Table of Contents
   COPYRIGHT INFO
   A NOTE FROM THE PUBLISHER
   THE MEGAPACK SERIES
   THE SHIP THAT SAW A GHOST, by Frank Norris
   GHOST LANTERNS, by Alan B. LeMay
   THE DANGER FROM THE DEEP, by Ralph Milne Farley
   THE EXTRAORDINARY ADVENTURE OF A CHIEF MATE, by W. Clark Russell
   THE DERELICT, by H. M. Tomlinson
   THE TEMPLE, by H. P. Lovecraft
   A DAUGHTER OF THE SEA, by Charles Wesley Sanders
   THE ADVENTURES OF BILLY TOPSAIL, by Norman Duncan
   BILLY TOPSAIL & COMPANY, by Norman Duncan
   THE SEA-WOLF, by Jack London
   THE SEA FOGS, by Robert Louis Stevenson
   THE DOLLAR, by Morgan Robertson
   THE “REXMEL,” by Ralph Milne Farley
   A FIGHT WITH A CANNON, by Victor Hugo
   MS. FOUND IN A BOTTLE, by Edgar Allan Poe
   THE CRUISE OF THE SHINING LIGHT, by Norman Duncan
   “WHERE ANGELS FEAR TO TREAD,” by Morgan Robertson
   THE BRAIN OF THE BATTLE-SHIP, by Morgan Robertson
   THE WIGWAG MESSAGE, by Morgan Robertson
   THE TRADE-WIND, by Morgan Robertson
   SALVAGE, by Morgan Robertson
   BETWEEN THE MILLSTONES, by Morgan Robertson
   THE BATTLE OF THE MONSTERS, by Morgan Robertson
   FROM THE ROYAL-YARD DOWN, by Morgan Robertson
   NEEDS MUST WHEN THE DEVIL DRIVES, by Morgan Robertson
   WHEN GREEK MEETS GREEK, by Morgan Robertson
   PRIMORDIAL, by Morgan Robertson
   THE STRIPED CHEST, by Arthur Conan Doyle
   THAT LITTLE SQUARE BOX, by Arthur Conan Doyle
   THE DOOM FROM PLANET 4, by Jack Williamson
   THE RIME OF THE ANCIENT MARINER, by Samuel Taylor Coleridge
   COPYRIGHT INFO
   The Sea-Story Megapack is copyright © 2013 by Wildside Press LLC.
   * * * *
   “The Ship That Saw a Ghost,” by Frank Norris, originally appeared in 1902.
   “Ghost Lanterns” by Alan B. LeMay, originally appeared in Adventure, December 20, 1922.
   “The Danger from the Deep,” by Ralph Milne Farley, originally appeared in Astounding Stories, August, 1931.
   “The Extraordinary Adventure of a Chief Mate,” by W. Clark Russell, is taken from The Mystery of the Ocean Star and Other Stories (1888).
   “The Derelict,” by H. M. Tomlinson, originally appeared in 1920.
   “The Temple,” by H. P. Lovecraft, originally appeared in Weird Tales, February 1925.
   “A Daughter of the Sea,” by Charles Wesley Sanders, originally appeared in Argosy, February 18, 1923.
   The Adventures of Billy Topsail, by Norman Duncan, originally appeared in 1906.
   Billy Topsail & Company, by Norman Duncan, originally appeared in 1910.
   The Sea-Wolf, by Jack London, originally appeared in 1904.
   “The Sea Fogs,” by Robert Louis Stevenson, originally appeared in 1887.
   “The Dollar,” by Morgan Robertson, is taken from Land Ho! (1896).
   The “Rexmel,” by Ralph Milne Farley, originally appeared in Fantasy Magazine #32, July 1935.
   The Cruise of the Shining Light, by Norman Duncan, originally appeared in 1907.
   “‘Where Angels Fear to Tread,’” by Morgan Robertson, was first published in the Atlantic Monthly.
   “Salvage,” by Morgan Robertson, was first published in the Century Magazine.
   “The Brain of the Battle-Ship,” by Morgan Robertson, was first published in The Saturday Evening Post.
