Deadly Descent
Deadly Descent
Charlotte Hinger
www.charlottehinger.com
Poisoned Pen Press
Copyright © 2009 by Charlotte Hinger
First Edition 2009
Library of Congress Catalog Card Number: 2009924178
ISBN: 978-1-59058-645-7 Hardcover
ISBN: 978-1-61595-100-0 Epub
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.
Poisoned Pen Press
6962 E. First Ave., Ste. 103
Scottsdale, AZ 85251
www.poisonedpenpress.com
[email protected]
Dedication
In memory of my mother, Lottie Josie Smerchek Southerland,
who knew how to keep secrets
Contents
Dedication
Acknowledgments
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
More from this Author
Contact Us
Acknowledgments
Deadly Descent is fiction. For that matter, there is no Carlton County, Kansas, or Gateway City. So please don’t assume this book is about your county or your family just because I’ve rummaged through the boxes in your historical society and lurked in your archives while doing research. And yet, and yet, there are deadly secrets hidden there.
What is not fiction is the debt I owe to the hard-working volunteers in local historical societies and the outstanding staff at the Kansas State Historical Society.
I want to thank Dr. John Rand Neuenschwander for medical information, Ron Greninger for crime scene background, and acknowledge the contribution of the late Sheridan County Sheriff Jimmy Johnson for insight into the workings of a small county sheriff’s department.
Barbara Peters is an extraordinarily talented editor and I can’t thank her enough. I also want to thank Robert Rosenwald for the creation of Poisoned Pen Press, and Annette Rogers and Jessica Tribble for their contributions toward making the company into one of the foremost mystery houses.
My agent, Phyllis Westberg (Harold Ober Associates), surely knows by now how much I appreciate her unwavering support. She’s simply the best!
My late husband, Don Hinger, sustained me in all the ups and down of my rather peculiar writing career. I regret that he did not live to see this book published.
Epigraph
Whoever goes about slandering reveals secrets,
but he who is trustworthy in spirit keeps a thing covered.
—Proverbs 11:13 (ESV)
Chapter One
She was coming for me. From the belly of the vault, I could hear Fiona Hadley making her way down the main hall of the county courthouse toward my open door. No mistaking those authoritative, high-heeled clicks echoing across the marble floor.
It was a dusty Friday, the first week in September. Heavy, malevolent, sinus-destroying dust. I already had one headache. I didn’t need another. Outside, fast-moving clouds scuttled across the sky like dingy cottontail rabbits looking for a hole. This cold snap was sudden, unsettling and the threat of tornados always hovered in Western Kansas.
I looked at the hodgepodge of layouts, family photos, bottles of glue, masking tape, old magazines, and stacks of memorabilia cluttering the office of the Carlton County Historical Society. The place was not always a dump. I wished the mother of our youngest state senator could see us at our shining best. Just once. Then, perhaps, she would coax her son to squeeze more funds out of the legislature.
I caught a glimpse of her taut face as she rounded the stairwell. Countdown time, and I still had not decided how to handle her sister’s submission to the county history book. If Fiona knew about Zelda’s story, all hell was going to break loose.
She paused in the doorway. I rose and made a swipe at my hair, wishing I had worn it in a chignon instead of a long braid. At the historical society dress-down Friday is patched Levis, an old denim work shirt, and cowboy boots. Dressing up is new denim, shirt tucked in. I was quite a contrast to The Lady, who was dressed to kill.
Fiona Hadley wore a forest green cloche pulled over her brassy yellow curls. Her hat was the exact shade of her exquisitely tailored gabardine suit. A face lift? A little tuck here and there? Probably. But it had never been mentioned in the press. She should have been an easy target, but the whimsical deities who manipulate the media gave everything Fiona did or said a benign spin.
Although over-dressed and out-dated, she reminded columnists of an actress from an old thirties movie. Garbo, Harlow, Colbert? Someone. Some fetching beauty.
“Hello, Fiona.”
“Lottie Albright. You’re just the one I was looking for. You’re hard at work, I see.” Short, curt pleasantries when it usually took her fifteen minutes to get a proper hello-how-are-you out of the way. Fiona’s nose wrinkled as she looked at the crazy tangle of old pipes running the length of the twelve-foot ceiling in our narrow, hot room.
“As usual. Deadline, this week.” In addition to being the director of the Carlton County Historical Society, I was Fiona’s son’s election committee chairman for this area. Perhaps she was here about Brian and not her sister’s story.
“What can I do for you, Fiona?”
“I want you to give me Zelda’s story. I’m going to burn the damned thing.”
Stunned by her presumption, my skin prickled with fury, but I can nearly always choose my words. “How did you know about it? She just turned it in yesterday.”
