by Kirsty Gunn
‘Stop it!’ I must have shouted. ‘Please come back!’
‘Please come back!’ Ailsa said as well because she was only four then and when she did speak she always had to copy.
‘You can’t stop me, it’s the game!’ Bill turned and faced us. We were close to him now and his eyes were glittering, his cheeks bright red from running and yelling. He was breathing hard in and out. ‘Just watch!’ he said. ‘Just watch what I can do. Here—’
And he turned back then and for the last few steps ran the sheep ahead of him, it letting out that little baby sound and scattering its woolly tail and running on ahead from Bill’s big stick and his frightening cries.
‘Watch!’ he yelled again and in that second the sheep went over. One minute running on the grass, the next it was gone.
‘You see?’ Bill shouted at us. ‘You see what I have done? And how dangerous is the game? Look—’ and he grabbed my hand and pulled me and Ailsa closer, closer to the edge.
We were two steps away and I was sick to look down but I had to. Down the drop to the swirling sea and the big black rock jutting out. And way down there, split open with red stuff coming out of its white wool, the poor sheep he’d frightened over. Its head twisted queer off to one side, and the legs all sticking out in different ways.
I felt something swirl, like the sea that was spinning around the big rock and then Ailsa let out a scream.
‘Cry Baby!’ Bill yelled at her then, and pushed at her so she screamed again. ‘Cry Baby!’ he shouted at her over and over and at me too but he was the one who had tears all down his face, not us.
‘That’s where my dad went,’ he shouted, ‘so why shouldn’t some old sheep get killed down there too? If I want to I’ll make them all go over! The whole bloody lot of them, all the people! My mum and your mum and all the whole families in the world. They can all go down there to the rock!’ He was crying, and he was banging his stick down and down, into the ground.
‘I saw him,’ he said. ‘When he didn’t think I was looking. But I saw him go down on to that rock that’s down there with blood on it … And now it’s only fair that all of you should see too!’ He was shouting and crying and banging his big stick but we were away from the edge now and Aunt Pammy was coming running up behind to pull us all away and back into the field even though he was still shouting and crying … Even when she took him in her arms, shouting into the soft and warm grey air that felt like heaven with no sun at all and the rest of the sheep gone quiet now in the field behind us, but as Aunt Pammy held him closer and closer, tight in her arms, and tighter, little boy, not shouting any more but only crying by then, ‘I saw him and it’s not fair, it isn’t,’ he was saying to her, just to her in the end, as she held him close, ‘that it was only me.’
Dirtybed
My cousin Bill loved animals but he killed them too. It was part of living on a farm, he said. You loved the pets and kept them but then you got rid of them just as easy. Like the little Easter lamb and we put a daisy chain on its head but Bill’s dad stuck his knife into its throat just the same, and Bill put all the grey kittens that Ailsa and I had been feeding right into one big potato sack and dropped them in the river, in the deep part, beside the waterfall and they’d never be able to climb out.
This all went on those summers we used to go up to the farm. There’d be a little creature, a rabbit in a box or those sweet kittens, say, and then they weren’t there any more. In the same way Bill’s father, I suppose, was there one summer but not the next. It was just country living and country life – is what my mother thought about it. Even though she didn’t know that much to say. She was only a person who lived in the city and she had her job there and it was me and Ailsa that knew farm things because of Bill and Aunt Pammy and Uncle Robbie before he was gone. And so my mum and Aunt Pammy were sisters? They were pretty different, they really were. My mum wouldn’t do the things Aunt Pammy did.
The animals stopped being killed after Bill’s dad was gone though, even if Bill kept on the habit with the knives and the stones but by then there were no more baby calves or sheep to look after, no more chickens or geese. He helped Aunt Pammy get the heads off the last of the hens, I saw him do that in the first week we were there. And the dogs that weren’t working any more … Neddy who used to help Bill’s dad with the farm shot them all, one by one, and Bill wanted to help him do that too but it wasn’t the same as the killing before when Uncle Robbie had been around. Those dogs weren’t like the other kinds of animals anyway because Bill’s dad had kept them, he’d let them live. And they’d had puppies that grew up and worked on the farm too or else Bill’s dad sold them or gave them away. But now all of them were also just dead. Neddy took them into the barn one after the other and in the end Bill couldn’t use the big rifle because he was too young. ‘Besides,’ Neddy said to us kids, ‘it would break my heart for Robbie’s boy to do it. Like it breaks my own to have to.’