   “The Wigwag Message,” by Morgan Robertson, was first published in The Saturday Evening Post.
   “Between the Millstones,” by Morgan Robertson, was first published in The Saturday Evening Post.
   “The Battle of the Monsters,” by Morgan Robertson, was first published in The Saturday Evening Post.
   “The Trade-Wind,” by Morgan Robertson, was first published in Collier’s Weekly.
   “From the Royal-Yard Down,” by Morgan Robertson, was first published in Ainslee’s Magazine.
   “Needs Must when the Devil Drives” by Morgan Robertson, was first published by McClure’s Syndicate.
   “When Greek Meets Greek,” by Morgan Robertson, was first published by McClure’s Syndicate.
   “Primordial,” by Morgan Robertson, was first published in Harper’s Monthly Magazine.
   “MS. Found in a Bottle,” by Edgar Allan Poe, was originally published in 1831.
   “The Striped Chest,” by Arthur Conan Doyle, is taken from The Dealings of Captain Sharkey and Other Tales of Pirates (1905).
   “That Little Square Box,” by Arthur Conan Doyle, is taken from The Dealings of Captain Sharkey and Other Tales of Pirates (1905).
   “The Doom from Planet 4,” by Jack Williamson, originally appeared in Astounding Stories, July, 1931.
   “The Rime of the Ancient Mariner,” by Samuel Taylor Coleridge, was writtenin 1797.
   A NOTE FROM THE PUBLISHER
   Over the last few years, our “Megapack” series of ebook anthologies has proved to be one of our most popular endeavors. (Maybe it helps that we sometimes offer them as premiums to our mailing list!) One question we keep getting asked is, “Who’s the editor?”
   The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt, Mary Wickizer Burgess, Sam Cooper, Carla Coupe, Steve Coupe, Bonner Menking, Colin Azariah-Kribbs, Robert Reginald. A. E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!).
   —John Betancourt
   Publisher, Wildside Press LLC
   www.wildsidepress.com
   A NOTE FOR KINDLE READERS
   The Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader.)
   RECOMMEND A FAVORITE STORY?
   Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).
   Note: we only consider stories that have already been professionally published. This is not a market for new works.
   TYPOS
   Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.
   If you spot a new typo, please let us know. We’ll fix it for everyone. You can email the publisher at [email protected] or use the message boards above.
   THE MEGAPACK SERIES
   MYSTERY
   The Achmed Abdullah Megapack
   The Charlie Chan Megapack
   The Craig Kennedy Scientific Detective Megapack
   The Detective Megapack
   The Father Brown Megapack
   The Girl Detective Megapack
   The Jacques Futrelle Megapack
   The Anna Katharine Green Mystery Megapack
   The First Mystery Megapack
   The Penny Parker Megapack
   The Pulp Fiction Megapack
   The Raffles Megapack
   The Victorian Mystery Megapack<
br />
   The Wilkie Collins Megapack
   GENERAL INTEREST
   The Adventure Megapack
   The Baseball Megapack
   The Cat Story Megapack
   The Second Cat Story Megapack
   The Third Cat Story Megapack
   The Christmas Megapack
   The Second Christmas Megapack
   The Classic American Short Stories Megapack, Vol. 1.
