Christie,Agatha - Murder At Hazelmore.doc

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by Murder At Hazelmoor aka The Sittaford Mystery (lit)


  don't wipe their feet on the mat."

  "Mr. Rycroft?" said Emily.

  to

  "Queer little man, enormous egoist. Cranky. Likes! -d

  think himselfa wonderful fellow. I suppose he has offerd/u!

  to help you solve the case aright owing to his wonderfi

  knowledge of criminology."

  Emily admitted that that was the case.

  "Mr. Duke?" she asked. 't

  "Don't know a thing about the man--and yet I ought

  to. Most ordinary type. I ought to know--and yet I don

  It's queer. It's like a name on the tip of your tongue ar

  yet for the life of you, you can't remember it."

  "The Willetts?" asked Emily.

  if

  "Ah! the Willetts!" Miss Percehouse hoisted hers t

  up on an elbow again in some excitement. "What abotJt

  the Willetts indeed? Now, I'll tell you something abotJ

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  Agatha Christie

  them, my dear. It may be useful to you, or it may not.

  Go over to my writing table there and pull out the little

  top drawer--the one to the left--that's right. Bring me

  the blank envelope that's there."

  Emily brought the envelope as directed.

  "I don't say it's important--it probably isn't," said Miss

  Pereehouse. "Everybody tells lies one way or another

  and Mrs. Willett is perfectly entitled to do the same as

  everybody else."

  She took the envelope and slipped her hand inside.

  "I will tell you all about it. When the Willetts arrived

  here, with their smart clothes and their maids and their

  innovation trunks, she and Violet came up in Forder's

  car and the maids and the innovation trunks came by

  the station bus. And naturally, the whole thing being an

  event as you might say, I was looking out as they passed

  and I saw a colored label blow off from one of the trunks

  and dive down on to one of my borders. Now, if' there

  is one thing I hate more than another it is a litter of

  paper or mess of any kind, so I sent Ronnie out to pick

  it up, and I was going to throw it away when it struck

  me it was a bright, pretty thing, and I might as well keep

  it for the scrap-books I make for the children's hospital.

  Well, I wouldn't have thought about it again except for

  Mrs. Willett deliberately mentioning on two or three

  occasions that Violet had never been out of South Africa

  and that she herself had only been to South Africa, Eng

  land,

  and the Riviera."

  "Yes?" said Emily.

  "Exactly. Now--look at this."

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  Murder at Hazelmoor

  Miss Percehouse thrust a luggage label into Emily's

  hand. It bore the inscription, Mendle's Hotel, Melbourne.

  "Australia," said Miss Percehouse, "isn't South

  Africa--or it wasn't in my young days. I daresay it isn't

  important but there it is for what it is worth. And I'll tell

  you another thing, I have heard Mrs. Willett calling to

  her daughter and she called Coo-ee and that again is

  more typical of Australia than South Africa. And what I

  say is, it is queer. Why shouldn't you wish to admit that

  you come from Australia if you do?"

  "It's certainly curious," said Emily. "And it's curious

  that they should come to live here in winter time as they

  have."

  "That leaps to the eye," said Miss Percehouse. "Have

  you met them yet?"

  "No. I thought of going there this morning. Only I

  didn't know quite what to say."

  "I'll provide you with an excuse," said Miss Perce-house

  briskly. "Fetch me my fountain pen and some

  notepaper and an envelope. That's right. Now, let ne

  see." She paused deliberately, then without the least

  warning raised her voice in a hideous scream.

  "Bonnie, Bonnie, Bonnie! Is the boy deaf? Why can't

  he come when h&'s called? Bonnie! Ronnie!"

  Bonnie arrived at a brisk trot, paint brush in hand.

  "Is there anything the matter, Aunt Caroline?"

  "What should be the matter? I was calling you, that

  was all. Did you have any particular cake for tea when

  you were at the Willetts yesterday?"

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  Agatha Christie

  "Cake?"

  "Cake, sandwiches--anything. How slow you are, boy.

  What did you have to eat for tea?"

  "There was a coffee cake," said Ronnie very much

  puzzled, "and some ptsandwiches--"

  "Coffee cake," said Miss Percehouse. "That'll do." She

  began to write briskly. "You can go back to your painting,

  Ronnie. Don't hang about, and don't stand there with

  your mouth open. You had your adenoids out when you

  were eight years old, so there is no excuse for it."

  She continued to write:

  DEAR MRS. WILLETT,--I hear you had the most

  delicious coffee cake for tea yesterday afternoon.

  Will you be so very kind as to give me the recipe

  for it. I know you'll not mind my asking you this--an

  invalid has so little variety except in her diet.

