“I’ve no idea,” said Christopher, “except that I fell on my bed with a crash. I’ve brought you the other five books.”
“Wonderfu—!” the Goddess began eagerly. Then she stopped and said soberly, “It’s very kind of you, but I’m not sure Asheth wants me to have them, after what happened when I tried to give you the bracelet.”
“No,” said Christopher. “I think Asheth must know that Throgmorten’s worth thousands of pounds. I could bring you the whole school library and it still wouldn’t pay for him.”
“Oh,” said the Goddess. “In that case—How is Throgmorten, by the way?”
Since Christopher had no idea, he said airily, “Trotting around bullying other cats and scratching people,” and changed the subject before the Goddess realized he was only guessing. “Were the first five books all right?”
The Goddess’s round face became all smile, so much smile that her face could hardly hold it and she spread her arms out as well. “They’re the most marvelous books in this world! It’s like really being at Lowood House School. I cry every time I read them.”
Oneir had got it right, Christopher thought, watching the Goddess unwrap the new parcel with little cries of pleasure and much chinking of bracelets. “Oh Millie does get to be Head Girl!” she cried out, picking up Head Girl Millie. “I’ve been wondering and wondering whether she would. She must have got the better of that awful prig Delphinia after all.” She stroked the book lovingly, and then took Christopher by surprise by asking, “What happened when you took Throgmorten? Mother Proudfoot told me that the Arm of Asheth killed the thief.”
“They tried,” Christopher said awkwardly, trying to sound casual.
“In that case,” said the Goddess, “you were very brave to honor the swap and you deserve to be rewarded. Would you like a reward—not a swap or a payment, a reward?”
“If you can think of one,” Christopher said cautiously.
“Then come with me,” said the Goddess. She got up briskly, clash-tink. She collected the new books and the old one from among the cushions, and gathered up the paper and the string. Then she threw the whole bundle at the wall. All of it, all six books and the wrappings, turned over on itself and shut itself out of sight, as if a lid had come down on an invisible box. There was nothing to tell that any of it had been there. Once again Christopher was impressed. “That’s so Mother Proudfoot won’t know,” the Goddess explained as she led the way into the shady yard. “I like her a lot, but she’s very stern and she’s into everything.”
“How do you get the books back?” asked Christopher.
“I beckon the one I want,” said the Goddess, pushing through the creeper in the archway. “It’s a by-product of being the Living Asheth.”
She led him across the blazing yard, among the cats, to an archway he remembered rather too well for comfort. It was the one he had fled into with Throgmorten yowling in the basket. Christopher began to be nervously and gloomily certain that the Goddess’s idea of a reward was nothing like his own. “Won’t there be a lot of people?” he asked, hanging back rather.
“Not for a while. They snore for hours in the hot season,” the Goddess said confidently.
Christopher followed her reluctantly along a set of dark passages, not quite the way he had run before, he thought, though it was hard to be sure. At length they came to a wide archway hung with nearly transparent yellow curtains. There was a rich gleam of daylight beyond. The Goddess parted the curtains and waved Christopher through, tink-clash. There seemed to be an old, dark tree in front of them, so old that it was thoroughly worm-eaten and had lost most of its branches. And something was making a suffocating smell, a little like church incense, but much thicker and stronger. The Goddess marched around the tree, down some shallow steps, and into the space full of rich daylight, which was blocked off by more yellow curtains a few yards away, like a tall golden room. Here she turned around to face the tree.
“This is the Shrine of Asheth,” she said. “Only initiates are allowed here. This is your reward. Look. Here I am.”
Christopher turned around and felt decidedly cheated. From this side, the tree turned out to be a monstrous statue of a woman with four arms. From the front it looked solid gold. Clearly the Temple had not bothered to coat the back of the wooden statue with gold, but they had made up for it on the front. Every visible inch of the woman shone buttery yellow gold, and she was hung with golden chains, bracelets, anklets and earrings. Her skirt was cloth-of-gold and she had a big ruby embedded in each of her four golden palms. More precious stones blazed from her high crown. The Shrine was made so that daylight slanted dramatically down from the roof, touching each precious stone with splendor, but veiled by the thick smoke climbing from golden burners beside the woman’s huge golden feet. The effect was decidedly Heathen.
