It was a mostly stable year in the professional print-magazine market. After years of sometimes precipitous decline, circulation figures are actually beginning to creep back up, mostly because of sales of electronic subscriptions to the magazines, as well as sales of individual electronic copies of each issue.
Asimov’s Science Fiction had another strong year, publishing excellent fiction by Elizabeth Bear, Jay Lake, Indrapramit Das, Megan Lindholm, Steven Popkes, Robert Reed, Gord Sellar, Tom Purdom, and others; their SF was considerably stronger than their fantasy this year, with the exception of a novella by Alan Smale. For the third year in a row, circulation was up. Asimov’s Science Fiction registered a 10.8 percent gain in overall circulation, up from 22,593 in 2011, to 25,025. There were 21,380 subscriptions; Newsstand sales were 3,207 copies, plus 438 digital copies sold on average each month in 2012. Sell-through jumped sharply from 28 percent to 42 percent. Sheila Williams completed her eighth year as editor of Asimov’s Science Fiction, and won her second Best Editor Hugo in a row.
Analog Science Fiction and Fact published good work by Richard A. Lovett and William Gleason, Michael Alexander and K.C. Ball, Linda Nagata, Michael Flynn, Sean McMullen, Alec Nevala-Lee, and others. Analog registered a 4.9 percent rise in overall circulation, from 26,440 to 27,803. There were 24,503 subscriptions; newsstand sales were 2,854; down slightly from 2,942, but digital sales were up sharply, from 150 digital copies sold on average each month in 2011, to 446 in 2013. Sell-through rose from 30 percent to 31 percent. Stanley Schmidt, who had been editor there for thirty-three years, retired in 2012, and has been replaced by Trevor Quachri. The year 2012 marked the magazine’s eighty-second anniversary.
The Magazine of Fantasy and Science Fiction was almost exactly the reverse of Asimov’s Science Fiction; lots of good fantasy work appeared there in 2012, including stories by Ted Kostmatka, Rachel Pollack, Peter S. Beagle, Felicity Shoulders, John McDaid, Alter S. Reiss, and others, but little really memorable SF, with the exception of stories by Robert Reed and Andy Duncan. The magazine also registered a 20.4 percent drop in overall circulation, from 14,462 to 11,510. Print subscriptions dropped from 10,539 to 8,300. Newsstand sales dropped from 6,584 to 5,050. Sell-through rose from 38 percent to 39 percent. Figures are not available for digital subscriptions and digital copies sold, but editor Gordon Van Gelder said that they were “healthy,” and that “our bottom line in 2012 was good.” Gordon Van Gelder is in his sixteenth year as editor, and his twelfth year as owner and publisher.
Interzone is technically not a “professional magazine,” by the definition of The Science Fiction Writers of America (SFWA), because of its low rates and circulation, but the literary quality of the work published there is so high that it would be ludicrous to omit it. Interzone had good work by Aliette de Bodard, Sean McMullen, Lavie Tidhar, Elizabeth Bourne, and others this year. Exact circulation figures are not available, but is guessed to be in the 2,000-copy range. TTA Press, Interzone’s publisher, also publishes straight horror or dark suspense magazine Black Static, which is beyond our purview here, but of a similar level of professional quality. Interzone and Black Static changed to a smaller trim size this year, but maintained their slick look, switching from the old 7¾" by 10¾" saddle-stitched semigloss color cover and 64-page format to a 6½" by 9½" perfect-bound glossy color cover and 96-page format. The editors include publisher Andy Cox and Andy Hedgecock.
If you’d like to see lots of good SF and fantasy published every year, the survival of these magazines is essential, and one important way that you can help them survive is by subscribing to them. It’s never been easier to do so, something that these days can be done with just the click of a few buttons, nor has it ever before been possible to subscribe to the magazines in as many different formats, from the traditional print copy arriving by mail to downloads for your desktop or laptop available from places like Amazon.com (www.amazon.com), to versions you can read on your Kindle, Nook, or i-Pad. You can also now subscribe from overseas just as easily as you can from the United States, something formerly difficult to impossible to do.
