We strolled towards Grosvenor Place. I hardly knew whether or not to condole with him on the sugar incident. Widmerpool marched along, breathing heavily, rather as if he were taking part in some contest.
‘Are you going to the Whitneys’ on Thursday?’ he asked suddenly.
‘No.’
‘Neither am I.’
He spoke with resignation; perhaps with slight relief that he had met another who remained uninvited to the Whitneys’ dance.
‘What about Mrs. Soundness?’
‘I can’t think why, but I haven’t been asked to Mrs. Soundness’s,’ said Widmerpool, almost petulantly. ‘I was taken to dinner there not so long ago—at rather short notice, I agree. But I expect I shall see you at Bertha, Lady Drum’s and Mrs. Arthur Clinton’s.’
‘Probably.’
‘I am dining with Lady Augusta Cutts for the Drum-Clinton dance,’ said Widmerpool. ‘One eats well at Lady Augusta’s. But I feel annoyed—even a little hurt—about Mrs. Soundness. I don’t think I could possibly have done or said anything at dinner to which exception might have been taken.’
‘The card may have gone astray in the post.’
‘As a matter of fact,’ said Widmerpool, ‘one gets very tired of these dances.’
Everyone used to say that dances bored them; especially those young men—with the honourable exception of Archie Gilbert—who never failed to respond to an invitation, and stayed, night after night, to the bitter end. Such complaints were made rather in the spirit of people who grumble at the inconvenience they suffer from others falling in love with them. There was, of course, nothing out of the way in Widmerpool, who had apparently been attending dances for several years, showing by that time signs of disillusionment, especially in the light of his experience at the Huntercombes’; although the way he was talking suggested that he was still keen enough to receive invitations. This projection of himself as a ‘dancing man’, to use his own phrase, was an intimation—many more were necessary before the lesson was learnt—of how inadequate, as a rule, is one’s own grasp of another’s assessment of his particular rôle in life. Widmerpool’s presence at the Walpole-Wilsons’ had at first struck me, rather inexcusably perhaps, as just another proof of the insurmountable difficulties experienced by hostesses in their untiring search for young men at almost any price. It had never occurred to me, when at La Grenadière he had spoken of London dances, that Widmerpool regarded himself as belonging to the backbone of the system.
‘You must come and lunch with me in the City,’ he said. ‘Have you an office in that part of the world?’
Thinking it unlikely that he would ring up, I gave him the telephone number, explaining that my work did not take place in the City. He made some formal enquiries about the firm, and seemed rather disapproving of the nature of the business.
‘Who exactly buys “art books”?’
His questions became more searching when I tried to give an account of that side of publishing, and of my own part in it. After further explanations, he said: ‘It doesn’t sound to me a very serious job.’
‘Why not?’
‘I can’t see it leading to much.’
‘What ought it to lead to?’
‘You should look for something more promising. From what you say, you do not even seem to keep very regular hours.’
‘That’s its great advantage.’
Widmerpool shook his head, and was silent for a time. I supposed him to be pondering my affairs—trying to find a way in which my daily occupation could be directed into more ambitious avenues—and I felt grateful, indeed rather touched, at any such interest. However, it turned out that he had either dismissed my future momentarily from his mind when he spoke again, or the train of thought must somehow have led him back to his own problems, because his words were quite unexpected.
‘To tell the truth,’ he said, ‘I was upset—very upset—by what happened tonight.’
‘It was silly of Barbara.’
‘It was more than silly,’ said Widmerpool, speaking with unusual intensity, his voice rising in tone. ‘It was a cruel thing to do. I shall stop seeing her.’
‘I shouldn’t take it all too seriously.’
‘I shall certainly take it seriously. You are probably not aware of the situation.’
‘What situation?’
‘As I think I told you before dinner, Barbara and I used to live near each other in the country. She knows well what my feelings are for her, even though I may not have expressed them in so many words. Of course I see now that it was wrong to take hold of her as I did.’
