Last Man Standing: Tales from Tinseltown

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Last Man Standing: Tales from Tinseltown Page 18

by Moore, Roger


  ‘Are these photos recent ones?’ he asked as I handed them over.

  ‘Yes, I had them taken a week ago,’ I replied. ‘In Switzerland.’

  ‘What?’

  ‘A week ago ...’ I repeated.

  ‘You said Switzerland?’ he asked, as he dropped them back on the desk. ‘I’m afraid we can’t accept these, as they are not on approved UK photographic paper.’

  I was somewhat taken aback, but my interrogator was not someone I felt I could be in any way glib with, so, looking forlorn, I asked what I could do.

  ‘Down that corridor,’ he pointed. ‘Turn left and follow it to the end and you’ll see a photo machine there. It costs £5 and will print you four. When you have them, come back.’

  After what seemed like a three-mile hike, I managed to obtain the photos, though obviously by then I wasn’t in a terribly good mood as I look most perturbed in them. I dropped them back to my friend. He read through the form again, looked at the photos … ‘I’m sorry, but this is a different person.’

  ‘Pardon?’ I asked.

  ‘On your current passport you are named as Mr Roger Moore, but now you want it to be in the name of Sir Roger Moore – it’s different.’

  ‘Yes, I’ve been knighted in the meantime.’

  ‘Ah,’ he replied. ‘Do you have any proof of that?’

  ‘Proof?! What would you like?’ I seethed through clenched teeth. ‘A letter from the Queen?’

  With that, he finished off the paperwork and matter-of-factly told me to report back to the office around the corner in three hours.

  Following lunch and a much-needed glass of wine, I reported to what I can only really describe as a hatch in a wall, where I rang the bell and waited for said hatch to open.

  ‘Name?’ the little man said.

  ‘Roger Moore.’

  ‘Date of birth?’

  ‘14 October 1927.’

  ‘Got any ID on you?’

  It’s at times like this I’m incredibly tempted to say ‘Do you know who I am?’ (Or as in the case of when I was in New York for an interview promoting my first book, and the door security man [who had my name on his list] said, ‘I can’t let you in without photo ID’, I slapped my book down in front of him and said, ‘There! That’s me and that’s my name,’ and walked through past him.) On this occasion, though, I think I produced either my driving licence or credit card.

  He studied my ID very carefully and held it up against my passport. ‘Ah, yes, that’s fine.’

  I took my passport and just as I was about to turn and exit, the little man called out, ‘Excuse me!’

  I returned to his hatch, and he smiled widely, ‘I’ve always been a big fan, Sir Roger. Any chance of an autograph?’

  I tell you this small anecdote to highlight the fact that whatever one’s fame, whatever one has ‘accomplished’, whoever one has met and mingled with, wherever one has travelled, there are always times in life that one is brought back to earth with a bump. It’s true what they say: ‘You can take the boy out of south London, but you can’t take south London out of the boy. This particular south London boy has always been very lucky. I’ve worked with the best and travelled the world, made friends with the great and the good and continue to live life to the full – but it’s incidents like the one above that (eventually) make me smile and remember my roots.

  Kristina and I visit some of the Kosovar refugees in FYR Macedonia in 1999.

  On our first visit to Kazakhstan, Kristina and I met children with disabilities and were continually inspired.

  In Closing ...

  ACTING INTERESTS (AND ATTEMPTS) ASIDE, I AM, OF COURSE, still primarily kept busy as a UNICEF Goodwill Ambassador and I’m always delighted when my passion for UNICEF rubs off on those around me. One of my more recent fundraising projects is Giving Tales, which came about when my son Christian and his business partner Klaus Lovgreen discussed the idea of producing an interactive, animated version of Hans Christian Andersen fairy tales. Giving Tales is an app available on iPhones, iPads etc (although other tablet devices are available, of course …), and the plan is for a celebrity to read a Hans Christian Andersen story and, as an ever-continuing project, every year the catalogue is set to grow, generating an on-going royalty for UNICEF. I thought it sounded like a terrific project.

  I called on a few friends to see if they might lend their tonsils, and the first to jump on board was the lovely Ewan McGregor. Soon afterwards, Stephen Fry, Joanna Lumley, Joan Collins and Michael Caine all joined me in recording tales. I’ll keep you posted!

  At UNICEF HQ with Namibian youth representative Livey Van Wyk and fellow Goodwill Ambassador Whoopi Goldberg, unveiling the winning poster of an international advertising competition to promote the Global Campaign on Children and AIDS.

