Ugwu opened the fridge and ate some more bread and chicken, quickly stuffing the food in his mouth while his heart beat as if he were running; then he dug out extra chunks of meat and pulled out the wings. He slipped the pieces into his shorts pockets before going to the bedroom. He would keep them until his aunty visited and he would ask her to give them to Anulika. Perhaps he could ask her to give some to Nnesinachi too. That might make Nnesinachi finally notice him. He had never been sure exactly how he and Nnesinachi were related, but he knew they were from the same umunna and therefore could never marry. Yet he wished that his mother would not keep referring to Nnesinachi as his sister, saying things like “Please take this palm oil down to Mama Nnesinachi, and if she is not in leave it with your sister.”
Nnesinachi always spoke to him in a vague voice, her eyes unfocused, as if his presence made no difference to her either way. Sometimes she called him Chiejina, the name of his cousin who looked nothing at all like him, and when he said, “It’s me,” she would say, “Forgive me, Ugwu my brother,” with a distant formality that meant she had no wish to make further conversation. But he liked going on errands to her house. They were opportunities to find her bent over, fanning the firewood or chopping ugu leaves for her mother’s soup pot, or just sitting outside looking after her younger siblings, her wrapper hanging low enough for him to see the tops of her breasts. Ever since they started to push out, those pointy breasts, he had wondered if they would feel mushy-soft or hard like the unripe fruit from the ube tree. He often wished that Anulika wasn’t so flat-chested—he wondered what was taking her so long anyway, since she and Nnesinachi were about the same age—so that he could feel her breasts. Anulika would slap his hand away, of course, and perhaps even slap his face as well, but he would do it quickly—squeeze and run—and that way he would at least have an idea and know what to expect when he finally touched Nnesinachi’s.
But he was worried that he might never get to touch them, now that her uncle had asked her to come and learn a trade in Kano. She would be leaving for the North by the end of the year, when her mother’s last child, whom she was carrying, began to walk. Ugwu wanted to be as pleased and grateful as the rest of the family. There was, after all, a fortune to be made in the North; he knew of people who had gone up there to trade and came home to tear down huts and build houses with corrugated iron roofs. He feared, though, that one of those pot-bellied traders in the North would take one look at her, and the next thing he knew somebody would bring palm wine to her father and he would never get to touch those breasts. They—her breasts—were the images saved for last on the many nights when he touched himself, slowly at first and then vigorously until a muffled moan escaped him. He always started with her face, the fullness of her cheeks and the ivory tone of her teeth, and then he imagined her arms around him, her body molded to his. Finally, he let her breasts form; sometimes they felt hard, tempting him to bite into them, and other times they were so soft he was afraid his imaginary squeezing caused her pain.
For a moment, he considered thinking of her tonight. He decided not to. Not on his first night in Master’s house, on this bed that was nothing like his hand-woven raffia mat. First, he pressed his hands into the springy softness of the mattress. Then he examined the layers of cloth on top of it, unsure whether to sleep on them or to remove them and put them away before sleeping. Finally he climbed up and lay on top of the layers of cloth, his body curled in a tight knot.
He dreamed that Master was calling him—Ugwu, my good man!—and when he woke up Master was standing at the door, watching him. Perhaps it had not been a dream. He scrambled out of bed and glanced at the windows with the drawn curtains, in confusion. Was it late? Had that soft bed deceived him and made him oversleep? He usually woke with the first cockcrows.
“Good morning, sah!”
“There is a strong roasted-chicken smell here.”
“Sorry, sah.”
“Where is the chicken?”
Ugwu fumbled in his shorts pockets and brought out the chicken pieces.
“Do your people eat while they sleep?” Master asked. He was wearing something that looked like a woman’s coat and was absently twirling the rope tied round his waist.
“Sah?”
“Did you want to eat the chicken while in bed?”
“No, sah.”
“Food will stay in the dining room and the kitchen.”
“Yes, sah.”
“The kitchen and bathroom will have to be cleaned today.”
