Let us suppose that two men agree that each shall construct apart from the other a phonetic alphabet of sixteen letters; that they shall employ only simple forms—combinations of straight or curved lines—and that their signs shall not in anywise resemble the letters now in use. They go to work apart; they have a multitudinous array of forms to draw from the thousand possible combinations of lines, angles, circles, and curves; when they have finished, they bring their alphabets together for comparison. Under such circumstances it is possible that out of the sixteen signs one sign might appear in both alphabets; there is one chance in one hundred that such might be the case; but there is not one chance in five hundred that this sign should in both cases represent the same sound. It is barely possible that two men working thus apart should bit upon two or three identical forms, but altogether impossible that these forms should have the same significance; and by no stretch of the imagination can it be supposed that in these alphabets so created, without correspondence, thirteen out of sixteen signs should be the same in form and the same in meaning.
It is probable that a full study of the Central American monuments may throw stronger light upon the connection between the Maya and the European alphabets, and that further discoveries of inscriptions in Europe may approximate the alphabets of the New and Old World still more closely by supplying intermediate forms.
We find in the American hieroglyphs peculiar signs which take the place of pictures, and which probably, like the hieratic symbols mingled with the hieroglyphics of Egypt, represent alphabetical sounds. For instance, we find this sign on the walls of the palace of Palenque, ### ; this is not unlike the form of the Phoenician t used in writing, ### and ### ; we find also upon these monuments the letter o represented by a small circle, and entering into many of the hieroglyphs; we also find the tau sign (thus ### ) often repeated; also the sign which we have supposed to represent b, ### ; also this sign, ### , which we think is the simplification of the letter k; also this sign, which we suppose to represent e, ### ; also this figure, ### ; and this ### . There is an evident tendency to reduce the complex figures to simple signs whenever the writers proceed to form words.
Although it has so far been found difficult, if not impossible, to translate the compound words formed from the Maya alphabet, yet we can go far enough to see that they used the system of simpler sounds for the whole hieroglyph to which we have referred.
Bishop Landa gives us, in addition to the alphabet, the signs which represent the days and months, and which are evidently compounds of the Maya letters. For instance, we have this figure as the representative of the month Mol ### . Here we see very plainly the letter ### for m, the sign ### for o; and we will possibly find the sign for l in the right angle to the right of the m sign, and which is derived from the figure in the second sign for l in the Maya alphabet.
One of the most ancient races of Central America is the Chiapenec, a branch of the Mayas. They claim to be the first settlers of the country.
They came, their legends tell us, from the East, from beyond the sea.
And even after the lapse of so many thousand years most remarkable resemblances have been found to exist between the Chiapenec language and the Hebrew, the living representative of the Phoenician tongue.
The Mexican scholar, Senor Melgar (“North Americans of Antiquity,” p.
475) gives the following list of words taken from the Chiapenec and the Hebrew:
------------+-----------+ | English. | Chiapenec. | Hebrew. |
------------+-----------+ | Son | Been | Ben. |
------------+-----------+ | Daughter | Batz | Bath. |
------------+-----------+ | Father | Abagh | Abba. |
------------+-----------+ | Star in Zodiac | Chimax | Chimah. |
------------+-----------+ | King | Molo | Maloc. |
------------+-----------+ | Name applied to Adam | Abagh | Abah. |
------------+-----------+ | Afflicted | Chanam | Chanan. |
------------+-----------+ | God | Elab | Elab. |
------------+-----------+ | September | Tsiquin | Tischiri. |
------------+-----------+ | More | Chic | Chi. |
------------+-----------+ | Rich | Chabin | Chabic. |
------------+-----------+ | Son of Seth | Enot | Enos. |
------------+-----------+ | To give | Votan | Votan. |
------------+-----------+
Thus, while we find such extraordinary resemblances between the Maya alphabet and the Phoenician alphabet, we find equally surprising coincidences between the Chiapenec tongue, a branch of the Mayas, and the Hebrew, a branch of the Phoenician.
