Alan Rickman

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Alan Rickman Page 37

by Maureen Paton


  Olivier, Sir Laurence 31, 47, 217, 254, 272, 273

  Olivier Theatre, London 249, 250

  One Flew Over The Cuckoo’s Nest 202

  One World Action 137, 254

  Ooms, Amanda 204, 207, 208

  Open Space Theatre 170

  Orton, Nigel 38, 44

  Osborne, John 53

  Othello (Shakespeare) 107, 113

  Other Worlds (Holman) 76, 93–6

  O’Toole, Peter 22, 252

  Out Of Joint 80, 157

  Owen, Clive 150–1

  Owen, Michael 168, 170, 178, 188, 197, 224, 280

  Oxford Playhouse 79

  Oz 49

  Pacino, Al 59

  Pagett, Nicola 220

  Paige, Elaine 279

  Paine, Thomas 21

  Rights of Man, The 21

  Paterson, Bill 145

  Patrick, Tony 163

  Patten, Brian 50

  Paxman, Jeremy 91

  Pearson, Allison 15, 142

  Pearson, Neil 187

  Peer Gynt (Ibsen) 155

  Peggy Ashcroft Theatre, Guildford 254

  People 139

  Peter, John 167

  Peter Pan (Barrie) 216, 218

  Peterborough column 158–9

  Phantom of the Opera 26

  Phillips, Leslie 97

  Phoenix Theatre, Leicester 56

  Piccadilly Theatre, London 22, 154

  Pinter, Harold 152

  Pitt, Brad 260

  Plater, Alan 80–1, 84

  Plath, Sylvia 88–9, 277

  Play 257

  Players of Shakespeare 105

  Pleasence, Donald 6, 81

  Pogson, Kathryn 187

  Poliakoff, Stephen

  on AR 2, 5, 14, 15, 69, 87, 104, 106–7, 112, 139, 149–50, 224, 227, 272

  and The Summer Party 73–4

  see also Close My Eyes; Sweet Panic

  Pollack, Sydney 225

  Portillo, Michael 258, 259

  Portrait of Scythrop 39

  Potter, Beatrix 229

  Potter, Dennis 153, 193, 196–212, 281

  Powell, Jeff 139, 275

  Powell, Jonathan 69–70, 72, 80–1, 233

  Preacher, The (Barnes) 129–31

  Prebble, John 31

  Premiere 125

  Pride and Prejudice 70

  Prime Suspect 250

  Private Lives (Coward) 1, 3, 79, 251, 253, 260–2, 265, 268

  Pruce, Peter 237, 238

  Pryce, Jonathan 214–15

  Punch 116

  Quigley Down Under 134–6, 140

  Quilley, Denis 91

  RADA 48, 51, 53, 75, 137, 247, 275

  Rains, Claude 117, 120, 138, 277, 282

  Ramsay, Peggy 113–14

  Rasputin 1, 17, 233, 236–42, 243, 272, 280

  Rasputin, Grigori 236–9

  Rasputin, Maria 239, 241

