The Best Science Fiction of 1949

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The Best Science Fiction of 1949 Page 4

by Everett F. Bleiler


  “Oh, yes,” Lustig looked at his captain. “They’ve been dead thirty years.”

  “And you sit there, calmly!” cried the captain.

  “Tush,” said the old woman, and winked glitteringly at John Black. “Who are we to question what happens? Here we are. What’s life, anyways? Who does what for why and where? All we know is here we are, alive again, and no questions asked. A second chance.” She toddled over and held out her thin wrist to Captain John Black.

  “Feel.” He felt. “Solid, ain’t I?” she asked. He nodded.

  “You hear my voice, don’t you?” she inquired. Yes, he did. “Well, then,” she said in triumph, “why go around questioning?”

  “Well,” said the captain, “it’s simply that we never thought we’d find a thing like this on Mars.”

  “And now you’ve found it. I dare say there’s lots on every planet that’ll show you God’s infinite ways.”

  “Is this Heaven?” asked Hinkston.

  “Nonsense, no. It’s a world and we get a second chance. Nobody told us why. But then nobody told us why we were on Earth, either. That other Earth, I mean. The one you came from. How do we know there wasn’t another before that one?”

  “A good question,” said the captain.

  The captain stood up and slapped his hand on his leg in an off-hand fashion. “We’ve got to be going. It’s been nice. Thank you for the drinks.”

  He stopped. He turned and looked toward the door, startled.

  Far away, in the sunlight, there was a sound of voices, a crowd, a shouting and a great hello.

  “What’s that?” asked Hinkston.

  “We’ll soon find out!” And Captain John Black was out the front door abruptly, jolting across the green lawn and into the street of the Martian town.

  He stood looking at the ship. The ports were open and his crew were streaming out, waving their hands. A crowd of people had gathered and in and through and among these people the members of the crew were running, talking, laughing, shaking hands. People did little dances. People swarmed. The rocket lay empty and abandoned.

  A brass band exploded in the sunlight, flinging off a gay tune from upraised tubas and trumpets. There was a bang of drums and a shrill of fifes. Little girls with golden hair jumped up and down. Little boys shouted, “Hooray!” And fat men passed around ten-cent cigars. The mayor of the town made a speech. Then, each member of the crew with a mother on one -arm, a father or sister on the other, was spirited off down the street, into little cottages or big mansions and doors slammed shut.

  The wind rose in the clear spring sky and all was silent. The brass band had banged off around a corner leaving the rocket to shine and dazzle alone in the sunlight.

  “Abandoned!” cried the captain. “Abandoned the ship, they did! I’ll have their skins; by God! They had orders!”

  “Sir,” said Lustig. “Don’t be too hard on them. Those were all old relatives and friends.”

  “That’s no excuse!”

  “Think how they felt, captain, seeing familiar faces outside the ship!”

  “I would have obeyed orders! I would have!” The captain’s mouth remained open.

  Striding along the sidewalk under the Martian sun, tall, smiling, eyes blue, face tan, came a young man of some twenty-six years.

  “John!” the man cried, and broke into a run.

  “What?” said Captain John Black. He swayed.

  “John, you old beggar, you!”

  The man ran up and gripped his hand and slapped him on the back.

  “It’s you,” said John Black.

  “Of course, who’d you think it was!”

  “Edward!” The captain appealed now to Lustig and Hinkston, holding the stranger’s hand. “This is my brother Edward. Ed, meet my men, Lustig, Hinkston, my brother!”

  They tugged at each other’s hands and arms and then finally embraced.

  “Ed!”

  “John, you old bum, you!”

  “You’re looking fine, Ed, but, Ed, what is this? You haven’t changed over the years. You died, I remember, when you were twenty-six, and I was nineteen, oh God, so many years ago, and here you are, and, Lord, what goes on, what goes on?”

  Edward Black gave him a brotherly knock on the chin.

  “Mom’s waiting,” he said.

  “Mom?”

  “And Dad, too.”

  “And Dad?” The captain almost fell to earth as if hit upon the chest with a mighty weapon. He walked stiffly and awkwardly, out of coordination. He stuttered and whispered and talked only one or two words at a time.