“Yes, sah.”
Master turned and left. Ugwu stood trembling in the middle of the room, still holding the chicken pieces with his hand outstretched. He wished he did not have to walk past the dining room to get to the kitchen. Finally, he put the chicken back in his pockets, took a deep breath, and left the room. Master was at the dining table, the teacup in front of him placed on a pile of books.
“You know who really killed Lumumba?” Master said, looking up from a magazine. “It was the Americans and the Belgians. It had nothing to do with Katanga.”
“Yes, sah,” Ugwu said. He wanted Master to keep talking, so he could listen to the sonorous voice, the musical blend of English words in his Igbo sentences.
“You are my houseboy,” Master said. “If I order you to go outside and beat a woman walking on the street with a stick, and you then give her a bloody wound on her leg, who is responsible for the wound, you or me?”
Ugwu stared at Master, shaking his head, wondering if Master was referring to the chicken pieces in some roundabout way.
“Lumumba was prime minister of Congo. Do you know where Congo is?” Master asked.
“No, sah.”
Master got up quickly and went into the study. Ugwu’s confused fear made his eyelids quiver. Would Master send him home because he did not speak English well, kept chicken in his pocket overnight, did not know the strange places Master named? Master came back with a wide piece of paper that he unfolded and laid out on the dining table, pushing aside books and magazines. He pointed with his pen. “This is our world, although the people who drew this map decided to put their own land on top of ours. There is no top or bottom, you see.” Master picked up the paper and folded it, so that one edge touched the other, leaving a hollow between. “Our world is round, it never ends. Nee anya, this is all water, the seas and oceans, and here’s Europe and here’s our own continent, Africa, and the Congo is in the middle. Farther up here is Nigeria, and Nsukka is here, in the southeast; this is where we are.” He tapped with his pen.
“Yes, sah.”
“Did you go to school?”
“Standard two, sah. But I learn everything fast.”
“Standard two? How long ago?”
“Many years now, sah. But I learn everything very fast!”
“Why did you stop school?”
“My father’s crops failed, sah.”
Master nodded slowly. “Why didn’t your father find somebody to lend him your school fees?”
“Sah?”
“Your father should have borrowed!” Master snapped, and then, in English, “Education is a priority! How can we resist exploitation if we don’t have the tools to understand exploitation?”
“Yes, sah!” Ugwu nodded vigorously. He was determined to appear as alert as he could, because of the wild shine that had appeared in Master’s eyes.
“I will enroll you in the staff primary school,” Master said, still tapping on the piece of paper with his pen.
Ugwu’s aunty had told him that if he served well for a few years, Master would send him to commercial school where he would learn typing and shorthand. She had mentioned the staff primary school, but only to tell him that it was for the children of the lecturers, who wore blue uniforms and white socks so intricately trimmed with wisps of lace that you wondered why anybody had wasted so much time on mere socks.
“Yes, sah,” he said. “Thank, sah.”
“I suppose you will be the oldest in class, starting in standard thr
ee at your age,” Master said. “And the only way you can get their respect is to be the best. Do you understand?”
“Yes, sah!”
“Sit down, my good man.”
Ugwu chose the chair farthest from Master, awkwardly placing his feet close together. He preferred to stand.
“There are two answers to the things they will teach you about our land: the real answer and the answer you give in school to pass. You must read books and learn both answers. I will give you books, excellent books.” Master stopped to sip his tea. “They will teach you that a white man called Mungo Park discovered River Niger. That is rubbish. Our people fished in the Niger long before Mungo Park’s grandfather was born. But in your exam, write that it was Mungo Park.”
“Yes, sah.” Ugwu wished that this person called Mungo Park had not offended Master so much.
“Can’t you say anything else?”
“Sah?”
“Sing me a song.”
“Sah?”
