Christie,Agatha - Murder At Hazelmore.doc

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by Murder At Hazelmoor aka The Sittaford Mystery (lit)


  "For New York?"

  "Yes."

  "Then he'll be on the sea at the present moment. What

  boat is he on?"

  "I--I really can't remember."

  "You know the line? Was it a Cunard or White Star?"

  "I--I really don't remember."

  "Ah well," said the Inspector, "we'll cable his firm in

  New York. They'll know."

  "It was the Gargantua," said Dering sullenly.

  "Thank you, Mr. Dering, I thought you could remem.'Zl9

  Agatha Christie

  her if you tried, Now, your statement is that you lunched

  with Mr. Rosenkraun and that you spent the afternoon

  with him. At what time did you leave him?"

  "About five o'clock I should say."

  "And then?"

  "I decline to state. It's no business of yours. That's all

  you want surely."

  Inspector Narracott nodded thoughtfully. If Rosenkraun

  confirmed Dering's statement then any case against

  Dering must fall to the ground. Whatever his mysterious

  activities had been that evening could not affect the case.

  "What are you going to do?" demanded Dering uneasily.

  "Wireless Mr. Rosenkraun on board the Gargantua."

  "Damn it all," cried Dering, "you'll involve me in all

  sorts of publicity. Look here--"

  He went across to his desk, scribbled a few words on

  a bit of paper, then took it to the Inspector.

  "I suppose you've got to do what you're doing," he

  said ungraciously, "but at least you might do it in my

  way. It's not tair to run a chap in for a lot of trouble."

  On the sheet of paper was written:

  Rosenkraun S.S. "Gargantua." Please confirm my

  statement I was with you lunch-time until five o'clock

  Friday 14th. Martin Dering.

  "Have the reply sent straight to youmI don't mind.

  But don't have it sent to Scotland Yard or a Police Station.

  You don't know what these Americans are like. Any hint

  of me being mixed up in a police case and this new

  contract that I've been discussing will go to the winds.

  Keep it a private matter, Inspector."

  Murder at Hazelmoor

  "I've no objection to that, Mr. Dering. All I want is

  the truth. I'll send this reply paid, the reply to be sent

  to my private address in Exeter."

  "Thank you, you are a good chap. It's not such easy

  going earning your living by literature, Inspector. You'll

  see the answer will be all right. I did tell you a lie about

  the dinner, but as a matter of fact I had told my wife

  that that was where I had been, and I thought I might

  as well stick to the same story to you. Otherwise I would

  have let myself in for a lot of trouble."

  "If Mr. Rosenkraun confirms your statement, Mr.

  Dering, you will have nothing else to fear."

  "An unpleasant character," the Inspector thought, as

  he left the house. "But he seems pretty certain that this

  American publisher will confirm the truth of his story."

  A sudden remembrance came to the Inspector, as he

  hopped into the train which would take him back to

  Devon.

  "Rycroft," he said, "of course--that's the name of the

  old gentleman who lives in one of the cottages at Sitta-ford.

  A curious coincidence."

  221

  At Deller's Caf

  E M I L ¥ Trefusis and Charles Enderby were seated at

  a small table in Deller's Caf in Exeter. It was half past

  three and at that hour there was comparative peace and

  quiet. A few people were having a quiet cup of tea, but

  the restaurant on the whole was deserted.

  "Well," said Charles, "what do you think of him?"

  Emily frowned.

  "It's difficult," she said.

  After his interview with the police, Brian Pearson had

  lunched with them. He had been extremely polite to

  Emily, rather too polite in her opinion.

  To that astute girl it seemed a shade unnatural. Here

  was a young man conducting a clandestine love affair and

  an officious stranger butts in.

  Brian Pearson had taken it like a lamb, had fallen in

  with Charles's suggestion of having a car and driving over

  to see the police.

  Why this attitude of meek acquiescence? It seemed

  to Emily entirely untypical of the natural Brian Pearson

  as she read his character.

  "I'll see you in hell first!" would, she felt sure, have

  been far more his attitude.

  This lamb-like demeanor was suspicious. She tried to

  convey something of her feelings to Enderby.

  "I get you," said Enderby. "Our Brian has got some

  Murder at Hazelmoor

  thing to conceal, therefore he can't be his ratural highhanded

  self."

  "That's it exactly."

  "Do you think he might possibly have killed old Trevelyan?"

  "Brian," said Emily thoughtfully, "is--well, a person

  to be reckoned with. He is rather unscrupulous, I should

  think, and if he wanted anything, I don't think he would

  let ordinary conventional standards stand in his way. He's

  not plain tame English."

  "Putting all personal considerations on one side, he's

  a more likely starter than Jim?" said Enderby.

  Emily nodded.

