Since living in London, I had seen Peter Templer several times, but, in the course of an interminable chain of anecdotes about his ever-changing circle of cronies, I could not remember the name of Duport figuring, so that I did not know whether or not the two of them continued to see each other. Peter himself had taken to the City like a duck to water. He now talked unendingly of ‘cleaning up a packet’ and ‘making a killing’; money, with its multifarious imagery and restrictive mystique, holding a place in his mind only seriously rivalled by preoccupation with the pursuit of women: the latter interest having proportionately increased with opportunity to experiment in a wider field than formerly.
When we had lunched or dined together, the occasions had been enjoyable, although there had hardly been any renewal of the friendship that had existed between us at school. Peter did not frequent the world of dances because—like Stringham—he was bored by their unduly respectable environment.
‘At least,’ he said once, when discussing the matter, ‘I don’t go as a habit to the sort of dance you see reported in The Morning Post or The Times. I don’t say I have never attended similar entertainments in some huge and gloomy house in Bayswater or Holland Park—probably Jewish—if I happened to take a fancy to a girl who moves in those circles. There is more fun to be found amongst all that mahogany furniture and Moorish brasswork than you might think.’
In business, at least in a small way, he had begun to ‘make a bit’ on his own, and there seemed no reason to disbelieve his account of himself as looked upon in his firm as a promising young man. In fact, it appeared that Peter, so far from becoming the outcast from society prophesied by our housemaster, Le Bas, now showed every sign of being about to prove himself a notable success in life: an outcome that seemed to demand another of those revisions of opinion, made every day more necessary, in relation to such an enormous amount of material, accepted as incontrovertible at an earlier period of practical experience.
Thinking that if the young man with the orchid knew Duport, he might also know Peter, whom I had not by then seen for about a year, I asked if the two of them had ever met.
‘I’ve never run across Templer,’ he said. ‘But I’ve heard tell of him. As a matter of fact, I believe Duport married Templer’s sister, didn’t he? What was her name?’
‘Jean.’
‘That was it. A thin girl with blue eyes. I think they got married abroad—South America or somewhere, was it?’
The sudden awareness of displeasure felt a second earlier at the apparent prosperity of Duport’s general state was nothing to the pang I suffered on hearing this piece of news: the former sense of grievance caused, perhaps, by premonition that worse was to come. I had not, it was true, thought much of Jean Templer for years, having relegated any question of being, as I had once supposed, ‘in love’ with her to a comparatively humble position in memory; indeed, regarding the incident as dating from a time when any such feelings were, in my own eyes, hopelessly immature, in comparison, for example, with sentiments felt for Barbara. However, I now found, rather to my own surprise, deep vexation in the discovery that Jean was the wife of someone so unsympathetic as Bob Duport.
Such emotions, sudden bursts of sexual jealousy that pursue us through life, sometimes without the smallest justification that memory or affection might provide, are like wounds, unknown and quiescent, that suddenly break out to give pain, or at least irritation, at a later season of the year, or in an unfamiliar climate. The party, and the young man with the orchid, supplied perfect setting for an attack of that kind. I was about to return to the subject of Duport, with a view to relieving this sense of annoyance by further unfavourable comment regarding his personality (as it had appeared to me in the past) in the hope that my views would find ready agreement, when I became suddenly aware that Stringham and Mrs. Andriadis were together engaged in vehement argument just beside the place we sat.
‘But, sweetie,’ Mrs. Andriadis was saying, ‘you can’t possibly want to go to the Embassy now.’
‘But the odd thing is,’ said Stringham, speaking slowly and deliberately, ‘the odd thing is that is just what I do want to do. I want to go to the Embassy at once. Without further delay.’
‘But it will be closed.’
‘I am rather glad to hear that. I never really liked the Embassy. I shall go somewhere else.’
‘But you said it was just the Embassy you wanted to go to.’
‘I can’t think why. I really want to go somewhere quite different.’
‘You really are being too boring for words, Charles.’
