Poems New and Collected

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Poems New and Collected Page 15

by Wislawa Szymborska


  read a paper with the current date,

  giant headlines, the tiny print of ads,

  or drum his fingers on the white tablecloth, and his hands would

  have been used a long time now,

  with their chapped skin and swollen veins.

  Sometimes someone would

  yell from the doorway: “Mr. Baczyński,* phone call for you”—

  and there’d be nothing strange about that

  being him, about him standing up, straightening his sweater,

  and slowly moving toward the door.

  At this sight no one would

  stop talking, no one would

  freeze in mid-gesture, mid-breath

  because this commonplace event would

  be treated—such a pity—

  as a commonplace event.

  Our Ancestors’ Short Lives

  Few of them made it to thirty.

  Old age was the privilege of rocks and trees.

  Childhood ended as fast as wolf cubs grow.

  One had to hurry, to get on with life

  before the sun went down,

  before the first snow.

  Thirteen-year-olds bearing children,

  four-year-olds stalking birds’ nests in the rushes,

  leading the hunt at twenty—

  they aren’t yet, then they are gone.

  Infinity’s ends fused quickly.

  Witches chewed charms

  with all the teeth of youth intact.

  A son grew to manhood beneath his father’s eye.

  Beneath the grandfather’s blank sockets the grandson was born.

  And anyway they didn’t count the years.

  They counted nets, pods, sheds, and axes.

  Time, so generous toward any petty star in the sky,

  offered them a nearly empty hand

  and quickly took it back, as if the effort were too much.

  One step more, two steps more

  along the glittering river

  that sprang from darkness and vanished into darkness.

  There wasn’t a moment to lose,

  no deferred questions, no belated revelations,

  just those experienced in time.

  Wisdom couldn’t wait for gray hair.

  It had to see clearly before it saw the light

  and to hear every voice before it sounded.

  Good and evil—

  they knew little of them, but knew all:

  when evil triumphs, good goes into hiding;

  when good is manifest, then evil lies low.

  Neither can be conquered

  or cast off beyond return.

  Hence, if joy, then with a touch of fear;

  if despair, then not without some quiet hope.

  Life, however long, will always be short.

  Too short for anything to be added.

  Hitler’s First Photograph

  And who’s this little fellow in his itty-bitty robe?

  That’s tiny baby Adolf, the Hitlers’ little boy!

  Will he grow up to be an L.L.D.?

  Or a tenor in Vienna’s Opera House?

  Whose teensy hand is this, whose little ear and eye and nose?

  Whose tummy full of milk, we just don’t know:

  printer’s, doctor’s, merchant’s, priest’s?

  Where will those tootsy-wootsies finally wander?

  To a garden, to a school, to an office, to a bride?

  Maybe to the Bürgermeister’s daughter?

  Precious little angel, mommy’s sunshine, honey bun.

  While he was being born, a year ago,

  there was no dearth of signs on the earth and in the sky:

  spring sun, geraniums in windows,

  the organ-grinder’s music in the yard,

  a lucky fortune wrapped in rosy paper.

  Then just before the labor his mother’s fateful dream.

  A dove seen in a dream means joyful news—

  if it is caught, a long-awaited guest will come.

  Knock knock, who’s there, it’s Adolf’s heartchen knocking.

  A little pacifier, diaper, rattle, bib,

  our bouncing boy, thank God and knock on wood, is well,

  looks just like his folks, like a kitten in a basket,

  like the tots in every other family album.

  Sh-h-h, let’s not start crying, sugar.

  The camera will click from under that black hood.

  The Klinger Atelier, Grabenstrasse, Braunau.

  And Braunau is a small, but worthy town—

  honest businesses, obliging neighbors,

  smell of yeast dough, of gray soap.

  No one hears howling dogs, or fate’s footsteps.

  A history teacher loosens his collar

  and yawns over homework.

  The Century’s Decline

  Our twentieth century was going to improve on the others.

  It will never prove it now,

  now that its years are numbered,

  its gait is shaky,

  its breath is short.

  Too many things have happened

  that weren’t supposed to happen,

  and what was supposed to come about

  has not.

  Happiness and spring, among other things,

  were supposed to be getting closer.

  Fear was expected to leave the mountains and the valleys.

  Truth was supposed to hit home

  before a lie.

  A couple of problems weren’t going

  to come up anymore:

  hunger, for example,

  and war, and so forth.

  There was going to be respect

  for helpless people’s helplessness,

  trust, that kind of stuff.

  Anyone who planned to enjoy the world

  is now faced

  with a hopeless task.

  Stupidity isn’t funny.

  Wisdom isn’t gay.

  Hope

  isn’t that young girl anymore,

  et cetera, alas.

  God was finally going to believe

  in a man both good and strong,

  but good and strong

  are still two different men.

  “How should we live?” someone asked me in a letter.

  I had meant to ask him

  the same question.

  Again, and as ever,

  as may be seen above,

  the most pressing questions

  are naïve ones.

  Children of Our Age

  We are children of our age,

  it’s a political age.

  All day long, all through the night,

  all affairs—yours, ours, theirs—

  are political affairs.

  Whether you like it or not,

  your genes have a political past,

  your skin, a political cast,

  your eyes, a political slant.