After waiting a moment for Christopher to say something, the Goddess said, “This is Asheth. She’s me and I’m her, and this is her Divine Aspect. I thought you’d like to meet me as I really am.”
Christopher turned to the Goddess, meaning to say, No you’re not: you haven’t got four arms. But the Goddess was standing in the smoky yellow space with her arms stretched out to the side in the same position as the statue’s top pair of arms, and she did indeed have four arms. The lower pair were misty and he could see the yellow curtain through them, but they had the same sort of bracelets and they were arranged just like the statue’s lower pair of arms. They were obviously as real as Tacroy before he was firmed up. So he looked up at the statue’s smooth golden face. He thought it looked hard and cruel behind its blank golden stare.
“She doesn’t look as clever as you,” he said. It was the only thing he could think of that was not rude.
“She’s got her very stupid expression on,” the Goddess said. “Don’t be fooled by that. She doesn’t want people to know how clever she really is. It’s a very useful expression. I use it a lot in lessons when Mother Proudfoot or Mother Dowson go boring on.”
It was a useful expression, Christopher thought, a good deal better than his vague look which he used in magic lessons. “How do you make it?” he asked with great interest.
Before the Goddess could reply, footsteps padded behind the statue. A strong voice, musical but sharp, called out, “Goddess? What are you doing in the Shrine at this hour?”
Christopher and the Goddess went into two separate states of panic. Christopher turned to plunge out through the other set of yellow curtains, heard sandals slapping about out there too, and turned back in despair. The Goddess whispered, “Oh blast Mother Proudfoot! She seems to know where I am by instinct somehow!” and she spun around in circles trying to wrestle a bracelet off her upper arm.
A long bare foot and most of a leg in a rust-colored robe appeared around the golden statue. Christopher gave himself up for lost. But the Goddess, seeing she was never going to get the brace-let off in time, snatched his hand and held it against the whole heap of jingling jewelry on her arm.
Just as before, everything turned misty and Christopher fell through it, into his bed in the dormitory. Crash!
“I wish you wouldn’t do that!” Fenning said, waking up with a jump. “Can’t you control those dreams of yours?”
“Yes,” Christopher said, sweating at his narrow escape. “I’m never going to have a dream like that again.” It was a silly setup anyway—a live girl pretending to be a goddess, who was nothing but a worm-eaten wooden statue. He had nothing against the Goddess herself. He admired her quick thinking, and he would have liked to learn both the very stupid expression and how you did that vanishing trick with the books. But it was not worth the danger.
8
FOR THE REST of the Spring term, Christopher went regularly to the Anywheres with Tacroy, but he did not try to go to one on his own. By now Uncle Ralph seemed to have a whole round of experiments set up. Christopher met Tacroy in Series One, Three, Five, Seven and Nine, and then in Eight, Six, Four and Two, always in that order, but not always in
the same place or outside the same valley. In each Anywhere people would be waiting with a pile of packages which, by the weight and feel, had different things inside each time. The parcels in Series One were always knobby and heavy, and in Four they were smooth boxes. In Series Two and Five, they were squashy and smelled of fish, which made sense since both those Anywheres had so much water in them. In Series Eight, the women always breathed garlic and those parcels had the same strong odor every time. Beyond that, there seemed no rule. Christopher got to know most of the people who supplied the packages, and he laughed and joked with them as he loaded the horseless carriage. And as the experiments went on, Uncle Ralph’s wizards gradually perfected the carriage. By the end of the term, it moved under its own power and Tacroy and Christopher no longer had to drag it up the valleys to The Place Between.
In fact, the experiments had become so routine that they were not much of a change from school. Christopher thought of other things while he worked, just as he did in magic lessons and English and Chapel at school.