  Kristina and I still travel for UNICEF too, and not long ago we were in Germany for the committee’s sixtieth anniversary, with various activities, interviews and recordings to tackle. I’m also now deploying my Twitter account to spread UNICEF news, appeals and share success stories – social media is certainly becoming all-important.

  10 August 2004 in Beijing, China, I greet a girl, as other children and members of the press look on, during the launch of a UNICEF-supported summer camp for children orphaned by AIDS.

  But thinking back to my early days as an Ambassador, having been recruited by Audrey Hepburn, I often wondered what drove Audrey’s total and tireless devotion to the charity. I only discovered the answer at her funeral, when her son Sean read a poem that Audrey had herself read to her family from her sickbed only a few weeks earlier, on Christmas Eve 1992; it was written by American humorist and writer Sam Levenson for his granddaughter.

  I found the words so very poignant that I wrapped up each of my recent theatre appearances with it, and indeed with an announcement that UNICEF collection buckets would be in the foyer on the way out – I’ve no shame in asking for help to save children’s lives, and everyone gave so very generously.

  For attractive lips, speak words of kindness.

  For lovely eyes, seek out the good in people.

  For a slim figure, share your food with the hungry.

  For beautiful hair, let a child run his or her fingers through it once a day.

  For poise, walk with the knowledge that you never walk alone.

  People, even more than things, have to be restored, renewed, revived, reclaimed and redeemed; never throw out anyone.

  Remember, if you ever need a helping hand, you’ll find one at the end of each of your arms.

  As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.

  Acknowledgements

  I would hereby like to acknowledge the invaluable help of:

  Gareth Owen for again sprinkling a little literacy on my work; Michael and Lesley O’Mara; Louise Dixon, my editor; Ron Callow, Claire Cater, Judy Palmer and Katy Parker; Lesley Pollinger and all at Pollinger Ltd; Iris Harwood; the National Motor Museum, Beaulieu; the BBC Written Archive, Caversham, Berkshire; Cinema Retro magazine www.cinemaretro.com; Andy Boyle; Doris Spriggs; EON Productions Ltd; Alan Davidson of www.sirrogermoore.com

  And for supplying many of the photographs:

  Jaz Wiseman, UNICEF and EON Productions; Jenny Hanley; Geraldine Winner.

  Picture Credits

  Anthony Osmond-Evans

  © United Archives/TopFoto

  © Alpha Press

  © Mirrorpix

  REX/George Harris/Associated Newspapers

  © Mirrorpix

  REX/ITV

  REX/ITV

  REX/David Magnus

  © Mirrorpix

  Bert Hardy/Picture Post/Hulton Archive/Getty Images

  REX

  REX/Moviestore Collection

  Alllied Artists/Getty Images

  REX/ITV

  © Alpha Press

  Ron Galella Ltd/WireImage/Getty Images

  Terry O’Neill/Getty Images

&
nbsp; REX/Moviestore Collection

  20th Century Fox/Golden Harvest/The Kobal Collection

  NBC via Getty Images

  Jack Garofalo/Paris Match via Getty Images

  © UNICEF / Mark Thomas

  © UNICEF

  © UNICEF/Susan Markisz

  © UNICEF/Wang Yongji

  James Bond images are © All Rights Reserved Danjaq LLC and United Artists Corporation

