It was a private closet, luxurious in size, dominated by a large copper bath. On a table sat an array of bathing implements—sponges, brushes, bottles, soaps, and stacks of folded white towels. She saw no person. She opened the door and crept in. Immediately, she lost her footing—her heel skidding on the wet tile floor—and sat down hard on the floor in an awkward, spraggling split. A sharp ripping sound told her the outer robe had torn. She froze in place, listening. Had anyone heard? Had she actually yelped? There was no answering sound from beyond the open closet door. Miss Temple gingerly stood. The floor had been liberally splashed with water, a number of used towels dropped without care on the floor, crumpled and soaked. She carefully leaned over and dipped her fingers into the bath. It was tepid. No one had been in the tub for at least thirty minutes. She dabbed her fingers on one of the towels—no servant had been in the room either, or all would have been cleared and swabbed. This meant that either the occupant was still there, or that the servants had been warned away.
It was then that Miss Temple noticed the smell, drifting in from the room beyond. She probably hadn’t detected it immediately because of the residue of flowered soaps and oils, but as soon as she had taken a step toward the door her senses were assailed with the same strange unnatural odor she had found on the masked woman’s face, only now much stronger. She put a hand over her nose and mouth. It seemed a mixture of ash and burnt cork perhaps, or smoldering rubber—she wondered suddenly what burning glass smelled like—yet what were any of those smells doing in the private quarters of a country mansion? She poked her head out of the bathing closet and into a small sitting room. A quick glance took in chairs, a small table, a lamp, a painting, but no source of new clothing. She stepped across to the far doorway leading out, which was when she heard the noise.
Heavy footsteps, approaching nearer and nearer. When they had practically reached her—when she was just about to bolt back to the closet—the footsteps stumbled and Miss Temple heard the distinct screech and crash of something heavy being knocked into something else, which in turn toppled to the floor and shattered. She flinched to see a spray of China blue glass jet through the open doorway past her feet. A pause. The footsteps resumed, again lurching, and faded away. Miss Temple risked a peek around the corner. At her feet were the scattered remains of an enormous vase, the lilies that had been inside, the broken marble pedestal it had rested upon, and an end table knocked askew. The room held a large canopied bed with all its linen stripped away. Instead, the bed held three wooden boxes, identical to those the strange servant had opened in the room off the hall. These too were open and lined with felt—orange felt, as she now fully took in, recalling the word on the blackboard. The boxes were all empty, but she picked up one of the discarded lids and saw that letters—also in orange—had been stenciled on the wood: “OR-13”. She looked at the other two lids and saw that they had in turn been stenciled “OR-14” and “OR-15”. She snapped her head up to the archway. The footsteps had returned, careening even more recklessly. Before Miss Temple could do a thing to hide there was a thicker, meaty crash, and then another silence.
She waited, heard nothing, and crept to the archway. The smell was even stronger. She gagged, holding part of her sleeve across her nose and mouth. This was another sitting room, more fully furnished, but with every item covered by a white cloth, as if this part of the house were closed. On the floor, poking from behind a white-shrouded sideboard, were a pair of legs: bright red trousers with a yellow cord on the outside seam, stuffed into black boots. A soldier’s uniform. The soldier did not move. Miss Temple dared to step into the room and look at him fully. His coat was also red, draped with golden epaulettes and frogging and he had a thick black moustache and whiskers. The rest of his face was covered by a tight red leather mask. His eyes were closed. She did not see any blood—there was no immediate indication that he had hit his head. Perhaps he was drunk. Or overwhelmed by the smell. She poked the man with her foot. He did not stir, though she saw from his gently moving chest that he lived.
