Omeros

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by Derek Walcott


  balanced on their torchoned heads, without touching them,

  up the black pyramids, each spine straight as a pole,

  and with a strength that never altered its rhythm.

  He spoke for those Helens from an earlier time:

  “Hell was built on those hills. In that country of coal

  without fire, that inferno the same colour

  as their skins and shadows, every labouring soul

  climbed with her hundredweight basket, every load for

  one copper penny, balanced erect on their necks

  that were tight as the liner’s hawsers from the weight.

  The carriers were women, not the fair, gentler sex.

  Instead, they were darker and stronger, and their gait

  was made beautiful by balance, in their ascending

  the narrow wooden ramp built steeply to the hull

  of a liner tall as a cloud, the unending

  line crossing like ants without touching for the whole

  day. That was one section of the wharf, opposite

  your grandmother’s house where I watched the silhouettes

  of these women, while every hundredweight basket

  was ticked by two tally clerks in their white pith-helmets,

  and the endless repetition as they climbed the

  infernal anthracite hills showed you hell, early.”

  III

  “Along this coal-blackened wharf, what Time decided

  to do with my treacherous body after this,”

  he said, watching the women, “will stay in your head

  as long as a question you have no right to ask,

  only to doubt, not hate our infuriating

  silence. I am only the shadow of that task

  as much as their work, your pose of a question waiting,

  as you crouch with a writing lamp over a desk,

  remains in the darkness after the light has gone,

  and whether night is palpable between dawn and dusk

  is not for the living; so you mind your business,

  which is life and work, like theirs, but I will say this:

  O Thou, my Zero, is an impossible prayer,

  utter extinction is still a doubtful conceit.

  Though we pray to nothing, nothing cannot be there.

  Kneel to your load, then balance your staggering feet

  and walk up that coal ladder as they do in time,

  one bare foot after the next in ancestral rhyme.

  Because Rhyme remains the parentheses of palms

  shielding a candle’s tongue, it is the language’s

  desire to enclose the loved world in its arms;

  or heft a coal-basket; only by its stages

  like those groaning women will you achieve that height

  whose wooden planks in couplets lift your pages

  higher than those hills of infernal anthracite.

  There, like ants or angels, they see their native town,

  unknown, raw, insignificant. They walk, you write;

  keep to that narrow causeway without looking down,

  climbing in their footsteps, that slow, ancestral beat

  of those used to climbing roads; your own work owes them

  because the couplet of those multiplying feet

  made your first rhymes. Look, they climb, and no one knows them;

  they take their copper pittances, and your duty

  from the time you watched them from your grandmother’s house

  as a child wounded by their power and beauty

  is the chance you now have, to give those feet a voice.”

  We stood in the hot afternoon. My father took

  his fob-watch from its pocket, replaced it, then said,

  lightly gripping my arm,

  “He enjoys a good talk,

  a serious trim, and I myself look ahead

  to our appointment.” He kissed me. I watched him walk

  through a pillared balcony’s alternating shade.

  BOOK TWO

  Chapter XIV

  I

  The midshipman swayed in the coach, trying to read.

  He knew that the way to fortify character

  was by language and observation: the Dutch road

  striped with long poplar shadows in the late after-

  noon, the weight of the man in his coach, a sunbeam

  changing sides on the cushion, a spire’s fishhook

  luring a low shoal of clouds like silvery bream

  towards it; the light gilding the spine of his book,

  the stale smell of canals in the red-thatched farmer

  who glowered and swung like a lantern on the seat

  opposite, with the marsh-breath of an embalmer,

  a wire-coop of white chickens between his feet,

  each boot as capacious as those barges crossing

  the Lowland reaches at dusk. The Dutch were grossing

  a fortune in the Northern Antilles, and he

  wondered if the farmer knew this with night closing

  round his flambent Flemish nose. Admiral Rodney

  had asked for the smartest midshipman possible,

  who needed only one thing, a good memory,

  so he was assigned to work his way to The Hague,

  but in the roundabout way of all those people,

  the higher the post the more their orders were vague.

  He leant back in the coach, inspecting the twilight

  ranked in darkening poplars, between which the farmer

  glared at him. In a box on the roof, its ropes tight,

  its brass clasp flashing, was his blue uniform; a

  sword folded in it. He turned to the farmer’s face.

  He had counted the clustered berries on the nose,

  noted the eyebrows’ haystacks, the dull canal gaze

  of his reflection, the forehead’s deep-ploughed furrows,

  the bovine leisure with which he turned away eyes

  stupefied by distances. Swaying on one knee,

  an ochre jug gurgled. From this the farmer swallowed,

  then heeled the cork shut with a ham-sized palm, only

  to wriggle it again with one thumb to a loud

  squeak that seemed to surprise him with every mile.

