'I wish I had a trumpeter,' she said, and rode forward alone. After two paces, she pulled up and turned. 'No one is to follow me!' she called, her young voice carrying on the wind.
Coenus made a noise, and Parshtaevalt's horse fidgeted, demonstrating his rider's feelings. Somewhere in the line, a horse farted and Melitta smiled. Then she turned and gave her horse a nudge, and she was walking, alone, across the field.
Gryphon was as calm as if they were riding in Ataelus's camp, although his ears were up and he was looking at the opposing line. He was a tried warhorse – he knew what combat was.
Melitta wished she had grander clothes. She wore a good wolf-skin cloak worked in caribou hair, and her mother's helmet, the aventail sparkling with gold and silver scales and a row of blue enamel scales where the aventail met the bronze bowl. She had her mother's gorytos of gold – but her boots were shabby and her trousers were plain hide. And her gauntlets were those of Gryphon's last owner – magnificent, but dirty with a month's riding and camp work.
Marthax – the man she assumed was Marthax – was on a big grey in the middle of the line. He had a helmet of gold, a gold-washed scale shirt and a heavy scarlet and fur coat, Persian style, across his shoulders. His beard was heavy and rolled over his breastplate, and it was so shot with grey that it appeared white at a distance. His boots were red, and his trousers were red with gold plaques.
He touched his stallion's sides and came to meet her.
He had a hand on his hip and held himself erect, and he looked like a king. In fact, his dignity was palpable. She wanted to hate him – her mother's original enemy, although not the man who had killed her. But he had helped – or he had stood aloof. And yet, at ten horse-lengths' distance, he looked too noble to be an enemy.
Will my brother ever attain that sort of dignity? she asked herself. Will I? Her hands would not get warm, and they shook – and her shoulders shook with cold and nerves.
She thrust her chest out and straightened her shoulders, and met his eyes – both of their faces hidden in the depths of helmets. His were bloodshot and blue. Close up, his dignity was unimpaired, but his strength was less.
'You came,' he said, when they were three horse-lengths apart. His breath rose like the steam from the blood of the sacrifices. His horse's breath rose with it.
'As did you,' Melitta said. 'I ask you to name me your heir.' Just like that. The Sakje way – no Persian meddling with wine and small talk.
Marthax pulled his helmet off. Under it, he wore a small arming cap of linen and wool. He scratched his head. 'No,' he said. He sounded genuinely regretful. 'No. I can't.'
She took her helmet off as well, and her hair fell from under her cap. A sigh arose from both lines as it became obvious that they were going to talk and not fight. 'I would never humiliate you,' she said. 'But the whole people must ride to war in the east, to face the Sauromatae.'
'Listen, girl,' he said, and his horse did a curvet, and pain showed in his face. 'Listen while I talk. I have an agreement with Upazan of the Sauromatae. You do not. I can never go to war with him and not be an oath-breaker. I will keep my oath. Will you fight me hand to hand instead?'
'You acknowledge my right?' she asked.
'Bah! Of course. I have no other heir.' For the first time, his impatience showed, and Melitta wondered why he was impatient. He pushed his horse forward and she flinched, fearing treachery, but he pushed his face close to hers. His breath was foul. He was, in fact, a sick man. A sick, old man. 'Listen, girl. I made a mistake with Upazan. You will make mistakes, too. But I bought the people time, and now I will fight you for the kingship. Do you understand?' he asked.
Melitta straightened her back. 'I understand, O King.'
That made him smile. 'I'm sorry about your mother, lass. I didn't understand how easy it is to share, and how foolish it is to crave power.' He was looking at the setting sun. 'I have but one request.'
Melitta nodded.
'Build me a good kurgan. Do it in spring, when you rally your army, and no man will say you are not the queen. Any ills will be healed.' He looked around. 'I hated being king, but by all the gods, I love life. Don't fuck up, girl.' His voice choked a little.
He put his helmet on his head. 'Can you fight?' he asked. 'I hear that you can.'
She piled her hair on to her head again, and pulled her fox-skin hat over it. 'I can,' she said.
