Butterfly's Way: Voices From the Haitian Dyaspora in the United States

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Butterfly's Way: Voices From the Haitian Dyaspora in the United States Page 22

by Edwidge Danticat


  Marie-Helene Laforest currently makes her home in Italy, where she teaches postcolonial literatures at the Instituto Universitario Orientale, Naples.

  Francie Latour is a journalist, currently working at The Boston Globe.

  Danielle Legros Georges is a writer living in Boston. Her work has been anthologized in The Beacon Best of 1999.

  Miriam Neptune, age twenty-three, was born in the United States and raised in Los Angeles. She has taken an active interest in Haiti/ U.S. relations since the start of the 1991 coup, and hopes to produce documentary work on this subject. She is now a graduate student in New York University's Media and Culture program.

  Nikol Payen received her B.A. in journalism from SUNY New Paltz and her MFA in creative nonfiction from Sarah Lawrence College. She was an assistant editor at Essence Magazine, where her writing has been featured. Other publications where her work has appeared include The Daily News Caribbeat, The Crab Orchard Review, Third World Viewpoint, New World, and a host of newsletters. Currently she is a professor of public speaking at Kingsborough Community College and is working on her forthcoming book, Something in the Water.

  Marilene Phipps is a painter and poet. Author of Crossroads and Unholy Water, a collection of poetry published by Southern Illinois University Press, she is the winner of The Crab Orchard Review Poetry Prize and the Grolier Poetry Prize. She has won fellowships from the Guggenheim Foundation, Harvard's Bunting Institute, and the Harvard Center for the Study of World Religions. Her paintings have been exhibited in gallery and museum shows in Haiti, the United States, and throughout the world.

  Garry Pierre-Pierre is the publisher and founder of The Haitian Times. He has worked as a reporter for The New York Times and The Sun Sentinel.

  Marie Nadine Pierre is currently living in Miami, Florida. She is a doctoral candidate in the Comparative Sociology Department at Florida International University. Her dissertation will examine issues of body, foods, and dress for Haitian women in the Miami area.

  Assotto Saint, (ne Yves Lubin) was born in Haiti in 1957. He moved to New York in 1970 and was a performer with the Martha Graham Dance Company for many years. His nom de guerre, Assotto Saint, is derived from the combination of the name of a Vodou drum and that of Haitian Independence leader Toussaint Louverture, one of his heroes. An AIDS activist, he died in 1994, when he was thirty-seven years old.

  Barbara Sanon is a Haitian-American filmmaker living in New York City.

  Patrick Sylvain was born in Port-au-Prince Haiti and immigrated to the United States in 1981. He works as a bilingual education teacher in Massachusetts. His work has appeared in several literary magazines, including Callaloo, The Caribbean Writer, Compost, Agni, and Ploughshares as well as in the anthology The Beacon Best of 1999. He is the author of several books of poetry in Haitian Kreyol, including Mazakwa, Zanzet, and Twoket Lavi.

  Marie Ketsia Theodore-Pharel, born in Haiti, currently lives in Jupiter, Florida, with her infant daughter and husband and teaches at West Palm Beach Community College. I'll Fly Away, her first picture book, was published in 1999 by Educavision Publishing Company. Her short stories have been published in magazines. "The Mango Tree" appeared in Compost magazine in 1994; "Soup Joumou: Diary of a Mad Woman," in 1996; and "Light Chocolate Child," in African Homefront in 1995.

  Michel-Rolph Trouillot is the author of Peasants and Capital: Dominion in the World Economy and Haiti, State Against Nation: The Origins and Legacy of Duvalierism. "Looking for Columbus" is the epilogue from his book Silencing the Past: Power and the Production of History, published by Beacon Press in 1996.

  Gina Ulysse was born in Haiti in 1966. When she was twelve, her family migrated to the East Coast of the United States. In 1991, she earned a B.A. in English and Anthropology at Upsala College in New Jersey. She received her Ph.D. in Anthropology from the University of Michigan in 1999. She is currently assistant professor of African-American Studies at Bates College in Lewiston, Maine, as well as a committed social activist and spoken-word artist.

  Katia Ulysse lives in Washington, D.C. "Mashe Petyon" is part of a book manuscript inspired by her collection of Haitian art.

  Babette Wainwright is a licensed psychotherapist and a painter. She has lived in Madison, Wisconsin, since 1985.

  GLOSSARY

  Aba Ouvalier Down with Duvalier!

  akra malanga fritter (malanga: edible root)

  andeyo/peyi andeyo the Haitian provinces, the countryside, home of the Haitian peasantry

  bal dance party

  bannann peze sliced and pressed fried plantains

  blan white person, but also used to refer to foreigners in general

  bonnanj soul, basic life source

  Bouki/Malis opposite characters in Haitian folktales-(Bouki the fool and Malis the shrewd)

  Bwa chech dry wood, also used as a reply in riddles to the interjection (Tim, tim!)

  boulet meatballs

  diri kole rice and beans cooked together

  djondjon black mushrooms primarily used in a rice dish

  dous sweet confection, often with the consistency of fudge

  egare lost, dumb, confused

  granme grandmother

  griyo fried pork

  gwayabel light embroidered shirt worn primarily by men

  kremas a sweet coconut and milk-based liqueur

  kenep Spanish limes

  ki jan ou ye? how are you?

  kivet washbasin

  kolon colonist

  konpe friend, pal, also godfather of someone's child

  konpa variety of modern popular dance music

  kouzen cousin

  I ap mode ou It will bite you

  lavil the city, downtown

  leve mo raising the dead

  lougawou woman who is human by day and vampire by night

  lwa spirit of the Vodou religion

  madansara tradeswoman, vendor, merchant

  manman mother

  mapou large tree with magic powers according to popular belief

  marenn godmother .

  marasa twins, also Vodou spirit

  matant aunt

  matinet a whip constructed with a piece of wood at the end of which are attached thin leather strips

  mayi moulen cornmeal dish

  mesye sara a male variation of madansara. Not very commonly used, but used here to indicate that some males now do participate in the intricate trade and travel network of local and international madansaras

  mesi thank you

  mizik rasin modern music influenced by Vodou and ram

  monnonk uncle

  moun person, human being

  m pa pi mal I am fine, literally "not doing so bad"

  mwen menm I, as for myself, as far as I am concerned

  parenn godfather

  pen patat sweet potato-based desert

  peristil place of worship in Vodou

  pikliz a hot relish often made with hot peppers, chopped cabbage, vegetables and vinegar

  pwa beans

  rara an informal musical band parading

  restavek unpaid child servant often treated as the slaves were in colonial time

  san manman motherless, used pejoratively to insult someone displaying bad behavior

  tchaka dish of cornmeal with beans and meat

  ti little, often used before someone's name to form a nickname

  Tim, tim! interjection used before posing a riddle

  vagabon rascal, shameless person

  vaksin musical instrument made out of bamboo reed

  veve ritual design traced on ground of Vodou worship places to invoke a specific spirit

  Yanvalou dance or Vodou rhythm

  French Words

  certificat state exam at the end of elementary school

  gourde Haitian currency

  G riots storytellers in West Africa

  gendarme policeman, a member of the Haitian Army until 1995

  erfly's Way: Voices From the Haitian Dyaspora in the United States

 

 

 


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