“So you wouldn’t have passed Brewer’s house to get home?” When he shook his head, Simon gave a dismissive gesture. “Fine, that’s all I wanted to know. You may go -for now.”
They watched him leave, slouching away to the lane and up the road toward his house, then, “Well?” said Baldwin enquiringly.
“I have no idea. They all seem so damn scared. It’s probably no more than the fact that we’re not villeins like them. We terrify them. I wouldn’t be surprised if the only way to get the truth out of most of them would be to put them on the rack!”
‘Don’t! Baldwin’s short, anguished cry made Simon stop in horror, shocked at his friend’s pained expression. Seeing the concern and anxiety in Simon’s eyes, the knight reached towards him, an arm falteringly held out as if in supplication - or was it to hold him at bay? The bailiff took the proffered hand, fleetingly feeling the agonised, convulsive strength in the knight’s grip. After a moment, the knight’s fingers relaxed, but Simon was shocked at the way that the misery and depression remained in the dark eyes.
To Black it seemed as if the world had stopped with that single, agonised, cry. He felt, rather than saw, Edgar move forward a little, then stop as if undecided, his hand on his dagger hilt, his gaze fixed on the two men in front. Clearly he was in two minds, the hunter could see that. It was as though he wanted to leap forward to defend the knight, but was held back by the fact that he knew there was no real danger near. Black looked from the knight to the bailiff, and then quickly back to the servant, and relaxed as he saw the servant’s hand drop from his hilt. Licking his now dry lips, Black let his own hand fall from his skinning knife. He liked the bailiff and was not going to see him killed without defending him.
Baldwin was breathing quickly, not from exertion but in an attempt to regain his composure, as he held Simon’s hand. “My friend,” he murmured, “don’t think that the rack or other tortures would help. I have seen them, and the effect of them. They do not work; all they do is destroy a man. They cannot force him to tell the truth, but they can force him to tell a lie, just to stop the pain. They do not help us to find the truth, all tortures can achieve is the breaking of a man so that he is destroyed, ruined.” His eyes held Simon’s for a moment, as firmly as his hand had grasped the bailiff’s, and the fear and disgust was there again, together with… what? Pleading? Was this knight begging for him to understand, or was he asking for forgiveness? Simon felt nervous, unsure of how to react, concerned that he might upset his friend even further, but certain that Baldwin needed reassurance.
“Baldwin, we’ll not use any torture in this matter,” he said, and that seemed to be enough.
The knight slowly took a short pace backwards, as if he was unwilling to lose contact with the bailiff, his eyes fixed on Simon’s face. There was no denying it, the knight knew he was still too badly affected by his experiences in France. To have erupted like that! When it was obvious that Simon was only joking, too. It was ridiculous.
Turning, he began to lead the way back to the inn, but as Simon followed, his eyes were fixed on the knight’s back with a pensive glower. What had made him react like that? It was almost as if he himself was a criminal, the bailiff thought to himself.
Chapter Seven
They left Black at the inn after questioning him, standing grave and silent as he watched them leave, whipping their horses and making their way back to Crediton. He could not help them much beyond the statement he had already given. Returning home late he had seen the flames and raised the alarm. There had been no one around then, at least no one he had seen.
Simon was apprehensive, worrying about his new friend. He watched Baldwin covertly as they rode, aware of the unblinking gaze of Edgar, as if anxious that the bailiff might attack his master, that he might add to the damage that he had already done, however unwittingly, by mentioning the rack.
Riding stiffly, his mind obviously on other matters, with his eyes fixed on the road ahead, Baldwin seemed far away, so far that Simon felt instinctively that even if he were to call out his name he would not hear. He was back in his past, his expression fixed and hard, his hand a tight fist where he grasped the reins, and the muscles of his jaw clenching fitfully.
The bailiff let his eyes drop to the neck of his horse. No doubt when he was ready the knight would tell him about this horror, this evil memory. Until then he would have to wait and hope that the vividness of the apparent nightmare would fade. Then, glancing up, he saw that the knight had lost his haunted expression, had recovered some of his previous good humour.
The knight’s eyes met and held his for a minute, and the two stared at each other, until the knight grinned, said, “Come on, we’ll be all night at this rate,” slapped his horse, and the three cantered off towards Crediton.
Simon had left the other two just before Crediton. The road forked as it came into Crediton from Blackway, one arm leading east, to Exeter and thence to Tiverton, passing Furnshill on the way, the other leading to Crediton and north to Sandford. It was here that the three parted, Simon going on alone to the left.
The route took him into the centre of Crediton, and he had to turn off by the ancient church. Passing it in the street, he wondered whether to stop and beg a drink from Peter Clifford, but even as he passed the open doors, he heard the voices singing in praise and realised that the rector would be too involved to talk, so he carried on past. Carefully avoiding the open sewer, and wincing at the fetid stench, he went along the narrow lane that bordered the old graveyard, past the cottages where the church workers lived, and so up to the hill that led out of the town.