   The Classic Humor Megapack
   The Dog Story Megapack
   The Doll Story Megapack
   The Horse Story Megapack
   The Military Megapack
   SCIENCE FICTION & FANTASY
   The Edward Bellamy Megapack
   The First Reginald Bretnor Megapack
   The Ray Cummings Megapack
   The Philip K. Dick Megapack
   The Randall Garrett Megapack
   The Second Randall Garrett Megapack
   The Edmond Hamilton Megapack
   The Murray Leinster Megapack
   The Second Murray Leinster Megapack
   The Martian Megapack
   The Andre Norton Megapack
   The H. Beam Piper Megapack
   The Pulp Fiction Megapack
   The Mack Reynolds Megapack
   The Science-Fantasy Megapack
   The First Science Fiction Megapack
   The Second Science Fiction Megapack
   The Third Science Fiction Megapack
   The Fourth Science Fiction Megapack
   The Fifth Science Fiction Megapack
   The Sixth Science Fiction Megapack
   The Seventh Science Fiction Megapack
   The Robert Sheckley Megapack
   The Steampunk Megapack
   The Time Travel Megapack
   The Wizard of Oz Megapack
   HORROR
   The Achmed Abdullah Megapack
   The Second Achmed Abdullah Megapack
   The E.F. Benson Megapack
   The Second E.F. Benson Megapack
   The Algernon Blackwood Megapack
   The Second Algernon Blackwood Megapack
   The Cthulhu Mythos Megapack
   The Erckmann-Chatrian Megapack
   The Ghost Story Megapack
   The Second Ghost Story Megapack
   The Third Ghost Story Megapack
   The Haunts & Horrors Megapack
   The Horror Megapack
   The M.R. James Megapack
   The Macabre Megapack
   The Second Macabre Megapack
   The Mummy Megapack
   The Occult Detective Megapack
   The Vampire Megapack
   The Werewolf Megapack
   WESTERNS
   The B.M. Bower Megapack
   The Max Brand Megapack
   The Buffalo Bill Megapack
   The Cowboy Megapack
   The Zane Grey Megapack
   The Western Megapack
   The Second Western Megapack
   The Wizard of Oz Megapack
   YOUNG ADULT
   The Boys’ Adventure Megapack
   The Dan Carter, Cub Scout Megapack
   The Doll Story Megapack
   The G.A. Henty Megapack
   The Girl Detectives Megapack
   The Penny Parker Megapack
   The Pinocchio Megapack
   The Rover Boys Megapack
   The Tom Corbett, Space Cadet Megapack
   The Tom Swift Megapack
   AUTHOR MEGAPACKS
   The Achmed Abdullah Megapack
   The Edward Bellamy Megapack
   The B.M. Bower Megapack
   The E.F. Benson Megapack
   The Second E.F. Benson Megapack
   The Algernon Blackwood Megapack
   The Second Algernon Blackwood Megapack
   The Max Brand Megapack
   The First Reginald Bretnor Megapack
   The Wilkie Collins Megapack
   The Ray Cummings Megapack
   The Guy de Maupassant Megapack
   The Philip K. Dick Megapack
   The Erckmann-Chatrian Megapack
   The Jacques Futrelle Megapack
   The Randall Garrett Megapack
   The Second Randall Garrett Megapack
   The Anna Katharine Green Megapack
   The Zane Grey Megapack
   The Edmond Hamilton Megapack
   The Dashiell Hammett Megapack
   The M.R. James Megapack
   The Selma Lagerlof Megapack
   The Murray Leinster Megapack
   The Second Murray Leinster Megapack
   The George Barr McCutcheon Megapack
   The Talbot Mundy Megapack
   The Andre Norton Megapack
   The H. Beam Piper Megapack
   The Mack Reynolds Megapack
   The Rafael Sabatini Megapack
   The Saki Megapack
   The Robert Sheckley Megapack
   OTHER COLLECTIONS YOU MAY ENJOY
   The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)
   The Wildside Book of Fantasy
   The Wildside Book of Science Fiction
   Yondering: The First Borgo Press Book of Science Fiction Stories
   To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories
   Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories
   Whodunit?—The First Borgo Press Book of Crime and Mystery Stories
   More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories
   X is for Xmas: Christmas Mysteries
   THE SHIP THAT SAW A GHOST, by Frank Norris
   Very much of this story must remain untold, for the reason that if it were definitely known what business I had aboard the tramp steam-freighter Glarus, three hundred miles off the South American coast on a certain summer’s day some few years ago, I would very likely be obliged to answer a great many personal and direct questions put by fussy and impertinent experts in maritime law—who are paid to be inquisitive. Also, I would get “Ally Bazan,” Strokher and Hardenberg into trouble.
   Suppose, on that certain summer’s day, you had asked of Lloyd’s agency where the Glarus was, and what was her destination and cargo. You would have been told that she was twenty days out from Callao, bound north to San Francisco in ballast; that she had been spoken by the bark Medea and the steamer Benevento; that she was reported to have blown out a cylinder head, but being manageable, was proceeding on her way under sail.
   That is what Lloyd’s would have answered.
