by Meg Cabot
Detective Canavan peers at the many bags Cooper has scattered about. “Got any chips in there?” he wants to know.
“Sorry.” Cooper unwraps my sandwich and begins breaking it up into bite-sized pieces, since I can’t hold anything real well. “Olive?”
Detective Canavan looks disappointed.
“No, thanks. So,” he says, as if there’d been no interruption. “Who told you to get on that elevator?”
I say, speaking with my mouth full because I’m too hungry to wait, “All I know is, I got a call from the reception desk that Gavin—he’s this kid that lives in the hall—was elevator surfing again, and so I went with Julio to try and chase the kid down.”
“Yeah? And when you got up there, what?”
I describe the explosion, which had occurred almost simultaneously with my realization that Gavin wasn’t up there after all.
“So,” Detective Canavan says. “Who told the kid at the desk to call you?”
“We all know who did this,” Cooper says. The barely suppressed fury is back in his voice. “Why are you just sitting there, Canavan, instead of arresting him?”
“Arresting who?” Canavan wants to know.
“Allington. He’s the killer. It’s obvious Heather’s got him running scared.”
“I’ll say,” Canavan shakes his head. “The kid left town last night. He’s parked himself out at his folks’ place in the Hamptons. No way he could have planted that bomb, not without some help. Kid’s three hours away by LIE. Somebody wants your girlfriend dead, all right. But it ain’t Chris Allington.”
24
Tonight is the night
Tonight we’ll get it right
Baby, I feel like I’ve been waiting
All my life for this night
So glad I waited
Anticipated
Tonight’s the night
For loving you
“Tonight”
Performed by Heather Wells
Composed by Dietz/Ryder
From the album Magic
Cartwright Records
Getting X-rayed is way painful, since the technician has to twist my body into several unnatural positions in order to get the angle he wants to photograph. But aside from some Motrin, I’m not offered a single thing for the pain.
Hello. You can buy Motrin over the counter. Where’s the Vicodin? Where’s the morphine? What kind of hospitals do they run these days, anyway?
After they X-ray me, they wheel me into this waiting room with a lot of other patients who are lying on gurneys. Most of them look to be in way worse shape than me. All of them seem to have much better painkillers.
Thankfully they let me keep my sandwich. It’s my only source of comfort. Well, that and some Fritos I get out of the candy machine at the end of the ward. It’s no joke getting those quarters in the slot with my bandaged fingers, believe me.
Still, even Fritos don’t make me feel better. I mean, by rights, I should be dead. I really should have been killed by that bomb. But I hadn’t died.
Not like Elizabeth Kellogg and Roberta Pace. What had gone through their minds when they’d been suspended above the hard ground sixteen, fourteen floors below? Had they struggled before they were pushed? There were no signs that they’d done so, just some burn marks, apparently.
But what kind of burn marks?
And why had I lived, while they had died? Is there some reason I’d been spared? Is there something I’m supposed to do? Find their murderer, maybe?
Or had I been allowed to live for some other, even higher purpose? Like to pursue my own medical career, and ensure that future pipe bomb victims would get better drugs when brought to local area hospitals?
A doctor who couldn’t have been any older than me finally shows up just as I’m finishing off the last of the Fritos, holding my X-rays and smiling. At least until he gets a good look at me.
“Aren’t you—” He breaks off, looking panicky.
I’m too tired to play games.
“Yes,” I say. “I’m Heather Wells. Yes, I sang ‘Sugar Rush.’”
“Oh,” he says, looking disappointed. “I thought you were Jessica Simpson.”
Jessica Simpson! I’m so appalled that I can’t utter another word, even when he blithely informs me that there isn’t anything seriously wrong with my shoulder, other than some deep tissue bruising. I need bed rest, and no, he can’t prescribe anything for the pain.
I swear I hear him humming the chorus from “With You” as he leaves.
Jessica Simpson? I don’t look anything like Jessica Simpson! Okay, we both have long blond hair. But there the resemblance ends.
