“A wallaby,” Pat corrected me.
The thing had been struck but not run over. It hadn’t decomposed or been disfigured, and I was surprised by the shoddiness of its coat. It was as if you’d bred a rabbit with a mule. Then there was the tail, which reminded me of a lance.
“Hugh,” I called, “come here and look at the wallaby.”
It’s his belief that in marveling at a dead animal on the roadside, you may as well have killed it yourself—not accidentally but on purpose, cackling, most likely, as you ran it down. Therefore he stayed in the car.
“It’s your loss,” I called, and a great cloud of steam issued from my mouth.
Our destination that afternoon was a place called Daylesford, which looked, when we arrived, more like a movie set than an actual working town. The buildings on the main street were two stories tall and made of wood, like buildings in the Old West but brightly painted. Here was the shop selling handmade soaps shaped like petits fours. Here was the fudgery, the jammery, your source for moisturizer. If Dodge City had been founded and maintained by homosexuals, this is what it might have looked like. “The spas are fantastic,” Pat said, and she parked the car in front of a puppet shop. From there we walked down a slight hill, passing a flock of sulfur-crested cockatoos just milling about, pulling worms from the front lawn of a bed-and-breakfast. This was the moment when familiarity slipped away and Australia seemed not just distant, but impossibly foreign. “Will you look at that,” I said.
It was Pat who had made the lunch reservation. The restaurant was attached to a hotel, and on arriving we were seated beside a picture window. The view was of a wooden deck and, immediately beyond it, a small lake. On a sunny day it was probably blinding, but the winter sky was like brushed aluminum. The water beneath it had the same dull sheen, and its surface reflected nothing.
Even before the menus were handed out, you could see what sort of a place this was. Order the pork and it might resemble a rough-hewn raft, stranded by tides on a narrow beach of polenta. Fish might come with shredded turnips or a pabulum of coddled fruit. The younger an ingredient, the more highly it was valued, thus the baby chicken, the baby spinach, the newborn asparagus, each pale stalk as slender as a fang.
As always in a fancy restaurant, I asked Hugh to order for me. “Whatever you think,” I told him. “Just so long as there’s no chocolate in it.”
He and Pat weighed our options, and I watched the hostess seat a party of eight. Bringing up the rear was a woman in her midthirties, pretty, and with a baby on her shoulder. Its back was covered with a shawl, but to judge from the size it looked extremely young—a month old, tops.
Keep it away from the chef, I thought.
A short while later, I noticed that the child hadn’t shifted position. Its mother was running her hand over its back, almost as if she were feeling for a switch, and when the top of the shawl fell away, I saw that this was not a baby, but a baby doll.
“Psssst,” I whispered, and when Pat raised her eyes, I directed them to the other side of the room.
“Is that normal in Australia?” I asked.
“Maybe it’s a grieving thing,” she offered. “Maybe she lost a baby in childbirth and this is helping her to work through it.”
There’s a definite line between looking and staring, and after I was caught crossing it, I turned toward the window. On the highest rail of the deck was a wooden platform, and standing upon it, looking directly into my eyes, was what I knew to be a kookaburra. This thing was as big as a seagull but squatter, squarer, and all done up in earth tones, the complete spectrum from beige to dark walnut. When seen full on, the feathers atop his head looked like brush-cut hair, and that gave him a brutish, almost conservative look. If owls were the professors of the avian kingdom, then kookaburras, I thought, might well be the gym teachers.
When the waitress arrived, I pointed out the window and asked her a half dozen questions, all of them fear-based. “Oh,” she said, “that bird’s not going to hurt anybody.” She took our orders and then she must have spoken to one of the waiters. He was a tall fellow, college age, and he approached our table with a covered bowl in his hands. I assumed it was an appetizer, but it seemed instead that it was for the kookaburra. “Would you like to step outside and feed him?” he asked.