  Index

  A Matter of Time ref1

  A Night to Remember ref1, ref2

  A View to a Kill ref1

  ABC TV ref1

  ABPC Studios ref1, ref2, ref3, ref4, ref5, ref6, ref7

  Abrams, J. J. ref1, ref2

  Ackland-Snow, Terry ref1

  ACTT ref1

  Aladdin ref1

  Albert of Monaco, Prince ref1

  Alexandra Palace ‘Ally Pally’, London ref1, ref2

  Alias ref1

  Allen, Dave ref1

  Allen, Irving ref1, ref2, ref3

  Allen, Nat ref1

  Anderson, Jean ref1

  Andrews, Julie ref1, ref2

  Anna Karenina ref1

  Anniversary, The ref1

  Arabian Adventure ref1

  Armstrong, Neil ref1

  Army Film Unit, British ref1

  Arthur ref1

  Assignment Foreign Legion ref1

  Assistant Stage Manager (ASM) roles, RM’s ref1, ref2

  Attenborough, Lord ref1

  Audience, The ref1

  Automobile Association (AA) training films ref1

  Bacall, Lauren ref1

  Bad Sister ref1

  Baker, Bob ref1, ref2, ref3

  Baker, Roy Ward ref1, ref2, ref3, ref4

  Bal Creole ref1

  Baldwin, James ref1

  Bankhead, Tallulah ref1

  Barker, Lex ref1

  Barnard, Dr Christiaan ref1

  Barrymore, John ref1

  Barth, Louis ref1

  Batman ref1

  BBC (British Broadcasting Corporation) ref1, ref2

  Beaconsfield Studios ref1

  Beaumont, Binkie ref1

  Behind the Green Door ref1

  Belafonte, Harry ref1

  Bergman, Ingrid ref1, ref2

  Berman, Monty ref1

  Bertil of Sweden, Prince ref1

  Birdman of Alcatraz, The ref1

  Bishop, Joey ref1, ref2

  Black Knight, The ref1, ref2

  Black Lion Films ref1

  Black Narcissus ref1

  Black Park Studios ref1

  Black Shield of Falworth, The ref1

  Blackman, Honor ref1

  Blair, Cherie ref1

  Blue Lagoon, The ref1

  Bogarde, Dirk ref1, ref2, ref3

  Bogart, Humphrey ref1, ref2, ref3

  Bond, Gordon ref1

  Bond on Bond (RM’s book) ref1

  Boston Strangler, The ref1

  Box, Betty ref1, ref2

  Box, Sydney ref1

  Boys from Brazil, The ref1, ref2

  Brando, Marlon ref1, ref2

  Bray Studios ref1

  Bricusse, Leslie ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9

  Brides of Fu Manchu, The ref1

  Bridge on the River Kwai, The ref1

  British Lion Studios ref1, ref2

  Broccoli, Albert R. ‘Cubby’ ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13

