XIIII
6
belay;] F; ~, O; ~: S
XVI
4
delight,] Co; ~. OS
XVII
6
guide,] F; ~: O
7
workmanship] F; wormanship O
XIX
9
rayse,] T; ~ OS
XXI
1
Art,] F; ~? O
2
face,] F; ~: O
4
grace?] F; ~. O
6
loue] F; loues O
8
impure.] F2; ~, O
XXIII
4
vnreaue:] F; ~, O; ~. S
XXIIII
8
see;] F1; ~. O
XXVIII
2
giues] F; guies O
8
attyre:] F3; ~ O
XXIX
1
damzell] O; damzoell Ou
XXX
12
deuyse?]; ~. O; deuise? F
XXXI
11
bath] F; ~, O
XXXII
9
fit,] F; ~: O
XXXIII
9
wit,] F2; ~: O
XXXIIII
2
way,] F; ~. O
3
guyde,] Co; ~. O
5
ray] V; ~, O
12
grief.] F; ~, O
XXXV
8
poore.] F; ~ O
XXXVI
4
release?] V; ~. OS
8
miseryes?] T; ~. OS
XXXVII
7
enfold] F; ~, OS
XXXVIII
4
allur’d] F; allu’rd OS
8
will,] O; ~. S
XXXIX
13
meat]; ~, OS
XL
3
appeare] F; ~, O
8
ray:] F; ~ O
10
fled,] F; ~: O; ~ S
XLI
2
foe?] F; ~: O
XLII
8
hart;] F; ~ O
XLIIII
7
arre,] F; ~. O
XLV
5
shew] F; ~, O
XLVI
5
obay?] T; ~, O
13
sustaine] F; ~, O
XLVII
5
guyde] F; ~, O
XLVIII
1
hand] F; ~, O
10
th’anguish] O; the anguish FS
XLIX
10
kill] F; ~, O
L
2
griefe:] V; greife: O; ~, S
5
priefe,] F; ~: O
8
please?] F; ~. OS
9
appease] F; ~, O
LII
2
field,] F; ~: O
9
vaine]; ~, OS
11
disdayne] T; ~, OS
LIII
1
hyde] Co; ~, O
6
hew,] F; ~: O; ~ S
10
ornament:] O; ~, S
LV
2
compare:] O; ~, S
14
rest.] F; ~: OS
LVII
10
stoures.] F; ~, O
13
grace,] F; ~. OS
LVIII
1
reposeth] F; ~, O
3
supposeth] F; ~, O
7
prayd] Co; ~, O
14
arre?] F2; ~. OS
LIX
9
spight] F; ~, O
LX
4
spheare.] F; ~ O
5
cleare]; ~, OS
LXI
11
scorne] F; ~, O
LXII
6
amend,] F; ~ O
9
send]; ~, OS
LXIII
4
sore:] F; ~. O
6
arryue,] O; ~; S
9
atchyue] T; ~, O
LXIIII
12
Iessemynes:] Fi; ~, O; ~. S
LXV
1
vaine,] F; ~ O
12
wound:] F; ~ O
LXVI
8
state?] F; ~. O
LXVII
2
away,] F; ~: O
4
pray:] F; ~. O
LXVIII
3
away] F; ~, O
4
win:] F; ~. O
6
thou] F; tbou O
LXIX
8
chastity?] F2; ~. OS
LXX
2
displayd] F; ~, O
LXXI
3
lurke] F; ~, OS
13
see,] F; ~. O
LXXIII
2
tye,] Hu; ~: O
LXXV
2
away] F; a way O
6
immortalize,] F; ~. O
9
deuize] S; ~, O
LXXVII
3
entertayne] F; ~, O
4
roialty?] V; ~. OS
5
ly] F; ~, O
11
paradice] S; ~: O
12
By] O; by S (the line is not indented in O)
LXXVIII
14
mee.] F; ~: O
LXXX
2
compile,] F; ~ O
LXXXI
9
display] F2; ~, OS
12
spright:] F; ~, O; ~. S
LXXXIII
4
complayne.] S; ~ O
14
shadowes] O; ~, FS
LXXXIIII
3
desyre] T; ~: O
6
sprites,] V; ~ OS
LXXXV
13
thunder,] F; ~ OS
LXXXVI
4
well;] F; ~. OS
13
reward,] F; ~. O
LXXXVII
3
moue] F; ~, O
LXXXIX
3
vow] F2; vew O
4
late;] F; ~. OS
8
doue:] S; ~ O
9
houe]; ~, OS
Anacreontics
1
old,] F; ~. O
18
shame] F; ~: O
20
other.] F1; ~, OS
30
withall?] F; ~. O
69
well,] F; ~ OS
72
blis?] F; ~. O