He nodded. 'I'll ride back to my own lines. You do the same. When I raise my sword, we charge.'
Melitta nodded. Then she turned her horse and rode slowly back across the snow-covered ground to her own lines, where all the chiefs had gathered around her knights.
'We fight,' Melitta said.
Parshtaevalt shook his head. 'Let me fight him,' he said. 'It is allowed.'
But Urvara had been watching. 'You will win,' she said. 'I see it now. At the last, Marthax is, in fact, a good king.'
And Melitta nodded. There were tears in her eyes. 'My mother said that he was a great man, before he turned on her.' She shrugged. 'I suspected that man was still there.'
Urvara nodded. 'I should have seen sooner, lady.'
Melitta thought of saying something… authoritative. About trusting her the next time. But she decided that nothing needed to be said. Instead, she took her best spear from Coenus.
'He is ready,' Urvara said. She had been watching over Melitta's shoulder.
'As am I,' Melitta said. She settled her helmet, clenched and unclenched her hands, and raised her spear.
All the Sakje in both lines cheered and the two riders began to move.
He was big and well armoured. He had a war axe with a spike, a vicious weapon, and he was holding it out at the length of his arm, pointing the spike at her eyes. He had a small shield with a running stag in bronze over iron scales, and he was coming at a flat gallop.
There were no rules in the kingship duel, although it was said that anyone who took the kingship with a bow in their hand would fail as king. It was said.
She held her spear overhand, as if to throw it, and she pointed Gryphon's head at the middle of Marthax's horse's chest and gave him both heels. He leaped forward and the snow blurred past his feet as she seemed to ride the wind.
Marthax raised his shield against her throw a few strides away, and she twirled the staff in her fingers and brought it under her arm, the point in line all the way, so that her spear struck his shield and he was out of his saddle and she barely kept her seat, her knees locked around Gryphon's barrel, the horse himself responding to the shock of impact with long training.
She brought Gryphon around in a long circle. Stay down, she thought. Stay down and live! But another part of her said, I unhorsed Marthax, and I will be queen! Around she came, and he was up on one knee, using the axe to raise himself. There was blood flowing from under his helmet, but he was on his feet.
She reined Gryphon to a stop a few horse-lengths from him.
'Don't be a fool, girl,' he snapped.
She slipped to the ground and drew her plain-hilted akinakes, the same one she'd carried at Gaza and in every fight on the plains. She put her spear into her left hand.
He came for her without another word, trudging across the snow as fast as his wound would allow.
She threw the spear left-handed, and it hit his knee above the armour and he was down in the snow again.
And he laughed. 'Arggh!' he growled.
She circled warily, because he still had the axe and he was getting up.
'Aye, you can fight,' he said. 'A good kurgan!' he said, and he stumbled at her, his axe raised for a powerful swing.
And she stepped inside his swing, took the weakest part of the blow on her shoulder and back, faked her brother's favourite Harmodius overhand – and rammed the whole length of her sword up under his arm in a rising backhand thrust. It was a move that she had practised with Satyrus and Philokles and Theron a thousand times, and it seemed fitting that he should have it, because when well done, it granted instant death.
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Her blade went in to the hilt, and the king was dead before he slumped to the ground, the weight of his fall pulling the sword from her grasp.
She bent over him to retrieve her sword, and the pain of his blow to her back sprang at her like an ambush and she almost fell. Had he changed his mind at the last? Or had he granted her a fair fight because he had her measure?
He was dead. She failed to pull the blade free on the third tug, and it snapped in her hand. She dropped the worn hilt in the snow and realized that the riders were cheering her – from both sides of the line. Just as she had foreseen.
At her feet lay an old man, his beard red with blood, his lined face freed from his helmet by her last blow. She bent down, and closed his eyes.
Coenus rode up, having collected Gryphon's reins. Behind him was Urvara and Parshtaevalt, and across the field, Marthax's commanders were surging forward as well.
'Hail, Queen of the Assagatje,' Coenus said.
'He gave it to me,' she said.
'Aye. Well, he was always one of the best,' Coenus said. 'We'd never have beaten Zopryon without him.'
