by Stephen King
I made good grades in school and went out for spring baseball when I was a high-school sophomore. Hollis was yapping after me to quit, but I stuck with it until the thing with Ace Merrill happened. Then I didn't want to go anymore, not with my face all puffed out and cut, not with the stories Betsy Malenfant was telling around. So I quit the team, and Hollis got me a job jerking sodas in the local drugstore.
In February of my junior year I took the College Boards, paying for them with the twelve bucks I had socked away in my mattress. I got accepted at the university with a small scholarship and a good work-study job in the library. The expression on the Hollises' faces when I showed them the financial-aid papers is the best memory of my life.
One of my "brothers," Curt, ran away. I couldn't have done that. I was too passive to take a step like that. I would have been back after two hours on the road. School was the only way out for me, and I took it.
The last thing Mrs. Hollis said when I left was, "You send us something when you can." I never saw either of them again. I made good grades my freshman year and got a job that summer working full-time in the library. I sent them a Christmas card that first year, but that was the only one.
In the first semester of my sophomore year I fell in love. It was the biggest thing that had ever happened to me. Pretty? She would have knocked you back two steps. To this day I have no idea what she saw in me. I don't even know if she loved me or not. I think she did at first. After that I was just a habit that's hard to break, like smoking or driving with your elbow poked out the window. She held me for a while, maybe not wanting to break the habit. Maybe she held me for wonder, or maybe it was just her vanity. Good boy, roll over, sit up, fetch the paper. Here's a kiss good night. It doesn't matter. For a while it was love, then it was like love, then it was over.
I slept with her twice, both times after other things had taken over for love. That fed the habit for a little while. Then she came back from the Thanksgiving break and said she was in love with a Delta Tau Delta who came from her hometown. I tried to get her back and almost made it once, but she had something she hadn't had before--perspective.
Whatever I had been building up all those years since the fire wiped out the B-movie actors who had once been my family, that broke it down. That guy's pin on her blouse.
After that, I was on-again-off-again with three or four girls who were willing to sleep with me. I could blame it on my childhood, say I never had good sexual models, but that wasn't it. I'd never had any trouble with the girl. Only now that the girl was gone.
I started being afraid of girls, a little. And it wasn't so much the ones I was impotent with as the ones I wasn't, the ones I could make it with. They made me uneasy. I kept asking myself where they were hiding whatever axes they liked to grind and when they were going to let me have it. I'm not so strange at that. You show me a married man or a man with a steady woman, and I'll show you someone who is asking himself (maybe only in the early hours of the morning or on Friday afternoon when she's off buying groceries), What is she doing when I'm not around? What does she really think of me? And maybe most of all, How much of me has she got? How much is left? Once I started thinking about those things, I thought about them all the time.
I started to drink and my grades took a nose dive. During semester break I got a letter saying that if they didn't improve in six weeks, my second-semester scholarship check would be withheld. I and some guys I hung around with got drunk and stayed drunk for the whole holiday. On the last day we went to a whorehouse and I operated just fine. It was too dark to see faces.
My grades stayed about the same. I called the girl once and cried over the telephone. She cried too, and in a way I think that pleased her. I didn't hate her then and I don't now. But she scared me. She scared me plenty.
On February 9 I got a letter from the dean of Arts and Sciences saying I was flunking two or three courses in my major field. On February 13 I got a hesitant sort of letter from the girl. She wanted everything to be all right between us. She was planning to marry the guy from Delta Tau Delta in July or August, and I could be invited if I wanted to be. That was almost funny. What could I give her for a wedding gift? My heart with a red ribbon tied around it? My head? My cock?
On the fourteenth, Valentine's Day, I decided it was time for a change of scene. Nona came next, but you know about that.
You have to understand how she was to me if this is to do any good at all. She was more beautiful than the girl, but that wasn't it. Good looks are cheap in a wealthy country. It was the her inside. She was sexy, but the sexiness that came from her was somehow plantlike--blind sex, a kind of clinging, not-to-be-denied sex that is not so important because it is as instinctual as photosynthesis. Not like an animal but like a plant. You get that wave? I knew we would make love, that we would make it as men and women do, but that our joining would be as blunt and remote and meaningless as ivy clinging its way up a trellis in the August sun.
The sex was important only because it was unimportant.
I think--no, I'm sure--that violence was the real motive force. The violence was real and not just a dream. It was as big and as fast and as hard as Ace Merrill's '52 Ford. The violence of Joe's Good Eats, the violence of Norman Blanchette. And there was even something blind and vegetative about that. Maybe she was only a clinging vine after all, because the Venus flytrap is a species of vine, but that plant is carnivorous and will make animal motion when a fly or a bit of raw meat is placed in its jaws. And it was all real. The sporulating vine may only dream that it fornicates, but I am sure the Venus flytrap tastes that fly, relishes its diminishing struggle as its jaws close around it.
The last part was my own passivity. I could not fill up the hole in my life. Not the hole left by the girl when she said good-bye--I don't want to lay this at her door--but the hole that had always been there, the dark, confused swirling that never stopped down in the middle of me. Nona filled that hole. She made me move and act.
She made me noble.
