‘I should, if I had a cellar like yours,’ chuckled Brodribb, sniffing ecstatically at his glass. He took a sip, with his eyes closed, savoured it solemnly, shook his head, and set the glass down on the table.
‘To return to our case,’ he resumed; ‘Miss Bonney is the daughter of a solicitor, Harold Bonney—you may remember him. He had offices in Bedford Row; and there, one morning, a client came to him and asked him to take care of some property while he, the said client, ran over to Paris, where he had some urgent business. The property in question was a collection of pearls of most unusual size and value, forming a great necklace, which had been unstrung for the sake of portability. It is not clear where they came from, but as the transaction occurred soon after the Russian Revolution, we may make a guess. At any rate, there they were, packed loosely in a leather bag, the string of which was sealed with the owner’s seal.
‘Bonney seems to have been rather casual about the affair. He gave the client a receipt for the bag, stating the nature of the contents, which he had not seen, and deposited it, in the client’s presence, in the safe in his private office. Perhaps he intended to take it to the bank or transfer it to his strong-room, but it is evident that he did neither; for his managing clerk, who kept the second key of the strong-room—without which the room could not be opened—knew nothing of the transaction. When he went home at about seven o’clock, he left Bonney hard at work in his office, and there is no doubt that the pearls were still in the safe.
‘That night, at about a quarter to nine, it happened that a couple of C.I.D. officers were walking up Bedford Row when they saw three men come out of one of the houses. Two of them turned up towards Theobald’s Road, but the third came south, towards them. As he passed them, they both recognized him as a Japanese named Uyenishi, who was believed to be a member of a cosmopolitan gang and whom the police were keeping under observation. Naturally, their suspicions were aroused. The first two men had hurried round the corner and were out of sight; and when they turned to look after Uyenishi, he had mended his pace considerably and was looking back at them. Thereupon one of the officers, named Barker, decided to follow the Jap, while the other, Holt, reconnoitred the premises.
‘Now, as soon as Barker turned, the Japanese broke into a run. It was just such a night as this: dark and slightly foggy. In order to keep his man in sight, Barker had to run, too; and he found that he had a sprinter to deal with. From the bottom of Bedford Row, Uyenishi darted across and shot down Hand Court like a lamplighter. Barker followed, but at the Holborn end his man was nowhere to be seen. However, he presently learned from a man at a shop door that the fugitive had run past and turned up Brownlow Street, so off he went again in pursuit. But when he got to the top of the street, back in Bedford Row, he was done. There was no sign of the man, and no one about from whom he could make inquiries. All he could do was to cross the road and walk up Bedford Row to see if Holt had made any discoveries.
‘As he was trying to identify the house, his colleague came out on to the doorstep and beckoned him in; and this was the story that he told. He had recognized the house by the big lamp-standard; and as the place was all dark, he had gone into the entry and tried the office door. Finding it unlocked, he had entered the clerks’ office, lit the gas, and tried the door of the private office, but found it locked. He knocked at it, but getting no answer, had a good look round the clerks’ office; and there, presently, on the floor in a dark corner, he found a key. This he tried in the door of the private office, and finding that it fitted, turned it and opened the door. As he did so, the light from the outer office fell on the body of a man lying on the floor just inside.
‘A moment’s inspection showed that the man had been murdered—first knocked on the head and then finished with a knife. Examination of the pockets showed that the dead man was Harold Bonney, and also that no robbery from the person seemed to have been committed. Nor was there any sign of any other kind of robbery. Nothing seemed to have been disturbed, and the safe had not been broken into, though that was not very conclusive, as the safe key was in the dead man’s pocket. However, a murder had been committed, and obviously Uyenishi was either the murderer or an accessory; so Holt had, at once, rung up Scotland Yard on the office telephone, giving all the particulars.