  Ratcliffe, Michael 101, 104, 105, 117

  Rathbone, Basil 120, 138, 142

  Raw Produce 158

  Ray, John 41

  Recruiting Officer, The (Farquhar) 80

  Redbrick 61

  Redgrave, Corin 12, 40, 177

  Redgrave, Vanessa 12, 170, 177, 258

  Reedus, Norman 246

  Reeves, Saskia 150–2, 279

  Reid, Mrs 29–30

  Renaissance Theatre Company 169

  Return Journey (Thomas) 40

  Revolutionary Witness (Barnes) 129

  Reynolds, Kevin 139, 143

  Reynolds, Lance 199, 200–2

  Rich, Frank 110

  Richard III (Shakespeare) 53

  Richardson, Natasha 256

  Richardson, Sir Ralph 21, 217

  Rickman, Alan Patrick

  birth 21

  family background 10, 21, 22–3

  at Montessori School 28–9

  at Latymer Upper School 12, 25, 30–2, 33–44, 51

  at Chelsea College of Art 44

  in amateur dramatic groups 46–7

  at Royal College of Art 49

  at Graphiti 50

  at RADA 48, 51–5

  appearance 1, 2, 9, 11–12, 14, 15, 224, 227, 238

  artistic talent 22–3

  as ASM 55

  awards 212, 238, 243, 245, 280

  as director 93–4, 221–4, 244–5, 265

  as dresser 53

  essay on playing Jaques 105–6, 279

  on himself 274–6

  joins Labour Party 111

  Masterclass 253, 259–60

  and mother 23–8, 243–4

  personality 2, 4–5, 9, 11–12, 13–15, 19–20, 55–6, 57, 58–9, 78, 81, 281

  politics 1, 2, 6, 10, 12, 42–3, 78–9, 85, 144, 160, 168, 258–9, 271, 278

  at RADA 53–5

  roles rejected 215–19

  at RSC 6, 62–8, 69, 73, 103

  sexual charisma 2, 4, 6–7, 9–10, 17, 19, 83, 88, 90, 100

  see also Horton, Rima, relationship with AR

  Rickman, Bernard (AR’s father) 21, 22, 23–4, 168

  Rickman, David Bernard John (AR’s brother) 10, 21, 22–3, 26, 44

  Rickman, Margaret Doreen Rose (née Bartlett, AR’s mother) 10, 21, 22, 23–8, 168, 243–4, 245

  Rickman, Michael Keith (AR’s brother) 10, 14, 22–3, 26

  Rickman, Sheila (AR’s sister) 22, 23, 46 daughters 46

  Rickman, Thomas (‘Clio’) 21–2

  Life of Paine, The 21

  Riese, Mark 189

  Rights Now 159

  Riverside Studios, Hammersmith 5, 54, 95, 98, 157–8, 169–70, 173–93, 214, 221, 271, 281

  Robbins, Tim 164, 276

  Robin Hood 142

  Robin Hood: Prince of Thieves 1, 16–17, 19, 37, 53, 89, 131, 137–43, 149, 158, 204, 257, 260, 277–9