Now maybe you understand a little of it. Why I dream of her. Why the fascination remains in spite of the remorse and the revulsion. Why I hate her. Why I fear her. And why even now I still love her.
It was eight miles from the Augusta ramp to Gardiner and we did it in a few short minutes. I grasped the nail file woodenly at my side and watched the green reflectorized sign--KEEP RIGHT FOR EXIT 14--twinkle up out of the night. The moon was gone and it had begun to spit snow.
"Wish I were going farther," Blanchette said.
"That's all right," Nona said warmly, and I could feel her fury buzzing and burrowing into the meat under my skull like a drill bit. "Just drop us at the top of the ramp."
He drove up, observing the ramp speed of thirty miles an hour. I knew what I was going to do. It felt as if my legs had turned to warm lead.
The top of the ramp was lit by one overhead light. To the left I could see the lights of Gardiner against the thickening cloud cover. To the right, nothing but blackness. There was no traffic coming either way along the access road.
I got out. Nona slid across the seat, giving Norman Blanchette a final smile. I wasn't worried. She was quarterbacking the play.
Blanchette was smiling an infuriating porky smile, relieved at being rid of us. "Well, good ni--"
"Oh my purse! Don't drive off with my purse!"
"I'll get it," I told her. I leaned back into the car. Blanchette saw what I had in my hand, and the porky smile on his face froze solid.
Now lights showed on the hill, but it was too late to stop. Nothing could have stopped me. I picked up Nona's purse with my left hand. With my right I plunged the steel nail file into Blanchette's throat. He bleated once.
I got out of the car. Nona was waving the oncoming vehicle down. I couldn't see what it was in the dark and snow; all I could make out were the two bright circles of its headlamps. I crouched behind Blanchette's car, peeking through the back windows.
The voices were almost lost in the filling throat
of the wind.
" ... trouble, lady?"
" ... father ... wind ... had a heart attack! Will you ..."
I scurried around the trunk of Norman Blanchette's Impala, bent over. I could see them now. Nona's slender silhouette and a taller form. They appeared to be standing by a pickup truck. They turned and approached the driver's-side window of the Chevy, where Norman Blanchette was slumped over the wheel with Nona's file in his throat. The driver of the pickup was a young kid in what looked like an Air Force parka. He leaned inside. I came up behind him.
"Jesus, lady!" he said. "There's blood on this guy! What--"
I hooked my right elbow around his throat and grabbed my right wrist with my left hand. I pulled him up hard. His head connected with the top of the door and made a hollow thock! He went limp in my arms.
I could have stopped then. He hadn't gotten a good look at Nona, hadn't seen me at all. I could have stopped. But he was a busybody, a meddler, somebody else in our way, trying to hurt us. I was tired of being hurt. I strangled him.
When it was done I looked up and saw Nona spotlighted in the conflicting lights of the car and the truck, her face a grotesque rictus of hate, love, triumph, and joy. She held her arms out to me and I went into them. We kissed. Her mouth was cold but her tongue was warm. I plunged both hands into the secret hollows of her hair, and the wind screamed around us.
"Now fix it," she said. "Before someone else comes."
I fixed it. It was a slipshod job, but I knew that was all we needed. A little more time. After that it wouldn't matter. We would be safe.
The kid's body was light. I picked him up in both arms, carried him across the road, and threw him into the gully beyond the guardrails. His body tumbled loosely all the way to the bottom, head over heels, like the ragbag man Mr. Hollis had me put out in the cornfield every July. I went back to get Blanchette.
He was heavier, and bleeding like a stuck pig. I tried to pick him up, staggered three steps backward, and then he slipped out of my arms and fell onto the road. I turned him over. The new snow had stuck to his face, turning it into a skier's mask.
I bent over, grabbed him under the arms, and dragged him to the gully. His feet left trailing grooves behind him. I threw him over and watched him slide down the embankment on his back, his arms up over his head. His eyes were wide open, staring raptly at the snowflakes falling into them. If the snow kept coming, they would both be just two vague humps by the time the plows came by.
I went back across the road. Nona had already climbed into the pickup truck without having to be told which vehicle we would use. I could see the pallid smear of her face, the dark holes of her eyes, but that was all. I got into Blanchette's car, sitting in the streaks of his blood that had gathered on the nubby vinyl seat cover, and drove it onto the shoulder. I turned off the headlights, put on the fourway flashers, and got out. To anyone passing by, it would look like a motorist who had engine trouble and then walked into town to find a garage. I was very pleased with my improvisation. It was as if I had been murdering people all my life. I trotted back to the idling truck, got in behind the wheel, and pointed it toward the turnpike entrance ramp.
She sat next to me, not touching but close. When she moved I could sometimes feel a strand of her hair on my neck. It was like being touched with a tiny electrode. Once I had to put my hand out and feel her leg, to make sure she was real. She laughed quietly. It was all real. The wind howled around the windows, driving snow in great, flapping gusts.
We ran south.