‘I may say at once that Uyenishi disappeared completely and at once. He never went to his lodgings at Limehouse, for the police were there before he could have arrived. A lively hue and cry was kept up. Photographs of the wanted man were posted outside every police-station, and a watch was set at all the ports. But he was never found. He must have got away at once on some outward-bound tramp from the Thames. And there we will leave him for the moment.
‘At first it was thought that nothing had been stolen, since the managing clerk could not discover that anything was missing. But a few days later the client returned from Paris, and presenting his receipt, asked for his pearls. But the pearls had vanished. Clearly they had been the object of the crime. The robbers must have known about them and traced them to the office. Of course the safe had been opened with its own key, which was then replaced in the dead man’s pocket.
‘Now, I was poor Bonney’s executor, and in that capacity I denied his liability in respect of the pearls on the ground that he was a gratuitous bailee—there being no evidence that any consideration had been demanded—and that being murdered cannot be construed as negligence. But Miss Mabel, who was practically the sole legatee, insisted on accepting liability. She said that the pearls could have been secured in the bank or the strong-room, and that she was morally, if not legally, liable for their loss; and she insisted on handing to the owner the full amount at which he valued them. It was a wildly foolish proceeding, for he would certainly have accepted half the sum. But still, I take my hat off to a person—man or woman—who can accept poverty in preference to a broken covenant”; and here Brodribb, being in fact, that sort of person himself, had to be consoled with a replenished glass.
‘And mind you,’ he resumed, ‘when I speak of poverty, I wish to be taken literally. The estimated value of those pearls was fifty thousand pounds—if you can imagine anyone out of Bedlam giving such a sum for a parcel of trash like that; and when poor Mabel Bonney had paid it, she was left with the prospect of having to spread her butter mighty thin for the rest of her life. As a matter of fact, she has had to sell one after another of her little treasures to pay just her current expenses, and I’m hanged if I can see how she is going to carry on when she has sold the last of them. But there, I mustn’t take up your time with her private troubles. Let us return to our muttons.
‘First, as to the pearls. They were never traced, and it seems probable that they were never disposed of. For, you see, pearls are different from any other kind of gems. You can cut up a big diamond, but you can’t cut up a big pearl. And the great value of this necklace was due not only to the size, the perfect shape and ‘orient’ of the separate pearls, but to the fact that the whole set was perfectly matched. To break up the necklace was to destroy a good part of its value.
‘And now as to our friend Uyenishi. He disappeared, as I have said; but he reappeared at Los Angeles, in custody of the police, charged with robbery and murder. He was taken red-handed and was duly convicted and sentenced to death; but for some reason—or more probably, for no reason, as we should think—the sentence was commuted to imprisonment for life. Under these circumstances, the English police naturally took no action, especially as they really had no evidence against him.
‘Now Uyenishi was, by trade, a metal-worker; a maker of those pretty trifles that are so dear to the artistic Japanese, and when he was in prison he was allowed to set up a little workshop and practise his trade on a small scale. Among other things that he made was a little casket in the form of a seated figure, which he said he wanted to give to his brother as a keepsake. I don’t know whether any permission was granted for him to make this gift, but that is of no consequence; for Uyen
ishi got influenza and was carried off in a few days by pneumonia; and the prison authorities learned that his brother had been killed, a week or two previously, in a shooting affair at San Francisco. So the casket remained on their hands.
‘About this time, Miss Bonney was invited to accompany an American lady on a visit to California, and accepted gratefully. While she was there she paid a visit to the prison to inquire whether Uyenishi had ever made any kind of statement concerning the missing pearls. Here she heard of Uyenishi’s recent death; and the governor of the prison, as he could not give her any information, handed over to her the casket as a sort of memento. This transaction came to the knowledge of the press, and—well, you know what the Californian press is like. There were ‘some comments,’ as they would say, and quite an assortment of Japanese, of shady antecedents, applied at the prison to have the casket ‘restored’ to them as Uyenishi’s heirs. Then Miss Bonney’s rooms at the hotel were raided by burglars—but the casket was in the hotel strong-room—and Miss Bonney and her hostess were shadowed by various undesirables in such a disturbing fashion that the two ladies became alarmed and secretly made their way to New York. But there another burglary occurred, with the same unsuccessful result, and the shadowing began again. Finally, Miss Bonney, feeling that her presence was a danger to her friend, decided to return to England, and managed to get on board the ship without letting her departure be known in advance.