  “Mom alive? Dad? Where?”

  “At the old house on Oak Knoll Avenue.”

  “The old house.” The captain stared in delighted amazement. “Did you hear that, Lustig,

  Hinkston?”

  “I know it’s hard for you to believe.”

  “But alive. Real.”

  “Don’t I feel real?” The strong arm, the firm grip, the white smile. The light, curling hair.

  Hinkston was gone. He had seen his own house down the street and was running for it. Lustig was

  grinning.

  “Now you understand, sir, what happened to everybody on the ship. They couldn’t help themselves.”

  “Yes. Yes,” said the captain, eyes shut. “Yes.” He put out his hand. “When I open my eyes, you’ll be gone.” He opened his eyes. “You’re still here. God, Edward, you look fine!”

  “Come along, lunch is waiting for you. I told Mom.” Lustig said, “Sir, I’ll be with my grandfolks if

  you want me.”

  “What? Oh, fine, Lustig. Later, then.”

  Edward grabbed his arm and marched him. “You need support.”

  “I do. My knees, all funny. My stomach, loose. God.”

  “There’s the house. Remember it?”

  “Remember it? Hell! I bet I can beat you to the front porch!”

  They ran. The wind roared over Captain John Black’s ears. The earth roared under his feet. He saw

  the golden figure of Edward Black pull ahead of him in the amazing dream of reality. He saw the house rush forward, the door open, the screen swing back. “Beat you!” cried Edward, bounding up the steps.

  “I’m an old man,” panted the captain “and you’re still young. But, then, you always beat me, I remember!”

  In the doorway, Mom, pink, and plump and bright. And behind her, pepper grey, Dad, with his pipe in his hand.

  “Mom, Dad!”

  He ran up the steps like a child, to meet them.

  It was a fine long afternoon. They finished lunch and they sat in the living room and he told them all about his rocket and his being captain and they nodded and smiled upon him and Mother was just the same, and Dad bit the end off a cigar and lighted it in his old fashion. Mom brought in some iced tea in the middle of the afternoon. Then, there was a big turkey dinner at night and time flowing oil. When the drumsticks were sucked clean and lay brittle upon the plates, the captain leaned back in his chair and exhaled his deep contentment. Dad poured him a small glass of dry sherry. It was seven-thirty in the evening. Night was in all the trees and coloring the sky, and the lamps were halos of dim light in the gentle house. From all the other houses down the streets came sounds of music; pianos playing, laughter.

  Mom put a record on the victrola and she and Captain John Black had a dance. She was wearing the same perfume he remembered from the summer when she and Dad had been killed in the train accident. She was very real in his arms as they danced lightly to the music.

  “I’ll wake in the morning,” said the captain. “And I’ll be in my rocket in space, and this will be gone.”

  “No, no, don’t think that,” she cried, softly, pleadingly, “We’re here. Don’t question. God is good to us. Let’s be happy.”

  The record ended with a hissing.

  “You’re tired, son,” said Dad. He waved his pipe. “You and Ed go on upstairs. Your old bedroom is waiting for you.”

  “Th
e old one?”

  “The brass bed and all,” laughed Edward.

  “But I should report my men in.”

  “Why?” Mother was logical.

  “Why? Well, I don’t know. No reason, I guess. No, none at all. What’s the difference?” He shook his head. “I’m not being very logical these days.”

  “Good night, son.” She kissed his cheek. “‘Night, Mom.”

  “Sleep tight, son.” Dad shook his hand.

  “Same to you, Pop.”

  “It’s good to have you home.”

  “It’s good to be home.”

  He left the land of cigar smoke and perfume and books and gentle light and ascended the stairs, talking, talking with Edward. Edward pushed a door open and there was the yellow brass bed and the old semaphore banners from college days and a very musty raccoon coat which he petted with strange, muted affection. “It’s too much,” he said faintly. “Like being in a thunder shower without an umbrella. I’m soaked to the skin with emotion. I’m numb. I’m tired.”