Wadded up in his hands—and perhaps tripping on this had been his difficulty—was a black cloak. Miss Temple smiled with satisfaction. She knelt and gently prized it free, and then stood, holding it open before her. There was no hood, but it would cover the rest of her very well. She smiled again with cunning and knelt at the man’s head, carefully unfastening his mask and then peeling it away from his face. She let out a gasp. Around his eyes the man bore what looked like a strange brand, an impression on the skin, as if a large pair of metal glasses had been pressed into his face and temples. The flesh was not burned, but discolored a visceral shade of plum, as if a layer of skin had been rubbed away. Miss Temple examined the other side of his mask with distaste. It did not seem fouled or bloody. She wiped it on one of the white chair covers. It left no stain. Still, it was with distrust that she pulled off her own white mask and exchanged it for the red. She then pulled off her white robes and wrapped herself in the black cloak. There was no mirror, but she still felt as if she had regained some of her footing. She stuffed the discarded things into the sideboard and made her way to the next doorway.
This was quite large, clearly the main entrance to this suite of rooms, and it opened directly onto a crowd of finely dressed guests moving purposefully past her down a large, well-lit corridor. A man noted Miss Temple’s appearance in the doorway and nodded, but did not pause. No one paused—in fact there seemed to be some hurry. Happy not to be causing alarm, Miss Temple stepped into the moving mass and allowed herself to be swept along. She was mindful to hold her cloak closed, but otherwise had leisure to study the people around her. They all wore masks and elegant evening wear, but seemed a variety of types and ages. As she shuffled along several others nodded or smiled to her, but no one spoke—in fact, no one was speaking at all, though she did sense an occasional smile of anticipation. She was convinced that they were all going toward something that promised to be wonderful, but that very few, if any, of them actually knew what it was. As she looked ahead and behind, she saw it was really no great group in the corridor—perhaps forty or fifty. Judging from the number of coaches at the front of the house, this was but a fraction of those attending the party. She wondered where everyone else was, and how they had explained the absence of this group. Further, where were they going? And how long was the corridor? Miss Temple decided that whoever laid out the house was unhealthily fixated with length. She stumbled abruptly into the person ahead of her—at this point a short woman (which was to say, of her own height) in a pale green dress (a color similar to Miss Temple’s own, she noted with a pang) and an especially ingenious mask made from strings of hanging beads.
“Oh, I am so sorry,” Miss Temple whispered.
“Not at all,” the woman replied, and nodded at a gentleman in front of her, “I trod on his heel.” They were stopped in the hall.
“We are stopped,” observed Miss Temple, trying to keep up the conversation.
“I was told the stair is quite narrow, and to be careful with my shoes. They never build for ladies.”
“It is a terrible truth,” agreed Miss Temple, but her gaze had shifted over their heads, where indeed she saw a line of figures winding their way up a spiral staircase, fashioned of bright metal.
Her heart leapt in her throat. Roger Bascombe—for it could be no one else, despite the plain black mask across his eyes—was even as she watched moving around the upper spiral, and for the moment facing her directly. Once more, his expression was guarded, his hand tapping impatiently on the rail as he climbed, one step at a time, other guests immediately above and below him. He so disliked the crush of a crowd—she knew he must be miserable. Where was he going? Where did he think he was going? Then all too brusquely Roger had reached the top, a narrow balcony, and disappeared from sight.
Miss Temple turned her gaze to the people around her—she had shuffled another few steps forward, her thoughts fully awhirl—and realized the woman in green had been whispering. “I’m so
rry,” Miss Temple whispered back, “I was suddenly distracted with excitement.”
“It is very exciting, isn’t it?” confided the woman.
“I should say it is.”
“I am feeling quite girlish!”
“I am sure you speak for everyone,” Miss Temple assured her, and then blithely wondered, “I did not expect so many people.”
“Of course not,” answered the woman, “for they’ve been very careful—the hiding of this group within the larger function, the subtlety of our invitations, the concealment of identity.”
“Indeed.” Miss Temple nodded. “And what a cunning mask you have.”
“It is very cunning, is it not?” The woman smiled. By this time she had taken a half-step back so she could walk next to Miss Temple and they could speak lower without attracting the attention of others. “But I myself have been intending to compliment your cloak.”
“Ah, well, that is kind of you to say.”
“Rather dramatic,” the woman muttered, reaching to touch a border of black ribbon edging the collar that Miss Temple had not noticed. “It looks almost like a soldier’s.”