  The stomach’s rippling orb enraged the squire,

  who averted each offer with a hardening smile

  at this bulk, obese and turgid as his Empire.

  Were it not for the war he might have loved the place;

  even with its ribbed windmills’ skeletal rattle,

  for its orange-roofed farms hidden among poplars,

  wheels with crystal weirs, its black-mapped, creamy cattle

  grazing their long shadows. The fields were prosperous

  and lied of peace. From them, horizontal fire

  lit an enormous cloud, then its changing towers

  were crossed by unlucky rooks, and a touched spire

  withdrew from the field, as dusk pricked its first flowers.

  Under a sucked-out sun, like a lemon lozenge

  on a blue Delft plate, he counted the black crosses

  of shipping, the steeples, and the immense

  clouds over the port emptied as if by a plague.

  The farmer grunted, not to him but to the chickens

  between his huge boots, and boasted in Dutch: “The Hague.”

  A spy sent through the Lowlands, he was to observe

  from certain ports the tonnage, direction, and mass

  of Dutch merchantmen; the arms they shipped in reserve

  to American colonies through St. Eustatius,

  an island bristling with contraband; then embark

  to Plymouth to serve with Rodney. A florin moon

  showed him the footman lowering his chest in the dark

  of the wharves. He tipped his hat to the footman

  and gave him a coin. He was a very thorough

  and obs
ervant young officer with an honour-

  able career ahead of him, but a bit raw.

  His name was Plunkett, his vessel The Marlborough.

  II

  Gunpowder and stores were shipped to St. Eustatius

  from these innocent, moonlit harbours, in support

  of French aid to the colonies; with slow paces,

  the sea-chest hidden, he walked the edge of the port

  as the moonlight amazed him, its milk-white brilliance

  pouring from dark pewter clouds. It shone with such force

  he could read his palm by it, and from this distance,

  the curled brass names of the vessels under their prows.

  He memorized them, closing his eyes, reprinted

  their silhouettes like an etching. These merchantmen

  sold guns not only to North American agents

  but to British merchants selling their countrymen

  to profitable conflict. The intelligence

  would be used by the Admiral at home, to wreak

  massive revenge not only on the Dutch islands

  but on the French island bastion of Martinique,

  with its sheltering harbour where the whole French fleet

  could muster. For some reason, under the immense

  clouds, he remembered the coop between the feet

  of the farmer, with its uncomplaining chickens

  waiting to be sacrificed, resigned to their fate.

  His forked shadow aped him, scribbling its own report,

  when a cry from the Night Watch froze it. They both hid

  between huge kegs of gunpowder that lined the port,

  while the startled moon, like a hunted hare, scurried

  through the bare masts as leafless as its winter hills

  to a snowcrest of powdery cloud. The hare stood

  with its limp forepaws, ears pronged, its quivering nostrils

  veering like a compass till it found the black wood

  under whose rigging the Night Watch crunched like hunters

  climbing with shouldered guns towards it. The hare’s face

  of the frightened moon, as they searched with their lanterns

  and ready muskets, made his pulse echo the pace

  of the hare’s heart up those hills he had hunted once,

  he muffled his heartbeat with one paw. A cloud capped

  his own frightened face, and the moon’s. The hare crept down

  into the cloud with its white tuft. The midshipman kept

  low behind a wine-barrel, a huge demijohn,

  and moved like the crippled hare back towards its den,

  leaving drops on the snow, heart like a lantern

  that the hunters might see, or wine-drops that redden

  a snowy tablecloth, to where his sword was hidden.

  His intelligence helped. After the Dutch defeat

  on the islet facing Martinique, a great redoubt

  was being prepared. Rodney was building a fort.

  III

  The slaves watched the Redcoats running between the trees,

  dispersing like blossoms when the poinciana

  rattles its hanging bandoliers in the breeze

  as the thunderheads ignite with no cannoneer.

  Battles were natural as storms; they needed no cause.

  A common enemy bound captive to captor.

  They clapped as the soldiers scrambled to the redoubts,

  and their hot palms longed for lances in that rapture

  of men before war, till a fusillade of shouts

  burst from the apoplectic, sunburnt engineers.