  “A night’s sleep between cool clean sheets for you, my bucko.” Edward slapped wide the snowy linens and flounced the pillows. Then he put up a window and let the night blooming jasmine float in. There was moonlight and the sound of distant dancing and whispering.

  “So this is Mars,” said the captain undressing.

  “So this is Mars.” Edward undressed in idle, leisurely moves, drawing his shirt off over his head, revealing golden shoulders and the good muscular neck.

  The lights were out, they were into bed, side by side, as in the days, how many decades ago? The captain lolled and was nourished by the night wind pushing the lace curtains out upon the dark room air. Among the trees, upon a lawn, someone had cranked up a portable phonograph and now it was playing softly, “I’ll be loving you, always, with a love that’s true, always.”

  The thought of Anna came to his mind. “Is Anna here?”

  His brother, lying straight out in the moonlight from the window, waited and then said, “Yes. She’s out of town. But she’ll be here in the morning.”

  The captain shut his eyes. “I want to see Anna very much?”

  The room was square and quiet except for their breathing. “Good night, Ed.”

  A pause. “Good night, John.”

  He lay peacefully, letting his thoughts float. For the first time the stress of the day was moved aside, all of the excitement was calmed. He could think logically now. It had all been emotion. The bands playing, the sight of familiar faces, the sick pounding of your heart. But now…

  How? He thought. How was all this made? And why? For what purpose? Out of the goodness of some kind God? Was God, then, really that fine and thoughtful of his children? How and why and what for?

  He thought of the various theories advanced in the first heat of the afternoon by Hinkston and Lustig. He let all kinds of new theories drop in lazy pebbles down through his mind, as through a dark water, now, turning, throwing out dull flashes of white light. Mars. Earth. Mom.

  Dad Edward. Mars. Martians.

  Who had lived here a thousand years ago on Mars? Martians? Or had this always been like this? Martians. He repeated the word quietly, inwardly.

  He laughed out loud, almost. He had the ridiculous theory, all of a sudden. It gave him a kind of chilled feeling. It was really nothing to think of, of course. Highly. improbable. Silly. Forget it. Ridiculous.

  But, he thought, Just suppose. Just suppose now, that there were Martians living on Mars and they saw our ship coming and saw us inside our ship and hated us. Suppose, now, just for the hell of it, that they wanted to destroy us, as invaders, as unwanted ones, and they wanted to do it in a very clever way, so that we would be taken off guard. Well, what would the best weapon be that a Martian could use against Earthmen with atom weapons?

  The answer was interesting. Telepathy, hypnosis, memory and imagination.

  Suppose all these houses weren’t real at all, this bed not real, but only figments of my own imagination, given substance by telepathy and hypnosis by the Martians.

  Suppose these houses are really some other shape, a Martian shape, but, by playing on my desires and wants, these Martians have made this seem like my old home town, my old house, to lull me out of my suspicions?

  What better way to fool a man, by his own emotions.

  And suppose those two people in the next room, asleep, are not my mother and father at all. But two Martians, incredibly brilliant, with the ability to keep me under this dreaming hypnosis all of the time?

  And that brass band, today? What a clever plan it would be. First, fool Lustig, then fool Hinkston, then gather a crowd around the rocket ship and wave. And all the men in the ship, seeing mothers, aunts, uncles, sweethearts dead ten, twenty years ago, naturally, disregarding orders, would rush out and abandon the ship. What more natural? What more unsuspecting? What more simple? A man doesn’t ask too many questions when his mother is suddenly brought back to life; he’s much too happy. And the brass band played and everybody was taken off to private homes. And here we all are, tonight, in various houses, in various beds, with no weapons to protect us, and the rocket lies in the moonlight, empty. And wouldn’t it be horrible and terrifying to discover that all of this was part of some great clever plan by the Martians to divide and conquer us, and kill us. Some time during the night, perhaps, my brother here on this bed, will change form, melt, shift, and become a one-eyed, green and yellow-toothed Martian. It would be very simple for him just to turn over in bed and put a knife into my heart. And in all those other houses down the street a dozen other brothers or fathers suddenly melting away and taking out knives and doing things to the unsuspecting, sleeping men of Earth.