“Is that not the fashion?” Miss Temple smiled.
“Indeed”—here the woman’s voice went lower still—“for are we not soldiers now, in our own way?”
Miss Temple nodded, and spoke in quiet solidarity. “My feeling is the same.”
The woman met her gaze significantly, and then ran her eyes quite happily over the cloak. “And it is quite long—it covers you completely.”
Miss Temple leaned closer. “So no one will know what I am wearing.”
The woman smiled wickedly and leaned in closer still. “Or if you are wearing anything at all…”
Before Miss Temple could respond they were at the foot of the staircase. She gestured for the woman to go first—the last thing she wanted was for these impulsive words to prompt her companion to look under her cloak from below. As they rose, she looked down—there were only a scattered dozen people still in the corridor. Then she swallowed—for behind them all, advancing slowly, almost as if to herd them like sheep, was the woman in red. Her gaze fell across Miss Temple, who could not suppress a flinch, and then slid past her toward the balcony. Miss Temple kept climbing and was soon around the other side of the spiral, out of sight. When she once more rotated out into the open she steeled herself to merely face upward into the green woman’s back. The nape of her neck prickled. It was all she could do not to look, but she held to her will, resisting the destructive urge—sure she’d been discovered. Then the green woman stopped—there was a delay above them. Miss Temple felt fully exposed, as if she wore no cloak and no mask, as if she and the woman in red were alone. Again, she sensed that gaze boring into her and distinctly heard those footfalls she remembered from the mirrored hall. The woman was coming closer…closer…she had stopped directly below. Miss Temple looked down—and for a terrible flashing moment met that pair of glittering eyes. Then, an infinitesimal shift, and the woman was looking—or trying to look, partially blocked by the step she was standing on—up her cloak. Miss Temple held her breath.
The woman above her climbed on, and Miss Temple followed, aware that as she moved her cloak by necessity opened around her feet, but she was unable to look down again to confirm if the woman had recognized her, or had merely examined her along with all the others. Three more steps and she was on the balcony, walking across it and through a small, dark door. Here the woman in green paused, as if to suggest they continue together, but Miss Temple was now too frightened of exposure and wanted to hide alone. She nodded to the woman, smiling, and then walked deliberately in the opposite direction. It was only then she actually perceived where she was.
She stood in an aisle that ran along the top of the steeply raked gallery, looking down at the operating theatre. The gallery itself was largely full, and she forced herself to search for an empty seat. On the stage she saw the man from the train, the very large man in the fur coat—no longer wearing the coat, but still fingering his silver walking stick. He glared up at the gallery, impatiently waiting for people to situate themselves. She knew how bright the light in his eyes actually was, that he could not see, but nevertheless felt his gaze restlessly pass over her, hard as a rake across gravel, as she stepped to the far aisle. She dared not stray from the upmost row—the lower one sat, the more visible one was from the stage—and was relieved to find an empty seat three places in, between a man in a black tailcoat and a white-haired fellow in a blue uniform with a sash. As each was some inches taller than she, Miss Temple assured herself that she was less visible between them—though what she felt was fully trapped. Behind her, she knew the woman in red must have entered. She forced her gaze to the stage, but what she saw didn’t help her fears in the slightest.
The powerful man extended his hand into the shadow of a rampway and pulled it back, now gripping the pale shoulder of a masked woman in white silk robes. The woman walked carefully, blinded by the light, allowing the man to guide her. He then—with no ceremony at all—hoisted her with both hands into a sitting position on the table, legs dangling. He scooped up her legs and pulled them around to the table front, rotating her. He was obviously speaking to her, too low for anyone else to hear, for with a shy smile she lay back on the table, and shifted her body to be properly in the center. As she did this, the man matter-of-factly positioned each of her ankles to opposite corners of the table and threaded a leather belt around them. He tightened the belts with a sharp tug and let the slack drop. He moved up to her arms. The woman said nothing. Miss Temple was unsure which of the three women was on the table—perhaps the pirate?—and while she was trying to guess, the man bound the woman’s arms. Then, carefully, he cleared away her elegantly curled hair and threaded another belt across her pale, delicate throat. This was also tightened, in a firm but not so muscular manner, leaving the woman completely secured. The man then stepped behind her and took hold of a metal handle, like that of a pump. He pulled it. The machinery answered with a percussive snap, loud as a gunshot, and the top of the table lurched upwards, rotating toward the gallery. Three more snaps and the woman was perhaps half-way to being vertical. He released the handle and walked off the stage into shadow.
