The tone said: and watch him like a hawk.
The footman led Marco to the back stairs. Not for the likes of him the front steps. They walked up four flights of ill-lit stairs . . . And then were nearly knocked down them again by an extremely angry woman, who was so busy looking back up that she failed to see them. Even in poor light she was a truly beautiful lady, clad in a low-cut azure Damask-silk gown, trimmed with a jabot of finest Venetian lace. Her hair was on the red side of auburn; her skin, except for flaming patches on her cheeks, a perfect unblemished cream.
The footman nearly flung himself up the wall to get out of her way, with a hasty terrified "scusi."
Marco pressed himself against the wall too. She didn't say anything to either of them, but her angry look promised retribution later. Marco was glad he wasn't the footman, and that he'd never have to encounter her again. He had a feeling that despite her legendary beauty, Lucrezia Brunelli (and this could only be her) would enjoy making someone else's life a misery. And she looked mad enough about something to be looking for a victim, shortly. But even angry, she was beautiful.
Marco shook himself guiltily. How could he think this of anyone but Angelina?
They walked on to the upper floor. The footman knocked.
"I am at my devotions, Lucrezia," said the voice from within. The accent was distinctly foreign. But the tone had a suggestion of tried patience.
The footman cleared his throat. He gave Marco a quelling look. "Senor Lopez. It is I, Louis. I have brought a messenger to see you."
"My apologies. Bring him in, Louis."
Marco found himself bowed into the presence of a short, slightly built man, who was carefully placing a marker in a book. He too had reddish hair. For a moment Marco found himself wondering why the woman who was considered to be the reigning beauty of Venice should interest herself in this man. Then Eneko Lopez turned and limped toward him and Marco realized what attracted Lucrezia Brunelli to this foreigner.
Power. There were the eyes of an eagle under that solid, heavy single line of dark brow. Even without a word spoken between them, Marco knew this to be a man in whom the fires of spirit burned high. And, by his calm assurance, someone to whom command was almost inborn. "Thank you, Louis. That will be all." The footman bowed respectfully and left.
"You have come from Mainz, or from the Grand Metropolitan?" The Basque held out his hand to take the scroll.
Marco swallowed, and passed over the scroll. "Neither, sir. My master is here in Venice. He said I must wait and take a reply."
Lopez sighed. "I had hoped . . . Never mind. All things will come to pass eventually. Sit."
So Marco sat down. The guest of Brunelli's occupied a room that filled him with envy. It was full of books, leather-bound volumes on volumes. Marco gazed hungrily at them. In the meantime, Lopez had taken his own seat at a small desk nearby. He cracked the seal and scanned the contents of the scroll.
When he finally spoke his voice was cold. "You may tell your master that I am neither prey for blackmail nor interested in treachery. He misinterprets my work here on the Rio del Ghetto, as he does my messages to Rome."
Marco rose hastily. Rio del Ghetto. Where the "magicians" sold their charms and wares. Where the Jews were supposed to remain, although in tolerant Venice that practice was widely ignored. Very close to where he and Benito had shared lodgings. Rome . . . well, the Grand Metropolitan was not overly enamored with Venice's religious health, if Father Del Igilo was to be believed.
But this was no time for debate. "Yes, Signor," was all he said.
As Marco turned to leave, the Basque rose from the desk and said grimly: "Stop. Since you chose to come here, I will have a few words with you as well."
Marco froze. "I d-didn't 'choose' anything, sir. My master--"
"How old are you?" demanded Lopez.
"S-sixteen."
"Old enough not to think like a boy any longer. What is your name?"
The man's force of personality was too great to resist. "Marco, sir. Uh, Marco--ah--Felluci."
The Basque snorted. " 'Felluci'? I doubt it. But if you chose a false surname--chose, young Marco--then you need to give a thought to all your choices. At sixteen, you can no longer use the excuse of being a 'boy.' You are a man, now. And a man chooses his own masters."
Marco said nothing. Lopez sighed. "Not a man yet, it seems. Very well." He resumed his seat and turned his face away, studying a document on the desk. "When you do decide to become a man, Marco-who-says-he-is-Felluci, I advise you to find another master. This one walks a path to ruin. If you continue to follow him, you will share his fate."
The footman was lurking outside the door. He saw Marco off the premises, with no comments but a tight set to his face. Well, thought Marco, at least he was being shown out and didn't have to deal with Lucrezia Brunelli in a foul mood.
Benito was loitering in the street. "I thought you were going to stay on the roof," said Marco when Benito joined him.
"Came down to meet you."
"How did you know . . . ?" Marco sighed. "Never mind. You've been peering in windows again, haven't you? You'd do this side of Caesare's business much better than I can."
Benito shuddered. "Believe me, brother. This was one time I was really glad it was you. That's a scary guy. I've seen him before, that time when . . . never mind. Now come on. Let's climb up there and get moving if you still want to drop in at Barducci's tonight."