   If you know something of the ways of ships and what is expected of them, you will understand that the Glarus to be some half a dozen hundred miles south of where Lloyd’s would have her, and to be still going south, under full steam, was a scandal that would have made her brothers and sisters ostracize her finally and forever.
   And that is curious, too. Humans may indulge in vagaries innumerable, and may go far afield in the way of lying; but a ship may not so much as quibble without suspicion. The least lapse of “regularity,” the least difficulty in squaring performance with intuition, and behold she is on the black list and her captain, owners, officers, agents and consignors, and even supercargoes are asked to explain.
   And the Glarus was already on the blacklist. From the beginning her stars had been malign. As the Breda, she had first lost her reputation, seduced into a filibustering escapade down the South American coasts, where in the end a plain-clothes United States detective—that is to say a revenue cutter—arrested her off Buenos Ayres and brought her home, a prodigal daughter, besmirched and disgraced.
   After that she was in some dreadful black-birding business in a far quarter of the South Pacific; and after that—her name changed finally to the Glarus—poached seals for a syndicate of Dutchmen who lived in Tacoma, and who afterwards built a club house out of what she earned.
   And after that we got her.
   We got her, I say, through Ryder’s South Pacific Exploitation Company. The “President” had picke
d out a lovely, lively little deal for Hardenberg, Strokher and Ally Bazan (the three Black Crows), which he swore would make them “independent rich” the rest of their respective lives. It is a promising deal (B. 300 it is on Ryder’s map), and if you want to know more about it you may write to ask Ryder what B. 300 is. If he chooses to tell you that is his affair.
   For B. 300—let us confess it—is, as Hardenberg puts it, as crooked as a dog’s hind leg. It is as risky as barratry. If you pull it off you may—after paying Ryder his share—divide sixty-five, or possibly sixty-seven, thousand dollars betwixt you and your associates. If you fail, and you are perilously like to fail, you will be sure to have a man or two of your companions shot, maybe yourself obliged to pistol certain people, and in the end fetch up at Tahiti, prisoner in a French patrol boat.
   Observe that B. 300 is spoken of as still open. It is so, for the reason that the Three Black Crows did not pull it off. It still stands marked up in red ink on the map that hangs over Ryder’s desk in the San Francisco office; and anyone can have a chance at it who will meet Cyrus Ryder’s terms. Only he can’t get the Glarus for the attempt.
   For the trip to the island after B. 300 was the last occasion on which the Glarus will smell blue water or taste the trades. She will never clear again. She is lumber.
   And yet the Glarus on this very blessed day of 1902 is riding to her buoys off Sausalito in San Francisco bay, complete in every detail (bar a broken propeller shaft), not a rope missing, not a screw loose, not a plank started—a perfectly equipped steam-freighter.
   But you may go along the Front in San Francisco from Fisherman’s Wharf to the China steamships’ docks and shake your dollars under the seamen’s noses, and if you so much as whisper Glarus they will edge suddenly off and look at you with scared suspicion, and then, as like as not, walk away without another word. No pilot will take the Glarus out; no captain will navigate her; no stoker will feed her fires; no sailor will walk her decks. The Glarus is suspect. She has seen a ghost.
   * * * *
   It happened on our voyage to the Island after this same B. 300. We had stood well off from shore for day after day, and Hardenberg had shaped our course so far from the track of navigation that since the Benevento had hulled down and vanished over the horizon, no stitch of canvas nor smudge of smoke had we seen. We had passed the Equator long since, and would fetch a long circuit to the southard, and bear up against the Island by a circuitous route. This to avoid being spoken. It was tremendously essential that the Glarus should not be spoken. I suppose, no doubt, that it was the knowledge of our isolation that impressed me with the dreadful remoteness of our position. Certainly the sea in itself looks no different at a thousand than at a hundred miles from shore. But as day after day I came out on deck, at noon, after ascertaining our position on the chart (a mere pin point in a reach of empty paper), the sight of the ocean weighed down upon me with an infinitely great awesomeness—and I was no new hand to the high seas even then.
   
 
 The Sea-Story Megapack: 30 Classic Nautical Works Page 1