by Ruskin Bond
Along the old pilgrim path are several handsome old houses set amongst mango trees and the fronds of the papaya and banana. Higher up the hill the pine forests can be seen, but down here it is almost sub-tropical. Nandprayag is about 3,000 ft above sea-level—a height at which the vegetation is usually quite lush, provided there is protection from the wind, as there is here.
In one of these double-storeyed houses lives Mr Devki Nandan Vaishnav, scholar and recluse. He welcomes me into his home and plies me with food till I am close to bursting. He has a great love for his little corner of Garhwal and proudly shows me his collection of clippings concerning Nandprayag. One of them is from a book by Sister Nivedita, the Englishwoman Margaret Noble, who embraced Hinduism. Writing in 1928, she had this to say:
Nandprayag is a place that ought to be famous for its beauty and order. For a mile or two before reaching it we had noticed the superior character of the agriculture and even some careful gardening of fruits and vegetables. The peasantry also suddenly grew handsome, not unlike the Kashmiris. The town itself is new, rebuilt since the Gohna flood, and its temple stands far out across the fields on the shore of the Prayag. But in this short time, a wonderful energy has been at work on architectural carvings, and the little place is full of gemlike beauties. Its temple is dedicated to Naga Takshaka. As the road crosses the river, I noticed two or three old Pathan tombs, absolutely the only trace of Mohammedanism that we had seen north of Srinagar (Garhwal).
Little has changed since Sister Nivedita's time, and there is still a small Pathan population in Nandprayag. In fact, when I called on Mr Vaishnav, he was in the act of sending out Id greetings to his Muslim friends. Some of the old graves have disappeared in the debris from new road cuttings. And as for the beautiful temple described by Sister Nivedita, I was sad to learn that it had been swept away by a mighty flood in 1970, when a cloudburst and landside at Belakuchi on the Alaknanda resulted in great destruction downstream.
Mr Vaishnav remembers the time when he walked to Pauri to join the old Messmore mission school, where so many famous sons of Garhwal received their early education. It took him four days to get there. Now it is just four hours by bus. It was only after the Chinese invasion of 1962 that there was a rush of road-building in the hill districts of northern India. Before that, everyone walked and thought nothing of it.
Sitting alone that same evening in the little garden of the rest house, I heard innumerable birds break out in song. I do not see any of them, because the trees are dark and the light is fading, but there is the rather melancholy call of the hill dove, the insistent ascending trill of the koel, and much shrieking, whistling and twittering that I am unable to assign to any particular species. Oh, that Salim Ali were here with me!
And now, once again, while I sit on the lawn surrounded by zinnias, I am assailed by that feeling of having been here before. Here, on this lush hillside, among the pomegranates and oleanders. Is it some childhood memory asserting itself? But as a child I came no further than Rishikesh. Nandprayag has some affinity with parts of the Doon valley before the Doon was submerged by a tidal wave of humanity, but in the Doon there is no great river running past your garden, and here there are two, and they are also part of this feeling of belonging. So perhaps in some previous existence, I did come this way, a pilgrim or some sort of flower person? Or perhaps I lived and belonged here, which accounts for the familiarity. Who knows? And anyway, mysteries are more interesting than certainties.
Presently the room-boy joins me for a chat on the lawn. He is in fact running the rest house in the absence of the manager. A coachload of pilgrims is due at any moment, but until they arrive the place is empty and only the birds can be heard. His name is Janakpal, and he tells me something about his village on the next mountain where a leopard has been carrying off goats and cattle. He doesn't think much of the law protecting leopards: nothing can be done about it unless the leopard becomes a man-eater!
A shower of rain descends on us, and so do the pilgrims; Janakpal leaves me to attend to his duties. But I am not left alone for long. A youngster with a cup of tea appears. He wants me to take him to Mussoorie or Delhi. He is fed up, he says, with washing dishes in Nandprayag.
'You are better off here,' I tell him sincerely. 'In Mussoorie you will have twice as many dishes to wash. In Delhi, ten times as many.'
'But there are cinemas and video there,' he says, and I am left without an argument.
