Besides, window-mounted units were noisy: the chug and hum of the compressor, the rattle of the fan. I heard none of that here.
As I stood, head cocked, listening, the house waited in silence. On consideration, I suddenly found this stillness to be unnatural.
My shoes should have teased noise from the cracked linoleum, from floorboards loosened by time, heat, and shrinking aridity. Yet when I moved, I had the stealth of a cat on pillows.
In retrospect, I realized that the drawers and the cupboard doors had opened and closed with only the softest whisper, as though constructed with frictionless slides and hinges.
When I moved toward the open doorway between the kitchen and the next room, the cold air seemed to thicken, further muffling the transmission of sound.
The sparsely furnished living room proved to be as dreary and as marked by disorder as the kitchen. Old battered paperbacks, no doubt purchased at a used-book store, and magazines littered the floor, the couch, the coffee table.
The magazines were what you might expect. Photos of nude women were featured between articles about extreme sports, fast cars, and pathetic seduction techniques, all surrounded by ads for virility herbs and for devices guaranteed to increase the size of the average man's favorite body part, by which I do not mean his brain.
My favorite body part is my heart because it is the only thing I have to give Stormy Llewellyn. Furthermore, the beat of it, when I wake each morning, is my first best evidence that I have not, during the night, joined the community of the stubbornly lingering dead.
The paperbacks surprised me. They were romance novels. Judging by the cover illustrations, these were of the more chaste variety, in which bosoms seldom heaved and bodices were not often lustily ripped open. They were stories less concerned with sex than with love, and they were a peculiar counterpoint to the magazines full of
women fondling their breasts, spreading their legs, and licking their lips lasciviously.
When I picked up one of the books and thumbed through it, the riffling pages made no noise.
By this point, I seemed to be able to hear no sounds except those that had an internal origin: the thud of my heart, the rush of blood in my ears.
I should have fled right then. The eerie muffling effect of the malign atmosphere in the house ought to have alarmed me.
Because my days are characterized as much by strange experiences as by the aroma of meat smoke and the sizzle of fat on the griddle, I don't alarm easily. Furthermore, I admit to a tendency, sometimes regrettable, to surrender always to my curiosity.
Riffling the soundless pages of the romance novel, I thought that perhaps Fungus Man did not live here alone. These books might have been the preferred reading material of his companion.
This possibility turned out not to be supported by the evidence in his bedroom. The closet contained only his clothes. The unmade bed, the scatter of yesterday's underwear and socks, and a half-eaten raisin Danish on a paper plate, on the nightstand, argued against the civilizing presence of a woman.
An air conditioner, mounted in the window, wasn't running. No breeze blew from its vents.
The faint foul smell first detected in the kitchen grew stronger here, reminiscent of the malodor of a shorting electrical cord, but not quite that, with a hint of ammonia and a trace of coal dust and a whiff of nutmeg, but not quite any of those things, either.
The short hallway that served the bedroom also led to the bath. The mirror needed to be cleaned. On the counter, the toothpaste tube had not been capped. A small wastebasket overflowed with used Kleenex and other trash.
Across the hall from Fungus Man's bedroom stood another door. I assumed it led either to a closet or to a second bedroom.
At that threshold, the air grew so chilled that I could see my breath, a pale plume.
Icy against my palm, the doorknob turned. Beyond lay a vortex of silence that sucked the last sound out of my ears, leaving me for the moment deaf even to the labor of my heart.
The black room waited.
TEN
DURING MY TWENTY YEARS, I HAVE BEEN IN MANY DARK places, some lacking light and others devoid of hope. In my experience, none had been darker than that strange room in the home of Fungus Man.
Either this chamber had no windows or all the windows had been boarded over and caulked against every prying blade of sunshine. No lamps glowed. In this profound gloom, had there been a digital clock with an LED readout, the faint radiance of its numerals would have seemed like a blazing beacon,
At the threshold, I squinted into such absolute blackness that I seemed to be peering not into a room at all but into dead space in a far region of the universe where the ancient stars were burnt-out cinders. The bone-brittling cold, deeper here than elsewhere in the house, and the oppressive silence argued as well that this was some bleak way station in the interstellar vacuum.
More peculiar than anything else: The hallway light failed to penetrate even a fraction of an inch into the realm beyond the door. The demarcation of light and utter lightlessness was as sharp as a painted
line at the inner edge of the threshold, up the jamb, and across the header. The perfect gloom did not merely resist the intrusion of light but foiled it entirely.
This seemed to be a wall of blackest obsidian, though obsidian that lacked polish and glimmer.
I am not fearless. Toss me in a cage with a hungry tiger, and if I should escape, I will need a bath and clean pants as surely as will the next guy.
My unique path through life has led me, however, to fear known threats but seldom the unknown, while most people fear both.
Fire scares me, yes, and earthquakes, and venomous snakes. People scare me more than anything, for I know too well the savagery of which humankind is capable.
To me, however, the most daunting mysteries of existence - death and what lies beyond - have no fright factor because I deal with the dead each day. Besides, I have faith that where I am ultimately going is not to mere oblivion.