“Why don’t we ever go to Series Eleven?” he asked Tacroy as they walked up one of the valleys from Series One with another heavy knobby load gliding behind on the carriage.
“Nobody goes to Eleven,” Tacroy said shortly. Christopher could see he wanted to change the subject. He asked why. “Because,” said Tacroy, “because they’re peculiar, unfriendly people there, I suppose—if you can call them people. Nobody knows much about them because they make damn sure nobody sees them. And that’s all I know, except that Eleven’s not a Series. There’s only one world.” Tacroy refused to say more than that, which was annoying, because Christopher had a strong feeling that Tacroy did know more. But Tacroy was in a bad mood that week. His grandmotherly lady had gone down with flu and Tacroy was making do with the stern flute-playing young lady. “Somewhere in our world,” he said, sigh-ing, “there is a young lady who plays the harp and doesn’t mind if I turn transparent, but there are too many difficulties in the way between us.”
Probably because Tacroy kept saying things like this, Christopher now had a very romantic image of him starving in his garret and crossed in love. “Why won’t Uncle Ralph let me come and see you in London?” he asked.
“I told you to stow it, Christopher,” Tacroy said, and he stopped further talk by stepping out into the mists of The Place Between with the carriage billowing behind him.
Tacroy’s romantic background nagged at Christopher all that term, particularly when a casual word he dropped in the dormitory made it clear that none of the other boys had ever met a foundling child. “I wish I was one,” Oneir said. “I wouldn’t have to go into my father’s business then.” After that, Christopher felt he would not even mind meeting the flute-playing young lady.
But this was driven out of his mind when there proved to be a muddle over the arrangements for the Easter holidays. Mama wrote and said he was to come to her in Genoa, but at the last moment she turned out to be going to Weimar instead, where there was no room for Christopher. He had to spend nearly a week at school on his own after everyone had gone home, while the school wrote to Uncle Charles, and Uncle Charles arranged for Papa’s other brother, Uncle Conrad, to have him in four days’ time. Meanwhile, since the school was closing, Christopher was sent to stay with Uncle Ralph in London.
Uncle Ralph was away, to Christopher’s disappointment. Most of his house was shut up, with locked doors everywhere, and the only person there was the housekeeper. Christopher spent the few days wandering around London by himself.
It was almost as good as exploring an Anywhere. There were parks and monuments and street musicians, and every road, however narrow, was choked with high-wheeled carts and carriages. On the second day Christopher found himself at Covent Garden market, among piles of fruit and vegetables, and he stayed there till the evening, fascinated by the porters. Each of them could carry at least six loaded baskets in a tall pile on his head, without even wobbling. At last, he turned to come away and saw a familiar sturdy figure in a green worsted suit walking down the narrow street ahead of him.
“Tacroy!” Christopher screamed and went racing after him.
Tacroy did not appear to hear. He went walking on, with his curly head bent in a rather dejected way, and turned the corner into the next narrow street before Christopher had caught up. When Christopher skidded around the corner, there was no sign of him. But he knew it had been, unmistakably, Tacroy. The garret must be somewhere quite near. He spent the rest of his stay in London hanging around Covent Garden, hoping for another glimpse of Tacroy, but it did no good. Tacroy did not appear again.
After that, Christopher went to stay at Uncle Conrad’s house in Wiltshire, where the main drawback proved to be his cousin Francis. Cousin Francis was the same age as Christopher, and he was the kind of boy Fenning called “a stuck-up pratterel.” Christopher despised Francis on this account, and Francis despised Christopher for having been brought up in town and never having ridden to hounds. In fact, there was another reason too, which emerged when Christopher fell heavily off the quietest pony in the stables for the seventh time.
“Can’t do magic, can you?” Francis said, looking smugly down at Christopher from the great height of his trim bay gelding. “I’m not surprised. It’s your father’s fault for marrying that awful Argent woman. No one in my family has anything to do with your father now.”