Marco thought of Angelina. The thought was enough to get him moving up to the slippery coppo tiles. Benito was already walking up the rickety stairs that had given them such an easy descent. The roof was an easy jump and haul from there. Marco sighed. It wasn't the roof walking as much as the looking down that worried him.
* * *
Benito peered over the roof edge. They'd have to descend here again. Then he put out a hand to stop Marco. There were two people coming out of a sotoportego into the broad Calle dei Fabbri below. To discourage cutpurses and cutthroats, there were oil lamps burning in niches there. You could see the two men clearly, just for a moment.
They were both tall, and one of them very large. The large one was dark-haired; the other blond. The dark-haired man moved with a sort of solid determination, the blond with catlike grace.
"Knights of the Holy Trinity. Even if they're not in uniform," whispered Benito. "I saw both of them . . ." His voice trailed off.
An errant night-breeze stirred the mist and brought a snatch of conversation up from below.
" . . . shouldn't have come. This is my affair, Manfred."
A snort. "I think I owe her more for 'services' than you do, Erik."
The two stopped outside a building with long Moorish-style arched windows, and knocked.
Benito gave a low whistle. "Well, well, well. Who would have thought it?" He chuckled. "So much for their holiness."
Marco looked. It seemed a fairly innocuous if moderately well-to-do three-story building. "What is it?"
Benito looked startled. "Sorry. I forget that you lived in the marshes for so long. That's the Casa Louise. It's . . . um, a place where wealthy merchants and some of the Case Vecchie maintain their mistresses. I guess you could call it a bordello, but it's as high-class as it gets."
Benito studied the two knights below, squinting a bit. "It's funny, though. I wouldna thought knights--not that young, anyway--could've afforded the women in this place."
Marco shook his head. His brother's knowledge of vice worried him. He supposed that, having lived in town for all these years, the boy would have more knowledge of things like that than he did.
Chapter 26 ==========
"Oh, my--" Kat stood in the doorway wide-eyed at the sight of Francesca's new suite of rooms. Francesca smiled wryly.
"Don't be too impressed, my dear," she said. "Remember how this is all paid for. My five current patrons are all over fifty, two are fat, one is bald and has a nose the size of a melon, and the last, poor man, needs--" She considered for a moment how to phrase what
she wanted to say delicately. "--a great deal of encouragement to achieve his desires."
Kat blushed a charming color of pink.
Francesca's smile widened. "However, things may be on the verge of improvement. In one respect, at least. Do you recall that very large knight who was one of your rescuers at the church?" Seeing Kat's nod, Francesca cheerfully related the incident where she had provided Manfred and Erik with a means of escape from an ambush--sparing no details at all.
Kat blushed a charming color of scarlet.
Francesca laughed. "Don't be so innocent! That young knight certainly isn't--the large, young one, I mean. In fact, he and his blond friend visited just yesterday evening. To tender their thanks, they said. Which I have no doubt is all the blond one intended, but not large young Manfred." Her smile was now almost seraphic. "So I do believe I shall be acquiring a new patron, and very soon. He'll tire me out more, of course, but it'll still be a nice change of pace."
Kat's blush was beginning to fade; all the faster, as her face was creased by a frown of puzzlement. "I wouldn't have thought that a young knight could afford you in the first place, even if--" She stumbled over the next words, trying to avoid offense.
"--even if his morals were scandalous for someone supposedly devoted to holy orders?" finished Francesca, grinning. "Such an innocent! Kat, one of my existing patrons is quite high-ranked in the Church--and no temporary confrere knight, either."
The grin faded, and Francesca looked away. "As for the other . . . I'd just as soon not talk about it. Better for you also if I don't, girl, trust me. Just remember that confrere knights, whatever their current state, are often young men from the elite of the Empire. So a large purse is not really that surprising. Large enough, at least"--waving her hand about--"for these purposes."
She shook her head. "But enough of that! I am really so glad that you accepted my invitation," Francesca continued merrily. "My afternoon is entirely free today, as it happens. I made certain of it." She gestured at the sofa, chaise, and chairs, inviting Kat to take her choice among them.
Kat gingerly took a seat on the sofa, which betrayed her with its softness as it was intended to do, drawing her into a cushioned embrace. Kat resisted for a moment, then, wearing a sheepish smile, allowed the sofa to have its way with her.
Francesca reclined on the chaise, which bore more than a passing resemblance to an ancient Roman dining-couch. Not only was it an attractive pose, it was supremely comfortable. "Help yourself to the fruit next to you, by the way," she offered. "If you don't, it will only spoil--one of my admirers sends it every day, far more than I can eat. Evidently his last inamorata had the appetite of an elephant." As Kat reached for a grape, she continued. "I've already taken some measures to protect you if . . . your personal situation becomes worse. I spoke to the Madame about having a house gondola. Although she doesn't believe we need one yet--" Francesca emphasized the yet "--she agrees that we could use a very discreet courier for various errands, which could include patrons who for one reason or another would rather not make use of public boats or their own. And she also agrees that I will soon need a private gondolier of my own, in any event. It wouldn't pay a great deal, but . . ."