So in hopes of making it easier for you to subscribe, I’m going to list both the Internet sites where you can subscribe online and the street addresses where you can subscribe by mail for each magazine: Asimov’s web address is www.asimovs.com, and subscribing online might be the easiest thing to do. There’s also a discounted rate for online subscriptions; its subscription address is Asimov’s Science Fiction, Dell Magazines, 267 Broadway, Fourth Floor, New York, NY 10007-2352. The annual subscription rate in the U.S. is $34.97, $44.97 overseas. Analog’s site is at www.analogsf.com; its subscription address is Analog Science Fiction and Fact, Dell Magazines, 267 Broadway, Fourth Floor, New York, NY 10007-2352. The annual subscription rate in the U.S. is $34.97, $44.97 overseas. The Magazine of Fantasy & Science Fiction’s site is at www.sfsite.com/fsf; its subscription address is The Magazine of Fantasy & Science Fiction, Spilogale, Inc., P.O. Box 3447, Hoboken, NJ 07030. The annual subscription rate in the U.S. is $34.97, $44.97 overseas. Interzone and Black Static can be subscribed to online at www.ttapress.com/onlinestore1.html; the subscription address for both is TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England, UK. The price for a twelve-issue subscription is £42.00 each, or there is a reduced rate dual subscription offer of £78.00 for both magazines for twelve issues; make checks payable to “TTA Press.”
Most of these magazines are also available in various electronic formats for the Kindle, the Nook, and other handheld readers.
In truth, there’s not that much left of the print semiprozine market; in 2011, several magazines transitioned from print to electronic format, including Zahir (which subsequently died altogether), Electric Velocipede, and Black Gate, and in 2012 they were joined by criticalzine The New York Review of Science Fiction. I suspect that sooner or later most of the surviving print semiprozines will transition to electronic-only online formats, saving themselves lots of money in printing, mailing, and production costs.
The semiprozines that remained in print format mostly struggled to bring out their scheduled issues. Of the SF/fantasy print semiprozines, one of the few that managed all of its scheduled issues was the longest-running and most reliably published of all the fiction semiprozines, the Canadian On Spec, which is edited by a collective under general editor Diane L. Walton. Another collective-run SF magazine with a rotating editorial staff, Australia’s Andromeda Spaceways In-flight Magazine, managed four issues this year, as it had in 2011. Lady Churchill’s Rosebud Wristlet, the long-running slipstream magazine edited by Kelly Link and Gavin Grant, managed only one issue in 2012, as did fantasy magazines Shimmer, Bull Spec, and Ireland’s long-running Albedo One. Neo-opsis managed two issues, as did Space and Time Magazine, before being sold. The small British SF magazine Jupiter, edited by Ian Redman, produced all four of its scheduled issues in 2012, as did the fantasy magazine Tales of the Talisman. Weird Tales also managed two issues, one compiled by the old editor, Ann VanderMeer, and one compiled by the new editor, Marvin Kaye.
The fact is that little really memorable fiction appeared in any of the surviving print semiprozines this year, which were far outstripped by the online magazines (see below).
With the departure of The New York Review of Science Fiction to the electronic world in mid-2012, the venerable newszine Locus: The Magazine of the Science Fiction and Fantasy Field is about all that’s left of the popular print critical-magazine market. A multiple Hugo winner, it has long been your best bet for value in this category anyway, and for more than thirty years has been an indispensible source of news, information, and reviews. Happily, the magazine has survived the death of founder, publisher, and longtime editor Charles N. Brown and has continued strongly and successfully under the guidance of a staff of editors headed by Liza Groen Trombi, and including Kirsten Gong-Wong, Carolyn Cushman, Tim Pratt, Jonathan Strahan, Francesca Myman, Heather Shaw, and many others.
Most of the other surviving print
critical magazines are professional journals more aimed at academics than at the average reader. The most accessible of these is probably the long-running British critical zine Foundation.
Subscription addresses are: Locus, The Magazine of the Science Fiction & Fantasy Field, Locus Publications, Inc., P.O. Box 13305, Oakland, CA, 94661, $76.00 for a one-year first-class subscription, 12 issues; Foundation, Science Fiction Foundation, Roger Robinson (SFF), 75 Rosslyn Avenue, Harold Wood, Essex RM3 ORG, UK, $37.00 for a three-issue subscription in the U.S.; On Spec, The Canadian Magazine of the Fantastic, P.O. Box 4727, Edmonton, AB, Canada T6E 5G6, for subscription information, go to website www.onspec.ca; Neo-opsis Science Fiction Magazine, 4129 Carey Rd., Victoria, BC, Canada V8Z 4G5, $25.00 for a three-issue subscription; Albedo One, Albedo One Productions, 2, Post Road, Lusk, County Dublin, Ireland; $32.00 for a four-issue airmail subscription, make checks payable to “Albedo One” or pay by PayPal at www.albedol.com; Lady Churchill’s Rosebud Wristlet, Small Beer Press, 150 Pleasant Street, #306, Easthampton, MA 01027, $20.00 for four issues; Andromeda Spaceways Inflight Magazine, website www.andromedaspaceways.com for subscription information; Tales of the Talisman, Hadrosaur Productions, P.O. Box 2194, Mesilla Park, NM 88047-2194, $24.00 for a four-issue subscription; Jupiter, 19 Bedford Road, Yeovil, Somerset, BA21 5UG, UK, 10 Pounds Sterling for four issues; Shimmer, P.O. Box 58591, Salt Lake City, UT 84158-0591, $22.00 for a four-issue subscription; Weird Tales, website www.weirdtalesmagazine.com for subscription and ordering information.