This disclosure was more than a little embarrassing, both for its unexpectedness and also in the light of my own sentiments, or at least former sentiments, on the subject of Barbara. At that stage of life all sorts of things were going on round about that only later took on any meaning or pattern. Thus some people enjoyed distinctly public love affairs, often quickly forgotten, while others fell in love without anyone, perhaps even including the object of their love, knowing or caring anything about these covert affections. Only years later, if at all, could the consequences of such bottled-up emotions sometimes be estimated: more often, of course, they remained entirely unknown. In Widmerpool’s case, for example, I had no idea, and could, I suppose, have had no idea, that he had been in love with Barbara all the time that I myself had adored her. Moreover, in those days, as I have already indicated, I used to think that people who looked and behaved like Widmerpool had really no right to fall in love at all, far less have any success with girls—least of all a girl like Barbara—a point of view that in due course had, generally speaking, to be revised: sometimes in mortifying circumstances. This failure to recognise Widmerpool’s passion had, of course, restricted any understanding of his conduct, when at the supper table he had appeared so irritable from the mere consequence of the loss of a dance. I could now guess that, while we sat there, he had been burning in the fires of hell.
‘Of course I appreciate that the Gorings are a family of a certain distinction,’ said Widmerpool. ‘But without the Gwatkin money they would never be able to keep up Pembringham Woodhouse as they do.’
‘What was the Gwatkin money?’
‘Gwatkin was Lord Aberavon’s family name. The peerage was one of the last created by Queen Victoria. As a matter of fact the Gwatkins were perfectly respectable landed stock, I believe. And, of course, the Gorings have not produced a statesman of the first rank since their eighteenth-century ancestor—and he is entirely forgotten. As you probably know, they have no connexion whatever with the baronets of the same name.’
He produced these expository facts as if the history of the Gorings and the Gwatkins offered in some manner a key to his problem.
‘What about Barbara’s father?’
‘As a young man he was thought to show promise of a future in the House of Lords,’ said Widmerpool. ‘But promise in that Chamber has become of late years increasingly difficult to develop to any satisfactory end. He performed, I have been told, a lot of useful work in committee, but he never held office, and sank into political obscurity. As I heard Sir Horrocks Rusby, K.C., remark at dinner the other night: “It’s no good being useful if you don’t achieve recognition.” Sir Horrocks added that this maxim was a natural corollary of the appearance of sin being as bad as sin itself. On the other hand the farming at Pembringham is some of the most up-to-date in the country, and that is well known.’
‘Were you going to propose to Barbara?’
‘You don’t suppose I have the money to marry, do you?’ he said violently. ‘That is why I am telling you all this.’
He spoke as if everyone ought already to be familiar with his emotional predicament; indeed, as if it were not only unobservant, but also rather heartless on my part, to have failed to comprehend the implications of his earlier ill-humour. By some curious manipulation of our respective positions—a trick of his I remembered from our time together at the Leroys’—his manner contrived also to sugge
st that I was being at once callous and at the same time unnecessarily inquisitive about his private affairs. Such aspects of this sudden revelation about himself and Barbara occurred to me only after I had thought things over the following day. At that moment I was not even particularly struck by the surprising fact that Widmerpool should suddenly decide to unburden himself on the subject of a love affair to someone whose relationship to him was neither that of an intimate friend, nor yet sufficiently remote to justify the man-to-man methods of imparting confidences employed by the total stranger who unfolds his life story in a railway carriage or bar. However, I was impressed at that point chiefly by the fact that Widmerpool had described so closely my own recently passed dilemma: a problem formerly seeming to admit of no solution, from which I had now, however, been freed as abruptly and absolutely as its heavy obligation had so mysteriously arisen in the months before.