Attempts have been repeatedly made by European scholars to trace the letters of the Phoenician alphabet back to the elaborate hieroglyphics from which all authorities agree they must have been developed, but all such attempts have been failures. But here, in the Maya alphabet, we are not only able to extract from the heart of the hieroglyphic the typical sign for the sound, but we are able to go a step farther, and, by means of the inscriptions upon the monuments of Copan and Palenque, deduce the alphabetical hieroglyph itself from an older and more ornate figure; we thus not Only discover the relationship of the European alphabet to the American, but we trace its descent in the very mode in which reason tells us it must have been developed. All this proves that the similarities in question did not come from Phoenicians having accidentally visited the shores of America, but that we have before us the origin, the source, the very matrix in which the Phoenician alphabet was formed. In the light of such a discovery the inscriptions upon the monuments of Central America assume incalculable importance; they take us back to a civilization far anterior to the oldest known in Europe; they represent the language of antediluvian times.
It may be said that it is improbable that the use of an alphabet could have ascended to antediluvian times, or to that prehistoric age when intercourse existed between ancient Europe and America; but it must be remembered that if the Flood legends of Europe and Asia are worth anything they prove that the art of writing existed at the date of the Deluge, and that records of antediluvian learning were preserved by those who escaped the Flood; while Plato tells us that the people of Atlantis engraved their laws upon columns of bronze and plates of gold.
There was a general belief among the ancient nations that the art of writing was known to the antediluvians. The Druids believed in books more ancient than the Flood. They styled them “the books of Pheryllt,”
and “the writings of Pridian or Hu.” “Ceridwen consults them before she prepares the mysterious caldron which shadows out the awful catastrophe of the Deluge.” (Faber’s “Pagan Idolatry,” vol. ii., pp. 150, 151.) In the first Avatar of Vishnu we are told that “the divine ordinances were stolen by the demon Haya-Griva. Vishnu became a fish; and after the Deluge, when the waters had subsided, he recovered the holy books from the bottom of the ocean.” Berosus, speaking of the time before the Deluge, says: “Oannes wrote concerning the generations of mankind and their civil polity.” The Hebrew commentators on Genesis say, “Our rabbins assert that Adam, our father of blessed memory, composed a book of precepts, which were delivered to him by God in Paradise.” (Smith’s “Sacred Annals,” p. 49.) That is to say, the Hebrews preserved a tradition that the Ad-ami, the people of Ad, or Adlantis, possessed, while yet dwelling in Paradise, the art of writing. It has been suggested that without the use of letters it would have been impossible to preserve the many details as to dates, ages, and measurements, as of the ark, handed down to us in Genesis. Josephus, quoting Jewish traditions, says, “The births and deaths of illustrious men, between Adam and Noah, were noted down at the time with great accuracy.” (Ant., lib. 1, cap. iii., see. 3.) Suidas, a Greek lexicographer of the eleventh century, expresses tradition when he says, “Adam was the author of arts and letters.” The Egyptians said that their god Anubis was an antediluvian, and it “wrote annals before the Flood.” The Chinese have traditions that the earliest race of their nation, prior to history, �
�taught all the arts of life and wrote books.” “The Goths always had the use of letters;” and Le Grand affirms that before or soon after the Flood “there were found the acts of great men engraved in letters on large stones.” (Fosbroke’s “Encyclopaedia of Antiquity,” vol. i., p.
355.) Pliny says, “Letters were always in use.” Strabo says, “The inhabitants of Spain possessed records written before the Deluge.”
(Jackson’s “Chronicles of Antiquity,” vol. iii., p. 85.) Mitford (“History of Greece,” vol. i, p. 121) says, “Nothing appears to us so probable as that it (the alphabet) was derived from the antediluvian world.”
CHAPTER VIII.
THE BRONZE AGE IN EUROPE.
There exist in Europe the evidences of three different ages of human development:
1. The Stone Age, which dates back to a vast antiquity. It is subdivided into two periods: an age of rough stone implements; and a later age, when these implements were ground smooth and made in improved forms.
