No Regrets
Page 33
Témoignages sur Edith Piaf et chansons de Piaf. Paris: Métropolitaines, 1984.
Vassal, Hugues. Piaf mon amour. Villeurbanne: J.-L. Lesfargues, 1982.
———. Dans les pas d’Edith Piaf. Paris: Les Trois Oranges, 2002.
BIOGRAPHIES AND AUTOBIOGRAPHIES OF OTHERS
Arnaud, Claude. Jean Cocteau. Paris: Gallimard, 2003.
Aznavour, Charles. Le Temps des avants. Paris: Flammarion, 2003.
Billy, Madame. La Maitresse de “maison.” Paris: La Table Ronde, 1980.
Caizergues Pierre, ed. Jean Cocteau 40 ans après. Montpellier: Presses Universitaires de la Méditerranée: 2005.
Canetti, Jacques. On cherche jeune homme aimant la musique. Paris: Calmann-Lévy, 1978.
Cannavo, Richard, and Henri Quiquere. Yves Montand. Paris: Laffont, 1981.
Chevalier, Maurice. The Man in the Straw Hat. Long Acre, U.K.: Odhamís Press, 1950.
Cocteau, Jean. Le Passé défini, vol. 1, 1951–1962. Paris: Gallimard, 1981. Vol. 2, 1953. Paris: Gallimard, 1985.
———. Journal, 1942–1945. Paris: Gallimard, 1989.
———. Théâtre complet. Paris: Gallimard, 2003.
Dax, Micheline. Je suis gugusse, voilà ma gloire. Paris: Plon, 1985.
Desneux, Richard. Yves Montand. Lausanne: Favre, 1989.
Dietrich, Marlene. Madame D. Paris: Grasset, 1984.
Freyeisen, Astrid. Chansons pour Piaf: Norbert Glanzberg, toute une vie 1910–2001. Geneva: MJR, 2006.
Mella, Fred. Mes Maîtres enchanteurs. Paris: Flammarion, 2006.
Meurisse, Paul. Les Eperons de la liberté. Paris: Laffont, 1979.
Montand, Yves, with Hervé Hamond and Patrick Rotman. You See, I Haven’t Forgotten. Trans. Jeremy Leggatt. New York: Alfred A. Knopf, 1992.
Moustaki, Georges. Questions à la chanson. Paris: Stock, 1973.
———. Les Filles de la mémoire. Paris: Calmann-Lévy, 1989.
Steegmuller, Francis. Cocteau. New York: Atlantic Monthly, 1970.
CHANSON
Calvet, Jean-Louis. Chanson et societé. Paris: Payot, 1981.
Cantaloube-Ferrieu, Lucienne. Chanson et poésie des années 30 aux années 60. Paris: A. G. Nizet, 1981.
“La Chanson française.” Special issue of Revue de la Bibliothèque Nationale de France, vol. 16 (2004).
Chimènes, Myriam, and Josette Alviset. La Vie musicale sous Vichy. Brussels: Complexe, 2001.
Conway, Kelley. Chanteuse in the City. Berkeley: University of California Press, 2004.
Dauncey, Hugh, and Steve Cannon. Popular Music in France. Aldershot, U.K., and Burlington, Vt.: Ashgate, 2003.
Dillaz, Serge. La Chanson sous la IIIe république 1870–1940. Paris: Tallandier, 1991.
Dutheil-Pessin, Catherine. La Chanson réaliste. Paris: L’Harmattan, 2004.
Hawkins, Peter. Chanson. London and New York: Ashgate, 2000.
Klein, Jean-Claude. Florilège de la chanson française. Paris: Bordas, 1990.
———. La Chanson à l’affiche: Histoire de la chanson française du café-concert à nos jours. Paris: Du May, 1991.
Lees, Gene. Singers and the Song. Oxford: Oxford University Press, 1987.
Looseley, David K. Popular Music in Contemporary France. Oxford: Berg, 2003.
“Marguerite Monnot dans l’ombre de Piaf.” Special issue of Camosine: Annales des pays Nivernais, vol. 120 (2005).
Notes: la revue de la SACEM, vol. 153 (1998). Special issue, “Femmes, Histoires d’Ecrire.”
“Popular Music in France.” Special issue of French Cultural Studies, vol. 16, no. 2 (June 2005).
Richard, Lionel. Cabaret, cabarets. Paris: Plon, 1991.
Vincendeau, Ginette. “The Mise-en-Scène of Suffering: French chanteuses realists.” New Formations, vol. 3 (1987), pp. 107–28.