In daylight he always found this road slow, relaxed and pleasant. It curved gently up the hill, winding like an old stream, with a wall on one side that protected the church estates. On the other side the road gave directly on to fields, a sweep of narrow strips that led to the forests on the hill above. It was a rural scene of tranquillity, a pastoral picture, in green where the grass and crops grew, and in red where the dark earth had been ploughed, that never failed to please him. When he was upset or peevish, a ride along this road would inevitably calm him. It was the sight of how man could change nature, bend it to his will and manipulate it to provide him with his food and protection. He felt the same whether he was looking at the strips of the fields or the coppices. Both seemed to him to be proof of the mastery of mankind over the anarchy of wild nature.
But now, as he crested the peak of the hill and followed the lane down into the valley on the other side, the road seemed to change. Now, as darkness came on, he was into the other part, and like the scenery, his feelings changed too. Here the wild had never been pushed out. Here the woodcutters had not wanted to go, it was too far from the town. The farmers would not clear the trees here, the fields would be too far to bring seed to. Animals would be kept nearer the town where they could be seen and protected.
No, here the land was still wild and untamed, here nature still ruled and men walked cautiously. The dark and threatening woods crowded closer at either side of the road, as if struggling to reach the humans that travelled along it so that they could squeeze the life from them. The brambles sprawled from the edge of the trees in an attempt to colonise the packed dirt of the lane, catching and ripping at the clothes of any passer-by unwary enough to walk too close. In between the trees, he could sometimes hear the tick and crack of the wood settling, but to his fearful ears, raised from the cradle to be scared of the various spirits that haunted the moors and hills of Devon, they sounded like the voices of the unspeakable, ghostly horrors as they hunted for humans. In the dark, this road reminded him of the most fearsome of all: Old Nick and Old Crockern.
These two characters were well known in Devon, their fame was boundless in the countryside, and Simon found himself unwillingly considering each with a degree of trepidation he had not felt for many years. After the death of old Brewer - he still found it hard to believe that it was a murder; easier by far to consider it one of those sad but all too common accident
s, a stray spark in the thatch, and, by all accounts, a man too drunk to wake - the stories and legends seemed to crowd in on him as he wound his lonely trail home.
Old Nick was the devil himself. The tales told of him riding a horse, a headless horse, all over the moors and beyond in his search for souls. At his side was a pack of hounds, evil, wild eyed creatures whose baying showed that they had the scent of a human spirit ready for taking. The wild hunt was reputed to be a regular event, not requiring fogs or mists to cover its cruelty as the horde swept after its quarry.
The other was a more understandable spirit, if just as unpleasant to meet. Old Crockern was the ancient soul of the moors. He was everywhere, but on occasion would make himself appear to those who threatened his lands, and would destroy them. It was true that he would normally use simple methods, like bankrupting a farmer who decided to take more of the moors than he needed, by ensuring that he could grow nothing on the ground he stole, but if Old Crockern found someone intentionally affecting the life and security of the moors, it was rumoured that he would come and take the perpetrator away, to a hell more evil than ever Satan could devise.
As Simon passed by, the lanes were darkening. The sunset had been a warm, orange glow on the horizon, promising another dry and clear day ahead, and he had been momentarily pleased to reflect on the fact before his mind drifted back to consider the ancient superstitions. It was not that he was overly credulous himself, but the lanes leading up to Sandford were narrow and lined with dark ranks of trees, standing silent like accusing monsters from a far-distant past. The great twisted, primeval boughs loomed grey and foreboding on either side, reaching upwards into the swiftly gathering darkness as if trying to block off the light, as if trying to strangle any remaining glimmer before it could reach the road. Simon could almost fancy, as he rode along, that the branches were attempting to touch over the road, and that when they did their gnarled and tortured limbs would drop, plummet down, to smother any passer-by…
He shook himself vigorously. A mist swept silently, malevolently, across the road in front of him, and he shivered. “God’s teeth!” he thought. “How old am I?” And he spurred his horse faster.
But he still looked over his shoulder occasionally.
By the time he arrived home the dark had settled heavily over the land like a grey velvet carpet, and his fears retreated at the sight of the orange glow from the windows of his house. Taking his horse round to the stables, he gave it a quick rub down and settled it for the night before going in.
It had been costly, but he was pleased that he had paid, as Margaret had suggested, for the wood-panelled passageway. It cut the hall off from the kitchen area, the buttery and servants’ quarters, and stopped some of the more vicious drafts from the front door that had whistled around the hall and disturbed the rushes.
At the other end of the hall was his solar, the family room, blocked off from the hall itself by the huge curtains. He had intended, when he had been able to afford it, to have that panelled off too. His lip curled into a self-mocking sneer. Too late for that now. There would be little point in spending money on the place with the move to Lydford coming up.
His wife was sitting in the hall with Edith, both on the large bench in front of the fire. His daughter seemed to be asleep, lying down in her light dress, her head resting on her mother’s lap. Margaret was sitting and stabbing at a tapestry with quick, vicious thrusts, looking as if she was trying to kill the cloth.