2. The Bronze Age, when the great mass of implements were manufactured of a compound metal, consisting of about nine parts of copper and one part of tin.
3. An age when iron superseded bronze for weapons and cutting tools, although bronze still remained in use for ornaments. This age continued down to what we call the Historical Period, and embraces our present civilization; its more ancient remains are mixed with coins of the Gauls, Greeks, and Romans.
The Bronze Period has been one of the perplexing problems of European scientists. Articles of bronze are found over nearly all that continent, but in especial abundance in Ireland and Scandinavia. They indicate very considerable refinement and civilization upon the part of the people who made them; and a wide diversity of opinion has prevailed as to who that people were and where they dwelt.
In the first place, it was observed that the age of bronze (a compound of copper and tin) must, in the natural order of things, have been preceded by an age when copper and tin were used separately, before the ancient metallurgists had discovered the art of combining them, and yet in Europe the remains of no such age have been found. Sir John Lubbock says (“Prehistoric Times,” p. 59), “The absence of implements made either of copper or tin seems to me to indicate that the art of making bronze was introduced into, not invented in, Europe.” The absence of articles of copper is especially marked, nearly all the European specimens of copper implements have been found in Ireland; and yet out of twelve hundred and eighty-three articles of the Bronze Age, in the great museum at Dublin, only thirty celts and one sword-blade are said to be made of pure copper; and even as to some of these there seems to be a question.
Where on the face of the earth are we to find a Copper Age? Is it in the barbaric depths of that Asia out of whose uncivilized tribes all civilization is said to have issued? By no means. Again we are compelled to turn to the West. In America, from Bolivia to Lake Superior, we find everywhere the traces of a long-enduring Copper Age; bronze existed, it is true, in Mexico, but it held the same relation to the copper as the copper held to the bronze in Europe—it was the exception as against the rule. And among the Chippeways of the shores of Lake Superior, and among them alone, we find any traditions of the origin of the manufacture of copper implements; and on the shores of that lake we find pure copper, out of which the first metal tools were probably hammered before man had learned to reduce the ore or run the metal into moulds. And on the shores of this same American lake we find the ancient mines from which some people, thousands of years ago, derived their supplies of copper.
IMPLEMENTS
AND
ORNAMENTS
OF
THE
BRONZE
AGE
Sir W. R. Wilde says, “It is remarkable that so few antique copper implements have been found (in Europe), although a knowledge of that metal must have been the preliminary stage in the manufacture of bronze.” He thinks that this may be accounted for by supposing that “but a short time elapsed between the knowledge of smelting and casting copper ore and the introduction of tin, and the subsequent manufacture and use of bronze.”
But here we have in America the evidence that thousands of years must have elapsed during which copper was used alone, before it was discovered that by adding one-tenth part of tin it gave a harder edge, and produced a superior metal.
The Bronze Age cannot be attributed to the Roman civilization. Sir John Lubbock shows (“Prehistoric Times,” p. 21) that bronze weapons have never been found associated with Roman coins or pottery, or other remains of the Roman Period; that bronze articles have been found in the greatest abundance in countries like Ireland and Denmark, which were never invaded by Roman armies; and that the character of the ornamentation of the works of bronze is not Roman in character, and that the Roman bronze contained a large proportion of lead, which is never the case in that of the Bronze Age.
It has been customary to assume that the Bronze Age was due to the Phoenicians, but of late the highest authorities have taken issue with this opinion. Sir John Lubbock (Ibid., p. 73) gives the following reasons why the Phoenicians could not have been the authors of the Bronze Age: First, the ornamentation is different. In the Bronze Age “this always consists of geometrical figures, and we rarely, if ever, find upon them representations of animals and plants, while on the ornamented shields, etc., described by Homer, as well as in the decoration of Solomon’s Temple, animals and plants were abundantly represented.” The cuts on p. 242 will show the character of the ornamentation of the Bronze Age. In the next place, the form of burial is different in the Bronze Age from that of the Phoenicians. “In the third place, the Phoenicians, so far as we know them, were well acquainted with the use of iron; in Homer we find the warriors already armed with iron weapons, and the tools used in preparing the materials for Solomon’s Temple were of this metal.”