I wanted to say that between the wallaby and the baby doll, I was already overstimulated, but how often in life do you get such an offer? That’s how I found myself on the deck, holding a bowl of raw duck meat cut into slender strips. At the sight of it, the bird stood up and flew onto my arm, which buckled slightly beneath his weight.
“Don’t be afraid,” the waiter said, and he talked to the kookaburra in a soothing, respectful voice, the way you might to a child with a switchblade in his hand. For that’s what this thing’s beak was—a serious weapon. I held a strip of raw duck, and after yanking it from my fingers, the bird flew back to the railing. Then he took the meat and began slamming it against his wooden platform. Whap, whap, whap. Over and over, as if he were tenderizing it.
“This is what he’d do in the wild with snakes and lizards and such,” the waiter said. “He thinks it’s still alive, see. He thinks he’s killing it.”
The kookaburra must have slammed the meat against the wooden platform a good ten times. Only then did he swallow it, and look up, expectantly, for more.
I took another strip from the bowl, and the action repeated itself. Whap, whap, whap. On or about his third helping, I got used to the feel of a bird on my arm and started thinking about other things, beginning with the word “kookaburra.” I first heard it in the fifth grade, when our music teacher went on an Australian kick. She taught us to sing “Waltzing Matilda,” “Tie Me Kangaroo Down, Sport,” and what we called simply “Kookaburra.” I’d never heard such craziness in my life. The first song, for instance, included the words “jumbuck,” “billabong,” “swagman,” and “tuckerbag,” none of which were ever explained. The more nonsensical the lyric, the harder it was to remember, and that, most likely, is why I retained the song about the kookaburra—it was less abstract than the others.
I recall that after school that day, I taught it to my sister Amy, who must have been in the first grade at the time. We sang it in the car, we sang it at the table, and then, one night, we sang it in her bed, the two of us lying side by side and rocking back and forth.
We’d been at it for half an hour when the door flung open. “What the hell is going on?” It was our father, one hand resting teapot-style on his hip, and the other—what would be the spout—formed into a fist. He was dressed in his standard around-the-house outfit, which is to say, his underpants. No matter the season he wore them without a shirt or socks, the way a toddler might pad about in a diaper. For as long as any of us could remember, this was the way it went: he returned home from work and stepped out of his slacks, sighing with relief, as if they were oppressive, like high heels. All said, my father looked good in his underpants. Silhouetted in the doorway, he resembled a wrestler. Maybe not one in tip-top condition, but he was closer than any of the other dads on our street. “It’s one o’clock in the morning, for God’s sake. David, get to your room.”
I knew that it was at best ten thirty. Still, though, there was no point in arguing. Down in the basement, I went to my room and he resumed his position in front of the TV. Within a few minutes he was snoring, and I crept back upstairs to join Amy for another twenty rounds.
It didn’t take long for our father to rally. “Did I not tell you to go to your room?”
What would strike me afterward was the innocence of it. If I had children and they stayed up late, singing a song about a bird, I believe I would find it charming. I knew I had those two for a reason, I think I’d say to myself. I might go so far as to secretly record them and submit the tape in a My Kids Are Cuter Than Yours competition. My dad, by contrast, clearly didn’t see it that way, which was strange to me. It’s not like we were ruining his TV reception. He couldn’t even hear us from that
distance, so what did he have to complain about? “All right, sonny, I’m giving you ten seconds. One. Two…”
I guess what he resented was being dismissed. Had our mother told us to shut up, we’d probably have done it. He, on the other hand, sitting around in his underpants—it just didn’t seem that important.
At the count of six I pushed back the covers. “I’m going,” I spat, and once again I followed my father downstairs.
Ten minutes later, I was back. Amy cleared a space for me, and we picked up where we had left off. “Laugh, Kookaburra! Laugh, Kookaburra! Gay your life must be.”
Actually, maybe it was that last bit that bothered him. An eleven-year-old boy in bed with his sister, not just singing about a bird but doing it as best he could, rocking back and forth and imagining himself onstage, possibly wearing a cape and performing before a multitude.