The woman had no particular expression, aside from a bland smile, but this could not disguise the fact that her legs were shaking. Miss Temple risked a glance over the shoulder of her neighbor, back toward the door, and quickly turned her eyes back to the stage. The woman in red stood directly in the doorway, as if on guard, glancing idly across the crowd as she worked a new cigarette into her holder. Miss Temple’s only other escape would be to vault onto the stage and rush down a rampway, which was hardly possible. Restlessly, she looked across the crowd herself, trying to find some idea, some new avenue. Instead, she found Roger, directly in the center of the gallery, sitting between a woman in yellow—she must be the laughing woman from his train compartment—and, of all things, an empty seat. It must be the only empty seat in the theatre. Somewhere behind her, Miss Temple smelled burning tobacco. She was certain that seat belonged to her scarlet nemesis—but what could explain the connection of that woman and Roger Bascombe? Was she some diplomatic figure—or a mysterious courtesan, or decadent heiress? Simply by collecting Miss Temple at the door, she proved herself part of whatever the crowd had here gathered to watch. Roger had been with her on the train—but did that mean he knew what they’d see as well? But then, with a sudden stab of doubt, Miss Temple wondered instead if the seat she occupied had been the woman’s—but what could she possibly do now?
The powerful man returned to the light, now bearing in his arms another of the white-robed women. This was certainly the one in blue silk, for her long hair was undone and trailed down toward the floor. He walked to the center of the stage, in front of the table, and cleared his throat.
“I believe we are ready,” he began.
Miss Temple was surprised at his voice, which far from being harsh or com
manding, was faint, almost a rasp, if still in a bass register. It emerged from his throat like something scarred, no longer whole. He did not raise his voice either, but relied on others to pay attention—and his bearing was such that his audience did so completely. He cleared his throat again and lifted the woman in his arms, as if she were a text he would expound.
“As you can see, this lady has become fully subject. You will understand that no opiates nor other coercive medicines have been employed. Further, while she seems quite helpless, this is merely what has become her preferred state. It is hardly a necessity. On the contrary, a high level of responsiveness is perfectly within her grasp.”
He swung the woman’s body in such a way as to lift the upper half and sweep her legs into position beneath it, dropping her feet to the floor. He then stepped away, releasing his grip. The woman tottered, her eyes still glassy, but she did not fall. Without warning he slapped her sharply across the face. A gasp rippled across the gallery. The woman reeled, but she did not go down—on the contrary, one of her own arms shot out toward the man’s own face, ready to strike. He caught her hand easily—he had clearly expected her blow—and then slowly lowered her arm to her side and released it. She did not move to swing again, and in fact her staid manner was as if the slap had never occurred. The man looked up into the gallery as if to acknowledge this, and then reached again toward the woman, this time putting his powerful hand around her throat. He squeezed. The woman reacted violently, clawing at his fingers, slapping at his arm, then kicking at his legs. The man held her at arm’s length and did not waver. She could not reach him. The woman’s face was red, her breath labored, her struggles more desperate. He was killing her. Miss Temple heard a murmur of shock from the uniformed man next to her—a murmur echoed elsewhere in the crowd—and felt him shift in his seat, as if he was going to stand. Anticipating this exact moment of protest, the man on stage released his grip. The woman staggered, her breath a series of ragged whoops—but her struggles soon abated. At no time did she refer to the man. After a minute or so regaining her strength, she stood once more with a placid stance and blank expression, exactly as if he were not there at all.
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