  His hands were shaking under the covers. His body was cold. Suddenly it was not a theory. Suddenly he was very afraid. He lifted himself in bed and listened. The night was very quiet. The music had stopped. The wind had died. His brother (?) lay sleeping beside him.

  Very carefully he lifted the sheets, rolled them back. He slipped from bed and was walking softly across the room when his brother’s voice said, “Where are you going?”

  “What?”

  His brother’s voice was quite cold. “I said, where do you think you’re going?”

  “For a drink of water.”

  “But you’re not thirsty.”

  “Yes, yes, I am.”

  “No, you’re not.”

  Captain John Black broke and ran across the room.

  He screamed. He screamed twice. He never reached the door.

  In the morning, the brass band played a mournful dirge. From every house in the street came little solemn processions bearing long boxes and along the sun-filled street, weeping and changing, came the grandmas and grandfathers and mothers and sisters and brothers, walking to the churchyard, where there were open holes dug freshly and new tombstones installed. Seventeen holes in all, and seventeen tombstones. Three of the tombstones said, CAPTAIN JOHN BLACK, ALBERT LUSTIG, and SAMUEL HINKSTON.

  The mayor made a little sad speech, his face sometimes looking like the mayor, sometimes looking like something else.

  Mother and Father Black were there, with Brother Edward, and they cried, their faces melting now from a familiar face into something else.

  Grandpa and Grandma Lustig were there, weeping their faces also shifting like wax, shivering as a thing does in waves of heat on a summer day.

  The coffins were lowered. Somebody murmured about

  “the unexpected and sudden deaths of seventeen fine men during the night—”

  Earth was shoveled in on the coffin tops.

  After the funeral the brass band slammed and banged into town and the crowd stood around and waved and shouted as the rocket was torn to pieces and strewn about and blown up.

  EX Machina

  By Lewis Padgett

  I got the idea out of a bottle labeled ‘DRINK ME,’” Gallegher said wanly. “I’m no technician, except when I’m drunk. I don’t know the differen
ce between an electron and an electrode, except that one’s invisible. At least I do know, sometimes, but they get mixed up. My trouble is semantics.”

  “Your trouble is you’re a lush,” said the transparent robot, crossing its legs with a faint crash. Gallegher winced.

  “Not at all. I get along fine when I’m drinking. It’s only during my periods of sobriety that I get confused. I have a technological hangover. The aqueous humor in my eyeballs is coming out by osmosis. Does that make sense?”

  “No,” said the robot, whose name was Joe. “You’re crying, that’s all. Did you turn me on just to have an audience? I’m busy at the moment.”

  “Busy with what?”

  “I’m analyzing philosophy, per se. Hideous as you humans are, you sometimes get bright ideas. The clear, intellectual logic of pure philosophy is a revelation to me.”

  Gallegher said something about a hard, gemlike flame. He still wept sporadically, which reminded him of the bottle labeled “DRINK ME,” which reminded him of the liquor-organ beside the couch. Gallegher stiffly moved his long body across the laboratory, detouring around three bulky objects which might have been the dynamos, Monstro and Bubbles, except for the fact that there were three of them. This realization flickered only dimly through Gallegher’s mind. Since one of the dynamos was looking at him, he hurriedly averted his gaze, sank down on the couch, and manipulated several buttons. When no liquor flowed through the tube into his parched mouth, he removed the mouthpiece, blinked at it hopelessly, and ordered Joe to bring beer.

  The glass was brimming as he raised it to his lips. But it was empty before he drank.

  “That’s very strange,” Gallegher said. “I feel like Tantalus.”

  “Somebody’s drinking your beer,” Joe explained. “Now do leave me alone. I’ve an idea I’ll be able to appreciate my baroque beauty even more after I’ve mastered the essentials of philosophy.”

  “No doubt,” Gallegher said. “Come away from that mirror. Who’s drinking my beer? A little green man?”

  “A little brown animal,” Joe explained cryptically, and turned to the mirror again, leaving Gallegher to glare at him hatefully. There were times when Mr. Galloway Gallegher yearned to bind Joe securely under a steady drip of hydrochloric. Instead, he tried another beer, with equal ill luck.

 

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