“She called me. She said it would cause Brian trouble. I want it destroyed.” Her voice was haughty, commanding, but her mouth trembled.
“Fiona, Zelda’s story is now a historical document in her own hand. It’s under lock and key. Before I agreed to put together the county history books, I insisted on sole editorial control over every word, picture, drawing, or clipping included in these books. There were good reasons for that.”
“Zelda doesn’t have the right. You don’t have the right.”
“I can’t let people start tinkering with other folks’ stories. There would be no stopping the changes. It would be opening a Pandora’s box of misinformation and family quarrels.”
“Please.” Tears trickled. Runlets of mascara splotched her powder.
&
nbsp; “I don’t intend to print it as is. I’m going to persuade Zelda to delete certain paragraphs and tone it down overall.” I had already made a number of discreet phone calls to ask families to omit embarrassing truths or straighten out inconsistencies.
“She won’t,” Fiona whispered. “She wants to ruin us. All of us. From what she told me, her story isn’t right. Vicious lies, in fact.”
“Actually, most of what’s in these family histories isn’t quite right, but no one is going to change one single word of an original story except the person submitting it. I can’t make it any plainer than that. I’ve not deviated from this policy once. Write your own story. Contradict every single word your sister wrote if you want to, but you can’t change what she wrote.”
I edged closer to the framed degrees hanging on the wall, but my Ph.D. in history from Kansas State University obviously meant no more to her than a certificate in advanced yoga techniques.
“You’ll be very, very sorry you did this, Lottie.”
“I’ll talk to her. These books aren’t intended to hurt people.”
“I want to see exactly what she turned in.” She rummaged in her purse, took out a white linen handkerchief and began dabbing at her eyes.
I’d made a working to-be-edited copy, of course. Normally, I would show her that one. Originals were precious historical narratives and kept pristine. Handwriting, choice of paper, even the ink told a story. Many archives have researchers wear white gloves while handling material. I don’t go that far. However, after I made a copy, there should be no need to handle the original again.
I eyed the weeping woman. What the hell. It wouldn’t hurt to let Fiona see the primary document, with me standing right there protecting it.
I went to the locked master file where all the original pictures and stories were in alphabetical order, retrieved Zelda St. John’s story and handed it to her sister. I moved back about five feet, and observed Fiona like a cop looking through a one-way mirror. Her enormous blue eyes, framed by thick black lashes, weren’t made for concealing feelings. I followed their movement as she quickly read the story, then looked up at me. Perhaps I make too much of body language, but her relief was evident.
The blood rose in my cheeks and I drew a deep breath. She was relieved! How dare she be relieved? When I’d first read it yesterday, I had burst into tears and closed the office for the rest of the day.
“I thought,” she began. “I…this doesn’t…I thought perhaps…I’m sorry, Lottie.”
She read it again, glanced at the back of the sheets, and then gasped. She closed her blue-veined lids, and the color drained from her face. The skin around her mouth whitened, leaving her lips thin. Ugly.
The pages fluttered to the floor.
Chapter Two
Fiona ran from the room before I could stop her. I started after her, following until she rounded the bottom of the staircase.
Clusters of county personnel gathered at windows and eyed the approaching storm. Three women hovered around the front door tracking the clouds: Inez Wilson, the county health nurse, Minerva Lovesey, the register of deeds, and Priscilla Ramsey, the home economist. One look at Fiona’s face and they fell silent, parting to let her pass through the heavy glass doors.
“What was that all about?”
Priscilla Ramsey would ask. She was fifty-something with short blond curls topping a powdered, kindly face and built like a pickle. I would bet she wore a girdle under her collection of navy and white rayon print dresses.
“Oh you know,” I said lamely, “nothing really. People get sentimental when they start thinking about their families.”
“Didn’t look like sentiment to me,” said Inez Wilson as we watched Fiona drive off.
It wasn’t a smooth exit. Her tires squealed and she narrowly missed backing into a car parked across the street.
“Goodness gracious.” Inez turned to me, her dark eyes glittering with curiosity. “Now what…?”
Minerva Lovesey cut her off. “Well, ladies. I’m sure we all have work to do.” Not a gossip, she pointedly left the group.
I sighed. Inez wasn’t a discreet person, even if she was a member of the medical profession. Skinny as a crane, she flapped around spreading hysteria like a mental health Typhoid Mary. This would be all over town by nightfall.
“My God, I wish it would rain,” I said, hoping to take their minds’ off Fiona. Priscilla and Inez nodded, and we looked up at the sky. In an instant I was one of them again. An insider. Included. Despite being married to Keith Fiene only seven years.
It hadn’t taken me long to figure out after coming to the Great Plains that the great unifying element among Kansans was a willingness to talk about the weather. All the time, every day, forevermore.