Neddy had to get a job in town then, because the farm got taken back by another farmer and there was nothing for him to do there after the shooting of the dogs. Still, I thought things seemed a bit the same for a while, even with Bill’s dad gone and the animals not there. After all, Ailsa and me were on holiday there, I suppose, like every other year, is what I thought then, and that was the same, and it was the same fields around us and the sea at the bottom of the cliffs and the house was the same.
But something had changed after all. To do with Uncle Robbie not being there – but not in the way of him not walking in the door any more, or missing the things he did or said. It was more because there was no more mess like there had been mess when he’d been living there, with the blood and bits of killing. No more of him going around the house with his boots and with the mud, bringing inside all that stuff he used to do when he was out amongst the farm, in the cold paddocks by the sea, or up in the hills on his own.
And Aunt Pammy seemed in a way quite happy, I thought, I noticed it, I mean, after Uncle Robbie was gone, that the man she was married to was no longer there to bring mess in that way. The house had no great boots in it, sitting in the hall, or guns, or knives on the bench and with bits of animal stuck to them, or gutted fish in the sink in the scullery … Instead Aunt Pammy put flowers in vases and there were clean, empty rooms. And other things too, like there was one little puppy left from the litter after the mother had been shot who was allowed to come into the house and Aunt Pammy made up a bed for the puppy, in the kitchen where it was warm, and I saw her sometimes leaning down to pat it and talk to in a soft and gentle way.
‘Mum’s getting fancy,’ is all Bill said, when I asked him what he thought about any of this. It was because he was a boy, maybe, and become a half orphan because he no longer had a dad. And so Aunt Pammy turned into this person who wore dresses sometimes and I saw her put on lipstick too, and scent, and she went out of the house without telling any of us what she was doing, just went out into those big summer nights when it never got dark … Maybe that was hard for him to see.
Oh Bill, I don’t know what you were thinking. In your bedroom with all your toys piled up, those boxes of your cars and farm things and your clothes and your drawings, and you slept in there at night with the door closed when before, when you were little, you kept it open for Uncle Robbie to come in, wearing his farm socks he’d had on that day and the old jersey he always wore. He used to sit on your bed and say goodnight and the door was open then, into the hall. But now it stayed closed. So perhaps you just couldn’t see, like I saw, like maybe only a girl might see, though my sister was too young in those days to notice …
But the killing from before seemed truly gone. And not only the smearings from blood … But the knowledge of it, the dark part of the farm Uncle Robbie always brought in with him, that he sat with his son with, to say good-night. Now there was only a boy left and a father who was not there. And I thought Aunt Pammy would be sad that Uncle Robbie was gone and that the farm was no longer theirs and that the animals weren’t there �
� but instead she let the little puppy play in the house and there was a kitten too, from the cat who lived in the toolshed, and she didn’t make Bill take it away and its brothers and sisters and put them in a sack.
Instead she let things in. She let them come in, allowed them – is a word she might say – in the way Uncle Robbie hadn’t allowed things before on the farm. For now it was a house, not Uncle Robbie’s farm any more and when I saw her again drawing on that lipstick in the mirror one night and then smiling at herself, at her refection in the glass … I knew then what Bill in his room with all his things around him might never know. Even with the house all tidy and the door wide open into the summer night. Even if I was to tell him myself what I’d seen down at the beach while he lay in his room, with the door closed, and his father’s jersey with him in the dark.