Doesn’t it?
I find a ladies’ room and go inside. Peering at my reflection in the mirror above the sink, I’m relieved to find that I do not in the least resemble Jessica Simpson.
But nor do I resemble a human being. Much. My jeans are torn and covered with grease and my own blood. I’m clutching Cooper’s leather jacket as well as a bright orange blanket around my shoulders. There’s blood and dirt all over my face, and my hair hangs in greasy tangles. There isn’t a trace of lipstick anywhere in the vicinity of my mouth.
In short, I look hideous.
I try to rectify the situation as best I can. Still, the results aren’t anything to write home about.
But it’s a good thing I’d elected to freshen up a little, because when I wander out into the waiting room, my hospital bill—all seventeen hundred dollars of it, to be paid by New York College—in my back pocket, I’m almost blinded by the number of flashbulbs that go off. More than a dozen people I don’t know are calling out, “Miss Wells! Miss Wells, over here! Just one question, Miss Wells—” and the hospital security guard is trying desperately to keep more reporters from spilling into the lobby from the street.
“Heather!” A familiar voice sounds from somewhere in the throng, but not before a woman with a lot of pancake makeup and very big hair shoves a microphone in my face and demands, “Miss Wells, is it true that you and former flame ex—Easy Street member Jordan Cartwright are back together?”
Before I can open my mouth to reply, another reporter pounces.
“Miss Wells, is it true that this is the second time in two days that someone has tried to kill you?”
“Miss Wells,” a third reporter asks. “Is there any truth to the rumor that this bomb was part of an elaborate terrorist plot to eradicate America’s most beloved former teen pop sensations?”
“Heather!”
Above the microphone props and shoulder-held cameras towers Cooper. He gestures to me, indicating a side door that says Hospital Personnel Only on it.
But before I can duck toward it, someone grabs me by my sore shoulder and shouts, “Heather, is it true that you’ll be making your singing comeback representing Calvin Klein’s new fragrance for his fashion company’s fall line?”
Thankfully, a cop shows up, breaking through the wall of reporters and taking hold of my good arm. He physically propels me from the middle of the throng, using his nightstick as a prod to hasten our progress.
“All right, all right,” he says over and over again, in the flat Brooklyn accent I’ve come to know and trust since moving to New York City. “Let the lady through now. Show a little compassion for the patient, folks, and get out of her way.”
The anonymous officer steers me through the Hospital Personnel Only door, then posts himself in front of it like a Marvel comic book superhero, guarding Fort Knox.
Once inside what turns out to be the very same hallway where I’d left Cooper and Detective Canavan when I’d gone to get X-rayed, I see that they’d been joined by a number of people, including Patty and Frank, Magda and Pete, and, for some reason, Dr. Jessup.
Both Patty and Magda let out wails of dismay when they see me. I don’t know why. I thought I’d cleaned myself up pretty good.
Nevertheless, Patty springs out of her plastic chair and grabs me in a hug I’m sure she means to be friendly, but w
hich actually hurts quite a bit. She’s crying and saying things like, “I told you to find a different job! This job is no good for you, it’s too dangerous!”
Meanwhile, Magda’s staring at my hands, her jaw moving in a weird way. I’ve never seen her eyes so big.
“Oh my God,” she keeps saying, throwing accusing looks in Pete’s direction. “You said it was bad, but you didn’t say how bad.”
“I’m okay,” I insist, trying to extricate myself from Patty’s impossibly long arms. “Really, Patty, I’m okay—”
“Jesus, Pats, you’re hurting her.” Frank tries to pry his wife off me. He peers down at me anxiously as he untangles Patty’s arms from mine. “You really okay, kid? You look like hell.”
“I’m okay,” I lie. I’m still shaken up, not so much from my ordeal in the elevator shaft as from my ordeal at the hands of those reporters. Where had they come from? And how had they found out about the bomb so fast? New York College appeared in the press rarely, and positively, if at all. How was this going to reflect upon my six months’ performance review? Would it be held against me?