GENERAL
Beevor, Antony, and Artemis Cooper. Paris After the Liberation, 1944–1949. New York: Penguin, 2004.
Bernay, Olivier. Fireworks at Dusk: Paris in the Thirties. New York: Little, Brown, 1993.
Bollon, Patrice. Pigalle: Le Roman noir de Paris. Paris: Hoëbeke, 2004.
Brink, André. A Fork in the Road. London: Harville Secker, 2009.
Carco, Francis. De Montmartre au Quartier latin. Paris: Albin Michel, 1927.
———. Rue Pigalle. Paris: Albin Michel, 1928.
———. Jésus la Caille. Paris: Livre de Poche, 1976.
Chevalier, Louis. Histoires de la nuit parisienne. Paris: Fayard, 1982.
———. Montmartre du plaisir et du crime. Paris: Fayard, 1982.
Clarke, Gerald. Get Happy: The Life of Judy Garland. New York: Dell, 2000.
Cobban, Alfred. A History of Modern France, vol. 3. London: Penguin, 1965.
Corbin, Alain. Women for Hire: Prostitution and Sexuality in France After 1850. Cambridge, Mass.: Harvard University Press, 1990.
Crespelle, Jean-Paul. La Vie quotidienne à Montmartre au temps de Picasso. Paris: Hachette, 1978.
Evenson, Norma. Paris: A Century of Change. New Haven: Yale University Press, 1979.
Flanner, Janet. Paris Journal 1944–1965. New York: Atheneum, 1965.
———. Paris Was Yesterday, 1925–1939. New York: Popular Library, 1972.
Gaffney, John, and Diana Holmes, eds. Stardom in Postwar France. New York: Berghahn Books, 2007.
Gourse, Leslie. The Billie Holiday Companion. New York: Schirmer, 1997.
Griffin, Farah Jasmine. If You Can’t Be Free, Be a Mystery. New York: Free Press, 2001.
Guesnet, Jacques. Bernay dans les années 1900. Bernay: Page de Garde, 2002.
Guillaume, Denis. La Résistance en France, 1939–1945. Paris: Berg International, 2006.
Josephs, Jeremy. Swastika over Paris: The Fate of the French Jews. London: Bloomsbury, 1990.
Le Boterf, Hervé. Le Théâtre en uniforme. Paris: France-Empire, 1973.
———. La Vie parisienne sous l’occupation, 1940–1944. Paris: France-Empire, 1975.
Lépidis, Clément. Belleville au coeur. Paris: Vermet, 1980.
———. Des Dimanches à Belleville. Paris: A.C.E., 1985.
———. Je me souviens du 20e arrondissement. Paris: Parigramme, 1997.
Lottman, Herbert. The People’s Anger: Justice and Revenge in Post-Liberation France. London: Hutchinson, 1986.
Marrus, Michael R., and Robert O. Paxton. Vichy France and the Jews. New York: Basic Books, 1981.
Miller, Henry. Quiet Days in Clichy. New York: Grove, 1987.
Nathan, George Jean. Theater Book of the Year, 1947–1948. Rutherford, N.J.: Fairleigh Dickinson University Press, 1975.
O’Brien, Lucy. She Bop. New York: Penguin, 1995.
Paris 1943: Arts et lettres. Paris: PUF, 1943.
Paxton, Robert O. Vichy France. New York: Alfred A. Knopf, 1972.
Rearick, Charles. The French in Love and War. New Haven: Yale University Press, 1997.
Rifkin, Adrian. “Musical Moments,” Yale French Studies, vol. 73 (1987), pp. 121–55.
———. Street Noises. Manchester: Manchester University Press, 1993.
Ronis, Willy, and Didier Daeninckx. Belleville Ménilmontant. Paris: Hoëbeke, 1999.
Rorem, Ned. A Ned Rorem Reader. New Haven: Yale University Press, 2001.
Thomson, Virgil. A Virgil Thomson Reader. Boston: Houghton Mifflin, 1981.
Vallaud, Pierre. Les Français sous l’occupation, 1940–1944. Paris: Pygmalion, 2002.