Just across the bridge from Harlow as you go up 126 toward Castle Heights, you come up on a huge renovated farm that goes under the laughable title of the Castle Rock Youth League. They have twelve lanes of candlepin bowling with cranky automatic pinsetters that usually take the last three days of the week off, a few ancient pinball machines, a juke featuring the greatest hits of 1957, three Brunswick pool tables, and a Coke-and-chips counter where you also rent bowling shoes that look like they might have just come off the feet of dead winos. The name of the place is laughable because most of the Castle Rock youth head up to the drive-in at Jay Hill at night or go to the stock-car races at Oxford Plains. The people who do hang out there are mostly toughies from Gretna, Harlow, and the Rock itself. The average is one fight per evening in the parking lot.
I started hanging out there when I was a high-school sophomore. One of my acquaintances, Bill Kennedy, was working there three nights a week and if there was nobody waiting for a table he'd let me shoot some pool for free. It wasn't much, but it was better than going back to the Hollises' house.
That's where I met Ace Merrill. Nobody much doubted that he was the toughest guy in three towns. He drove a chopped and channeled '52 Ford, and it was rumored that he could push it all the way to 130 if he had to. He'd come in like a king, his hair greased back and glistening in a perfect duck's-ass pompadour, shoot a few games of double-bank for a dime a ball (Was he good? You guess.), buy Betsy a Coke when she came in, and then they'd leave. You could almost hear a reluctant sigh of relief from those present when the scarred front door wheezed shut. Nobody ever went out in the parking lot with Ace Merrill.
Nobody, that is, but me.
Betsy Malenfant was his girl, the prettiest girl in Castle Rock, I guess. I don't think she was terrifically bright, but that didn't matter when you got a look at her. She had the most flawless complexion I had ever seen, and it didn't come out of a cosmetic bottle, either. Hair as black as coal, dark eyes, generous mouth, a body that just wouldn't quit--and she didn't mind showing it off. Who was going to drag her out back and try to stoke her locomotive while Ace was around? Nobody sane, that's who.
I fell hard for her. Not like the girl and not like Nona, even though Betsy did look like a younger version of her, but it was just as desperate and just as serious in its way. If you've ever had the worst case of puppy love going around, you know how I felt. She was seventeen, two years older than I.
I started going down there more and more often, even nights when Billy wasn't on, just to catch a glimpse of her. I felt like a birdwatcher, except it was a desperate kind of game for me. I'd go back home, lie to the Hollises about where I'd been, and climb up to my room. I'd write long, passionate letters to her, telling her everything I'd like to do to her, and then tear them up. Study halls at school I'd dream about asking her to marry me so we could run away to Mexico together.
She must have tumbled to what was happening, and it must have flattered her a little, because she was nice to me when Ace wasn't around. She'd come over and talk to me, let me buy her a Coke, sit on a stool, and kind of rub her leg against mine. It drove me crazy.
One night in early November I was just mooning around, shooting a little pool with Bill, waiting for her to come in. The place was deserted because it wasn't even eight o'clock yet, and a lonesome wind was snuffling around outside, threatening winter.
"You better lay off," Bill said, shooting the nine straight into the comer.
"Lay off what?"
"You know."
"No I don't." I scratched and Billy added a ball to the table. He ran six and while he was running them I went over to put a dime in the juke.
"Betsy Malenfant." He lined up the one carefully and sent it walking up the rail. "Charlie Hogan was telling Ace about the way you been sniffing around her. Charlie thought it was really funny, her being older and all, but Ace wasn't laughing. "
"She's nothing to me," I said through paper lips.
"She better not be," Bill said, and then a couple of guys came in and he went over to the counter and gave them a cue ball.
Ace came in around nine and he was alone. He'd never taken any notice of me before, and I'd just about forgotten what Billy said. When you're invisible you get to thinking you're invulnerable. I was playing pinball and I was pretty involved. I didn't even notice the place get quiet as people stopped bowling or shooting pool. The next thing I knew, somebody had thrown me right across the pinball machine. I landed on the floor i
n a heap. I got up feeling scared and sick. He had tilted the machine, wiping out my three replays. He was standing there and looking at me with not a strand of hair out of place, his garrison jacket half unzipped.
"You stop messing around," he said softly, "or I'm going to change your face."
He went out. Everybody was looking at me and I wanted to sink right down through the floor until I saw there was a kind of grudging admiration on most of their faces. So I brushed myself off, unconcerned, and put another dime in the pinball machine. The TILT light went out. A couple of guys came over and clapped me on the back before they went out, not saying anything.
At eleven, when the place closed, Billy offered me a ride home.
"You're going to take a fall if you don't watch out."
"Don't worry about me," I said.
He didn't answer.
Two or three nights later Betsy came in by herself around seven. There was one other kid there, this weird little four-eyes named Vern Tessio, who flunked out of school a couple of years before. I hardly noticed him. He was even more invisible than I was.
She came right over to where I was shooting, close enough so I could smell the clean-soap smell on her skin. It made me feel dizzy.
"I heard about what Ace did to you," she said. "I'm not supposed to talk to you anymore and I'm not going to, but I've got something to make it all better." She kissed me. Then she went out, before I could even get my tongue down from the roof of my mouth. I went back to my game in a daze. I didn't even see Tessio when he went out to spread the word. I couldn't see anything but her dark, dark eyes.