‘I quite agree,’ said Stringham, suddenly changing his tone. ‘The fact is I am much too boring to stay at a party. That is exactly how I feel myself. Especially one of your parties, Milly—one of your charming, gay, exquisite, unrivalled parties. I cast a gloom over the merry scene. “Who is that corpse at the feast?” people ask, and the reply is “Poor old Stringham”.’
‘But you wouldn’t feel any better at the Embassy, darling, even if it were open.’
‘You are probably right. In fact, I should certainly feel no better at the Embassy. I should feel worse. That is why I am going somewhere much lower than that. Somewhere really frightful.’
‘You are being very silly.’
‘The Forty-Three would be too stuffy—in all senses—for my present mood.’
‘You can’t want to go to the Forty-Three.’
‘I repeat that I do not want to go to the Forty-Three. I am at the moment looking into my soul to examine the interesting question of where exactly I do want to go.’
‘Wherever it is, I shall come too.’
‘As you wish, Milly. As you wish. As a matter of fact I was turning over the possibilities of a visit to Mrs. Fitz.’
‘Charles, you are impossible.’
I suppose he had had a good deal to drink, though this was, in a way, beside the point, for I knew from past experience that he could be just as perverse in his behaviour when there had been no question of drinking. If he were a little drunk, apart from making a slight bow, he showed no physical sign of such a condition. Mrs. Andriadis, who was evidently determined to master the situation—and who still, in her own particular style, managed to remain rather dazzling, in spite of being obviously put out by this altercation—turned to one of the men-servants who happened to be passing at that moment, carrying a tray laden with glasses, and said: ‘Go and get my coat—and be quick about it.’
The man, an old fellow with a blotched face, who had perhaps taken the opportunity to sample the champagne himself more freely than had been wise, stared at her, and, setting down the tray, ambled slowly off. Stringham caught sight of us sitting near-by. He took a step towards me.
‘At least I can rely on you, Nick, as an old friend,’ he said, ‘to accompany me to a haunt of vice. Somewhere where the stains on the table-cloth make the flesh creep—some cellar far below the level of the street, where ageing harlots caper cheerlessly to the discordant strains of jazz.’
Mrs. Andriadis grasped at once that we had known each other for a long time, because she smiled with one of those looks of captivating and whole-hearted sincerity that must have contributed in no small degree to her adventurous career. I was conscious that heavy artillery was now ranged upon my position. At the same time she managed to present herself—as it were, stood before me—in her weakness, threatened by Stringham’s behaviour certainly aggravating enough, remarking softly: ‘Do tell him not to be such an ass.’
Stringham, too, perfectly took in the situation, evidently deciding immediately, and probably correctly, that if any kind of discussion were allowed to develop between the three of us, Mrs. Andriadis would, in some manner, bring him to heel. There had been, presumably, some collision of wills between them in the course of the evening; probably the consequence of mutual irritation extending over weeks, or even months. Perhaps he had deliberately intended to provoke a quarrel when he had arrived at the house that evening. The situation had rather the appea
rance of something of the sort. It was equally possible that he was suffering merely from the same kind of restlessness that had earlier afflicted Gypsy Jones. I did not know. In any case, though no business of mine, a break between them might be for the best. However, no time remained to weigh such question in the balance, because Stringham did not wait. He laughed loudly, and went off through the door. Mrs. Andriadis took my arm.
‘Will you persuade him to stay!’ she said, with that trace of Cockney which—as Barnby would have remarked—had once ‘come near to breaking a royal heart.’
At that moment the young man with the orchid, who had risen with dignity from the sofa where he had been silently contemplating the world, came towards us, breaking into the conversation with the words: ‘My dear Milly, I simply must tell you the story about Theodoric and the Prince of Wales . . .’
‘Another time, darling.’
Mrs. Andriadis gave him a slight push with her left hand, so that he collapsed quietly, and apparently quite happily, into an easy-chair. Almost simultaneously an enormous, purple-faced man with a decided air of authority about him, whose features were for some reason familiar to me, accompanied by a small woman, much younger than himself, came up, mumbling and faintly swaying, as he attempted to thank Mrs. Andriadis for entertaining them. She brushed him aside, clearly to his immense, rather intoxicated surprise, with the same ruthlessness she had shown to the young man with the orchid: at the same time saying to another servant, whom I took, this time, to be her own butler: ‘I told one of those bloody hired men to fetch my coat. Go and see where he’s got to.’
