Mary Ellen becomes obsessed with art theory and something called “criticality.” Do you feel that these pursuits are a waste of time or even a destructive influence?
For the most part, I think the academic study of art theory is a worthy and important discipline. For someone like Mary Ellen, however, it can be tempting to use theory as a barrier to a more intimate and visceral experience of art. Being too caught up in theory can also make it difficult to create art, because it can get in the way of raw, honest emotion. In Mary Ellen’s case, it has a paralyzing and distancing effect, which is only exacerbated by her tendency to run away from her feelings.
Have you gone through a struggle similar to Mary Ellen’s in your writing?
Absolutely. The most difficult part of being a writer (or any artist) is learning to access uncomfortable emotions and channel them into your work. Like Mary Ellen—like anyone, really—I’d rather avoid those feelings than dig around in them. I’ve also had my share of writer’s block, which can come from insecurity, and second-guessing myself, and trying to be someone I’m not. Overcoming all of that stuff is hard work, but in the end, it hasn’t just made me a better writer—I think it’s made me a more honest, self-aware, and empathetic person.
Acknowledgments
I would like to thank Kirsten Bakis for her tireless support and astute ass-kickings, always delivered when I needed them most; Dana White for her kindness, insight, and inspiration; and Curious-On-Hudson for introducing me to these two remarkable women, without whom this book would never have seen the light of day. I would also like to thank my early readers: Ed, Eulalia, and Jodi Cobb; Amy Conklin; Greta Cowan; Karen Engelmann; Holly Fiss; Susan Kleinman; Nell McClister; and Kelly Simmons… You all shone your light into the shadows, and for that, I’ll be forever grateful. Much gratitude also to my even-keeled agent, Adam Schear; my always thoughtful (and patient) editor, Shana Drehs; and the entire hardworking team at Sourcebooks. And finally, my deepest thanks to Brett and Maia Cucchiara for giving me a place to confront my demons in solitude. Your house was more than a beautiful place to write; it was a spark of inspiration, and I can’t think of anything more precious than that.
About the Author
Photo © Christy Knell
Sonya Terjanian lives and writes in New York’s lower Hudson Valley. Her previous book, The Objects of Her Affection, was published under her maiden name, Sonya Cobb.
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The Runaways Page 25