southward.

  "See, I'm not into decomposition."

  "Tell us about it," several rusts urged him.

  Worrying that he might be leaving behind a forest full of

  fungoid Frankensteins, Jon-Tom waved it off by saying,

  "Some other time."

  "Sure, that's it, go on and leave," snapped the toad-

  stool. "We're not worth talking to."

  "I've just spent a whole night talking to you. Now

  you're bringing out new feelings of insecurity."

  "No I'm not," said the toadstool, defensive. "It's the

  same thing as depression."

  "Isn't. Why don't you discuss it for a while?" A rising

  mental susurration trailed in his wake as he hastened after

  his companions.

  Word of the therapy session preceded them through the

  Muddletup. The intensity of the depression around them

  varied considerably in strength according to the success of

  Jon-Tom's therapy. They detoured around the worst areas

  of despair, where the mental aura bordered on the coma-

  tose, and as a result they were never again afflicted with

  the urge to lie down and chuck it all.

  Eventually the fungi gave way to blossoming bushes and

  evergreens. The morning they emerged from the woods

  onto a wide, gravelly beach formed of wave-polished

  agates and jade was one of the happiest of Jon-Tom's life.

  Pushing his ram wood staff into the gravel, he hung his

  backpack from the knobbed end, sat down, and inhaled

  deeply of the sea air. The sharp salty smell was heartbreak-

  ingly familiar.

  Mudge let out a whoop; threw off his bow, quiver, pack,

  and clothes; and plunged recklessly into the warm surf.

  Jon-Tom felt the urge to join him, but he was just too

  damn tired. Roseroar sat down next to him. Together they

  watched the gleeful otter porpoise gracefully through the

 

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