All these minor incidents inevitably caused delay, giving Stringham a start on the journey down the stairs, towards which we now set off, Mrs. Andriadis still grasping my arm, along which, from second to second, she convulsively altered the grip of her hand. As we reached the foot of the last flight together, the front door slammed. Three or four people were chatting, or putting on wraps, in the hall, in preparation to leave. The elderly lady with the black eye-brows and tiara was sitting on one of the crimson and gold high-backed chairs, beneath which I could see a pile of War Never Pays!: Mr. Deacon’s, or those forgotten by Gypsy Jones. She had removed her right shoe and was examining the heel intently, to observe if it were still intact. Mrs. Andriadis let go my arm, and ran swiftly towards the door, which she wrenched open violently, just in time to see a taxi drive away from the front of the house. She made use of an expletive that I had never before—in those distant days—heard a woman employ. The phrase left no doubt in the mind that she was extremely provoked. The door swung on its hinge. In silence Mrs. Andriadis watched it shut with a bang. It was hard to know what comment, if any, was required. At that moment the butler arrived with her coat.
‘Will you wear it, madam?’
‘Take the damned thing away,’ she said. ‘Are you and the rest of them a lot of bloody cripples? Do I have to wait half an hour every time I want to go out just because I haven’t a rag to put round me?’
The butler, accustomed no doubt to such reproaches as all in the day’s work—and possibly remunerated on a scale to allow a generous margin for hard words—seemed entirely undisturbed by these strictures on his own agility, and that of his fellows. He agreed at once that his temporary colleague ‘did not appear to have his wits about him at all’. In the second’s pause during which Mrs. Andriadis seemed to consider this statement, I prepared to say good-bye, partly from conviction that the occasion for doing so, once missed, might not easily recur; even more, because immediate farewell would be a convenient method of bringing to an end the distressing period of tension that had come into existence ever since Stringham’s departure, while Mrs. Andriadis contemplated her next move. However, before there was time, on my own part, to take any step in the direction of leave-taking, a loud noise from the stairs behind distracted my attention. Mrs. Andriadis, too, was brought by this sudden disturbance out of the state of suspended animation into which she appeared momentarily to have fallen.
The cause of the commotion now became manifest. Mr. Deacon and the singer, Max Pilgrim, followed by the negro, were descending the stairs rapidly, side by side, jerking down from step to step in the tumult of a frantic quarrel. At first I supposed, improbable as such a thing would be, that some kind of practical joke or ‘rag’ was taking place in which all three were engaged; but looking closer, it became plain that Mr. Deacon was angry with Pilgrim, while the negro was more or less a spectator, not greatly involved except by his obvious enjoyment of the row. The loose lock of Mr. Deacon’s hair had once more fallen across his forehead: his voice had taken on a deep and mordant note. Pilgrim was red in the face and sweating, though keeping his temper with difficulty, and attempting to steer the dispute, whatever its subject, into channels more facetious than polemical.
‘There are always leering eyes on the look-out,’ Mr. Deacon was saying. ‘Besides, your song puts a weapon in the hands of the puritans.’
‘I don’t expect there were many puritans present——’ began Pilgrim.
Mr. Deacon cut him short.
‘It is a matter of principle,’ he said. ‘If you have any.’
‘What do you know about my principles?’ said Pilgrim. ‘I don’t expect your own principles bear much examination when the lights are out.’
‘I can give you an assurance that you have no cause to worry about my principles,’ Mr. Deacon almost screamed. ‘Such a situation could never arise—I can assure you of that. This is not the first time, to my knowledge, that you have presumed on such a thing.’