The rain stops and I go for a walk. The pilgrims keep to themselves, but the locals are always ready to talk. So I am not alone for long. I remember a saying (and it may have originated in Garhwal), which goes: 'All men are my friends. I have only to meet them.' In the hills, where life still moves at a leisurely and civilised pace, one is constantly meeting them.
The Mussoorie cinemas having all closed, Janakpal moved to Delhi but found that ticket prices were beyond his reach.
Gamga Descends
THERE HAS ALWAYS BEEN A MILD SORT OF CONTROVERSY as to whether the true Ganga (in its upper reaches) is the Alaknanda or the Bhagirathi. Of course the two rivers meet at Deoprayag and then both are Ganga. But there are some who assert that geographically the Alaknanda is the true Ganga, while others say that tradition should be the criterion, and traditionally the Bhagirathi is the Ganga.
I put the question to my friend Dr Sudhakar Misra, from whom words of wisdom sometimes flow; and true to form, he answered: 'The Alaknanda is Ganga, but the Bhagirathi is Ganga-ji.'
One sees what he means. The Bhagirathi is beautiful, almost caressingly so, and people have responded to it with love and respect, ever since Lord Shiva released the waters of the goddess from his locks and she sped plainswards in the tracks of Prince Bhagirath's chariot.
The Revered Goddess
'He held the river on his head,
And kept her wandering, where,
Dense as Himalayas' woods were spread,
The tangles of his hair.'
Revered by Hindus, and loved by all, the Goddess Ganga weaves her spell over all who come to her. Moreover, she issues from the very heart of the Himalayas. Visiting Gangotri in 1820, the writer and traveller Baillie Fraser noted: 'We are now in the centre of the Himalayas, the loftiest and perhaps the most rugged range of mountains in the world.'
Perhaps it is his realisation that one is at the very centre and heart of things that gives one an almost primaeval sense of belonging to these mountains, and to this river valley in particular. For me, and for many who have been in the mountains, the Bhagirathi is the most beautiful of the four main river valleys of Garhwal. It will remain so provided we do not pollute its waters and strip it of its virgin forests.
The Bhagirathi seems to have everything—a gentle disposition, deep glens and forests, the ultravision of an open valley graced with tiers of cultivation leading up by degrees to the peaks and glaciers as its head.
From some twenty miles above Tehri, as far as Bhatwari, a distance of fifty-five miles along the valley, there are extensive forests of pine. It covers the mountains on both sides of the rivers and its affluents, filling the ravines and plateaus up to a height of about 5,000 ft. Above Bhatwari, forests of box, yew and cypress commence, and if we leave the valley and take the roads to Nachiketa Tal or Dodi Tal— little lakes at around 9,000 ft above sea-level—we pass through dense forests of oak and chestnut. From Gangnani to Gangotri, the deodar is the principal tree. The Sp. excelsia pine also extends eight miles up the valley above Gangotri, and birch is found in patches to within half a mile of the glacier.
On the right bank of the river, above Sukni, the forest is nearly pure deodar, but on the left bank, with a northern aspect, there is a mixture of silver-fir, spruce, and birch. The valley of the Jadganga is also full of deodar, and towards its head the valuable pencil cedar is found. The only other area of Garhwal where the deodar is equally extensive is the Jaunsar Bawar tract to the west.
It was the valuable timber of the deodar that attracted the adventurer Frederic 'Pahari' Wilson
to the valley in the 1850s. He leased the forests from the Raja of Tehri in 1859 for a period of five years. In that short span of time he made a fortune.
The old forest rest houses at Dharasu, Bhatwari and Harsil were all built by Wilson as staging posts, for the only roads were narrow tracks linking one village to another. Wilson married a local girl, Gulabi, from the village of Mukhba, and the portraits of the Wilsons (early examples of the photographer's art) still hang in these sturdy little bungalows. At any rate, I found their pictures at Bhatwari. Harsil is now out of bounds to civilians, and I believe part of the old house was destroyed in a fire a few years ago. This sturdy building withstood the earthquake which devastated the area in 1991.