Then Dr. Jessup coughs, and everyone looks at him. In his arms is an enormous bouquet of sunflowers. For me. Dr. Jessup has brought me flowers.
“Wells,” he says, in his gravelly voice. “Always hafta be in the spotlight, dontcha?”
I smile, moved beyond speech. After all, Dr. Jessup is very busy, being assistant vice president and all. I couldn’t believe he’d taken time out to come down to the hospital to give me flowers.
But Dr. Jessup isn’t done. He leans down and kisses my cheek, saying, “Glad you’re all in one piece, Wells. These are from the department.” He thrusts the flowers at me, and when I helplessly raise my bandaged hands, Magda steps in, taking the bouquet for me. Dr. Jessup doesn’t see her scowl, or if he does, he ignores it. He also doesn’t hear her mutter, “He gives her flowers, when what he should be giving her is a big fat raise… ”
“Rachel said to tell you she’s sorry she couldn’t come, but somebody has to hold down the fort.” Dr. Jessup grins, showing all of his teeth. “ ’Course, she didn’t know about all the paparazzi. Bet she’ll be sorry she missed that when she hears about it. So, who you gonna sell the story to,Entertainment Tonight or Access Hollywood?”
“The Post ’ll offer you top dollar,” Magda informs me, not aware that Dr. Jessup is kidding. “Or the Enquirer.”
“Don’t worry,” I say with a smile. “I won’t be talking to the press.”
Dr. Jessup doesn’t look convinced. His expression has gone from one of friendly concern to one of worried suspicion. I realize suddenly that the only reason he even showed up at the hospital was to see if I intended to go public with my story.
I should have known, I guess. I mean that Dr. Jessup wasn’t there out of concern for me. Dr. Jessup was there for one reason, and one reason only:
Damage control.
I think he suspected it was going to be bad—why else would he have braved the traffic this far into the West Village? — but I don’t think he ever thought it was going to be this bad. A bomb going off in a New York College dormitory—I mean, residence hall—is news with a capital N. Something similar had happened at Yale, and it had made CNN, and been a lead story on all the local networks, even though it had turned out to have nothing to do with terrorism.
And the fact that one of the victims of this bomb is a former teen pop sensation? Well, that just makes the story that much juicier. My disappearance from the world of music had not gone unnoticed, and the reason behind it—including my mother’s new Argentinian cattle ranch—had been made graphically public. I could just see the cover of the Post:
BLOND BOMBSHELL
Former Pop Star Heather Wells
Nearly Blown to Bits
at low-paying job she was forced to take at New York College in order to support herself after her music career tanked and she was thrown out by former fiancé, Easy Street member Jordan Cartwright.
Still, I can understand Dr. Jessup’s concern. Having two of his employees injured in an elevator accident is one thing.
But a bomb in one of his dormitories—I mean, residence halls? Worse, a bomb in the building in which the president of the college lives? What’s he going to tell the trustees? The poor guy probably thinks he’s watching his vice presidency slip away.
I don’t blame him for being more worried about his own skin than mine. After all, he’s got kids. All I’ve got is a dog.
“Heather,” Dr. Jessup begins again. “I’m sure you under stand. This thing is a PR nightmare. We can’t have the public thinking our residence halls are out of control—”
To my surprise, it’s Detective Canavan who interrupts the assistant vice president. Noisily clearing his throat, then looking around unsuccessfully for a place to spit, Detective Canavan sighs, then swallows.
Then he says, “Hey. Hate to break this up, but the longer Ms. Wells here sticks around, the harder it’s gonna be for my boys to maintain crowd control out there.”
I feel an arm slip around my shoulders. Looking up, I’m surprised to see that the arm belongs to Cooper. He isn’t looking at me, though. He’s looking at the door.
“Come on, Heather,” he says. “Frank and Patty brought their car. They parked it down below, in the garage. They’ll give us a lift home.”