But would I tell him? Ever? That the man who was around the village that summer, a visitor from town Bill reckoned, who had been down on the beach a lot of times, just sitting on a rock or walking around, flicking stones into the water, came over to me that night, after I’d followed Aunt Pammy out the open door, gone out of the house myself, and asked me, ‘Have you seen your aunt?’ and I looked behind me and she was right there. With her pretty dress and her bare brown arms and her hair let long, and smiling in that same way I’d seen her smiling in the mirror so I ran away then, without answering him or even saying hello, back up the hill and fast, back to Bill but not saying a word to him even then, though I might have, because in the end there was something in the house that might have been familiar to him after all.
That if you had looked, Bill, if you had been able, you would have seen too – and that it was nothing like the house tidy and the floors all swept and bare. And nothing like the scent and lipstick in Aunt Pammy’s room – but that her bed when you opened it up and looked inside was dark with something, dirt I thought, like from down their bodies and on their legs from them being together like I’d seen when I turned at the top of the hill that day and went back down the beach and they were there, your mother and that man. Then you might have understood as well, perhaps, if I had been there in the bedroom with you to show, that what she had been doing, your mother, out in the open nights, in all that wide air, bringing it back into her bed and leaving it there through her white sheets … Was a mess like another kind of killing. But if you never asked me where your mother was those nights when your father had gone … If you never asked, then I would never need to tell.
Ghost
My sister Ailsa didn’t talk much. She didn’t want to. It was because she listened instead, and she watched. She saw things and she noticed but she didn’t have to say, ‘I saw.’ She kept it in.
This was during those summers when we used to go up to the Highlands to stay with our cousin Bill and my sister was still only a little girl. She followed around after me then, whatever I was doing, and she copied Bill too, always just wanting to do the same things. Go out in the fields, say, to look for baby rabbits but we never caught one. Or make up a secret picnic using the cakes Aunty Pam had just baked and we’d find the place Bill said he used to go to with his dad, when they used to go deer hunting, when his dad was alive and he took a gun.
They’d be away for days at a time then, Bill said. He always told so many stories about his father. How his father showed him how to camp out in the hills and stay the night there by a tree where it was sheltered. How they would build a fire and pitch a tent and sleep until morning, his father getting up when it was dark to let off a shot with the rifle, scare anyone away who might come close. He was making all of it up, of course.
I say that now – ‘of course’ – but that’s because I have always been the oldest. Older than Bill even though he acted so grown up and six years older than my sister who, as I said before, was always just a little girl. And ‘of course’ I write, because I know now that my cousin was telling stories, but also knew, I think, back then, that stories were maybe all he had. So thinking of them as lies then? Something far from truth? I can’t answer that, remembering. Sort of, I suppose, is what I could say. Some part of me understanding that Bill could have never spent time with Uncle Robbie in that way, that Uncle Robbie had died before he could have taken Bill anywhere, done any of the kinds of things Bill talked about – but another part of me swallowing the stories too and being the one who was believing. It was who I was, those summers. The kind of cousin who said ‘Yes’ when Bill asked me if I believed him. Saying ‘I believe you’ when he told me that his father was killed by a murderer, a mean farmer who used knives on him or poison or a rope. Or that someone else had pushed his dad, and robbed him first, then lied about it because he was jealous. Because his father was much too strong and clever, Bill said, for anyone to dare to be his friend. Did I believe that? In that father of his who had loved him best? ‘Yes,’ I said. Always, to everything, ‘Yes. Yes. Yes.’
And Ailsa, she just watched and listened. With Bill’s dad dead, well and truly, driven off the edge of the cliff down on to the rock one night when it was late only none of the adults talked about it. So it was Bill’s stories we were left with, and nothing like the real one, that his father was a failure and lost his money and couldn’t care for his family at all … Only these other stories instead, that got bigger and more exciting and the stories changed. With the poison, say. Or a strangling. Or saying that the motorbike his father rode was racing, not his own, and someone fixed it, like in James Bond, or some other film, so it lost control. Or how Bill and his dad were out late one night and a helicopter came down and took his father away.