  Miss Trefusis has kindly promised to take this note

  for me as Ronnie is busy this morning. Is not this

  news about the convict too dreadful?

  Yours very sincerely,

  CAROLINE PERCEHOUSE.

  She put it in an envelope, sealed it down and ad-dressed

  it.

  "There you are, young woman. You will probably find

  the doorstep littered with reporters. A lot of them passed

  along the lane in Forder's charabanc. I saw them. But

  you ask for Mrs. Willett and say you have brought a note

  from me and you'll sail in. I needn't tell you to keep your

  eyes open and make the most you can of your visit. You

  will do that anyway."

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  Murder at Hazelmoor

  "You are kind," said Emily. "You really are."

  "I help those who can help themselves," said Miss

  Percehouse. "By the way, you haven't asked me what I

  think of Ronnie yet. I presume he is on your list of the

  village. He is a good lad in his way, but pitifully weak.

  I am sorry to say he would do almost anything for money.

  Look at what he stands from me! And he hasn't got the

  brains to see that I would like him just ten times better

  if he stood up to me now and again, and told me to go

  to the devil.

  "The only other person in the village is Captain Wyatt.

  He smokes opium, I believe. And he's easily the worst-tempered

  man in England. Anything more you want to

  know?"

  "I don't think so," said Emily. "What you have told

  me seems pretty comprehensive."

  149

  Emily Visits Sittaford House

  A s Emily walked briskly along the lane she noticed once

  more how the character of the morning was changing.

  The mist was closing up and round.

  "What an awful place to live in England is," thought

  Emily. "If it isn't snowing or raining or blowing it's misty.

  And if the sun does shine it's so cold that you can't feel

  your fingers or toes."

  She was interrupted in these reflections by a rather

  hoarse voice speaking rather close to her
right ear.

  "Excuse me," it said, "but do you happen to have seen

  a bull terrier?"

  Emily started and turned. Leaning over a gate was a

  tall thin man with a very brown complexion, bloodshot

  eyes and gray hair. He was propped up with a crutch on

  one side, and was eyeing Emily with enormous interest.

  She had no difficulty in identifying him as Captain Wyatt,

  the invalid owner of No. 3 The Cottages.

  "No, I haven't," said Emily.

  "She's got out," said Captain Wyatt. "An affectionate

  creature, but an absolute fool. With all these cars and

  things--"

  "I shouldn't think many motors come up this lane,"

  said Emily.

  "Charabancs do in the summer time," said Captain

  Wyatt grimly. "It's the three and sixpenny morning run

  from Exhampton. Ascent of Sittaford Beacon with a halt

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  Murder at Hazelmoor

  halfway up from Exhampton for light refreshments."

  "Yes, but this isn't summer time," said Emily.

  "All the same a charabanc came along just now. Reporters,

  I suppose, going to have a look at Sittaford House."

  "Did you know Captain Trevelyan well?" asked Emily.

  She was of the opinion that the incident of the bull terrier

  had been a mere subterfuge on Captan Wyatt's part

  dictated by a very natural curiosity. She was, she was well

  aware, the principal object of attention in Sittaford at

  present, and it was only natural that Captain Wyatt should

  wish to have a look at her as well as everyone else.

  "I don't know about well," said Captain Wyatt. "He sold me this cottage."

  "Yes," said Emily encouragingly.

  "A skinflint, that's what he was," said Captain Wyatt.

  "The arrangement was that he was to do the place up to

  suit the purchaser's taste, and just because I had the

  window sashes in chocolate picked out in lemon, he wanted

  me to pay half. Said the arrangement was for a uniform

  color."

  "You didn't like him," said Emily.

  "I was always having rows with him," said Captain

  Wyatt. "But I always have rows with everyone," he added

  as an afterthought. "In a place like this you have to teach

  people to leave a man alone. Always knocking at the door

  and dropping in and chattering. I don't mind seeing

  people when I am in the mood--but it has got to be my

  mood not theirs. No good Trevelyan giving me his Lord

  of the Manor airs and dropping in whenever he felt like

  it. There's not a soul in the place comes near me now,"

  he added with satisfaction.

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  Agatha Christie

  "Oh!" said Emily.

  "That's the best of having a native servant," said Cap-tain

  Wyatt. "They understand orders. Abdul," he roared.

  A tall Indian in a turban came out of the cottage and

  waited attentively.

  "Come in and have something," said Captain Wyatt.

  "And see my little cottage."

  "I'm sorry," said Emily, "but I have to hurry on."

  "Ohno, you haven't," said Captain Wyatt.