This view is also held by M. de Fallenberg, in the “Bulletin de la Societe des Sciences” of Berne. (See “Smithsonian Rep.,” 1865-66, p.
383.) He says,
ORNAMENTS
OF
THE
BRONZE
AGE
“It seems surprising that the nearest neighbors of the Phoenicians—the Greeks, the Egyptians, the Etruscans, and the Romans—should have manufactured plumbiferous bronzes, while the Phoenicians carried to the people of the North only pure bronzes without the alloy of lead. If the civilized people of the Mediterranean added lead to their bronzes, it can scarcely be doubted that the calculating Phoenicians would have done as much, and, at least, with distant and half-civilized tribes, have replaced the more costly tin by the cheaper metal. . . . On the whole, then, I consider that the first knowledge of bronze may have been conveyed to the populations of the period tinder review not only by the Phoenicians, but by other civilized people dwelling more to the south-east.”
Professor E. Desor, in his work on the “Lacustrian Constructions of the Lake of Neuchatel,” says,
“The Phoenicians certainly knew the use of iron, and it can scarcely be conceived why they should have excluded it from their commerce on the Scandinavian coasts. . . . The Etruscans, moreover, were acquainted with the use of iron as well as the Phoenicians, and it has already been seen that the composition of their bronzes is different, since it contains lead, which is entirely a stranger to our bronze epoch. . . . We must look, then, beyond both the Etruscans and Phoenicians in attempting to identify the commerce of the Bronze Age of our palafittes. It will be the province of the historian to inquire whether, exclusive of Phoenicians and Carthaginians, there may not have been some maritime and commercial people who carried on a traffic through the ports of Liguria with the populations of the age of bronze of the lakes of Italy before the discovery of iron. We may remark, in passing, that there is nothing to prove that the Phoenicians were the first navigators. History, on the Contrary, positively mentions prisoners, under the name of Tokhari, who were vanquished in a naval battle fought by Rhamses III. in the thirteenth century before ou
r era, and whose physiognomy, according to Morton, would indicate the Celtic type. Now there is room to suppose that if these Tokhari were energetic enough to measure their strength on the sea with one of the powerful kings of Egypt, they must, with stronger reason, have been in a condition to carry on a commerce along the coasts of the Mediterranean, and perhaps of the Atlantic. If such a commerce really existed before the time of the Phoenicians, it would not be limited to the southern slope of the Alps; it would have extended also to the people of the age of bronze in Switzerland. The introduction of bronze would thus ascend to a very high antiquity, doubtless beyond the limits of the most ancient European races.”
For the merchants of the Bronze Age we must look beyond even the Tokhari, who were contemporaries of the Phoenicians.
The Tokhari, we have seen, are represented as taken prisoners, in a sea-fight with Rhamses III., of the twentieth dynasty, about the thirteenth century B.C. They are probably the Tochari of Strabo. The accompanying figure represents one of these people as they appear upon the Egyptian monuments. (See Nott and Gliddon’s “Types of Mankind,” p.
108.) Here we have, not an inhabitant of Atlantis, but probably a representative of one of the mixed races that sprung from its colonies.
Dr. Morton thinks these people, as painted on the Egyptian monuments, to have “strong Celtic features. Those familiar with the Scotch Highlanders may recognize a speaking likeness.”
It is at least interesting to have a portrait of one of the daring race who more than three thousand years ago left the west of Europe in their ships to attack the mighty power of Egypt.
They were troublesome to the nations of the East for many centuries; for in 700 B.C. we find them depicted on the Assyrian monuments. This figure represents one of the Tokhari of the time of Sennacherib. It will be observed that the headdress (apparently of feathers) is the same in both portraits, al, though separated by a period of six hundred years.
Antediluvian world Page 23