‘But even in England she has not been left in peace. She has had an uncomfortable feeling of being watched and attended, and has seemed to be constantly meeting Japanese men in the streets, especially in the vicinity of her house. Of course, all the fuss is about this infernal casket; and when she told me what was happening, I promptly popped the thing in my pocket and took it to my office, where I stowed it in the strong-room. And there, of course, it ought to have remained. But it didn’t. One day Miss Bonney told me that she was sending some small things to a loan exhibition of oriental works of art at the South Kensington Museum, and she wished to include the casket. I urged her strongly to do nothing of the kind, but she persisted; and the end of it was that we went to the museum together, with her pottery and stuff in a handbag and the casket in my pocket.
‘It was a most imprudent thing to do, for there the beastly casket was, for several months, exposed in a glass case for anyone to see, with her name on the label; and what was worse, full particulars of the origin of the thing. However, nothing happened while it was there—the museum is not an easy place to steal from—and all went well until it was time to remove the things after the close of the exhibition. Now, to-day was the appointed day, and, as on the previous occasion, she and I went to the museum together. But the unfortunate thing is that we didn’t come away together. Her other exhibits were all pottery, and these were dealt with first, so that she had her handbag packed and was ready to go before they had begun on the metalwork cases. As we were not going the same way, it didn’t seem necessary for her to wait; so she went off with her bag and I stayed behind until the casket was released, when I put it in my pocket and went home, where I locked the thing up again in the strong-room.
‘It was about seven when I got home. A little after eight I heard the telephone ring down in the office, and down I went, cursing the untimely ringer, who turned out to be a policeman at St. George’s Hospital. He said he had found Miss Bonney lying unconscious in the street and had taken her to the hospital, where she had been detained for a while, but she was now recovered and he was taking her home. She would like me, if possible, to go and see her at once. Well, of course, I set off forthwith and got to her house a few minutes after her arrival, and just after you had left.
‘She was a good deal upset, so I didn’t worry her with many questions, but she gave me a short account of her misadventure, which amounted to this: She had started to walk home from the museum along the Brompton Road, and she was passing down a quiet street between that and Fulham Road when she heard soft footsteps behind her. The next moment, a scarf or shawl was thrown over her head and drawn tightly round her neck. At the same moment, the bag was snatched from her hand. That is all that she remembers, for she was half-suffocated and so terrified that she fainted, and knew no more until she found herself in a cab with two policemen, who were taking her to the hospital.
‘Now it is obvious that her assailants were in search of that damned casket, for the bag had been broken open and searched, but nothing taken or damaged; which suggests the Japanese again, for a British thief would have smashed the crockery. I found your card there, and I put it to Miss Bonney that we had better ask you to help us—I told her all about you—and she agreed emphatically. So that is why I am here, drinking your port and robbing you of your night’s rest.’
‘And what do you want me to do?’ Thorndyke asked.
‘Whatever you think best,’ was the cheerful reply. ‘In the first place, this nuisance must be put a stop to—this shadowing and hanging about. But apart from that, you must see that there is something queer about this accursed casket. The beastly thing is of no intrinsic value. The museum man turned up his nose at it. But it evidently has some extrinsic value, and no small value either. If it is good enough for these devils to follow it all the way from the States, as they seem to have done, it is good enough for us to try to find out what its value is. That is where you come in. I propose to bring Miss Bonney to see you to-morrow, and I will bring the infernal casket, too. Then you will ask her a few questions, take a look at the casket—through the microscope, if necessary—and tell us all about it in your usual necromantic way.’