PERIODICALS
Ce Soir
Détective
France Dimanche
France Soir
Guardian
Historia
L’Avenir de Bernay
L’Eveil Normand
L’Evénement L’Express
Le Figaro
Le Figaro Littéraire
L’Humanité
Le Monde
Le Nouveau Temps
Les Nouvelles littéraires
Libération
Life
Marie Claire
New York Herald Tribune
New York Times
Noir et blanc
Normandie
Paris Match
Paris-Midi
Paris-Normandie
Paris-Soir
Voilà
ILLUSTRATION CREDITS
INSERT 1
i1.1 Collection AMEP (Bernard Marchois). All rights reserved. Reproduction prohibited without authorization.
i1.2 Collection AMEP (Bernard Marchois). All rights reserved. Reproduction prohibited without authorization.
i1.3 Collection AMEP (Bernard Marchois). All rights reserved. Reproduction prohibited without authorization.
i1.4 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.5 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.6 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.7 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.8 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.9 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.10 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.11 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.12 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i1.13 Courtesy of the Bernay Office de Tourisme.
i1.14 Gamma-Rapho Agency. © Jean-Garbiel Seruzier/Rapho.
i1.15 Sipa Press. © Lido/Sipa Press.
i1.16 Kharbine-Tapabor Collection. All rights reserved.
INSERT 2
i2.1 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.2 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.3 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.4 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.5 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.6 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.7 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.8 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.9 Collection Jean Paul Mazillier and Anthony Berrot. All rights reserved. Reproduction prohibited without authorization.
i2.10 Gamma-Rapho Agency. © Keystone.
i2.11 Rue des Archives/The Granger Collection, New York.
i2.12 Photo © 1957, Supreme Grand Lodge of AMORC. Originally published in the Rosicrucian Digest, October 1957. www.rosicrucian.org.
i2.13 Courtesy of Carnegie Hall Archives.
i2.14 Hugues Vassal Archives. © Hugues Vassal.
i2.15 Hugues Vassal Archives. © Hugues Vassal.
i2.16 Hugues Vassal Archives. © Hugues Vassal.
i2.17 Hugues Vassal Archives. © Hugues Vassal.
i2.18 Gamma-Rapho. © R.A./Gamma.
All illustrations not otherwise credited are from the author’s collection.
PERMISSIONS ACKNOWLEDGMENTS
Grateful acknowledgment is made to the following for permission to reprint previously published material:
Alfred Music Publishing Co., Inc.: Lyrics from “Mon Légionnaire,” words by Raymond Antoin Marie Roger Asso and music by Marguerite Monnot, copyright © Warner/Chappell Music Ltd (PRS). All rights administered by Warner Chappell Music Australia Pty Ltd. All rights reserved. Reprinted by permission of Alfred Music Publishing Co., Inc.
Editions Beuscher Arpège: Lyrics from “Elle fréquentait la rue Pigalle,” words by Raymond Asso and music by Louis Maitrier, copyright © 1939 by Editions Beuscher Arpège; lyrics from “Où sont-ils tous mes copains,” words by Edith Piaf and music by Marguerite Monnot, copyright © 1941 by Editions Beuscher Arpège; lyrics from “Le Vagabond,” words by Edith Piaf and music by Louiguy, copyright © 1941 by Editions Beuscher Arpège; lyrics from “Elle a …,” words by Edith Piaf and music by Marguerite Monnot, copyright © 1946 by Editions Beuscher Arpège; lyrics from “La Vie en rose,” words by Edith Piaf and music by Louiguy, copyright © 1946 by Editions Beuscher Arpège; lyrics from “Les Amants d’un jour,” words by Claude Delecluse and Michèlle Senlis and music by Marguerite Monnot, copyright © 1955 by Editions Beuscher Arpège; lyrics from “A quoi ça sert l’amour” by Michael Emer, copyright © 1962 by Editions Beuscher Arpège. Reprinted by permission of Editions Beuscher Arpège.
Editions Enoch & Cie: Lyrics from “C’est à Hambourg,” words by Claude Delecluse and Michèlle Senlis and music by Marguerite Monnot, copyright © 1955 by Editions Enoch et Cie. Reprinted by permission of Editions Enoch & Cie.
Editions et Productions Pathé-Marconi: Lyrics from “Non, la vie n’est pas triste,” words by Edith Piaf and music by Claude Léveillée, copyright © by Editions et Productions Pathé-Marconi. Reprinted by permission of Editions et Productions Pathé-Marconi.
Éditions Musicales Fortin: Lyrics from “Les Mômes de la cloche,” by André Decaye and Vincent Scotto, copyright © 1915 by Editions Fortin. All rights reserved. Reprinted by permission of Éditions Musicales Fortin.