“Sing me a song. What songs do you know? Sing!” Master pulled his glasses off. His eyebrows were furrowed, serious. Ugwu began to sing an old song he had learned on his father’s farm. His heart hit his chest painfully. “Nzogbo nzogbu enyimba, enyi. …”
He sang in a low voice at first, but Master tapped his pen on the table and said “Louder!” so he raised his voice, and Master kept saying “Louder!” until he was screaming. After singing over and over a few times, Master asked him to stop. “Good, good,” he said. “Can you make tea?”
“No, sah. But I learn fast,” Ugwu said. The singing had loosened something inside him, he was breathing easily and his heart no longer pounded. And he was convinced that Master was mad.
“I eat mostly at the staff club. I suppose I shall have to bring more food home now that you are here.”
“Sah, I can cook.”
“You cook?”
Ugwu nodded. He had spent many evenings watching his mother cook. He had started the fire for her, or fanned the embers when it started to die out. He had peeled and pounded yams and cassava, blown out the husks in rice, picked out the weevils from beans, peeled onions, and ground peppers. Often, when his mother was sick with the coughing, he wished that he, and not Anulika, would cook. He had never told anyone this, not even Anulika; she had already told him he spent too much time around women cooking, and he might never grow a beard if he kept doing that.
“Well, you can cook your own food then,” Master said. “Write a list of what you’ll need.”
“Yes, sah.”
“You wouldn’t know how to get to the market, would you? I’ll ask Jomo to show you.”
“Jomo, sah?”
“Jomo takes care of the compound. He comes in three times a week. Funny man, I’ve seen him talking to the croton plant.” Master paused. “Anyway, he’ll be here tomorrow.”
Later, Ugwu wrote a list of food items and gave it to Master.
Master stared at the list for a while. “Remarkable blend,” he said in English. “I suppose they’ll teach you to use more vowels in school.”
Ugwu disliked the amusement in Master’s face. “We need wood, sah,” he said.
“Wood?”
“For your books, sah. So that I can arrange them.”
“Oh, yes, shelves. I suppose we could fit more shelves somewhere, perhaps in the corridor. I will speak to somebody at the works department.”
“Yes, sah.”
“Odenigbo. Call me Odenigbo.”
Ugwu stared at him doubtfully. “Sah?”
“My name is not Sah. Call me Odenigbo.”
“Yes, sah.”
“Odenigbo will always be my name. Sir is arbitrary. You could be the sir tomorrow.”
“Yes, sah—Odenigbo.”
Ugwu really preferred sah, the crisp power behind the word, and when two men from the works department came a few days later to install shelves in the corridor, he told them that they would have to wait for Sah to come home; he himself could not sign the white paper with typewritten words. He said Sah proudly.
“He’s one of these village houseboys,” one of the men said dismissively, and Ugwu looked at the man’s face and murmured a curse about acute diarrhea following him and all of his offspring for life. As he arranged Master’s books, he promised himself, stopping short of speaking aloud, that he would learn how to sign forms.
In the following weeks, the weeks when he examined every corner of the bungalow, when he discovered that a beehive was lodged on the cashew tree and that the butterflies converged in the front yard when the sun was brightest, he was just as careful in learning the rhythms of Master’s life. Every morning, he picked up the Daily Times and Renaissance that the vendor dropped off at the door and folded them on the table next to Master’s tea and bread. He had the Opel washed before Master finished breakfast, and when Master came back from work and was taking a siesta, he dusted the car over again, before Master left for the tennis courts. He moved around silently on the days that Master retired to the study for hours. When Master paced the corridor talking in a loud voice, he made sure that there was hot water ready for tea. He scrubbed the floors daily. He wiped the louvers until they sparkled in the afternoon sunlight, paid attention to the tiny cracks in the bathtub, polished the saucers that he used to serve kola nut to Master’s friends. There were at least two visitors in the living room each day, the radiogram turned on low to strange flutelike music, low enough for the talking and laughing and glass-clinking to come clearly to Ugwu in the kitchen or in the corridor as he ironed Master’s clothes.