  Rodgers, Anton 187

  Rogers, Sir Richard 177

  Romeo and Juliet (Shakespeare) 48, 57, 69, 199

  Ronnie Scott’s Club 49

  Rose, Charlie 3

  Roundhouse, London 169, 170, 191

  Rowling, J.K. 119, 268

  Royal College of Art 49

  Royal Court Theatre, London 77, 79, 98–100, 107, 157, 253

  Royal Opera House 183

  Royal Shakespeare Company (RSC) 214, 246–8, 260, 281

  AR joins 6

  AR leaves 69, 73

  AR rejoins 103

  Christmas party 25

  and Les Liaisons Dangereuses 2, 16, 105–10, 113–18

  ‘nuns’ at 144

  at Roundhouse 170

  Royal Society of Medicine 207

  Ruling Class, The (Barnes) 22, 26, 58, 131

  Russell, Barry 115

  Russell, Ken 211

  Ryall, David 147

  Rylance, Mark 176

  Sachs, Leonard 39, 40

  Sachs, Robin 39

  St Joan (Shaw) 55, 56, 220

  St Vincent’s School, London 29–30

  Salberg, Jane 99

  San Giacomo, Laura 135

  Sanders, George 120, 277

  Sarandon, Susan 133, 164

  Sarasota Film Festival 255

  Sartre, Jean-Paul 7

  Saturday Review 103–4, 104

  Saunders, Jennifer 93

  Savage, Peter 186–7

  Scacchi, Greta 236, 239

  Scales, Prunella 187, 220

  Schlesinger, John 201

  Schoenfeld, Gerald 110

  Schubert Organisation 110, 114

  Schulz-Keil, Wieland 201–2

  Scofield, Paul 272

  Scorer, Ian 198–9

  Scott, Sir Nicholas 159, 161, 162, 163–4, 258

  Scott, Victoria 159

  Scott-Thomas, Kristin 257

  Seagull, The (Chekhov) 72, 77, 79–80, 93, 107, 108

  Search for John Gissing, The 255–6

  Sebastian, Tim 23, 259, 269

  Segal, Philip 233

  Sekacz, Ilona 191

  Selleck, Tom 134–5

  Sense and Sensibilit
y 16, 156, 216, 218, 224, 225, 226–31, 234, 246

  Sense and Sensibility: Behind the Scenes 229

  Sense & Sensibility: The Diaries 228–30

  Serjeant Musgrave’s Dance (Arden) 39

  Sexy Beast 87

  Sharp, Jane 36

  Sharp, Miriam (‘Mim’) 36, 48

  Sharp, Wilf 33, 36, 48

  Shaw, Fiona 65, 113, 144, 176, 177

  Shawshank Redemption, The 224–5

  Sher, Antony 85, 107, 175

  Shimuzu, Kunio 152

  Shirras, James 198, 199, 201, 202, 204

  Shorter, Eric 97, 105, 116

  Shulman, Milton 68, 97, 98

  Silence of the Lambs 215, 272, 276

  Silver, Joel 120

  Sinn Fein 231

  Six Characters In Search Of An Author (Pirandello) 155

  Small, Christopher 61

  Smiley’s People 70, 72–3, 80

  Smith, Bessie 75–6

  Smith, Kevin 246, 248, 256

  Smith, Maggie 266

  Smith, Mel 30, 35, 41, 42, 43–4, 48, 218

  Spacey, Kevin 276

  Spear, Ruskin 33

  Spectator 95

  Spencer, Charles 115, 163, 166, 178, 222

  Spencer, Charlie 96

  Spielberg, Steven 17, 233, 266

  Spirit of Man, The (Barnes) 89, 131

  Spiteri, Sharleen 156

  Spottiswoode, Roger 197, 198, 199, 202–4, 205–6

  Spurr, Derek 182

  Squirrel Nutkin (Potter) 229

  Stafford-Clark, Max 79, 80, 87, 91, 100, 157, 173

  Stage 250

  Stage and Television Today 50, 115

  Standing Room Only 268, 269

  Stead, Edward (‘Ted’) 33, 34, 36, 39, 40, 47–9, 89, 141, 149, 155, 278

  Stein, Peter 179

  Steppenwolf 175

  Stevenson, Juliet

  AR on 5

  awards 54, 158

  friendship with AR 14, 54, 62, 65, 143–4

  plays and films 16, 93, 94, 255, 257

  and Riverside proposals 176, 192

  at RSC 62, 65, 107, 110, 113, 144, 149–50, 158

  in Truly Madly Deeply 138, 143–8

  Stone, Laurie 102

  Stone, Oliver 217

  Stoppard, Tom 22

  Story of Christmas, The 29

  Strange Days 148

  Stratford-upon-Avon

  The Other Place 104, 107, 108

  Theatre Royal 45, 62–3

  Sturua, Robert 165, 166

  Suchet, David 61, 64