73
recured] F; ~, OS
75
enured] F; ~, OS
81
please] F; ~, O
Epithalamion
6
prayse;] F; ~. OS
11
dreriment:] F; ~. OS
24
doue,] F; ~ O
49
wrong,] F; ~ OS
61
take,] F; ~. O
67
deere] G; dore O
70
neer,] V; ~ OS
109
ring.] F; ~ O
116
see.] F; ~ O
129
aloud] F; ~, O
158
Queene.] F; ~, O
168
before?] F; ~, OS
184
ring.] F; ~ O
209
you.] F; ~, O
214
faces;] F; ~ O; ~: S
215
may] F; ~, O
218
play] F2; ~; O
220
throates] F; ~. O
237
vnsownd.] F; ~, O
239
band?] F2; ~, O
240
Angels,] F; ~ O
241
ring.] F; ~ O
280
How] O; ~. Ou
290
nights] O; nightes S
300
Now] O; The Ou
304
couerlets.] F; ~, Q
310
brooke.] F; ~ O
314
ring.] F; ~ O
341
Pouke] Co; Ponke O
356
poure] Ou; ponre O (error in the corrected sheet)
356
your] O; the Ou
359
your] O; the Ou
373
bright?] F; ~, O
380
Latmian] O; Latinian Ou
385
thy] F; they O
401
delight] O; ~. O (Huntington copy)
411
clods] Hu; ~: O; ~, S
FOWRE HYMNES
The text is established from the Bodleian copy of the quarto of 1596 [Mal. 617 (2)], denoted as Q.
An Hymne in Honovr of Love
83
hated] F; hate Q
120
perceiuing,] F1; ~ Q
120
boy] F2; ~, QS
221
aduenturous] S; aduenturons Q
242
aby:] F; ~, Q
274
endeere] F1; ~, QS
An Hymne in Honour of Beavtie
14
soule] F2; foule Q
30
behold,] F; ~ Q
32
mould] F; ~, Q
An Hymne of Heavenly Love
261
embrace:] F; ~, Q; ~; S
An Hymne of Heavenly Beavtie
23
to] F; ro Q
50
eye] Hu; ~, Q
80
behold] F; ~, Q
165
And] Hu; The dark & Q
170
more bright, more cleare] F; more cleare Q
180
found] F; ~, Q
270
paine.] Hu; ~, Q
294
on] F; no Q
PROTHALAMION
The text is established from the Bodleian copy of the quarto of 1596 [Mal. 617 (3)], denoted as Q.
72
softly,] F; ~ Q
75
yield] F; yeild QS
90
softly,] F; ~ Q
102
your] F; you Q
113
resound.] F; ~? Q
114
forth] F; ~, Q
116
tong,] F; ~ Q
129
gaue] F; ~, Q
130
take] Q; place (Wrenn copy of Q)
134
bowers,] F; ~ QS
143
daye,] S; ~ Q
144
softly,] F; ~ Q
147
thunder,] F; ~. Q
162
softly,] F; ~ Q
174
bright.] F; ~, Q
COMMENDATORY SONNETS
To Haruey
The text is established from the Bodleian copy of Foure Letters, and certaine Sonnets, 1592 [Mal. 567].
3 this worldes]; thisworldes (1592)
Prefixed to Nennio
The text is established from the Bodleian copy of Nennio, or A Treatise of Nobility: Wherein is discovered what true Nobilitie is, with such qualities as are required in a perfect Gentleman, 1595 [Don. e. 2 (2)].
10 then] V; the (1595); them S
Prefixed to The Historie of George Castriot
The text is established from the Bodleian copy of The Historie of George Castriot, surnamed Scanderbeg, King of Albanie, 1596 [AA 37 Art. Seld].