  "Much more likely. He would carry a thing through

  well--because he would never lose his nerve."

  "Honestly, Emily, do you think he did it?"

  "I--I don't know. He fulfils the conditions--the only

  person who does."

  "What do you mean by fulfils the conditions?"

  "Well (x) Motive." She ticked off the items on her

  fingers. "The same motive. Twenty thousand pounds. () Opportunity. Nobody knows where he was on Friday

  afternoon, and if he was anywhere that he could say--well--surely

  he would say it? So we assume that he was

  actually in the neighborhood of Hazelmoor on Friday."

  "They haven't found anyone who save him in Ex-hampton,"

  Charles pointed out, "and he's a Fairly noticeable

  person."

  Emily shook her head scornfully.

  "He wasn't in Exhampton. Don't you see, Charles, if

  Agatha Christie

  he committed the murder, he planned it beforehand.

  It's only poor innocent Jim who came down like a mug

  and stayed there. There's Lydford and Chagford or perhaps

  Exeter. He might have walked over from Lydford

  --that's a main road and the snow wouldn't have been

  impassable. It would have been pretty good going."

  "I suppose we ought to make inquiries all round."

  "The police are doing that," said Emily, "and they'll

  do it a lot better than we shall. All public things are

  much better done by the police. It's private and personal

  things like listening to Mrs. Curtis and picking up a hint

  from Miss Percehouse and watching the Willetts--that's

  where we score."

  "Or don't, as the case may be," said Charles.

  "To go back to Brian Pearson fulfilling the conditions,"

  said Emily. "We've done two, motive and opportunity,

  and there's the third--the one that in a way I think is

  the most important of all."

  "What's that?" ,

  "Well,
I have felt from the beginning that we couldn't

  ignore that queer business of the table turning. I have

  tried to look at it as logically and clearsightedly as possible.

  There are just three solutions of it. (2) That it was

  supernatural. Well, of course, that may be so, but personally

  I am ruling it out. (2) That it was deliberate--someone

  did it on purpose, but as one can't arrive at any

  conceivable reason, we can rule that out also. (3) Accidental.

  Someone gave himself away without meaning to

  do so--indeed quite against his will. An unconscious

  piece of self-revelation. If so, someone among those six

  people either knew definitely that Captain Trevelyan was

  224

  Murder at Hazelmoor

  going to be killed at a certain time that afternoon, or that

  someone was having an interview with him from which

  violence might result. None of those six people could

  have been the actual murderer, but one of them must

  have been in collusion with the murderer. There's no

  link between Major Burnaby and anybody else, or Mr.

  Rycroft and anybody else, or Ronald Garfield and anyone

  else, but when we come to the Willetts it's different.

  There's a link between Violet Willett and Brian Pearson.

  Those two are on very intimate terms and that girl was

  all on the jump after the murder."

  "You think she knew?" said Charles.

  "She or her mother--one or other of them."

  "There's one person you haven't mentioned," said

  Charles. "Mr. Duke."

  "I know," said Emily. "It's queer. He's the one person

  we know absolutely nothing about. I've tried to see him

  twice and failed. There seems no connection between

  him and Captain Trevelyan, or between him and any of

  Captain Trevelyan's relations, there's absolutely nothing

  to connect him with the case in any way, and yet--"

  "Well?" said Charles Enderby as Emily paused.

  "And yet we inet Inspector Narracott coining out of

  his cottage. What does Inspector Narracott know about

  him that we don't? I wish I knew."

  "You think--"

  "Supposing Duke is a suspicious character and the

  police know it. Supposing Captain Trevelyan had found

  out something about Duke. He was particular about his

  tenants, remember, and supposing he was going to tell

  the police what he knew. And Duke arranges with an

  Agatha Christie

  accomplice to have him killed. Oh, I know it all sounds

  dreadfully melodramatic put like that, and yet, after all,

  something of the kind might be possible."

  "It's an idea certainly," said Charles slowly.

  They were both silent, each one deep in thought.

  Suddenly Emily said:

  "Do you know that queer feeling you get when somebody

  is looking at you. I feel now as though someone's

  eyes were burning the back of my neck. Is it all tancy

  or is there really someone staring at me now?"

  Charles moved his chair an inch or two and looked

  round the caf in a casual manner.

  "There's a woman at a table in the window," he reported.

  "Tall, dark and handsome. She's staring at you."

  "Young?"

  "No, not very young. Hello!"

  "What is it?"

  "Ronnie Garfield. He has just come in and he's shaking

  hands with her and he's sitting down at her table. I think

  she's saying something about us."

  Emily opened her handbag. Rather ostentatiously she

  powdered her nose, adjusting the small pocket mirror

  to a convenient angle.

  "It's Aunt Jennifer," she said softly. "They are getting up.'