The third time he came into the room, our father was a wild man. Even worse, he was wielding a prop, the dreaded fraternity paddle. It looked like a beaver’s tail made out of wood. In my memory, there were Greek letters burned into one side, and crowded around them were the signatures of other Beta Epsilons, men we’d never met, with old-fashioned nicknames like Lefty and Slivers—names, to me, as synonymous with misfortune as Smith & Wesson. Our father didn’t bring out the paddle very often, but when he did, he always used it.
“All right, you, let’s get this over with.” Amy knew that she had nothing to worry about. He was after me, the instigator, so she propped herself against the pillows, drawing up her legs as I scooted to the other side of the bed, then stood there, dancing from foot to foot. It was the worst possible strategy, as evasion only made him angrier. Still, who in his right mind would surrender to such a punishment?
He got me eventually, the first blows landing just beneath my knee caps. Then down I went, and he moved in on my upper thigh. Whap, whap, whap. And while it certainly hurt, I have to say that he didn’t go overboard. He never did. I asked him about it once, when I was around fourteen, and he chalked it up to a combination of common sense and remarkable self-control. “I know that if I don’t stop myself early I’ll kill you,” he said.
As always after a paddling, I returned to my room vowing never to talk to my father again. To hell with him, to hell with my mother, who’d done nothing to stop him, to hell with Amy for not taking a few licks herself, and to hell with the others, who were, by now, certainly whispering about it.
I didn’t have the analogy of the stovetop back then, but what I’d done was turn off the burner marked “family.” Then I’d locked my door and sat there simmering, knowing even then that without them, I was nothing. Not a son or a brother but just a boy—and how could that ever be enough? As a full-grown man it seems no different. Cut off your family, and how would you know who you are? Cut them off in order to gain success, and how could that success be measured? What would it possibly mean?
I thought of this as the kookaburra, finally full, swallowed his last strip of duck meat, and took off over the lake. Inside the restaurant, our first courses had arrived, and I watched through the window as Hugh and Pat considered their plates. I should have gone inside right then, but I needed another minute to take it all in and acknowledge, if only to myself, that I really did have it made. A storybook town on the far side of the world, enough in my pocket to shout a fancy lunch, and the sound of that bird in the distant trees, laughing. Laughing.
Standing Still
For a while when I was twenty-three I worked at a restaurant in downtown Raleigh. The place wasn’t strictly vegetarian, but it leaned in that direction. “Natural,” people called it. My pay wasn’t much—three fifty an hour—but lunch was provided and I could occasionally take home leftovers: half-moons of stale pita bread, cups of beige tahini dressing. Lettuce. Twice a week the cook would roast turkeys, and after she had carved off the meat for sandwiches, I was allowed the carcasses, which I would carry back to my apartment and boil for soup. This I would eat with mayonnaise-smeared crackers or maybe an omelet filled with rice.
My average day at the restaurant started at eleven thirty and ended three hours later, earning me, after taxes, around forty dollars a week. My rent was a hundred fifty a month, and in order to pay it, I had to take on other part-time jobs: painting an apartment if I was lucky, or helping out on construction sites—work I got, and very meagerly, through word of mouth. I should have quit the restaurant and found something more substantial, but I told myself I needed the free time, needed it for my real work, my sculpture. This wasn’t completely unfounded. I’d been in a couple of juried shows, one at the state art museum. For a few hours every day I applied myself. I bundled sticks, I arranged things in cardboard boxes. I typed cryptic notes onto index cards and suspended them from my ceiling.
I could have easily held a full-time job, then come home at night and tied twigs together, but in a way I needed the poverty, needed it as proof that I was truly creative. It was a cliché, of course, but one that was reinforced every time you turned around. People didn’t say “artist,” they said “starving artist,” so even if you weren’t doing anything of consequence, as long as you were hungry you were on the right track, weren’t you?