Amongst other things, Wilson introduced the apple into this area, 'Wilson apples'—large, red and juicy—sold to travellers and pilgrims on their way to Gangotri. This fascinating man also acquired an encyclopaedic knowledge of the wildlife of the region, and his articles, which appeared in Indian Sporting Life in the 1860s, were later plundered by so-called wildlife writers for their own works.
Bridge-building was another of Wilson's ventures. These bridges were meant to facilitate travel to Harsil and the Shrine at Gangotri. The most famous of them was a 350 ft suspension bridge over the Jatganga at Bhaironghat, over 1200 ft above the young Bhagirathi, where it thunders through a deep defile. This rippling contraption of a bridge was at first a source of terror to travellers, and only a few ventured across it. To reassure people, Wilson would often mount his horse and gallop to and fro across the bridge. It has since collapsed, but local people will tell you that the hoofbeats of Wilson's horse can still be heard on full-moon nights. The supports of the old bridge were complete tree-trunks, and they can still be seen to one side of the new motor-bridge built by engineers of the Northern Railway.
Wilson's life is fit subject for a romance; but even if one were never written, his legend would live on, as it has done for over a hundred years. There has never been any attempt to commemorate him, but people in the valley still speak of him in awe and admiration, as though he had lived only yesterday. Some men leave a trail of legend behind them because they give their spirit to the place where they have lived, and remain forever a part of the rocks and mountain streams.
In the old days, only the staunchest of pilgrims visited the shrines at Gangotri and Jamnotri. The roads were rocky and dangerous, winding along in some places, ascending and descending the faces of deep precipices and ravines, at times leading along banks of loose earth where landslides had swept the original path away. There are still no large towns above Uttarkashi, and this absence of large centres of population may be reason why the forests are better preserved than those in the Alaknanda valley, or further downstream.
Gangotri is situated at just a little over 10,300 ft. On the right bank of the river is the Gangotri temple, a small neat building without too much ornamentation, built by Amar Singh Thapa, a Nepali General, early in the nineteenth century. It was renovated by the Maharaja of Jaipur in the 1920s. The rock on which it stands is called Bhagirath Shila and is said to be the place where Prince Bhagirath did penance in order that Ganga be brought down from her abode of eternal snow.
Here the rocks are carved and polished by ice and water, so smooth that in places they look like rolls of silk. The fast flowing waters of this mountain torrent look very different from the huge sluggish river that finally empties its waters into the Bay of Bengal fifteen hundred miles away.
Gangotri Temple
The river emerges from beneath a great glacier, thickly studded with enormous loose rocks and earth. The glacier is about a mile in width and extends upwards for many miles. The chasm in the glacier through which the stream rushed forth into the light of day is named Gaumukh, the cow's mouth, and is held in deepest reverence by Hindus. The regions of eternal frost in the vicinity were the scene of many of their most sacred mysteries.
The Ganga enters the world no puny stream, but bursts from its icy womb a river thirty or forty yards in breadth. At Gauri Kund (below the Gangotri temple) it falls over a rock of considerable height and continues tumbling over a succession of small cascades until it enters the Bhaironghati gorge.
A night spent beside the river, within the sound of the fall, is an eerie experience. After some time it begins to sound, not like one fall but a hundred, and this sound permeates both one's dreams and waking hours. Rising early to greet the dawn proved rather pointless at Gangotri, for the surrounding peaks did not let the sun in till after 9 a.m. Everyone rushed about to keep warm, exclaiming delightedly at what they call 'gulabi thand', literally, 'rosy cold'. Guaranteed to turn the cheeks a rosy pink! A charming expression, but I prefer a rosy sunburn, and remained beneath a heavy quilt until the sun came up to throw its golden shafts across the river.
This is mid-October, and after Diwali the shrine and the small township will close for winter, the pandits retreating to the relative warmth of Mukbha. Soon snow will cover everything, and even the hardy purple-plumaged whistling thrushes, lovers of deep shade, will move further down the valley. And down below the forest-line, the Garhwali farmers go about harvesting their terraced fields which form patterns of yellow, green and gold above the deep green of the river.