  Whatever you say reverberates,

  whatever you don’t say speaks for itself.

  So either way you’re talking politics.

  Even when you take to the woods,

  you’re taking political steps

  on political grounds.

  Apolitical poems are also political,

  and above us shines a moon

  no longer purely lunar.

  To be or not to be, that is the question.

  And though it troubles the digestion

  it’s a question, as always, of politics.

  To acquire a political meaning

  you don’t even have to be human.

  Raw material will do,

  or protein feed, or crude oil,

  or a conference table whose shape

  was quarreled over for months:

  Should we arbitrate life and death

  at a round table or a square one?

  Meanwhile, people perished,

  animals died,

  houses burned,

&nbs
p; and the fields ran wild

  just as in times immemorial

  and less political.

  Tortures

  Nothing has changed.

  The body is a reservoir of pain;

  it has to eat and breathe the air, and sleep;

  it has thin skin and the blood is just beneath it;

  it has a good supply of teeth and fingernails;

  its bones can be broken; its joints can be stretched.

  In tortures, all of this is considered.

  Nothing has changed.

  The body still trembles as it trembled

  before Rome was founded and after,

  in the twentieth century before and after Christ.

  Tortures are just what they were, only the earth has shrunk

  and whatever goes on sounds as if it’s just a room away.

  Nothing has changed.

  Except there are more people,

  and new offenses have sprung up beside the old ones—

  real, make-believe, short-lived, and nonexistent.

  But the cry with which the body answers for them

  was, is, and will be a cry of innocence

  in keeping with the age-old scale and pitch.

  Nothing has changed.

  Except perhaps the manners, ceremonies, dances.

  The gesture of the hands shielding the head

  has nonetheless remained the same.

  The body writhes, jerks, and tugs,

  falls to the ground when shoved, pulls up its knees,

  bruises, swells, drools, and bleeds.

  Nothing has changed.

  Except the run of rivers,

  the shapes of forests, shores, deserts, and glaciers.

  The little soul roams among those landscapes,

  disappears, returns, draws near, moves away,

  evasive and a stranger to itself,

  now sure, now uncertain of its own existence,

  whereas the body is and is and is

  and has nowhere to go.

  Plotting with the Dead

  Under what conditions do you dream of the dead?

  Do you often think of them before you fall asleep?

  Who appears first?

  Is it always the same one?

  First name? Surname? Cemetery? Date deceased?

  To what do they refer?

  Old friendship? Kinship? Fatherland?

  Do they say where they come from?

  And who’s behind them?

  And who besides you sees them in his dreams?

  Their faces, are they like their photographs?

  Have they aged at all with time?

  Are they robust? Are they wan?

  The murdered ones, have their wounds healed yet?

  Do they still remember who killed them?

  What do they hold in their hands? Describe these objects.

  Are they charred? Moldy? Rusty? Decomposed?

  And in their eyes, what? Entreaty? A threat? Be specific.

  Do you only chat about the weather?

  Or about flowers? Birds? Butterflies?

  No awkward questions on their part?

  If so, what do you reply?

  Instead of safely keeping quiet?

  Or evasively changing the dream’s subject?

  Or waking up just in time?

  Writing a Résumé

  What needs to be done?

  Fill out the application

  and enclose the résumé.

  Regardless of the length of life,

  a résumé is best kept short.

  Concise, well-chosen facts are de rigueur.

  Landscapes are replaced by addresses,

  shaky memories give way to unshakable dates.

  Of all your loves, mention only the marriage;

  of all your children, only those who were born.

  Who knows you matters more than whom you know.

  Trips only if taken abroad.

  Memberships in what but without why.

  Honors, but not how they were earned.

  Write as if you’d never talked to yourself

  and always kept yourself at arm’s length.

  Pass over in silence your dogs, cats, birds,

  dusty keepsakes, friends, and dreams.

  Price, not worth,

  and title, not what’s inside.

  His shoe size, not where he’s off to,

  that one you pass off as yourself.

  In addition, a photograph with one ear showing.

  What matters is its shape, not what it hears.

  What is there to hear, anyway?

  The clatter of paper shredders.

  Funeral (II)

  “so suddenly, who could have seen it coming”

  “stress and smoking, I kept telling him”

  “not bad, thanks, and you”

  “these flowers need to be unwrapped”

  “his brother’s heart gave out, too, it runs in the family”

  “I’d never know you in that beard”

  “he was asking for it, always mixed up in something”

  “that new guy was going to make a speech, I don’t see him”

  “Kazek’s in Warsaw, Tadek has gone abroad”

  “you were smart, you brought the only umbrella”

  “so what if he was more talented than they were”

  “no, it’s a walk-through room, Barbara won’t take it”

  “of course, he was right, but that’s no excuse”

  “with body work and paint, just guess how much”

  “two egg yolks and a tablespoon of sugar”

  “none of his business, what was in it for him”

  “only in blue and just small sizes”

  “five times and never any answer”

  “all right, so I could have, but you could have, too”

  “good thing that at least she still had a job”

  “don’t know, relatives, I guess”

  “that priest looks just like Belmondo”

  “I’ve never been in this part of the grounds”

  “I dreamed about him last week, I had a feeling”

 

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