Editions Raoul Breton: Lyrics from “C’est un gars,” words by Pierre Roche and music by Charles Aznavour, copyright © by Editions Raoul Breton; lyrics from “Hymne à l’amour,” words by Edith Piaf and music by Marguerite Monnot, copyright © by Editions Raoul Breton; lyrics from “La Foule,” words by Enrique Diezo, French adaptation by Michel Rivgauche, and music by Angel Cabral, copyright © by Editions Métropolitaines for France and SACEM territories, copyright © by Editorial Julio Korn/Warner Chappell Music Argentina. Reprinted by permission of Editions Raoul Breton.
Madame Léo Ferré: Lyrics from “A une chanteuse morte,” by Léo Ferré, copyright © 1967 by Léo Ferré. Reprinted by permission of Madame Léo Ferré.
Peermusic III, Ltd.: Lyrics from “Comme un moineau,” by Marc Hély and Jean Lenoir, copyright © Les Nouvelles Editions Meridian; lyrics from “Les Amants de Paris,” by Léo Ferré and Eddy Marnay, copyright © Societé D’Editions Music.Int (SEMI) and Ed. Musicales Le Chant du Monde; lyrics from “Il fait bon t’aimer,” words by Jacques Plante and music by Norbert Glanzberg, copyright © Les Nouvelles Editions Meridian; lyrics from “Cri du coeur,” words by Jacques Prévert and music by Henri Crolla, copyright © Les Nouvelles Editions Meridian; lyrics from “T’es l’homme qu’il me faut,” words by Edith Piaf and music by Charles Dumont, copyright © Les Nouvelles Editions Meridian; lyrics from “L’Etranger,” words by R. Malleron and music by Marguerite Monnot and Juel, copyright © Societé D’Editions Music.Int (SEMI); lyrics from “L’Accordéoniste,” by Michel Emer, copyright © Societe D’Editions Music.Int (SEMI); lyrics from “Paris-Méditerranée,” words by Raymond Asso and music by Rene Cloerec, copyright © Societé D’Editions Music.Int (SEMI); lyrics from “J’en ai tant vu,” words by Michel Emer and music by René Gustave Rouzaud, copyright © Societé D’Editions Music.Int (SEMI) and Editions Musicales Patricia. All rights reserved. Reprinted by permission of Peermusic III, Ltd.
Productions Alleluia: Lyrics from “Edith,” words by Allain Leprest and music b
y Romain Didier, copyright © 1986 by Productions Alleluia. Reprinted by permission of Productions Alleluia and Gérard Meys (4, avenue Albert de Mun-75116 Paris).
Shapiro, Bernstein & Co., Inc.–Barclay Music Division o/b/o S.E.M.I./peermusic: Lyrics from “Non, je ne regrette rien,” words by Michel Vaucaire and music by Charles Dumont. Reprinted by permission of Shapiro, Bernstein & Co., Inc.–Barclay Music Division o/b/o S.E.M.I./peermusic.
Universal Music Publishing and Les Editions Salabert: Lyrics from “Padam … padam,” words by Henri Contet and music by Norbert Glanzberg, copyright © Editions Salabert; lyrics from “Le Chemin des forains,” words and music by Henri Sauguet, Jean Brun, and Pierre Olivier, copyright © Editions Salabert. Reprinted by permission of Universal Music Publishing and Les Editions Salabert.
Warner Chappell Music France: Lyrics from “Je m’en remets à toi,” words by Jacques Brel and music by Charles Dumont, copyright © 1964 by Warner Chappell Music France et Editions Jacques Brel; lyrics from “Le droit d’aimer,” words by Robert Nyel and music by Francis Lai, copyright © 1962 by Warner Chappell Music France; lyrics from “Roulez tambours!” words by Edith Piaf, music by Francis Lai, copyright © 1962 by Warner Chappell Music France; Lyrics from “Soudain une vallée,” French translation by Jean Dréjac of “Suddenly There’s a Valley” (Charles Meyer/Bill Jones), copyright © Hill and Range Songs, Inc. Reprinted by permission of Warner Chappell Music France.
Edith Giovanna Gassion (on the right), with her cousins Marcelle and Mauricette (on chair), c. 1919 (illustration credit i1.1)
Poster advertising Edith’s father: “Gassion, the antipodean contortionist, the man who walks upside down,” late 1920s (illustration credit i1.4)
Sheet music presenting Edith’s mother, Line Marsa, with her chanson réaliste repertoire, late 1920s
Edith performing at around age eight (c. 1923), when known as “Miss Edith, Vocal Phenomenon” (illustration credit i1.2)
Street scene in Bernay, where Edith lived with her Gassion grandparents in a discreetly run brothel (illustration credit i1.13)
Belleville, where Edith sang after settling in Paris with her father in the mid-1920s