Other men and women were surrounding her. She got herself up on Gryphon with as much struggle as she'd ever had in her life. 'Listen!' she shouted, and they were silent.
'Srakorlax!' Scopasis called. Other Sakje took up the name.
'Listen to me!' she shouted. Gryphon stood as steady as a rock between her legs. 'Marthax died the king of the Assagatje – the heir of Satrax. In the spring, we will build him a great kurgan on the riverbank. Every man of his knights will give a horse, and I will give a hundred more. He was the lord of ten thousand horses!'
Four hundred voices should not be able to fill the icy wastes of the sea of grass in winter, but their roar echoed joy – and relief that there was to be no bloody civil war.
'And then we will gather our might, and the Sauromatae will feel the weight of our hooves!' she called.
And again they roared.
15
ALEXANDRIA, WINTER, 311-310 BC
Herakles stood naked except for his lion skin, towering over Satyrus's supine form. At a distance, Satyrus regretted his own death, and his spirit hung over the room, watching the hero-god standing beside his body.
Thanatos entered from the floor, striding into the room as if climbing invisible steps from Hades below.
'Mine,' he said.
'No,' Herakles said.
'Mine!' Death hissed, and his voice was the voice of every creature of the underworld, and the stench of death and the flat smell of old earth accompanied him. His garments were of rotted linen, and his crown was gold so long buried as to have a patina.
Herakles stood between Death and the bed. 'No,' he said, and crossed his mighty arms.
'Ten times over!' Death hissed. 'Am I some demi-mortal, to be treated so?'
'Begone,' Herakles said.
Thanatos was no coward. 'Bah,' he spat, and sand dribbled from his mouth. 'Let me see how much of you remains mortal, little godling.'
Herakles shrugged. 'I have tried your strength, Uncle.'
Thanatos struck suddenly, with a sword shaped like a sickle, the kepesh of Aegypt. Herakles caught the wrist of the hand that held the sword and lifted the god and his sword clear of the floor and walked out of the room, on to the balcony over the sea.
'Cool your head in the kingdom of your brother, Poseidon,' Herakles said.
'I took your father in his moment of triumph, boy! And I'll do the same to you!' Thanatos said, and his dreadful eyes crossed with Satyrus's and he knew that was meant for him.
And then Herakles turned and threw the god of death over the balcony.
There was no splash.
And in the way of dreams, Herakles led him along the river many parasangs, until they came to a temple, and Herakles led him to the altar – but it was no altar, and an old man, supported by two brawny apprentices, was forging iron on an anvil, and the scene was lit in the red of the forge, and as Satyrus watched, the bent blade was quenched, and Satyrus smiled in his dream, and then he was being pulled by the hand through the tangled ways of the night market, passing whores and rag-pickers and basket-weavers, passing a baker who did his business at night for the greater profit, and a man who sold stolen goods, and a woman who claimed her mother was Moira, goddess of fate, and that she could see the future. Herakles walked past them all, and none of them saw him, except the daughter of Moira, who raised her eyes from a fraudulent fortune and drew her stole over her head in terror.
They entered a tavern, and men moved out of the way of the god of heroes without knowing that they did so, stepping aside at a movement in the corner of the eye, and Satyrus moved in his wake. He could smell the sour wine, and smell also the tang of the poppy juice that the innkeeper kept in a glass bottle – real temple glass, worth its weight in gold. He almost lost the god in his sudden flood of desire to possess that wretched stuff, to change this dream of sordid reality for the colours that spoke like gods.
He balanced between two steps, one of which would lead him, invisible and wraithlike, to the bottle, the other of which would follow his god. And then he followed Herakles through a curtain of soiled leather, and then through a wall of dry stone chinked with mud, to a filthy room that might once have been whitewashed and now stank of old wine and rotten food.
He knew the man at the table instantly. It was Sophokles, the Athenian doctor-assassin, and he had four men crouching on the dirt floor and a fifth person, a woman, standing by the door, her arms crossed over her breasts. They all turned their heads as the god stepped among them, and Sophokles stood suddenly, took a breath and looked around him.