  "Yes, I have," said Emily. "I've got an appointment."

  "Nobody understands the art of living nowadays," said

  Captain Wyatt. "Catching trains, making appointments,.

  fixing times for everything--all nonsense. Get up with

  the sun I say, have your meals when you feel like it, and

  never tie yourself to a time or a date. I could teach people

  how to live if they would listen to me."

  The results of this exalted idea of living were not too

  hopeful, Emily reflected. Anything more like a battered

  wreck of a man than Captain Wyatt she had never seen.

  However, feeling that his curiosity had been sufficiently

  satisfied for the time being she insisted once more on

  her appointment and went on her way.

  Sittaford House had a solid oak front door, a neat bell

  pull, an immense wire mat, and a brilliantly polished

  brass letter box. It represented, as Emily could not fail

  to see, comfort and decorum. A neat and conventional

  parlormaid answered the bell.

  Emily deduced the journalist evil had been before her

  as the parlormaid said at once in a distant tone, "Mrs.

  Willett is not seeing anyone this morning."

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  Murder at Hazelmoor

  "I have brought a note from Miss Percehouse," said

  Emily.

  This clearly altered matters. The parlormaid's face expressed

  indecision, then she shifted her ground.

  "Will you come inside, please."

  Emily was ushered into what house agents describe

  as "a well-appointed hall," and from there into a large

  drawing-room. A fire was burning brightly and there

  were traces of feminine occupation in the room. Some

  glass tulips, an elaborate workbag, a girl's hat, and a

  Pierrot doll with very long legs, were lying about. There

  were, she noticed, no photographs.

  Having taken in all there was to see, Emily was warming

  her hands in front of the fire when the door opened

  and a girl about her own age came in. She was a very

  pretty girl, Emily noticed, smartly and expensively

  dressed, and she also thought that she had never seen a

  girl in a greater state of nervous apprehension. Not that

  this was apparent on the surface however. Miss Willett

  was making a gallant appearance of being entirely at her

  ease.

  "Good morning," she said advancing and shaking hands. "I'm so sorry mother isn't down, but she's spending the

  morning in bed."

  "Oh, I am so sorry, I'm afraid I have come at an unfortunate

  time."

  "No, of course not. The cook is writing out the recipe

  for that c.ake now. We are only too delighted for Miss

  Percehouse to have it. Are you staying with her?"

  Emily reflected with an inward smile that this was

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  Agatha Christie

  perhaps the only house in Sittaford whose members were

  not exactly aware of who she was and why she was there.

  Sittaford House had a definite regime of employers and

  employed. The employed might know about her--the

  employers clearly did not.

  "I am not exactly staying with her," said Emily. "In fact, I'm at Mrs. Curtis's."

  "Of course the cottage is terribly small and she has

  her nephew, Ronnie, with her, hasn't she? I suppose

  there wouldn't be room for you too. She's a wonderful

  person, isn't she? So much character, I always think, but

  I am rather afraid of her really."

  "She's a bully, isn't she?" agreed Emily cheerfully.

  "But it's an awful temptation to be a bully, especially if

  people won't stand up to you."

  Miss Willett sighed.

  "I wish I could stand up to people," she said. "We've

  had the most awful morning absolutely pestered by reporters."

  "Oh, of course," said Emily. "This is Captain Trevelyan's

  house really, isn't it?--the man who was murdered

  at Exhampton."

  She was trying to determine the exact cause of Violet

  Willett's nervousness. The girl was clearly on the jump.

  Something was frighte
ning her--and frightening her

  badly. She mentioned Captain Trevelyan's name bluntly

  on purpose. The girl didn't noticeably react to it in any

  way, but then she was probably expecting some such

  reference.

  "Yes, wasn't it dreadful?"

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  Murder at Hazelmoor

  "Do tell me--that's if you don't mind talking about

  it?"

  "No--no--of course not--why should I?"

  "There's something very wrong with this girl," thought

  Emily. "She hardly knows what she's saying. What has

  made her get the wind up this morning particularly?"

  "About that table turning," went on Emily. "I heard

  about it in a casual sort of way and it seemed to me so

  frightfully interesting--I mean so absolutely gruesome."

  "Girlish thrills," she thought to herself, "that's my

  line."

  "Oh, it was horrid," said Violet. "That evening--I shall

  never forget it! We thought, of course, that it was some-body

  just fooling--only it seemed a very nasty kind of

  joke."

  "Yes?"

  "I shall never forget when we turned the lights on--everybody

  looked so queer. Not Mr. Duke and Major

  Burnaby--they are the stolid kind, they would never

  like to admit that they were impressed by anything of

 

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