The world of online-only electronic magazines has become increasingly important in the last few years, and in 2012 electronic magazines continued to pop up all over like popping-up things that suddenly pop up. How long some of them will last is yet to be seen.
Late in the year, in one of the more interesting developments of 2012, Jonathan Strahan announced that his critically acclaimed anthology series Eclipse was transforming itself from a print anthology to an online magazine, Eclipse Online (www.nightshadebooks.com/category/eclipse), which would release two stories every month throughout the year; three issues appeared in 2012, and the literary quality was very high, with excellent stories by Lavie Tidhar, Eleanor Arnason, Christopher Barzak, K.J. Parker, and others published.
Fireside (www.firesidemag.com), edited by Brian White, debuted in 2012, as did Michael Moorcock’s New Worlds (www.newworlds.co.uk), edited by Roger Gray, and International Speculative Fiction (internationalsf.wordpress.com), edited by Correio do Fantastico.
Promised for next year are Galaxy’s Edge, a bimonthly e-zine edited by Mike Resnick, Waylines, edited by David Rees-Thomas and Darryl Knickrehm, and a relaunch of Amazing Stories, edited by Steve Davidson.
Lightspeed (www.lightspeedmagazine.com), edited by John Joseph Adams, had a good year, featuring strong work by Vandana Singh, Linda Nagata, Keith Brooke, Marissa Lingen, Ken Liu, Sarah Monette, Sandra McDonald, and others. Late in the year, a new electronic companion horror magazine, Nightmare, was added to the Lightspeed stable.
Clarkesworld Magazine (www.clarkesworldmagazine.com), edited by Sean Wallace and Neil Clarke, also had a strong year, featuring good stuff by Carrie Vaughn, Aliette de Bodard, Indrapramit Das, Theodora Goss, Yoon Ha Lee, Xia Jia, and others.
Subterranean (subterraneanpress.com), edited by William K. Schafer, was a bit weak overall this year, but did publish some first-class work, mostly at novella length, by Jay Lake, K. J. Parker, Maria Dahvana Headley, Nnedi Okorafor, Ian R. MacLeod, and others.
Tor.com (www.tor.com) had good work by Elizabeth Bear, Andy Duncan, Michael Swanwick, Brit Mandelo, Paul Cornell, Pat Murphy, and others. Ellen Datlow and Ann VanderMeer joined Patrick Nielsen Hayden and Liz Gorinsky on the editorial staff.
At this point, Strange Horizons (www.strangehorizons.com) is probably the oldest continually running online magazine on the Internet, started in 2000; they publish SF, fantasy, slipstream, horror, the occasional nearmainstream story, and the literary quality is usually high, although I’d like to see them publish more science fiction. This year, they had strong work by Molly Gloss, Louise Hughes, Ellen Klages, Benjamin Rosenbaum, Kate Bachus, Samantha Henderson, and others. Longtime editors Jed Hartman and Susan Marie Groppi have stepped down, to be replaced by Brit Mandelo, An Owomoyela, and Julia Rios.
Following in the footsteps of last year’s TRSF, an all-fiction magazine produced by the publishers of MIT Technology Review, in 2012 the publishers of New Scientist magazine created Arc, edited by Simon Ings and Sumit Paul-Choudhury, and described as “a new digital magazine about the future,” featuring both fiction and a range of eclectic nonfiction, and which exists mainly as various downloadable formats for the Kindle, the iPad, iPhones, Windows PC and Mac computers. Three issues of Arc appeared in 2012, featuring good work by Paul McAuley, Alastair Reynolds, Nancy Kress, Robert Reed, and others. A new issue of TRSF is promised for 2013 as well.
Former print semiprozine Electric Velocipede is now an electronic magazine (www.electricvelocipede.com), still edited by John Kilma. They published an excellent story by Aliette de Bodard this year, as well as good stuff by Ann Leckie, Ken Liu, Derek Zumsteg, and others.
Apex Magazine (www.apexbookcompany.com/apex-online) had good work by Kij Johnson, Mary Robinette Kowal, Ken Liu, Jay Lake, and others. The new editor is Lynne M. Thomas.