By this time we had come to Grosvenor Place, in sight of the triumphal arch, across the summit of which, like a vast paper-weight or capital ornament of an Empire clock, the Quadriga’s horses, against a sky of indigo and silver, pranced desperately towards the abyss. Here our ways divided. It was on the tip of my tongue to say something of my own position regarding Barbara; for it is always difficult to hear anyone lay claim to having endured the agonies of love without putting forward pretensions to similar experience: especially when the same woman is in question. Whether or not some such reciprocal confidence, advisable or the contrary, would finally have passed between us is hard to say. Probably any material I could have contributed to the subject would have proved all but meaningless, or at best merely irritating, to Widmerpool in his current mood. That is my opinion in face of subsequent dealings with him. However, at that stage in the walk one of those curious changes took place in circumstances of mutual intercourse that might almost be compared, scientifically speaking, with the addition in the laboratory of one chemical to another, by which the whole nature of the experiment is altered: perhaps even an explosion brought about.
For a minute or two we had been standing by the edge of the pavement. Widmerpool was no doubt preparing to say good-night, because he took a sudden step backward. Like so many of his movements, this one was effected awkwardly, so that he managed to precipitate himself into the path of two persons proceeding, side by side, in the direction of Hyde Park Corner. There was, in fact, a minor collision of some force, in which the other parties were at once established as a comparatively elderly man, unusually tall, and a small woman, or girl. Upon the last of these Widmerpool had apparently trodden heavily, because she exclaimed in a raucous voice: ‘Hi, you, why the bloody hell can’t you go where you’re looking!’
So aggressive was the manner in which this question was put that at first I thought the pair of them were probably drunk: a state which, in addition, the discrepancy between their respective heights for some reason quite illogically helped to suggest. Widmerpool began to apologise, and the man now answered at once in a deep tone: ‘No, no. Of course it was an accident. Gypsy, I have told you before that you must control yourself when you are out with me. I will not tolerate gratuitous rudeness.’
There was something strangely familiar about these words. He was grey-haired and hatless, carrying a fairly bulky parcel of newspapers, or so they appeared, under his left arm. His voice bore with it memories of time long past. Its tone was, indeed, laden with forgotten associations of childhood; those curious, rather fearful responses weighted with a sense of restriction and misgiving. Even so, there was also something about the stranger that seemed to belong to the immediate present; something that made me feel that a matter which had to do with him, even on that very evening, had already been brought to my notice. Yet his presence conveyed, too, an instant and vertiginous sense of being ‘abroad’, this last impression suddenly taking shape as that of a far-off visit to Paris. The same scattered records of sight and sound that Boyhood of Cyrus had suggested when first seen at the Walpole-Wilsons’. I had another look at the whitening hairs, and saw that they were Mr. Deacon’s, last surveyed, years before, on that day in the Louvre among the Peruginos.
He looked much the same, except that there was now something wilder—even a trifle sinister—in his aspect; a representation of Lear on the heath, or Peter the Hermit, in some nineteenth-century historical picture, preaching a crusade. Sandals worn over black socks gave an authentically medieval air to his extremities. The former rôle was additionally suggested by the undeniably boyish exterior of his companion, whose hair was cut short: barbered, in fact, in a most rough-and-ready fashion in the style then known as an ‘Eton crop’. This young woman might, so far as outward appearances were concerned, have passed easily on the stage for the aged king’s retainer, for, although her manner was more actively combative than the Fool’s, the shortness of her skirt, and bare knees, made her seem to be clad in a smock, or tunic, of the kind in which the part is sometimes played.
When I think of that encounter in Grosvenor Place, my attempt to reintroduce myself to Mr. Deacon in such circumstances seems to me strange, foolhardy even, and the fact still more extraordinary that he should almost immediately have succeeded in grasping my own identity. It was an occasion that undoubtedly did more credit to Mr. Deacon’s social adroitness than to my own, because I was still young enough to be only dimly aware that there are moments when mutual acquaintance may be allowed more wisely to pass unrecognised. For example, to find a white-haired gentleman wandering about the streets in the small hours in the company of a young woman wearing an ample smear of lipstick across her face, and with stockings rolled to the knee, might easily prove a juncture when former meetings in irreproachable surroundings could, without offence, have been tactfully disregarded; although, as it turned out, there was not the smallest breath of scandal at that moment encompassing either of them.