So my sister listened and she didn’t say much. When Bill told her about him and Uncle Robbie getting lost in the snow sometime and Aunt Pam had to send out the whole village to look for them. Or about Bill’s dad being charged by a stag so he had to wrestle with it, bring it down on to the ground and its antlers had sliced up his arms all the way down to the bone.
‘What do you think about that, girls, eh?’ Bill asked. ‘What do you think about me and my dad being so tough and strong?’
‘I think it’s good,’ I said.
But Ailsa just looked at him, she didn’t reply.
Thinking about this now, writing it down … I can see those stories of my cousin must have started long before this particular summer I’m talking about here. For years we had those holidays, in that house where Aunt Pam and Bill and Uncle Robbie used to live, way up in the top of Scotland. Every July we went up there, my sister and I, while our mother had to stay in town and work. So we were used to it … We were used to Bill’s stories. That place, you see, that farm where my cousin lived, was so known to us, the house and paddocks and the hills … Everything about it … was familiar. Even when it changed and the house felt different and the farm too because the farm was taken away from Bill’s family and it didn’t belong to them any more, it turned out – though that’s another story and not one to tell here – it never had.
For sure there was no longer the same feeling of being able to play all over the fields like we used to – with the animals gone, and the land was going to be used by some other man for his own farm and his own family. So that then we had more time inside. And maybe thinking more. Making up other, different games. And after a while there was Aunt Pammy starting to pack up all their things in boxes, the house already half empty, she and Bill getting ready to move away. ‘From memories,’ Aunt Pammy said to me. ‘I can talk to you girls about this,’ she said. ‘But I can’t tell Bill.’ She was tucking us in at night and Bill was already in his room with the door closed. Aunt Pammy was sitting on my bed and I could smell her lovely scent, the thin cotton feel of the pretty dress she was wearing. ‘It’s hard for Bill to be here without his dad,’ she said to Ailsa and me. ‘It’s why we have to leave. You girls understand that in a way my little boy can’t.’
Even then, Ailsa didn’t say a thing but she nodded then. She did understand. More than Bill who was nearly ten. ‘It’s because’, she said to me, ‘they have to
leave his ghost.’
That is what she said. Those words. And when my sister spoke you noticed it, you listened, because, as I said, when I started this story here, my sister, well … Mostly she kept her thoughts right in. This night, though, when it was late and after Aunty Pam had been in and said goodnight and then she’d gone out of the room and I was just lying in bed and through the window I could see the outline of the hills against the sky that was a sort of green so it wasn’t dark at all, not really, but trying to get dark is what the dark was like in those long high summer nights up north in those days, long ago … Just trying … Ailsa sat up in bed and told me what she’d seen.
The ghost of Bill’s dad, she said. He was in the house.
‘He’s in the old bedroom,’ Ailsa said. It was scary. The room where Auntie Pam and Uncle Robbie used to sleep. ‘He’s in there and Bill knows about it. He’s been in there and he’s seen him too.’ She was sitting up on her bed in her white nightdress and with her blond hair sticking up like a little bad fairy. Something about her strange and queer, something in her seen a scary thing.
‘The ghost’s in there now,’ she whispered. ‘I could show you. Sometimes he goes into Bill’s room. I can hear him in there too.’
All this … I’m saying. Writing it down. Out of her silence, suddenly there were my sister’s words. Knowing these things. Telling them. How the ghost had always been in there, and that’s how Bill knew the stories. Because the ghost had always told him what to say, his father always told him. That ghost had been with Bill for just about as long as Bill remembered, she said, telling him things, talking about adventures, giving him instructions. So Ailsa had been listening around the place, and seeing, understanding somehow something I dared not believe in, though I knew, too, that she could not be lying – so … I asked her would she show me, take me there and I could see him for myself, that man who’d once been married to my mother’s sister, was father to her child, though no one had ever seemed to know him at all. I knew I couldn’t sleep then, not possibly even close my eyes, until I could prove to myself something about this, find out about this thing though I was scared and it was like I couldn’t swallow and my heart had got big in me and full up like I wanted to tell someone else, a grown up, but there was no one around to tell.