“Oh yes, let’s go,” Patty urges. Her beautiful face is filled with distaste. “I hate hospitals, and I hate reporters even more.” Her dark, almond-shaped eyes slide toward Dr. Jessup, and she looks as if she’s about to add,And I hate uptight bureaucrats most of all, but she refrains, entirely for my sake, I’m sure, since I choose that moment to step on her foot sort of hard, causing her to let out a little yelp of pain.
After I say good-bye to Pete and Magda—who promise to stick around the hospital until they get to see Julio—a hospital administrator gladly shows us the way down to the parking garage, as if any sacrifice she can make to get rid of us—and ergo, all the reporters—will be well worth it.
All I can think the whole way to the car is,Oh God. I am so fired. When I’m not thinking,Oh God, what’s with the arm? about Cooper, that is.
Except that once we’re safely in the car, Cooper removes his arm. So then I just have the one thing to worry about.
“Oh God,” I can’t help saying miserably, a catch in my throat, from the backseat. “I think Dr. Jessup is going to fire me.”
“Nobody’s going to fire you, Heather,” Cooper says. “The guy’s just looking out for his own interests.”
“That man even crosses his eyes at you, baby, he’s gonna hafta deal with me,” Patty growls, from behind the wheel. Patty is an assertive—one might almost say aggressive—driver, which is why she, instead of Frank, does all the driving when they’re in the city. She leans on the horn as a yellow cab cuts her off. “Nobody messes with my best girlfriend.”
Frank, looking back at me from the front passenger seat, says, “Cooper give you his jacket?”
I look down at the leather coat still wrapped around my shoulders. It smells of Cooper, like leather and soap. I never want to take it off, not ever again. But I know I’m going to have to, when we get home.
“No,” I say. “I mean, just to borrow.”
“Oh,” Frank say. “Because, you know, you’ve got your blood all over it.”
“Frank,” Patty says. “Shut up.”
“It’s all right,” Cooper says, as he studies the many weirdos out his window who make up the street life of the West Village.
It’s all right!My heart swells. Cooper had said it’s all right that I got my blood all over his leather jacket! Probably because, you know, we’ll be dating after this, and he’s just going to give the coat to me anyway. And I’ll have it—and Cooper—always, to keep me warm.
But then Cooper adds, “I know of a dry cleaner who’s good at getting bloodstains out.”
You know, it just isn’t my day.
25
Hello
Do I have the right number?
Hello
Yes, I’m looking for my lover
Hello
Can you get him
On the line for me?
Hello
I know he used to live there
Hello
I know he used to care
Hello
Please get my lover on the line
For me
“Hello”
Performed by Heather Wells
Composed by Jones/Ryder
From the album Magic
Cartwright Records
Patty drops us off at the brownstone, even though Frank insists it isn’t safe there, what with somebody wanting to kill me and all.
All I want to do is take a bath and crawl into my own bed and sleep for a thousand years. I don’t want to have a big long discussion about whether whoever is trying to kill me knows where I live. Frank wants me to go stay with him and Patty.
Until Cooper points out that that might put Indy at risk.
At first I’m kind of shocked, you know, that Cooper would say something so horrible. It’s only when I see how swiftly Frank says that he thinks it would be better if I just stay at Cooper’s, after all, what with Cooper being a trained crime fighter, that I realize what Cooper was up to. He knows I just want to go home. He knows I don’t want to stay in Frank and Patty’s guest room.
And because he’s Cooper, and he’s always doing nice things for me—giving me a free apartment when I have nowhere else to go, and no money for rent anyway; taking me to a party he doesn’t really want to go to, since he might run into a former flame, with whom things had ended badly; risking his own life to save mine; that kind of thing—he’d done his best to get me what he knew I wanted.
Except, of course, the one thing I want more than anything.
But apparently that, for reasons I’ll probably never know—and am pretty sure I don’t want to, anyway—he’s not prepared to give me.
Which is totally fine. I mean, I understand. I’ll just open my OWN doctor’s office/detective agency/jewelry shop, without his help.