Prefixed to The Commonwealth of Venice
The text is established from the Bodleian copy of The Common-Wealth and Gouernment of Venice, 1599 [Radcl. e. 19].
‘Signature’ Edm.]; Edw. (1599)
ATTRIBUTED VERSES
The texts are established from the Bodleian copies of The Historie of Ireland, 1633 [Douce. H subt. 13] and Thomas Fuller, The History of the Worthies of England, 1662 [H. 2. 17. Art].
FURTHER READING
(Where multiple items are cited for any author they are listed in chronological order. The dates supplied for the annual issues of Spenser Studies are the official dates appearing on the volumes’ spines. Actual dates of publication are often considerably later.)
Adler, D., ‘Imaginary Toads in Real Gardens’, ELR, 11 (1981), 235–60.
Aesop, The Complete Fables, translated by Olivia and Robert Temple (Harmondsworth, 1998).
Alciati, Andreas, Emblemata (Antwerp, 1574).
Allen, D. C., ‘On Spenser’s Muiopotmos’, SP, 53 (1956), 141–58.
——Image and Meaning: Metaphoric Traditions in Renaissance Poetry (2nd edn; Baltimore, 1968).
Allman, E. J., ‘Epithalamion’s Bridegroom: Orpheus-Adam-Christ’, Renascence, 32 (1980), 240–47.
Alpers, P., ‘The Eclogue Tradition and the Nature of Pastoral’, College English, 34 (1972), 352–71.
——What is Pastoral? (Chicago, 1996).
Anderson, D., ‘ “Unto My Selfe Alone”: Spenser’s Plenary Epithalamion’, SSt, 5 (1984), 149–68.
Anderson, J. H., ‘The July Eclogue and the House of Holiness: Perspective in Spenser’, SEL, 10 (1970), 17–32.
——‘ “Nat Worth a Boterflye”: Muiopotmos and The Nun’s Priest’s Tale’, JMRS, 1 (1971), 89–106.
——ed. with D. Cheney and D. A. Richardson, Spenser’s Life and the Subject of Biography (Amherst, Mass., 1996).
Atchity, K. J., ‘Spenser’s Mother Hubberd s Tale: Three Themes of Order’, PQ, 52 (1973), 161–72.
Attridge, D., Well-Weighed Syllables: Elizabethan Verse in Classical Metres (Cambridge, 1974).
Baroway, I., ‘The Imagery of Spenser and the Song of Songs’, JEGP, 33 (1934), 23–45.
Bartholomaeus Anglicus, Batman uppon Bartholome, his Booke De Proprietatibus Rerum (London, 1582).
Bateman, Stephen, see Bartholomaeus Anglicus.
Bates, C., The Rhetoric of Courtship in Elizabethan Language and Literature (Cambridge, 1992).
Bath, M., ‘Verse Form and Pictorial Space in Van der Noot’s Theatre for Worldlings’, in K.J. Höltgen et al., eds., Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts (Erlangen, 1988), 73–105.
Bender, J. B., Spenser and Literary Pictorialism (Princeton, 1972).
Bennett, J. W., ‘The Theme of Spenser’s Fowre Hymnes’, SP, 28 (1931), 18–57.
——‘Spenser’s Muse’, JEGP, 31 (1932), 200–219.
Berger, H., ‘Spenser’s Prothalamion: An Interpretation’, EIC, 15 (1965), 363–80.
——‘The Spenserian Dynamics’, SEL, 8 (1968), 1–18.
——‘Mode and Diction in The Shepheardes Calender’, MP, 67 (1969), 140–49.
—— ‘The Aging Boy: Paradise and Parricide in Spenser’s Shepheardes Calender’, in M. Mack and G. deForest Lord, eds., Poetic Traditions of the English Renaissance (New Haven, Conn., 1982), 25–46.
—— (a) ‘The Mirror Stage of Colin Clout: A New Reading of Spenser’s Januarye Eclogue’, Helios, 10 (1983), 139–60.
——(b) ‘Orpheus, Pan, and the Poetics of Misogyny: Spenser’s Critique of Pastoral Love and Art’, ELH, 50 (1983), 27–60.
The Shorter Poems Page 94