Abyss & Apex (www.abyssapexzine.com) ran interesting work by Colin P. Davies, Genevieve Valentine, Jay Caselberg, Arkady Martine, and others. The longtime editor there is Wendy S. Delmater, although Carmelo Rafala is “transitioning” in to take over that position.
An e-zine devoted to “literary adventure fantasy,” Beneath Ceaseless Skies (beneath-ceaseless-skies.com), edited by Scott H. Andrews, had a strong year, running nice stuff by Richard Parks, Chris Willrich, Cory Skerry, Karalynn Lee, Margaret Ronald, and others.
Long-running sword-and-sorcery print magazine Black Gate transitioned into an electronic magazine in September of 2012 and can be found at (www.blackgate.com), where they publish one new story per year, to date featuring stories by Judith Berman, Sean McLachlan, Aaron Bradford Starr, and others.
The Australian popular-science magazine Cosmos (www.cosmosmagazine.com) is not an SF magazine per se, but for the last few years it has been running a story per issue (and also putting new fiction not published in the print magazine up on their website), and interesting stuff by Michael Greehut, Richard A. Lovett, Margo Lanagan, Barbara Krasnoff, and others appeared there this year. The new fiction editor is SF writer Cat Sparks.
Ideomancer Speculative Fiction (www.ideomancer.com), edited by Leah Bobet, published interesting work, usually more slipstream than SF, by Rachel Derksen, Sara K. Ellis, Wendy N. Wagner, and others.
Orson Scott Card’s InterGalactic Medicine Show (www.intergalacticmedicineshow.com), edited by Edmund R. Schubert under the direction of Card himself, had another fairly weak year, although they still ran interesting stuff from the ubiquitous Ken Liu, Tony Pi, Eric James Stone, Nancy Fulda, and others.
New SF/fantasy e-zine Daily Science Fiction (dailysciencefiction.com) publishes one new SF or fantasy story every single day for the entire year. Many of these were not really up to professional standards, unsurprisingly, but there were some good stories here and there by Ken Liu, Lavie Tidhar, Ruth Nestvold, Sandra McDonald, Robert Reed, Eric Brown, and others.
Redstone Science Fiction (redstonesciencefiction.com), edited by a collective, hasn’t updated their site since June, and may well have gone out of business.
GigaNotoSaurus (giganotosaurus.org), edited by Ann Leckie, published one story a month by writers such as Ken Liu, Ian McHugh, Patricia Russo, Ben Bovis, and others.
The World SF Blog (worldsf.wordpress.com), edited by Lavie Tidhar, is a good place to find science fiction by international authors, and also publishes news, links, roundtable discussions, essays, and interviews related to “science fiction, fantasy, horror and comics from around the world.”
A similar site is International Speculative Fiction (inte
rnationalSF.word press.com), edited by Roberto Mendes.
Weird Fiction Review (weirdfictionreview.com), edited by Ann VanderMeer and Jeff VanderMeer, which occasionally publishes fiction, bills itself as “an ongoing exploration into all facets of the weird,” including reviews, interviews, short essays, and comics.
Below this point, it becomes harder to find center-core SF, or even genre fantasy/horror, and most of the stories are slipstream or literary surrealism. Sites that feature those, as well as the occasional fantasy (and, even more occasionally, some SF) include Rudy Rucker’s Flurb (www.flurb.net), Revolution SF (www.revolutionsf.com), Heliotrope (www.heliotropemag.com); and the somewhat less slipstreamish Bewildering Stories (www.bewilderingstories.com).
In addition to original work, there’s also a lot of good reprint SF and fantasy stories out there on the Internet. Fictionwise and Electric Story, the two major sites that made downloadable fiction available for a fee, seem to have died, perhaps from competition from the ebook market, but there are sites where you can access formerly published stories for free, including Strange Horizons, Tor.com, Lightspeed, Subterranean, Abyss & Apex, and most of the sites that are associated with existent print magazines, such as Asimov’s, Analog, and The Magazine of Fantasy & Science Fiction, make previously published fiction and nonfiction available for access on their sites as well, and also regularly run teaser excerpts from stories coming up in forthcoming issues. Hundreds of out-of-print titles, both genre and mainstream, are also available for free download from Project Gutenberg (promo.net/pc/), and a large selection of novels and a few collections can also be accessed for free, to be either downloaded or read on-screen, at the Baen Free Library (www.baen.com/library). Sites such as Infinity Plus (www.infinityplus.co.uk), and The Infinite Matrix (www.infinitematrix.net) may have died as active sites, but their extensive archives of previously published material are still accessible.
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