  Sugarman, Sara 90

  Summer Party, The (Poliakoff) 73–4

  Sunday Express 139, 166, 222

  Sunday Mercury 61

  Sunday Telegraph 61, 97, 102, 116

  Sunday Times 153, 155, 167, 258

  Sunset Boulevard (Lloyd Webber) 110, 153

  Suzman, Janet 187

  Sweet Panic (Poliakoff) 152

  Swinton, Tilda 149

  Tango At The End Of Winter (Shimuzu/Barnes) 60, 152–6

  Tarantino, Quentin 234, 246

  Tatler 152

  Taylor, Paul 178

  Tebbit, Norman 6, 85

  Tempest, The (Shakespeare) 48, 62–8, 254

  Thatcher, Margaret 6, 85

  Théâtre de Complicite 205

  Theatre Royal, Haymarket, London 253, 259

  Theatre Royal, Stratford East 137, 254

  There’s A Girl In My Soup 55

  Thérèse Raquin 69–72, 80, 121, 133

  Thin Lizzy 60

  Third Man, The 206

  Thomas, Edward 94, 95

  Thomas, Sian 244

  Thompson 225

  Thompson, Emma 102, 156, 218, 221, 224–8, 230, 243–4, 246, 269

  Diaries 228–30

  Thompson, Eric 244

  Thompson, Sophie 244

  Thorneycroft, Anthony 162–3

  Time Out 108, 116, 117, 178, 189, 190

  Times, The 2, 28, 35, 68, 105, 115, 155, 163, 168, 178, 222, 256

  Times magazine, The 274, 275

  Tinker, Jack 105, 155, 163, 167, 222

  Tinker Tailor Soldier Spy (Le Carré) 72

  Topper, Jenny 14, 77, 269, 278, 281

  Tribune 95

  Trick To Catch An Old One, A (Middleton) 106

  Troilus and Cressida (Shakespeare) 105

  Trollope, Anthony 82

  Truly Madly Deeply 16, 73, 138, 139, 143–8, 149–50, 153, 158, 225, 227, 257

  Tubular Bells II (Oldfield) 169

  Turner, Colin 12, 25, 33–6, 47, 48, 51, 218

  Twelfth Night (Shakespeare) 34, 169, 177

  2001: A Space Odyssey 94

  Ubu Rex (Jarry) 60

  Ullman, Tracey 87, 98

  Unreel 46

  Upstairs Downstairs 70

  Vagabonds Act (1572) 37

  Valmont 111, 114

  Variety 149, 220–1, 238, 246

  Venables, Clare 56

  Venice Film Festival 245

  Vibert, Ronan 154

  Victoria Wood with all the Trimmings 260

  Vidal, Gore 164

  Vienna 206

  A View from the Bridge (Miller) 55

  Walker, Polly 246

  Wallach, Eli 134

  Walter, Harriet 14, 15, 79, 98, 99, 102, 127–8, 144, 230–1

  Wanamaker, Zoë 267

  Warden, The (Trollope) 81

  Wardle, Irving 68, 105, 115

  Warner, David 240

  Warner, Deborah 176, 177

  Washbourne, Mona 71

  Wax, Ruby

  on AR 213

  as AR’s protégée 3, 57–8, 93, 162–3

  at Bristol Old Vic 60

  friendship with AR 14, 16, 19, 57–8, 65, 146, 262

  Raw Produce 158

  and Robin Hood: Prince of Thieves 137

  at RSC 16, 19, 57–8, 65, 146, 262

  on TV 93

  Wax Acts 162–3, 221

  Way of the World, The (Congreve) 177

  Wedekind, Frank 74–5

  West Acton First School 28–9, 30

  West London Free Press 50

  West London Observer 7

  West of Suez (Osborne) 53

  West, Timothy 91, 187

  West Yorkshire Playhouse 5, 62, 177, 221–2

  When I Was A Girl I Used To Scream And Shout (Macdonald) 77

  Whitehouse, Mary 56–7

  Who’s Afraid of Virginia Woolf? (Albee) 34, 251

  Williams, Clifford 62–5, 281

  Williams, Kenneth 92

  Willis, Bruce 16, 119, 121–7, 168, 267

  Wilson, A.N. 104

  Wilson, August 110

  Wilson, Patrick (Paddy) 14, 55–6, 252

  Wilson, Richard 45, 62, 68, 76, 78, 93, 103, 176, 221, 254, 259

  Wilson, Snoo 11, 87, 88, 98, 107, 238, 270, 276–7

  Winslet, Kate 226, 229–30

  Winstone, Ray 87

  Winter Guest, The (film) 243–5, 247

  Winter Guest, The (Macdonald) 177, 221–3, 224

  Wise, Greg 226, 228, 229, 246

  Wollstonecraft, Mary 21

  Woman’s Journal 3, 274, 276

  Women Against Pit Closures 180