Since Christopher was fairly sure that Francis had used magic to bring him off the pony, there was not much he could do but clench his teeth and feel that Papa was well shot of this particular branch of the Chants. It was a relief to go back to school again.
It was more than a relief. It was the cricket season. Christopher became obsessed with cricket almost overnight. So did Oneir. “It’s the King of Games,” Oneir said devoutly, and went and bought every book on the subject that he could afford. He and Christopher decided they were going to be professional cricketers when they grew up. “And my father’s business can just go hang!” Oneir said.
Christopher quite agreed, only in his case it was Mama’s plans for Society. I’ve made up my mind for myself! he thought. It was like being released from a vow. He was quite surprised to find how determined and ambitious he was. He and Oneir practiced all day, and Fenning, who was no good really, was persuaded to run after the balls. In between they talked cricket, and at night Christopher had normal ordinary dreams, all about cricket.
It seemed quite an interruption on the first Thursday, when he had to give up dreams of cricket and meet Tacroy in Series Five.
“I saw you in London,” Christopher said to him. “Your garret’s near Covent Garden, isn’t it?”
“Covent Garden?” Tacroy said blankly. “It’s nowhere near there. You must have seen someone else.” And he stuck to that, even when Christopher described in great detail which street it was and what Tacroy had looked like. “No,” he said. “You must have been running after a complete stranger.”
Christopher knew it had been Tacroy. He was puzzled. But there seemed no point in going on arguing. He began loading the carriage with fishy-smelling bundles and went back to thinking about cricket. Naturally, not thinking what he was doing, he let go of a bundle in the wrong place. It fell half through Tacroy and slapped to the ground, where it lay leaking an even fishier smell than before. “Pooh!” said Christopher. “What is this stuff?”
“No idea,” said Tacroy. “I’m only your uncle’s errand boy. What’s the matter? Is your mind somewhere else tonight?”
“Sorry,” Christopher said, collecting the bundle. “I was thinking of cricket.”
Tacroy’s face lit up. “Are you bowler or batsman?”
“Batsman,” said Christopher. “I want to be a professional.”
“I’m a bowler myself,” said Tacroy. “Slow leg-spin, and though I say it myself, I’m not half bad. I play quite a lot for—well, it’s a village team really, but we usually win. I usually end up taking seven wickets—and I can bat a bit too. What are you, an opener?”<
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“No, I fancy myself as a stroke player,” Christopher said.
They talked cricket all the time Christopher was loading the carriage. After that they walked on the beach with the blue surf crashing beside them and went on talking cricket. Tacroy several times tried to demonstrate his skill by picking up a pebble, but he could not get firm enough to hold it. So Christopher found a piece of driftwood to act as a bat and Tacroy gave him advice on how to hit.
After that, Tacroy gave Christopher a coaching session in whatever Anywhere they happened to be, and both of them talked cricket nonstop. Tacroy was a good coach. Christopher learned far more from him than he did from the Sports master at school. He had more and more splendid ambitions of playing professionally for Surrey or somewhere, cracking the ball firmly to the boundary all around the ground. In fact, Tacroy taught him so well, that he began to have quite real, everyday ambitions of getting into the school team.
They were reading Oneir’s cricket books aloud in the dormitory now. Matron had discovered The Arabian Nights and taken it away, but nobody minded. Every boy in the dormitory, even Fenning, was cricket mad. And Christopher was most obsessed of all.
Then disaster struck. It began with Tacroy saying, “By the way, there’s a change of plan. Can you meet me in Series Ten next Thursday? Someone seems to be trying to spoil your uncle’s experiments, so we have to change the routine.”
Christopher was distracted from cricket by slight guilt at that. He knew he ought to make a further payment for Throgmorten, and he was afraid that the Goddess might have supernatural means of knowing he had been to Series Ten without bringing her any more books. He went rather warily to the valley.
Tacroy was not there. It took Christopher a good hour of climbing and scrambling to locate him at the mouth of quite a different valley. By this time Tacroy had become distinctly misty and unfirm.
The Lives of Christopher Chant Page 8