In spooky movies, do you rail at the beleaguered characters to get the hell out of the haunted house, to get smart and leave? They poke into rooms with a history of bloody murder, into attics hung with cobwebs and shadows, into cellars acrawl with cockroaches and ca-codemons, and when they are chopped-stabbed-gutted-beheaded-burned with the flamboyance necessary to satisfy Hollywood's most psychotic directors, we gasp and shudder, and then we say, "Idiot," for by their stupidity they have earned their fate.
I'm not stupid, but I am one of those who will never flee the haunted place. The special gift of paranormal sight, with which I was born, impels me to explore, and I can no more resist the demands of my talent than a musical prodigy can resist the magnetic pull of a piano; I am no more deterred by the mortal risks than is a fighter pilot eager to take flight into war-torn skies.
This is part of the reason why Stormy occasionally wonders if my gift might be instead a curse.
On the brink of unblemished blackness, I raised my right hand as if I were taking an oath - and pressed my palm to the apparent barrier before me. Although this darkness could fend off light, it offered no resistance whatsoever to the pressure that I applied. My hand disappeared into the tarry gloom.
By "disappeared," I mean that I could perceive not even the vaguest impression of my wiggling fingers beyond the surface of this wall of blackness. My wrist ended as abruptly as that of an amputee.
I must admit that my heart raced, though I felt no pain, and that I exhaled with relief - and without sound - when I withdrew my hand and saw that all my digits were intact. I felt as though I had survived an illusion performed by those self-proclaimed bad boys of magic, Penn and Teller.
When I stepped across the threshold, however, holding fast to the door casing with one hand, I entered not an illusion but a real place that seemed more unreal than any dream. The blackness ahead remained uncannily pure; the cold was unrelenting; and the silence cloyed as effectively as congealed blood in the ears of a hea
d-shot dead man.
Although from the far side of the doorway I had been unable to discern one scintilla of this room, I could look out from within it and see the hallway in normal light, unobstructed. This view shed no more illumination into the room than would have a painting of a sunny landscape.
I half expected to find that Fungus Man had returned and that he was staring at the only part of me now visible from out there: my hooked fingers desperately clutching the casing. Fortunately, I was still alone.
Having discovered that I could see the exit to the hall and therefore could find my way out, I let go of the doorway. I eased entirely into this lightless chamber and, turning away from the sight of the hall, became at once as blind as I was deaf.
Without either sound or vision, I quickly grew disoriented. I felt for a light switch, found it, flicked it up and down and up again without effect.
I grew aware of a small red light that I was certain hadn't been there a moment earlier: the murderous red of a sullen and bloody eye, though it was not an eye.
My sense of spatial reality and my ability to gauge distance with accuracy abandoned me, for the tiny beacon seemed to be miles from my position, like the mast light of a ship far away on a night sea. This small house, of course, could not contain such a vastness as I imagined lay before me.
When I let go of the useless light switch, I felt as unnervingly buoyant as a hapless drunkard inflated by the fumes of alcohol. My feet seemed not quite to touch the floor as I determinedly approached the red light.
Wishing that I'd had a second scoop of coconut cherry chocolate chunk while I'd had the chance, I took six steps, ten, twenty. The beacon didn't increase in size and seemed in fact to recede from me at precisely the speed at which I approached it.
I stopped, turned, and peered back at the door. Although I had made no progress toward the light, I had traveled what appeared to be approximately forty feet.
Of more interest than the distance covered was the figure now silhouetted in the open door. Not Fungus Man. Backlit by the hallway light stood... me.
Although the mysteries of the universe do not greatly frighten me,
I've not lost my capacity for astonishment, amazement, and awe. Now, across the keyboard of my mind played arpeggios of those three sentiments.
Convinced that this wasn't a mirror effect and that I was in fact gazing at another me, I nevertheless tested my certainty by waving. The other Odd Thomas didn't return my wave, as a reflection would have done.
Because I stood submerged in this swampish blackness, he could not see me, and so I tried to shout to him. In my throat, I felt the quiver of strummed vocal chords, but if sound was produced, I could not hear it. Most likely he, too, was deaf to that cry.
As tentatively as I had done, this second Odd Thomas reached into the palpable dark with one questing hand, marveling as I had done at the illusion of amputation.
This timid intrusion seemed to disturb a delicate equilibrium, and abruptly the black room shifted like the pivot mountings of a gyroscope, while the red light at the center remained fixed. Flung by forces beyond my control, much as a surfer might be tossed from his board in the collapsing barrel of a mammoth wave, I was magically churned out of that weird chamber and -
- into the drab living room.
I found myself not tumbled in a heap, as I might have expected to be, but standing approximately where I had stood earlier. I picked up one of the paperback romance novels. As before, the pages made no noise, and I could hear only those sounds of internal origin, such as my heart beating.
Glancing at my wristwatch, I convinced myself that this was, indeed, earlier. I had not merely been magically transported from the black room to the living room but also had been cast a few minutes backward in time.