  Women’s Playhouse Trust (WPT) 98, 175, 187, 188–9, 190, 192

  Wood, Charles 220

  Wood, Victoria 57, 253, 260

  Woodchester Mansion, Gloucestershire 268

  Woodeson, Nicholas 54

  Woodthorpe, Peter 91

  Woolrich, Cornell 225

  Workers’ Revolutionary Party 12

  Worthington, Brian 38

  Wright, Jules

  on AR 3, 4, 5, 9, 18, 98–101, 134, 247, 279, 280

  on Riverside proposals 98, 157, 173–4, 175, 178, 179, 180–5, 187, 188–92, 214

  X-Men 269

  Yamashta, Stomu 108

  Yentob, Alan 176

  Young, B.A. 68, 79

  Zola, Émile 69

  Zulu 136, 141

  ACKNOWLEDGEMENTS

/>   In November 1994, I asked Alan Rickman via his agent whether he would be interested in co-operating with a biography to be published in the landmark year of his 50th birthday. In January 1995, Alan wrote me a scrupulously polite refusal in what the denizens of Wayne’s World would call ‘most excellent’ handwriting; the influence of his art-school training is immediately apparent in the calligraphy.

  Mal Peachey, my editor at Virgin, was so persuasive, however, that I decided to go ahead with the book. I informed Alan of my intentions, jokily begging him not to reach for the elephant-gun or the smelling-salts. He sent me another handwritten letter: ‘Looking backwards is a strange thing to do – I will do it, but not now. It would take the smelling-salts, the elephant-gun and a large dose of hindsight to change my mind . . .’ Looking back is, indeed, a strange thing to do; but in this case, it has been a fascinating and worthwhile exercise to study this unique actor and director. And when Virgin asked me to update the biography six years after the first edition, the case for a second edition seemed overwhelming in view of Rickman’s output since 1996.

  I am particularly indebted to the following people for their help: Peter Barnes, Stephen Davis, Jenny Topper, Thelma Holt, Blanche Marvin, Jonathan Powell, Catherine Bailey, Jules Wright, Jane Hackworth-Young, Stephanie Pennell, Gwenda Hughes, Michael Bogdanov, Clare Venables, Richard Wilson, Howard Davies, Ruby Wax, Christopher Hampton, Maggie Todd, Christopher Biggins, Dusty Hughes, Mike Newell, Peter James, Stephen Poliakoff, Harriet Walter, Adrian Noble, Emma Hardy, Nigel Hawthorne, Simon McBurney, Mary Whittingdale, Roger Spottiswoode, Clifford Williams, Stephen Crossley, Johnny Perkins, Trevor Nunn, William Burdett-Coutts, Saskia Reeves, James Shaw of the Shakespeare Birthplace Trust, Dave Granger, Paddy Wilson, Chris Taylor, David Rich of Channel 4, Nigel Orton and Chris Hammond of Latymer Upper School, Edward Stead, Matthew Bond, Barry Burnett, Wendy Dixon of West Acton Primary School, Charlotte Tudor, Charles Frater of Silverglade, Theresa Hickey, Ian Francis and Jonathan Donald of the Kensington News, John Prebble, Robert Cushman, Robert Holman, Ang Lee, Susanna Horng, Simon Langton, June Winters and Judy Arthur of Home Box Office, lain Coleman, Peter Savage, Martin Reddin, Sheridan Fitzgerald, Susie Figgis, James Shirras of Film Finances Services Ltd, Ian Herbert of Theatre Record, Max Stafford-Clark, Snoo Wilson, Philip Hedley, John Byer and others who wished to remain anonymous.

  Finally, I would like to thank my editors Mal Peachey and Kirstie Addis and my agent Judith Chilcote for their rigorous encouragement and advice, and my husband Liam Maguire for putting up with me.

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

 

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