Thorndyke laughed as he refilled our friend’s glass. ‘If faith will move mountains, Brodribb,’ said he, ‘you ought to have been a civil engineer. But it is certainly a rather intriguing problem.’
‘Ha!’ exclaimed the old solicitor; ‘then it’s all right. I’ve known you a good many years, but I’ve never known you to be stumped; and you are not going to be stumped now. What time shall I bring her? Afternoon or evening would suit her best.’
‘Very well,’ replied Thorndyke; ‘bring her to tea—say, five o’clock. How will that do?’
‘Excellently; and here’s good luck to the adventure.’ He drained his glass, and the decanter being now empty, he rose, shook our hands warmly, and took his departure in high spirits.
It was with a very lively interest that I looked forward to the prospective visit. Like Thorndyke, I found the case rather intriguing. For it was quite clear, as our shrewd old friend had said, that there was something more than met the eye in the matter of this casket. Hence, on the following afternoon, when, on the stroke of five, footsteps became audible on our stairs, I awaited the arrival of our new client with keen curiosity, both as to herself and her mysterious property.
To tell the truth, the lady was better worth looking at than the casket. At the first glance, I was strongly prepossessed in her favour, and so, I think, was Thorndyke. Not that she was a beauty, though comely enough. But she was an example of a type that seems to be growing rarer; quiet, gentle, soft-spoken, and a lady to her finger-tips; a little sad-faced and care-worn, with a streak or two of white in her prettily-disposed black hair, though she could not have been much over thirty-five. Altogether a very gracious and winning personality.
When we had been presented to her by Brodribb—who treated her as if she had been a royal personage—and had enthroned her in the most comfortable easy-chair, we inquired as to her health, and were duly thanked for the salvage of the bag. Then Polton brought in the tray, with an air that seemed to demand an escort of choristers; the tea was poured out, and the informal proceedings began.
She had not, however, much to tell; for she had not seen her assailants, and the essential facts of the case had been fully presented in Brodribb’s excellent summary. After a very few questions, therefore, we came to the next stage; which was introduced by Brodribb’s taking from his pocket a small parcel which he proceeded to open.
‘There,’ said he, ‘that is the fons et origo mali. Not much to look at, I think you will agree.’ He set the object down on the table and glared at it malevolently, while Thorndyke and I regarded it with a more impersonal interest. It was not much to look at. Just an ordinary Japanese casket in the form of a squat, shapeless figure with a silly little grinning face, of which the head and shoulders opened on a hinge; a pleasant enough object, with its quiet, warm colouring, but certainly not a masterpiece of art.
Thorndyke picked it up and turned it over slowly for a preliminary inspection; then he went on to examine it detail by detail, watched closely, in his turn, by Brodribb and me. Slowly and methodically, his eye—fortified by a watchmaker’s eyeglass—travelled over every part of the exterior. Then he opened it, and having examined the inside of the lid, scrutinized the bottom from within, long and attentively. Finally, he turned the casket upside down and examined the bottom from without, giving to it the longest and most rigorous inspection of all—which puzzled me somewhat, for the bottom was absolutely plain. At length, he passed the casket and the eyeglass to me without comment.
‘Well,’ said Brodribb, ‘what is the verdict?’
‘It is of no value as a work of art,’ replied Thorndyke. ‘The body and lid are just castings of common white metal—an antimony alloy, I should say. The bronze colour is lacquer.’
‘So the museum man remarked,’ said Brodribb.
‘But,’ continued Thorndyke, ‘there is one very odd thing about it. The only piece of fine metal in it is in the part which matters least. The bottom is a separate plate of the alloy known to the Japanese as Shakudo—an alloy of copper and gold.’
‘Yes,’ said Brodribb, ‘the museum man noted that, too, and couldn’t make out why it had been put there.’
Capital Crimes: London Mysteries Page 9