Yes, the Bhagirathi is a green river. Although deep and swift, it does not lose its serenity. At no place does it look hurried or confused—unlike the turbulent Alaknanda, fretting and frothing as it goes crashing down its boulder-strewn bed. The Alaknanda gives one a feeling of being trapped, because the river itself is trapped. The Bhagirathi is free-flowing, easy. At all times and places it seems to find its true level.
Uttarkashi, though a large and growing town, is as yet uncrowded. The seediness of towns like Rishikesh and parts of Dehra Dun is not yet evident here. One can take a leisurely walk through its long (and well-supplied) bazaar, without being jostled by crowds or knocked over by three-wheelers. Here, too, the river is always with you, and you must live in harmony with its sound as it goes rushing and humming along its shingly bed.
Uttarkashi is not without its own religious and historical importance, although all traces of its ancient town of Barahat appear to have vanished. There are four important temples here, and on the occasion of Makar Sankranti, early in January, a week-long fair is held when thousands from the surrounding areas throng the roads to the town. To the beating of drums and blowing of trumpets, the gods and goddesses are brought to the fair in gaily decorated palanquins. The surrounding villages wear a deserted look that day as everyone flocks to the temples and bathing ghats and to the entertainments of the fair itself.
We have to move far downstream to reach another large centre of population, the town of Tehri, and this is a very different place from Uttarkashi. Tehri has all the characteristics of a small town in the plains—crowds, noise, traffic congestion, dust and refuse, scruffy dhabas—with this difference that here it is all ephemeral, for Tehri is destined to be submerged by the water of the Bhagirathi when the Tehri dam is finally completed.
The rulers of Garhwal were often changing their capitals, and when, after the Gurkha War (of 1811-15), the former capital of Srinagar became part of British Garhwal, Raja Sudershan Shah established his new capital at Tehri. It is said that when he reached this spot, his horse refused to go any further. This was enough for the king, it seems; or so the story goes.
Perhaps Prince Bhagirath's chariot will come to a halt here too, when the dam is built. The two hundred and forty-six metre high earthen dam, with forty-two square miles of reservoir capacity, will submerge the town and about thirty villages.
Kalimath Temple
But as we leave the town and cross the narrow bridge over the river, a mighty blast from above sends rocks hurtling down the defile, just to remind us that work is indeed in progress.
Unlike the Raja's horse, I have no wish to be stopped in my tracks at Tehri. There are livelier places upstream. And as for Ganga herself, that deceptively gentle river, I wonder if she will take kindly to ou
r efforts to contain her.
Great Trees of Garhwal
LIVING FOR MANY YEARS IN A COTTAGE AT 7,000 FT IN THE Garhwal Himalayas, I was fortunate to have a big window that opened out on the forest, so that the trees were almost within my reach. Had I jumped, I should have landed quite safely in the arms of an oak or chestnut.
The incline of the hill was such that my first floor window opened on what must, I suppose, have been the second floor of the tree. I never made the jump, but the big langurs—silver grey monkeys with long swishing tails— often leapt from the trees onto the corrugated tin roof and made enough noise to disturb the bats sleeping in the space between the roof and ceiling.
Standing on its own was a walnut tree, and truly this was a tree for all seasons. In winter the branches were bare; but they were smooth and straight and round like the arms of a woman in a painting by Jamini Roy. In the spring, each branch produced a hard, bright spear of new leaf. By midsummer the entire tree was in leaf; and towards the end of the monsoon, the walnuts, encased in their green jackets, had reached maturity.
Then the jackets began to split, revealing the hard brown shell of the walnuts. Inside the shell was the nut itself. Look closely at the nut and you will notice that it is shaped rather like the human brain. No wonder the ancients prescribed walnuts for headaches!
Every year the tree gave me a basket of walnuts. But last year the walnuts were disappearing one by one, and I was at a loss to know who had been taking them. Could it have been Bijju, the milkman's son? He was an inveterate tree climber. But he was usually to be found on oak trees, gathering fodder for his cows. He told me that his cows liked oak leaves but did not care for walnuts. He admitted that they had relished my dahlias, which they had eaten the previous week, but he denied having fed them walnuts.