  Broccoli, Dana ref1

  Bryan, Dora ref1

  Bryner, Yul ref1

  Bullet to Beijing ref1

  Bullseye ref1, ref2

  Burton, Richard ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10

  Caan, James ref1

  Cagney, James ref1

  Caine, Michael ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10

  Call Me Bwana ref1

  Call of the Wild, The ref1

  Candida ref1

  Candy, John ref1

  Cannes Film Festival ref1

  Cannonball Run, The ref1

  Capron, Robert ref1

  Carry on Cleo ref1

  Carry On film series ref1, ref2, ref3

  Carry on Spying ref1

  Carry on up the Khyber ref1

  Castle of Fu Manchu, The ref1

  CBS ref1

  Chandler, Jeff ref1

  Changi Prison, Singapore ref1, ref2

  Charlie and the Chocolate Factory ref1

  Chitty Chitty Bang Bang ref1

  Christian Anderson, Hans ref1

  Christian, Linda ref1

  Chung Ling Soo ref1

  Cilento, Diane ref1

  Clark, Petula ref1

  Clayton, Harold ref1

  Cleopatra ref1, ref2

  Cobb, Lee J. ref1

  Cohn, Harry ref1

  Colbert, Claudette ref1

  Collins, Elsa ref1

  Collins, Jackie ref1, ref2

  Collins, Joan ref1, ref2, ref3, ref4, ref5

  Collins, Joe ref1

  Colman, Ronald ref1

  Columbia Studios ref1, ref2, ref3

  Comancheros, The ref1

  Combined Services Entertainment Unit, Hamburg ref1, ref2

  Connery, Sean ref1

  Connor, Kevin ref1

  Connor, William ‘Cassandra’ ref1

  Conrad, Jess ref1, ref2, ref3

  Cooper, Gary ref1

  Cooper, Tommy ref1

  Coronation Street ref1

  Cossins, James ref1

  Cote d’Azur, France ref1

  Coward, Noel ref1, ref2, ref3

  Cowell, Elizabeth ref1

  Cracknell, Derek ref1

  Craig, Daniel ref1

  Craig, Ivan ref1

  Crawford, Joan ref1, ref2

  Crossplot ref1

  Crown Film Units ref1

  Crust, Arnold (Michael Winner pseudonym) ref1

  Curtis, Leslie ref1, ref2

  Curtis, Tony ref1, ref2, ref3, ref4, ref5

  Curtiz, Michael ref1

  Cushing, Peter ref1

  Daily Mirror ref1

  Dallas, Robert ref1

  Dangerous ref1

  Dark, John ref1

  Dark of the Moon, The ref1

  Davies, Betty Ann ref1

  Davies, Jack ref1

  Davis, Bette ref1, ref2, ref3

  Davis, John ref1, ref2, ref3

  Davis Jr., Sammy ref1, ref2, ref3

  Davis Sr., Sammy ref1

  de Cicco, Pat ref1

  Death on the Nile ref1

  Deep Throat ref1

  Deighton, Len ref1

  Delfont, Lord ‘Bernie’ ref1

  Dench, Dame Judi ref1

  Denham Studios ref1, ref2

  Dial M for Murder ref1

  Diamonds are Forever ref1

  Diane ref1

  Dickens, Monica ref1

  Disney ref1

  Disney, Walt ref1

  Doctor Dolittle ref1

  Doctor film series ref1

  Don’t Bother to Knock ref1

  Dors, Diana ref1, ref2, ref3

  Dorsey, Tommy ref1

  Douglas, Angela ref1

  Douglas, Anne ref1

  Douglas, Kirk ref1, ref2

  Dr No ref1, ref2

  Drawing Room Detective, The ref1, ref2

  Dresser, The ref1

  Duke, Doris ref1

  Eady Levy ref1

  Ealing Studios ref1

  Eden, Mark ref1

  Educating Archie ref1

  Edwards, Blake ref1, ref2, ref3

  Ekland, Britt ref1, ref2

  Elizabeth II, Queen ref1

  Ellis, Brian ref1

  Elstree Studios ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8

  EMI Films ref1

  Engelen, Paul ref1

  Entertainer, The ref1

  EON Productions ref1, ref2, ref3

  Equity ref1, ref2

  Face of Fu Manchu, The ref1

  Fallen Idol, The ref1, ref2


  Farrow, Mia ref1, ref2

  Feldman, Charles ref1

  Fiddler on the Roof ref1

  Finch, Peter ref1, ref2, ref3, ref4

  Finney, Albert ref1, ref2, ref3, ref4

  Fleming, Ian ref1, ref2, ref3

  Flynn, Errol ref1

  Foenander, Allan ref1

  For Your Eyes Only ref1

  Forbes, Bryan ref1, ref2, ref3, ref4

  Ford, Glenn ref1

  Foster, Norman ref1

  Four Weddings and a Funeral ref1

  Francis of Assisi ref1

  Franco, Jess ref1

  Frankenheimer, John ref1

  Frederick, Lynne ref1, ref2

  Friedman, Dore ref1

  From Here to Eternity ref1

  From Russia with Love ref1, ref2

  Frost, David ref1, ref2

  Fry, Stephen ref1, ref2

  Fu Manchu film series ref1

  Gabel, Scilla ref1

  Gable, Clark ref1, ref2

  Gabor, Eva ref1

  Gabor, Zsa Zsa ref1

  Gainsborough Studios ref1

  Gallant Hours, The ref1

  Gardner, Ava ref1, ref2, ref3, ref4

  Gayson, Eunice ref1

  Genevieve ref1

  Gibson, Percy ref1

  Gielgud, Sir John ref1, ref2

  Gielgud Theatre, London ref1

  Gilliat, Sidney ref1

  Gingold, Hermione ref1

  Giving Tales fundraising project ref1

  Gladiator ref1

  Glen, Archie ref1

  Gobbi, Tito ref1

  Gold ref1, ref2

  Gold, Jan ref1

  Gold, Johnny ref1, ref2

  Goldfinger ref1, ref2

  Gone with the Wind ref1

  Goodman, Johnny ref1, ref2, ref3

  Gordon, Dorothy ref1

  Governess, The ref1

  Grace, Martin ref1, ref2

  Grace of Monaco, Princess

  see Kelly, Grace

  Grade, Lady ref1

  Grade, Lew ref1, ref2, ref3, ref4, ref5, ref6

  Grade, Michael ref1

  Granger, Stewart ref1, ref2

  Grant, Cary ref1, ref2, ref3, ref4

  Gray, Willoughby ref1

  Great Expectations ref1

  Great Gingalee, The ref1

  Green Fire ref1

  Guilaroff, Sydney ref1

  Guns at Batasi ref1

  Guns of Navarone, The ref1

  Gustav, Carl ref1

  H. M.Tennent ref1

  Hackman, Gene ref1

  Hackney Empire, London ref1

  Hall, Bill ref1, ref2

  Hall, Sir Peter ref1

  Hamilton, Guy ref1, ref2, ref3

  Hamilton, Patrick ref1

  Hamlet ref1, ref2

 

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