Kat let out a sigh. "It would enable me to survive, whatever else." She tried to look on the bright side. "If nothing else, it'd be safer than what I'm doing now. No one's going to pester Case Vecchie in a gondola, or a courtesan going to visit one discreetly."
"That was my thought also, although"--another grin--"I saw no reason to mention your current activities to the Madame. You'd probably want to wear a mask, of course, since I imagine you'd want to keep your identity secret. From other Case Vecchie most of all, since yours is one of the four oldest houses."
She paused for a moment, allowing Kat to absorb the fact that Francesca had learned she was Montescue. But Kat was neither surprised nor worried. She'd realized very soon after meeting Francesca that the courtesan was far too intelligent for Kat to be able to keep her family identity a secret from the woman for very long. And, perhaps oddly given Francesca's self-admitted (say better, self-proclaimed) mercenary nature, Kat was not worried about betrayal. For reasons she could not pinpoint, but didn't doubt at all, she knew Francesca could be trusted completely. In this matter, at least, if no other.
So, she simply returned Francesca's gaze with a level one of her own. And then, slowly, smiled.
Francesca's face softened. Her eyes even seemed to acquire--just for an instant--a slight film of moisture. "Thank you for that, Kat," she said, very softly. "Friendship does not come often, to a courtesan. We treasure it all the more for its rarity."
But her gaiety returned immediately. "And now--enough of all this gloomy business. Let's look to a brighter future. Information I promised you, information I have. That's really why I asked you to come here. So. Let's trade gossip!"
"Gossip?" Kat asked incredulously.
Francesca laughed. "When women talk, it's called gossip; when men do it, it's called information. In either case, it's an exchange that could profit one or both of the parties. That was our arrangement, wasn't it?"
"I suppose--" Kat looked dubious now, and Francesca shook her head. "Believe me, dear, men are far worse at holding their tongues in the presence of a woman than a woman is in the presence of anyone. I may know something that you can turn to profit that I can reveal without breaking confidences. But let's start with you. What's the current news down on the water?"
* * *
When they were done, perhaps two hours later, Francesca was no longer smiling.
"None of this is good, Kat. Although I'm glad you'll be able to turn some of my tidbits of information to profitable use. But something's deeply wrong. Something . . ." She hesitated, groping for words.
"Good times and bad times," shrugged Kat. "The world is like that. Certainly Venice."
Francesca shook her head, quite forcefully. "This is more than simply 'bad times.' Something--someone--is deliberately making things as bad as possible."
Kat frowned. "Why do you think that? And why would anyone want to do it?" Before Francesca could answer, Kat made a little waving motion with her hand, forestalling objections. "Oh, sure--Duke Visconti wishes Venice all the ill in the world. But even he has nothing to gain by creating turmoil in the city. No matter how desperate Venetians ever got, the last thing they'd accept is Milanese intervention in our affairs."
The courtesan sitting across from her lifted herself up from the chaise and began pacing about slowly. Kat was struck by how silently she moved.
" 'Intervention,' no. But what if the purpose wasn't intervention? What if it was simply--destruction?"
"And what would be the point of that?" cried Kat. "If Milan tried to destroy Venice--which they couldn't do anyway--we're an island and our fleet is far more powerful than anything they could muster--" Her words were coming in a rush.
It was Francesca's turn to wave down an objection. "Not Milan, Kat. Not, at least, as anything but a tool. I was thinking of Lithuania."
Kat's face went completely blank. She stared at Francesca, for a moment, as if she had suddenly found herself confronted by a raving lunatic.
Seeing the expression, Francesca chuckled. "I'm quite sane, I assure you. Yes, Kat, the Grand Duchy of Lithuania and Poland is very far from Venice. And has no common border with it. No apparent source for mutual conflict." She shrugged. "Not even the commercial rivalry which periodically agitates the Hungarians and the Genoese and the Greeks in Constantinople."
"Exactly. So why in the world--"
"Who is the great rival of Lithuania, Kat?" interrupted Francesca.
"The Holy Roman Empire, of course."
"Precisely. And what will happen if Venice is destroyed? Who will fill the sudden power vacuum in northern Italy and the Adriatic? Not Milan!"
Kat stared at her. Then, slowly, remembering things her father--and even more, her grandfather--had told her in times past . . . things Dottore Marina had told her also, now that she
thought upon it . . . her face began to pale.
Francesca made a most unfeminine grunt. "Precisely. Grand Duke Jagiellon's reputation for insensate brutality is well-earned, girl. But don't be fooled by it. He is also a consummate manipulator. A man who prefers to let others bleed themselves to death, if at all possible."
Kat spoke in a whisper. "If Venice . . . is destroyed, the Holy Roman Emperor will have no choice. If he doesn't come in, the Hungarians surely will. And--and--"
"And Charles Fredrik, with Lithuania and the borderlands to deal with already, cannot also afford to see a more powerful Kingdom of Hungary--especially not one with a toehold in Italy. Especially not with a man on the throne like Emeric, who doesn't quite have Jagiellon's reputation--outside of Hungary, that is--but comes in a very close second."
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