‘I had dinner at a house where one of your pictures hangs,’ I told him, when enquiries about my family had been made and answered.
‘Good gracious,’ said Mr. Deacon. ‘Which one?’
‘Boyhood of Cyrus.’
‘Was that Aberavon’s? I thought he was dead these twenty years.’
‘One of his daughters became Lady Walpole-Wilson. The picture is at her house in Eaton Square.’
‘Well, I’m glad to know its whereabouts,’ said Mr. Deacon. ‘I always make bold to consider it rather a successful achievement of mine, within the limits of the size of the canvas. It is unusual for people of that sort to have much taste in art. Aberavon was the exception. He was a man with vision. I expect his descendants have hung it in some quite incongruous place.’
I thought it wiser to supply no further details on the subject of the hanging of Boyhood of Cyrus. ‘Skyed’ in the hall was a position even the most modest of painters could hardly regard as complimentary; though I was impressed by Mr. Deacon’s perspicacity in guessing this fate. It is, indeed, strange how often persons, living in other respects quite unobjectively, can suddenly become acutely objective about some specific concern of their own. However, no answer was required, because at that moment Widmerpool suddenly stepped in.
At first, after making some sort of an apology for his earlier clumsiness, he had stood staring at Mr. Deacon and the girl as if exhibits at a freak show—which it would hardly be going too far to say they somewhat resembled—but now he seemed disposed to dispute certain matters raised by Mr. Deacon’s remarks. I had felt, immediately after making this plunge of recognition, that Widmerpool, especially in his existing mood, would scarcely be inclined to relish this company. In fact, I could not understand why he did not at once make for home, leaving us in peace to wind up the reunion, a duty that my own eagerness, perhaps misplaced, had imposed mutually upon Mr. Deacon and myself. Now to my surprise Widmerpool suddenly said: ‘I think, if you meet her, you will find Lady Walpole-Wilson most appreciative of art. She was talking to me about the Academy only this evening—in connexion with the question of the Haig statue—and her comments were illuminating.’
Mr. Deacon was delighted by this frank expression of opinion. There was, naturally, no reason why he should possess any knowledge of Widmerpool, whom I discovered in due course to be—in Mr. Deacon’s pre-determined view and own words—‘a typical empty-headed young fellow with more money than is good for him’ who was now preparing to tell an older man, and an artist, ‘what was what in the field of painting’. This was, indeed, the kind of situation in which Mr. Deacon had all his life taken pleasure, and such eminence as he had, in fact, achieved he owed largely to making a habit of speaking in an overbearing and sarcastic, sometimes almost insulting, manner to the race thus generically described as having ‘more money than was good for them’. He looked upon himself as the appointed scourge of all such persons, amongst whom he had immediately classed Widmerpool. The mistake was perhaps inevitable in the circumstances. In fairness to Mr. Deacon it should be added that these onslaughts were almost without exception accepted by the victims themselves—a fact born out by Barnby—as in some eclectic manner complimentary, so that no harm was done; even good, if the sale of Mr. Deacon’s pictures could be so regarded.
‘Should I ever have the honour of meeting her Ladyship,’ said Mr. Deacon, with the suggestion of a flourish, ‘I shall much look forward to a discussion on the subject of that interesting institution, the Royal Academy. When in need of mirth, I should be lost without it. I expect Isbister, R.A., is one of her special favourites.’
‘I have not heard her mention his name,’ said Widmerpool, forgoing none of his seriousness. ‘But, for my own part, I was not displeased with Isbister’s portrait of Cardinal Whelan at Burlington House last year. I preferred it to—was it the wife of the Solicitor-General—that was so much praised?’
It showed a rather remarkable effort of will on the part of Widmerpool, whose interest in such matters was not profound, to have been able to quote these examples on the spur of the moment; and there is no knowing into what inextricable tangle this subject would not have led them both, if their conversation had not been mercifully interrupted by the girl, who now said: ‘Are we going to stand here all night? My feet hurt.’
Dance to the Music of Time, Volume 1 Page 30