Simon stared at her. She did not look up, but said, as if through gritted teeth, “There’s stew for you in the pot,” without looking up from her needlework.
He quietly stepped over to the fire in the middle of the room. The stew sat in its small cauldron, hanging from the steel tripod, and he could see that it had been ready for some time - the meat had all but collapsed in the liquid.
“Hugh!” he shouted, and when the servant rushed in, told him to fetch a bowl and spoon. When he had his earthenware bowl filled, he sat beside his wife and began shovelling the stew. “AH right, so tell me what’s wrong.”
She threw down the cloth and glared at him, her fury mixed with despair at his lack of understanding. “What’s wrong? You were supposed to be here all day and instead you’ve been out! You promised Edith you’d spend the day with her, how do you expect me to explain when you disappear?” Feeling Edith squirm, the prelude to waking, she broke off and gentled her daughter, picking her up and carrying her out to the solar. But soon she was back, and speaking low, her voice a sibilant hiss, she said, “Why couldn’t you have sent one of the others - the constable, Tanner, or just left it to a priest? Why did you have to go there and see to a fire yourself?”
She glowered at him, feeling the injustice of it. Margaret was no shrew, no nagging vixen, but she needed him to understand. Of course, she knew full well that now, especially now he was bailiff, he had responsibilities that he must meet. But she too had important jobs to perform, not least of which was managing the household, and when their daughter was expecting her father to spend the day with her, she could be very fractious and difficult. She had been today.
Margaret had counted on being able to reorganise the buttery and prepare for their next brew of cider, but every time she had tried to have a word with Hugh she had found Edith nearby and wanting attention. Every time she had gone out into the kitchen Edith had followed and asked her to join in a game or simply kept asking questions until Margaret had lost her temper and told her to play outside and leave her alone.
It was then that her diminutive and tyrannical daughter had told her that her father would never say that to her and that she hated her.
Margaret had been shocked and deeply hurt - for all that she knew it to be untrue, that it was just a sudden flaring of temper that would soon be forgotten, and that she, the mother, would be expected to forget it too. But she could not. And it had made her resentful that Simon had been able to spend his day, yet again, out of the house and involved in uninterrupted work. Why was it considered right that the father should be free from his encumbrances when the wife, with as much work to do, was not?
So, after being able to leave her anger and annoyance to establish themselves and develop for the afternoon, she felt justified in lashing out at him on his return. But as she glowered at him, her anger undiminished by the absence of the cause of her afternoon’s disturbance, he started to grin, and she soon found herself torn between fury that he could still have this effect on her and pleasure at his happiness.
“Why don’t you come here and tell me what’s the matter?” he said, motioning to the bench seat beside him.
So she did. She wandered over to him, sat, and told him of her day. As she knew it would, the telling made her feel better - calmer and more at peace. “But what were you doing? Why were you so long? It was only a house fire, wasn’t it?”
As soon as she said it she felt him stiffen, and, sitting upright, she rested her hands in her lap and concentrated on him as she listened. “Tell me about it.”
And he did. He started to tell her all about the body they had found in the house, the charred and unrecognisable figure of old Brewer, who had died so alone that no one even knew where his son was, or if he was alive. His face calm, yet distant, she watched him and listened as he told of Baldwin, the new knight, and how he had taken a different view of the fire. She frowned in concentration as he told of the men who had been there, of the Carters and Roger Ulton, who seemed to know nothing, and of Cenred, whom he hoped to question soon. At first she listened in disbelief, but then with a feeling of growing concern, as if in simply being told of Baldwin’s suspicions, she could be similarly persuaded that a crime had been committed.
“So do you think it was murder?” she asked at last.
“I don’t know what to think. It could have been, like Baldwin says, but I really don’t know. It seems so unlikely. I could understand it happening in a city like Exeter, but in a quiet hamlet like Blackway? It just doesn’t seem possible.”
While he gazed thoughtfully into the fire, she asked, “What if Cenred says he knows nothing as well? What will you do then?”
“I don’t know. I think Baldwin will want to speak to the whole village - question everyone there and try to find out that way. The trouble is, there’s no proof that there has been a crime! How can we expect people to accuse someone when there’s nothing to show that there’s been a crime?” He stopped and frowned at the flames as if he could divine the answer there.
“So what are you going to do tomorrow?” she asked.
“Oh, I’ll have to go back there and see if I can make any sense of it. I’ll have to speak to Cenred, at the very least, and then maybe to the others again. Baldwin will meet me there, he said, and I suppose we’ll know what to do afterwards.”
Jane Black cuddled closer to her husband in their bed, trying to help him calm with the warmth and promise of her body, but it did not seem to help. It was the same when he had lost his favourite dog, Ulfrith the mastiff, to a wolf two years before. Then too he had lain in bed until late, not moving, hardly breathing, but not sleeping either, as she knew all too well.
It was obvious from the rigid set of his body, from the tautness that was as far removed from rest as she could imagine, and she was desperate to help him, but how?
The Last Templar Page 10