Being broke was also an excuse to stay put. When I was twenty there’d been no stopping me. I’d been fearless—the type who’d hitchhike to Mexico on a dare. I lived in San Francisco for a while, and in Oregon. Then I returned to my parents’ basement and lost whatever nerve I’d ever had. Since I’d come back to Raleigh, my most daring achievement was to move into my own apartment, this at my father’s insistence and done practically at knifepoint. Meaning well, my mother would visit with groceries. “I just thought you could use some meat,” she’d say, handing me a blood-soaked bag with ground beef and pork chops and sometimes twenty dollars in it.
My situation improved somewhat in the winter of 1981, when my sister Gretchen moved into the apartment upstairs. Because I was a few years older, she looked up to me; not so much that it strained her neck, but enough to make me feel that I wasn’t completely worthless. When I saw myself through my parents’ eyes, I saw a worm crawling through mud and shit toward a psychedelic mushroom, but when I saw myself through hers, I felt that things were possibly not as bad as they seemed. I wasn’t broken, just resting, readying myself for the next big thing.
Gretchen had just completed two and a half years of college in the mountains of North Carolina, at the same school I had gone to for a while. Now she was hoping to transfer to the Rhode Island School of Design, promising that if she got in, she’d never refer to it as “Risdee.”
“We’ll see about that,” I said, knowing that when a person gets busy, the first things to go are the extra syllables.
Gretchen submitted her portfolio, and while waiting to see if she’d been accepted, she enrolled in an entomology class at NC State and took a waitressing job at a pizza parlor near the university. At the end of every shift she’d collect a couple of leftover slices, some with the mushrooms or pepperoni picked off, and bring them to me wrapped in foil. Then I’d get high and she’d trot out her insects, one of which was usually languishing in her killing jar. This she carried everywhere she went, a portable gas chamber for any lacewing, caddis fly, or camel cricket unfortunate enough to catch her attention.
As spring arrived and her death toll mounted, I found extra work at the university, modeling for a life-drawing class. I didn’t do it nude, or even shirtless—I was far too modest—and for that reason I was called in only occasionally. Because I was clothed, the instructor, a woman named Susan, encouraged me to arrive with a variety of outfits, the more conflicting prints the better. “And don’t forget hats!” she said.
When frozen stock-still before a roomful of students, I’d find that my thoughts usually drifted toward money, one instance in particular when I had it in my grasp and foolishly let it slip away. That had happened shortly after the New Year, when I’d gone with a friend to the Hirshhorn Museum in Washington, DC. Before setting out t
o see the collection, we left our things with the woman at the coat check. When it came time to leave, I presented this same woman with my stub, and after searching around in her racks, she returned to hand me a full-length mink, auburn-colored and lined with emerald green satin. It was much heavier than I’d expected, like holding a bear that had fainted in my arms. After thinking it might be a trick, I realized that the woman wasn’t paying attention. All the easier, then, to turn around and walk out the door. I was close enough to feel the cold air on my face when I chickened out and returned to the coat check. “I’m sorry,” I said, “but you seem to have made a mistake.”
The woman looked at the mink laid before her on the counter. “And you’re just now noticing it?” she asked.
“What a bitch,” I said to my friend, walking to the car in my thrift-store overcoat. “She should have been thanking me. Better still, she should have rewarded me.”
How stupid can you get? I now thought, standing before a classroom with a paisley turban on my head. That mink could have made a real difference in my life. It wasn’t exactly stealing, I reasoned, not technically. The coat’s rightful owner would have been compensated, so who, really, would it have harmed?
The building that Gretchen and I lived in—a large shabby house now sliced into apartments—was located midway between downtown and the university. Neither of us knew how to drive, so when going to work or school, we either walked, cycled, or begged people for rides, just like we had when we were children. Half a mile away, on the other side of a fine, well-manicured neighborhood, there was a shopping center called Cameron Village. It included a twenty-four-hour supermarket, and while walking home from it one night, a bag of groceries in one hand and her killing jar in the other, my sister was attacked by a man who came from behind and tried to drag her into the bushes.
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