Since I had a moment ago seen myself peering into the blackness from the hall doorway, I could assume that by the grace of some anomaly in the laws of physics, two of me now existed simultaneously in this house. There were the me here with a Nora Roberts novel in my hands and the other me in some nearby room.
At the start, I warned you that I lead an unusual life.
A great deal of phenomenal experience has fostered in me a flexibility of the mind and imagination that some might call madness, This flexibility allowed me to adjust to these events and accept the reality of time travel more quickly than you would have done, which does not reflect badly on you, considering that you would have been wise enough to get the hell out of the house.
I didn't flee. Neither did I at once retrace my original route to Fungus Man's bedroom - with its scatter of underwear and socks, the half-eaten raisin Danish on the nightstand - or to his bathroom.
Instead, I put down the romance novel and stood quite still, carefully thinking through the possible ramifications of encountering the other Odd Thomas, responsibly calculating the safest and most rational course of action.
Okay, that's bullshit. I could worry about the ramifications, but I didn't have either enough phenomenal experience or the brainpower to imagine all of them, let alone to figure out the best way to extract myself from this bizarre situation.
I'm less skilled at extracting myself from trouble than I am at plunging into it.
At the living-room archway, I cautiously peeked into the hallway and spotted the other me standing at the open door of the black room. This must have been the earlier me that had not yet crossed that threshold.
If all sound had not by now been entirely suppressed within the house, I would have been able to call out to that other Odd Thomas.
I'm not sure that would have been prudent, and I'm grateful that the circumstances prevented me from hailing him.
If I had been able to speak to him, I'm not certain what I would have said. How's it hanging?
Were I to walk up to him and give him a narcissistic hug, the paradox of two Odd Thomases might at once be resolved. One of us might disappear. Or perhaps both of us would explode.
Big-browed physicists tell us that two objects cannot under any circumstances occupy the same place at the same time. They warn that any effort to put two objects in the same place at the same time will have catastrophic consequences.
When you think about it, a lot of fundamental physics is the solemn statement of the absurdly obvious. Any drunk who has tried to put his car where a lamppost stands is a self-educated physicist.
Assuming that two of me could not coexist without calamity, not charmed by the prospect of exploding, I remained in the archway, watching, until the other Odd Thomas stepped across the threshold into the black room.
You no doubt suppose that upon his departure the time paradox had been resolved and that the crisis described by those doomsaying scientists was at an end, but your optimism is a result of the fact that you are happy in your world of the five standard senses. You are not, as I am, compelled to action by a paranormal talent that you do not understand and cannot fully control.
Lucky you.
As soon as that Odd Thomas stepped for the first time across the threshold into the lightless chamber, I walked directly to the door that he'd left open behind him. I could not see him, of course, out there in the mysteries of the black room, but I assumed that soon he would turn, look back, and see me - an event that in my experience had already come to pass.
When I judged that he'd spotted the sullen red light and had progressed about twenty paces toward it, when he'd had time to look back and see me standing here, I checked my wristwatch to establish the beginning of this episode, reached into the blackness with my right hand, just to be sure nothing felt different about that strange realm, and then I crossed the threshold once more.
ELEVEN
MY GREATEST CONCERN, ASIDE FROM EXPLODING AND aside from being late for dinner with Stormy, was that I might find myself caught in a time loop, doomed to follow myself repeatedly through Fungus Man's house and through the door into the black room, over and over for all of eternity
&nbs
p; I'm not sure that such a thing as a time loop is possible. The average physicist might laugh smugly at my concern and charge me with ignorance. This was my crisis, however, and I felt free to speculate without restraint.
Rest assured that no time loop became established: The remainder of my story will not consist of endless repetitions of the events immediately heretofore described - although there are reasons that I wish it did.
Less hesitant on my second visit to the black room, I strode more boldly yet with that same queasy-making buoyancy, toward the crimson beacon at the center of the chamber. This mysterious lamp seemed to shed a more ominous light than it had previously, though as before it did not relieve the gloom.
Twice I glanced back toward the open door to the hallway but didn't see myself on either occasion. Nevertheless, I experienced that sudden gyroscopic spin, as before, and I was again churned out of that strange chamber -
- this time into the hot July afternoon, where I found myself walking out of the shadows under the carport, into sunshine that stabbed like fistfuls of golden needles at my eyes.
I halted, squinted against the glare, and retreated to the gloom.
The profound silence that reigned in the house did not extend beyond those walls. A dog barked lazily in the distance. An old Pontiac with a knocking engine and a squealing fen belt passed in the street.
Certain that I had spent no more than a minute in the black room, I consulted my wristwatch again. Apparently I had been not only cast out of the house but also five or six minutes into the future.
Out in the half-burnt yard and in the bristling weeds along the chain-link fence between this property and the next, cicadas buzzed, buzzed, as though the sunlit portion of the world were plagued by myriad short circuits.
Many questions arose in my mind. None of them concerned either the benefits of a career in tires or the financial strategy by which a twenty-year-old short-order cook might best begin to prepare for his retirement at sixty-five.
Koontz, Dean- (2003) - Odd Thomas Page 7