'Something – has come,' he said. 'Damn Aegypt and her walking spirits!'
Herakles didn't speak, but pointed mutely at the woman by the door.
Satyrus knew her, and he…
Awoke. He was covered in sweat, and weak – so weak that he couldn't raise his arm to wipe the sweat from his face.
Nearchus sat by him. 'You are awake?' he asked.
Satyrus willed his arm to move, and it was as if his paralysis lifted even as he forced that first movement – and a sharp pain shot through his arm, a cramp like the ones that a poorly massaged athlete can get after pushing himself too hard. An experience that Satyrus had had many times.
Another cramp hit him and he rolled on his side and retched. Nearchus held a basin for him, but nothing came out but a thin stream of bile.
When the cramps released their hold of his muscles he relaxed and a slave wiped his chin with a cloth. He breathed in, then let the breath out, testing his gag reflex.
'Was I dead?' he asked.
Nearchus shook his head. 'Not at all. You did quite well, young man. Although, to be honest, the habit was scarcely ingrained – a mere matter of weeks. My brother, for instance…' Nearchus shook his head.
'Where is Phiale?' Satyrus asked.
'She visits often, I believe,' Nearchus said. 'Young master, I cannot imagine that you fancy her services in your current state.'
'On… contrary, doctor. Song… Phiale…' He took a breath and managed to speak clearly. 'Will do as much to restore my health as-' A cramp hit his stomach, and he rolled into a ball. When he could breathe, he continued, '… all your ministrations.' He gave a ghost of a smile. 'I… do not mean it. You – how can I bless you enough?'
Nearchus rolled his shoulders. 'I am a family retainer. I do my duty. I must allow that I have always enjoyed serving Master Leon.'
The next two days saw Satyrus recover and retch by turns, his muscles refusing their duty in the middle of the simplest actions. He spent the daylight hours lying in the pale winter sun on his balcony. Sometimes he imagined that he could see the incorporeal image of his god standing over him, and other times he shook his head at the curious effects of his illness on his mind. Nearchus had found him a boy-slave, Helios, a native of Amphipolis enslaved when his parents took him on a sea voyage, and the boy waited on him with a solicitousness seldom f
ound in a slave.
Satyrus sat in the sun, a scroll of Herodotus in his hands. He couldn't get through the words, even the words that dealt with the stand of the Hellenes at Plataea, the climax of Herodotus's great work.
'How long have you been a slave?' Satyrus asked.
The boy considered. 'Four years,' he said. 'I was taken in the spring of the year that Cassander killed the queen.'
Satyrus smiled, because even in his current state, he knew that the boy meant Olympias, the witch-queen of Macedon. An enemy. One enemy fewer.
'Were you – ill-used?' he asked. 'By the pirates?' 'Not by the pirates,' Helios said in a matter-of-fact voice. 'But they killed my parents.'
Satyrus nodded. 'Do you know the name of the pirate who took you?' Satyrus asked.
'Oh, yes,' the boy said. 'We were taken by Demostrate. His crew killed my parents because they fought. He apologized to me.' The boy gave a steady smile.
Nearchus and Sappho were sending him a message. His brain took this in through the fog of pain and wretchedness – this boy was their vote of disapproval of his alliance with the pirate king.
'Would you care to come to sea with me, boy?' he asked.
Helios beamed like his namesake, the sun, and his Thracian-blond hair glowed in the sun. 'Oh, yes!' he said.
Satyrus lay back, exhausted by the exchange. 'If I take you to sea, and teach you to fight, will you serve me for four years?'
Helios shrugged. 'I'm a slave,' he said. But then he smiled. 'I'd love to go to sea,' he said.
Satyrus realized that he'd left the important part of the offer unsaid. He tried to formulate it in his mind, but it was slipping away. 'Never mind,' he said, and fell asleep.
The next time he was awake, Nearchus sat by his bed and fed him soup – wonderful goat stew, with spices and dumplings.
Then he threw it all up.
Helios cleaned him.
King of the Bosphorus t-4 Page 23