Lightning ripped, followed by ear-splitting thunder. Sulfurous clouds boiled. Lights flickered, then went out. Inez and Priscilla joined the blind courthouse grope to shut down computers. We are on daylight savings time, so it wasn’t totally dark.
I lingered. I have an offsite backup system that triggers automatically, switches to batteries, exits programs, and neatly shuts off the computer. Then with a start, I realized I’d left my office unlocked and the master file open. I fumbled toward the staircase. The lights flickered once, twice, then stayed on. I hurried down the hallway.
I glanced around. Relieved, I picked up Zelda’s story from the floor. Furious to see this original treated so carelessly, I checked to make sure all the pages were there, then locked Zelda’s story back in the master file. I had an hour to kill before closing time, but there was no point in booting up again as I was too upset to concentrate.
I reached for a folder of black construction paper and began making letters for a display. Calming work akin to knitting, it gave my hands something to do while I thought about Fiona and her twin. Their maiden name was Rubidoux, and they never let anyone forget their aristocratic Southern background for an instant.
An identical twin myself, I’ve always been intrigued by The Ladies, as Fiona and Zelda are called. I like to think my sister Josie and I are both normal. Different styles, but normal. The difference between Zelda and Fiona had everything to do with sanity. I’d always looked upon Fiona as the sane one, but after today’s encounter, I was beginning to wonder.
Zelda, like Fiona, wore clothes that were out of step with the times and preened like a peacock, but unlike her twin, Zelda always managed to look a little crazy. With overly permed bright blond hair, and outrageously red lipstick no matter what the color of her costumes, she ghosted about in the past. Her wounded blue eyes recorded every slight.
A decade or two earlier she would have fit in as the quintessential club woman, if she had been a bit more reliable. But she had a habit of starting projects, then losing interest after a few teary clashes with people.
My twin, Josie Albright, is a psychologist in Manhattan, Kansas. She also teaches part-time at Kansas State University. Sometimes, when the dust blows in Western Kansas, I envy her clean, elegant, childless existence. The path I had not taken. She deals with plain vanilla crazies, not Fiona Hadley’s brand of arrogance that passes for normal in our community.
Too distracted to continue with the lettering, I went to the bank of file cabinets where I kept all the working copies of the family history stories and removed Zelda’s. All these drawers were unlocked so volunteers could have access. Even though the originals were kept pristine, these versions that would make their way into the family history books bore my many red-pen edits. As I had tried to tell Fiona, I’d persuaded a number of authors to correct dates, rethink fuzzy details, and delete mean-spirited truths.
Once in a while I get a submission centered on one topic. One old bachelor’s story was about money and only money. His narrative began with the first dollar he’d ever earned. He lived in a shack. Handwritten, there were no margins on the paper and no space between the lines.
Zelda’s one-topic wonder was all about the family’s relationship with African Americans.
Although I encourage people to write what they want, this was a blatantly racist piece and it stated that Brian shared those views. He absolutely, positively did not. Did the family honestly think I would continue to organize his campaign in Carlton County if he did? For that matter, until I read Zelda’s submission I had no idea the twins were that backward and Old South.
I seethed whenever I even thought about Zelda’s senseless diatribe, and was even angrier that Fiona had read right through those pages and never raised an eyebrow. I was sure of that. It wasn’t until she’d looked at it a second time that she’d become upset.
Bewildered, I decided to read it again. Obviously Fiona hadn’t objected to her sister’s view of blacks, but perhaps there was something else there I’d overlooked because I’d been madder than hell.
The Rubidoux Family History
by Zelda St. John
Our beloved and courageous ancestors, Clarissa and Jonathan Rubidoux, came to Carlton County in 1880. They filed on 160 acres of prime homestead land, they bought another 320 acres through pre-emption, and another 160 acres through a tree claim. Previously they lived in Arkansas, having fled there from Georgia following the Late Rebellion. Eternally grateful for the kindness and generosity with which they had been treated during the time they lived on my great-grandparent’s magnificent plantation, five household slaves went with them to Arkansas and continued to serve the family until they moved to Kansas. Then these five were lured away by treacherous and erroneous propaganda from blacks living in the county next door. Biting the hand that had previously fed them, they threw in their lot with other land-hungry ex-slaves and filed for their own homesteads.
Naturally, Jonathan was devastated. He had not healed from the deep wounds caused by those who exploited the failure of the noble Southern Cause. The Rubidouxes suffered greatly, having lost all of their property, not only their magnificent plantation but their investment in a goodly number of slaves they had purchased for a pretty sum. Now even these last five were leaving them.
Jonathan had planned to forge a life for his family in the new land but he simply could not manage that amount of land after his blacks deserted. To add insult to injury, his children Jacob and Melissa would be forced to attend school with a Negro teacher or do without.
Deadly Descent Page 1