  "They are going," said Charles. "Do you want to speak

  to her?"

  "No," said Emily. "I think it's better for me to pretend

  that I haven't seen her."

  "After all," said Charles, "why shouldn't Aunt Jennifer

  know Ronnie Garfield and ask him to tea?"

  Murder at Hazelmoor

  "Why should she?" said Emily.

  "Why shouldn't she?"

  "Oh, for goodness sake, Charles, don't let's go on and

  on like this, should--shouldn't--should--shouldn't. Of

  course it's all nonsense, and it doesn't mean anything!

  But we were just saying that nobody else at the sance

  had any relation with the family, and not five minutes

  later we see Ronnie Garfield having tea with Captain

  Trevelyan's sister."

  "It shows," said Charles, "that you never know."

  "It shows," said Emily, "that you are always having to

  begin again."

  "In more ways than one," said Charles.

  Emily looked at him.

  "What do you mean?"

  "Nothing at present," said Charles.

  He put his hand over hers. She did not draw it away.

  "We've got to put this through," said Charles.

  "Afterwards--"

  "Afterwards?" said Emfiy softly.

  "I'd do anything for you, Emily," said Charles. "Sim-ply

  anything--"

  "Would you?" said Emily. "That's rather nice of you,

  Charles dear."

  26. Robert Gardner

  I T was just twenty minutes later when Emily rang the

  front door bell of The Laurels. It had been a sudden

  impulse. She smiled beamingly on Beatrice when the

  latter opened the door to her.

  "It's me again," said Emily. "Mrs. Gardner's out, I

  know, but can I see Mr. Gardner?"

  Such a request was clearly unusual. Beatrice seemed

  doubtful.

  "Well, I don't know. I'll go up and see, shall I?"

  "Yes, do," said Emily.

  Beatrice went upstairs leaving Emily alone in the hall.

  She returned in a few minutes to ask the young lady to

  please step this way.

  Robert Gardner was lying on a couch by the window

  in a big room on the first floor. He was a big man, blue

  eyed and fair haired. He looked, Emily thought, as Tristran

  ought to look in the third act of Tristran and Isolde and as no Wagnerian tenor has ever looked yet.

  "Hello," he said. "You are the criminal's spouse to be,

  aren't you?"

  "That's right, Uncle Robert," said Emily. "I suppose I do call you Uncle Robert, don't I?" she asked.

  "If Jennifer will allow it. What's it like having a young

  man languishing in prison?"

  A cruel man, Emily decided. A man who would take

  a malicious joy in giving you sharp digs in painful places.

  Murder at Hazelmoor

  But she was a match for him. She said smilingly:

  "Very thrilling."

  "Not so thrilling for Master Jim, eh?"

  "Oh, well," said Emily, "it's an experience, isn't it?"

  "Teach him life can't be all beer and skittles," said

  Robert Gardner maliciously. "Too young to fight in the

  Great War, wasn't he? Able to live soft and take it easily.

  Well, well .... He got it in the neck from another source."

  He looked at her curiously.

  "What did you want to come and see me for, eh?"

  There was a tinge of something like suspicion in his

  voice.

  "If you are going to marry into a family it's just as well

  to see all your relations-in-law beforehand."

  "K
now the worst before it's too late. So you really

  think you are going to marry young Jim, eh?"

  "Why not?"

  "In spite of this murder charge?"

  "In spite of this murder charge."

  "Well," said Robert Gardner, "I have never seen anybody

  less cast down. Anyone would think you were enjoying

  yourself."

  "I am. Tracking down a murderer is frightfully thrilling."

  "Eh?"

  "I said tracking down a murderer is frightfully thrilling,''

  said Emily.

  Robert Gardner stared at her then he threw himself

  back on his pillows.

  "I am tired," he said in a fretful voice. "I can't talk

  any more. Nurse, where's Nurse? Nurse, I'm tired."

  Agatha Christie

  Nurse Davis had come swiftly at his call from an ad-joining

  room. "Mr. Gardner gets tired very easily. I think

  you had better go now if you don't mind, Miss Trefusis."

  Emily rose to her feet. She nodded brightly and said:

  "Good-by, Uncle Robert. Perhaps I'll come back some

  day."

  "What do you mean?"

  "Au revoir," said Emily.

  She was going out of the front door when she stopped.

  "Oh!" she said to Beatrice. "I have left my gloves."

  "I will get them, Miss."

  "Oh, no," said Emily. "I'll do it." She ran lightly up

  the stairs and entered without knocking.

  "Oh," said Emily. "I beg your pardon. I am so sorry.

  It was my gloves." She took them up ostentatiously and

  smiling sweetly at the two occupants of the room who

  were sitting hand in hand ran down the stairs and out

  of the house.

  "This glove leaving is a terrific scheme," said Emily

 

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