This comment seemed to annoy Pilgrim a great deal, so that he now became scarcely less enraged than Mr. Deacon himself. His quavering voice rose in protest, while Mr. Deacon’s sank to a scathing growl: the most offensive tone I have ever heard him employ.
‘You person,’ he said.
Turning fiercely away from Pilgrim, he strode across the hall in the direction of the chair under which he had stored away War Never Pays! Together with his own copies, he gathered up those brought by Gypsy Jones—forgotten by her, as I had foreseen—and, tucking a sheaf under each arm, he made towards the front door. He ignored the figure of Mrs. Andriadis, of whose presence he was no doubt, in his rage, entirely unaware. The catch of the door must have jammed, for that, or some other cause, prevented the hinge from opening freely. Mr. Deacon’s first intention was evidently to hold all the papers, his own and those belonging to Gypsy Jones, under his left arm for the brief second during which he opened the door with his right hand to sweep for ever from the obnoxious presence of Max Pilgrim. However, the two combined packets of War Never Pays! made quite a considerable bundle, and he must have found himself compelled to bring his left hand also into play, while he hugged most of the copies of the publication—by then rather crumpled—by pressure from his left elbow against his side. The door swung open suddenly. Mr. Deacon was taken by surprise. All at once there was a sound as of the rending of silk, and the papers, like a waterfall—or sugar on Widmerpool’s head—began to tumble, one after another, to the ground from under Mr. Deacon’s arm. He made a violent effort to check their descent, contriving only to increase the area over which they were freely shed; an unexpected current of air blowing through the open door at that moment into the house helped to scatter sheets of War Never Pays! far and wide throughout the hall, even up to the threshold of the room beyond. There was a loud, stagey laugh from the stairs in the background. ‘Ha! Ha! Ha!’
It was the negro. He was grinning from ear to ear, now more like a nigger minstrel—a coon with bones and tambourine from some old-fashioned show on the pier at a seaside resort of the Victorian era—than his former dignified, well-groomed self. The sound of his wild, African laughter must have caused Mrs. Andriadis to emerge unequivocally from her coma. She turned on Mr. Deacon.
‘You awful old creature,’ she said, ‘get out of my house.’
He stared at her, and then burst into a fearful fit of coughing, clutching at his chest. My hat stood on a
table not far away. While Mrs. Andriadis was still turned from me, I took it up without further delay, and passed through the open door. Mr. Deacon had proved himself a graver responsibility than I, for one, by then felt myself prepared to sustain. They could, all of them, arrange matters between themselves without my help. It would, indeed, be better so. Whatever solution was, in fact, found to terminate the complexities of that moment, Mr. Deacon’s immediate expulsion from the house at the command of Mrs. Andriadis was not one of them; because, when I looked back—after proceeding nearly a hundred yards up the road—there was still no sign of his egress, violent or otherwise, from the house.
It was already quite light in the street, and although the air was fresh, almost breezy, after the atmosphere of the party, there was a hint, even at this early hour, of another sultry day on the way. Narrow streaks of blue were already beginning to appear across the flat surface of a livid sky. The dawn had a kind of heaviness, perhaps of thundery weather in the offing. No one was about, though the hum of an occasional car driving up Park Lane from time to time broke the silence for a few seconds, the sound, mournful as the huntsman’s horn echoing in the forest, dying away quickly in the distance. Early morning bears with it a sense of pressure, a kind of threat of what the day will bring forth. I felt unsettled and dissatisfied, though not in the least drunk. On the contrary, my brain seemed to be working all at once with quite unusual clarity. Indeed, I found myself almost deciding to sit down, as soon as I reached my room, and attempt to compose a series of essays on human life and character in the manner of, say, Montaigne, so icily etched in my mind at that moment appeared the actions and nature of those with whom that night I had been spending my time. However, second thoughts convinced me that any such efforts at composition would be inadvisable at such an hour. The first thing to do on reaching home would be to try and achieve some sleep. In the morning, literary matters might be reconsidered. I was conscious of having travelled a long way since the Walpole-Wilsons’ dinner-party. I was, in fact, very tired.
Dance to the Music of Time, Volume 1 Page 36