He wanted to do more, wanted to give Master every reason to keep him, and so one morning he ironed Master’s socks. They didn’t look rumpled, the black ribbed socks, but he thought they would look even better straightened. The hot iron hissed and when he raised it, he saw that half of the sock was glued to it. He froze. Master was at the dining table, finishing up breakfast, and would come in any minute now to pull on his socks and shoes and take the files on the shelf and leave for work. Ugwu wanted to hide the sock under the chair and dash to the drawer for a new pair but his legs would not move. He stood there with the burned sock, knowing Master would find him that way.
“You’ve ironed my socks, haven’t you?” Master asked. “You stupid ignoramus.” Stupid ignoramus slid out of his mouth like music.
“Sorry, sah! Sorry, sah!”
“I told you not to call me sir.” Master picked up a file from the shelf. “I’m late.”
“Sah? Should I bring another pair?” Ugwu asked. But Master had already slipped on his shoes, without socks, and hurried out. Ugwu heard him bang the car door and drive away. His chest felt weighty; he did not know why he had ironed the socks, why he had not simply done the safari suit. Evil spirits, that was it. The evil spirits had made him do it. They lurked everywhere, after all. Whenever he was ill with the fever, or once when he fell from a tree, his mother would rub his body with okwuma, all the while muttering, “We shall defeat them, they will not win.”
He went out to the front yard, past stones placed side by side around the manicured lawn. The evil spirits would not win. He would not let them defeat him. There was a round grassless patch in the middle of the lawn, like an island in a green sea, where a thin palm tree stood. Ugwu had never seen any palm tree that short, or one with leaves that flared out so perfectly. It did not look strong enough to bear fruit, did not look useful at all, like most of the plants here. He picked up a stone and threw it into the distance. So much wasted space. In his village, people farmed the tiniest plots outside their homes and planted useful vegetables and herbs. His grandmother had not needed to grow her favorite herb, arigbe, because it grew wild everywhere. She used to say that arigbe softened a man’s heart. She was the second of three wives and did not have the special position that came with being the first or the last, so before she asked her husband for anything, she told Ugwu, she cooked him spicy yam porridge with arigbe. It had worked, always. Perhaps it would work with Master.
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sp; Ugwu walked around in search of arigbe. He looked among the pink flowers, under the cashew tree with the spongy beehive lodged on a branch, the lemon tree that had black soldier ants crawling up and down the trunk, and the pawpaw trees whose ripening fruit was dotted with fat bird-burrowed holes. But the ground was clean, no herbs; Jomo’s weeding was thorough and careful, and nothing that was not wanted was allowed to be.
The first time they met, Ugwu had greeted Jomo and Jomo nodded and continued to work, saying nothing. He was a small man with a tough, shriveled body that Ugwu felt needed a watering more than the plants that he targeted with his metal can. Finally, Jomo looked up at Ugwu. “Afa m bu Jomo,”he announced, as if Ugwu did not know his name. “Some people call me Kenyatta, after the great man in Kenya. I am a hunter.”
Ugwu did not know what to say in return because Jomo was staring right into his eyes, as though expecting to hear something remarkable that Ugwu did.
“What kind of animals do you kill?” Ugwu asked. Jomo beamed, as if this was exactly the question he had wanted, and began to talk about his hunting. Ugwu sat on the steps that led to the backyard and listened. From the first day, he did not believe Jomo’s stories—of fighting off a leopard bare-handed, of killing two baboons with a single shot—but he liked listening to them and he put off washing Master’s clothes to the days Jomo came so he could sit outside while Jomo worked. Jomo moved with a slow deliberateness. His raking, watering, and planting all somehow seemed filled with solemn wisdom. He would look up in the middle of trimming a hedge and say, “That is good meat,” and then walk to the goatskin bag tied behind his bicycle to rummage for his catapult. Once, he shot a bush pigeon down from the cashew tree with a small stone, wrapped it in leaves, and put it into his bag.
“Don’t go to that bag unless I am around,” he told Ugwu. “You might find a human head there.”
Half of a Yellow Sun Page 2