  They got back to their job of hauling the cannon

  that hung halfway up the cliff over the white noise

  of the sea-lace. It was bound like a cadaver

  lowered at a sea-burial, with this difference—

  that the roped body was rising from the water

  in iron resurrection, inch by squeaking inch

  from the rusty hawser, dangerously swaying,

  while two slaves locked and kept the wheel-handle of the winch

  from whirring backwards and others watched the fraying

  ropes that smoked from the strain. If a single knot frayed,

  the cannon would hit the cliff and its weight unravel

  the balance and the strain on their shoulders too great

  as the weight increased and the cannon would travel

  straight down to the sea, carrying slaves and soldiers

  with it. There was fear and pride in their work now

  and Achille’s ancestor cursed his pain-locked shoulders,

  tilting his body for purchase, locking his jaw

  like the winch of the wheel until his temples hurt,

  but he passed on the engineer’s orders: “More! More!”

  and felt the little avalanches of loose dirt

  under his soles. The cries of black warrior ants

  passed in a chain as they lifted the iron log

  towards the crest of the trees, so he changed their response

  to a work-song they knew, hauling a long pirogue

  up from their river, and between beats his commands

  varying softly, then the groans between the counting,

  and, higher than pain, they let the ropes saw their hands

  till they bled on the hemp, and the cannon mounting,

  mounting, until its mouth touched the very first branch,

  like an iguana climbing, entering the trees.

  And their hands sprung up like branches: slaves, engineers,

  they embraced one another separately, in tears.

  They leapt in the air, they drummed with their blurring heels,

  they loosened and flipped the ropes, and the hawser’s tails

  wriggled up the precipice. In its iron wheels

  the iron lizard sat fixed towards the French sails.

  That was their victory. Some paused to watch the foam

  chaining the black rocks below them, and thought of home.

  It was then that the small admiral with a cloud

  on his head renamed Afolabe “Achilles,”

  which, to keep things simple, he let himself be called.

  Chapter XV

  I

  In the channel with three islets christened “Les Saintes,”

  in a mild sunrise the ninth ship of the French line

  flashed fire at The Marlborough, but swift pennants

  from Rodney’s flagship resignalled his set design

  to break from the classic pattern. The Marlborough

  declined engagement and veered from the cannonade;

  reading the pennants, she crossed the enemy’s trough,

  her sister frigates joining the furrow she made.

  You have seen pelicans veer over pink water

  of an April bay. So, stem-to-stern, Rodney’s force

  in a bracing gust followed The Marlborough; but, since

  the wind grew too light, both fleets were tacking off-course

  and closing in at three or four knots from the wind’s

  changing sides; so close that all their cannoneers could

  read the other’s arc of ignition, hear the shout

  before the recoil, and see the splintering wood,

  then close-fire muskets, like cicadas in drought,

  or stones that crack from a fisherman’s beach-fire.

  The midshipman felt the hull coming hard about;

  the Admiral had wanted some hands below, before

  the close fighting. His order had to be obeyed.

  II

  A malevolent flower of smoke continued past dawn

  on the brightening horizon. He heard the deep roar

  of the boatswain, the gunner’s “Aye!” From her squadron

  a French frigate coming close had been hit. She bore

  down on The Marlborough, the young midshipman peered

  at her smoke-shawled beaut
y, and thought there was no war

  as courtly as a sea-battle; her white sails steered

  towards him, her embrochures spitting fire

  while black veils of fury billowed from her beaked head;

  for this he had watched the gulls from his ploughed shire,

  the canvas on one shoulder, and the deadly ride

  through marsh lowlands. Observation is character,

  so he watched her wallowing in her wounded pride

  with her loosened stores, he heard feet pounding the board

  of the upper-deck, and slid, as his vessel tried

  to avoid ramming. He held on, reached for his sword,

  when The Marlborough shuddered to the dying groan

  of the cracking mainmast, a gommier, a split elm,

  its leaves like collapsing canvas, covering the ground.

  He grabbed air as the helmsman wheeled hard at the helm,

  then the sky showed through a hole. Then it vomited

  a wave through the wooden maw, spewing its debris

  of splinters and—God knows why—bottles; as she passed

  he read her ornate italics: Ville de Paris.

  III

  He was making for the ladder that led them up

  to the deck, sword drawn in one hand. With the other

  he was hoisting himself on the rail when the ship

  foundered again and another huge wave poured through

  the hole, and this time its wash rapidly mounted

  in the cabin, spinning him from the ladder against

  the wall opposite, and as hard as he tried

  to wade in its whirlpool of debris, the next wave sent

  him against his own sword. It was a fatal wound

  but he pulled out the sword. Then the wash thudded him

  on the roof of the cabin, the surge spun him round

  as he swallowed water with no floor under him.

  Once the breach was drained and the direction altered

  and the shorn mast stripped, the pouring breach was secured.

  They found him face downwards, still holding to the sword.

  From the hull of the Ville de Paris, wine-bottles

  bobbed in the wake, crimson blood streamed from the wood

  as they drifted in the mild current from the battle’s

  muffled distance. The casks and demijohns’ blood

  stained the foam faintly, and now one of them settles

  on the sea-floor, its pyrite crusted and oblate

  with the sea-blown, distended glass. Huge tentacles

  rolled it as a cat boxes its prey. Then it was left—

  a chalice hoisted by a diver’s rubber claws.

 

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