by Louisa Young
Somebody took a photo with my camera of Johnny Cash and me in the low spring sun. He has his arm round my waist. He picked me a daffodil from his front garden, gave me a kiss, and then I went home to start trying to be what I was: someone who wanted to create. I had the daffodil on my desk while I wrote my first book, a biography of my father’s mother, Kathleen, the sculptor. I still have it – a little dried-up papery ghost of a thing, reminding me that that’s what integrity means: being what you are. It’s somewhere in a pile of significant flowers (a rose from a May Ball, jasmine and marigold from the Taj Mahal, a tuber-rose from Graz, a tuft of the last cotton Tammy Wynette ever picked). I kept it in a bowl by my bed, until Robert set fire to it – rather unsuccessfully – with a cigarette end.
Chapter Six
London, Wiltshire, Paris, 1992–3
Well, I was only half in love with him, and just as well, as I had every reason to tell myself. Imagine the chaos if I had been fully in love with him! He was trouble. Not nothing but trouble – he was plenty else, but all that just added to the trouble. And anyway, I had other fish to fry.
In early summer 1992, I found I was pregnant, and not by Robert. This was a massive surprise, a great adventure, and, strictly, another story. Briefly, it was the only night Louis (kind, handsome, self-contained, Ghanaian) and I spent together, and, as the agony aunts warn the teenagers, it is possible to get pregnant without actually having sex. He and I both knew that we had done nothing that would normally result in conception. Tell that to most people though (they did ask …) and eyebrows screech into hairlines because all of a sudden everyone knows much more than me about what I got up to in bed on a particular occasion. Also, I had been told I would find it hard to conceive, for medical reasons. It was rather surreal. But there it was. Piss-on-a-stick proof.
I told Robert on the day of the pregnancy test. He, who never wanted to be left out of anything, was very keen that the baby should be his. I would have had to be three months pregnant already, which I wasn’t, but he was not interested in details, unless they were musical. I told him about Louis. ‘It’ll be an entertaining nine months,’ Robert said, ‘waiting to see if it’s white or black. I’ll babysit! There’s going to be a massive rallying round.’ It had a curious effect on him: he developed a kind of want/don’t want attitude. He was very keen to help. I went to Wiltshire to be with my sisters; he wanted to come. It was May and lush, with six little children for me to look at in a new light. Robert cooked, played Frisbee with my nephews, played Debussy on the Dulcitone, and reduced one sister to near hysteria by smoking while brushing his teeth. He understood that we couldn’t sleep together any more – found it absurd on one level, but understood. His presence was a massive comfort to me. We all lay about on lawns in the sun and I revealed my secret to my nephew Joe.
From my notebook:
Joe (4): Louisa’s going to have a baby
Louis (8): No she’s not
Sisters (43 and 39): !
Joe: But you’re not married
Louis: Yeah you need a sperm
Joe: Where will you get a sperm from?
Louis: Will you get it from a sperm bank?
Me: I’ve already got one
Louis: Where did you get it! Did you sex? Who with?
Sisters: !!
Theo (6): Person with a baby in her tummy, how did it get there?
Louis: You were being naughty!
Joe: Is your baby already in you?
Louis: It’s a joke
Sisters: Is it?
Me: No
Louis: ‘Well you’ll need to know what children want so I’ll tell you – sweets and wrestling stickers and a wrestling magazine
Joe: What’s its daddy called?
Me: Louis, like Louis
Louis: Isn’t Robert its daddy?
Me: Nope.
Robert: (shaking with silent laughter)
Joe: Is it going to see its daddy if you’re not married?
Me: Yes I hope so
All childish faces crease in horror. Hope so?
Me: Yes! Yes of course!
Louis: Is he going to sleep all the time like Tom?
Tom (a baby): snuffle
Me: Not when he’s bigger
Lily (2½, coming to sit beside me, very quietly): I’m glad you’ve got a baby in your tummy
Sisters and Alice (12): (unbridled delight)
Robert had told me how some months ago he had declared love to someone and been heartbroken because she rejected him. And that a glamorous Middle Eastern woman, a single mother who was engaged to a man she didn’t love, had become obsessed with him and now the fiancé wanted to kill him. I dropped him off at the BBC just as ‘Papa Was a Rolling Stone’ finished on the car radio. That night I was suddenly, irrationally and oddly joyously certain that the baby was Robert’s, though I knew perfectly well it couldn’t be. I sat by an open window with Tallulah and she told me all the ways in which Louis was perfect.
The next day I had a painful conversation with Robert. I found myself being snide, protective, defensive. He was upset, I was upset – chucking out what I half wanted in order to protect myself against wanting it more and it not wanting me. I explained that if he helped me I’d come to rely on his help. ‘Look, shall I come over?’ he said, and I said no, I’d want you to come and stay and be here. And of course I wouldn’t really. He’d just be smoking, drinking, requiring instructions, taking no responsibility. That phrase want/don’t want applied to us both. I cried a lot, after I’d hung up.
Two days later I sat Louis down, gave him a vodka, and told him. He straightened his shoulders, looked me in the eye, and said, ‘Well it must be mine then.’ I knew in that movement that everything was going to be OK, and I was right. Everything I wrote in my notebook about him at the time – he’s sunny, he’s private, he’s reliable, he’s mysterious – turned out to be true. I was unbelievably lucky in who I got accidentally pregnant with. We both were.
The following day I had the first scan: there it was, a tiny little thing having a kip. An ammonite, a croissant, a coracle. Eight weeks, they said. Louis had rung to give me all his phone numbers and ask if he could come to the next scan. Sometimes you can feel reassurance running through your veins.
I had to drop a tape off at Robert’s. He answered the door shirtless, and for a strange moment there on the steps in the London sun it was as exactly as if we were in love. I told him about the scan, and the dates.
‘So there’s no chance it’s Lockhartian in origin?’ he said sadly.
‘No.’
‘Have you told Louis?’
‘Yes.’
‘So you’ve fucked him now?’
‘No!’
‘Fuckin’ hellfire, why not?’
‘Because I don’t love him,’ I said.
*
My father was in hospital having heart surgery again, which terrified us all. (‘News like yours would give him another heart attack,’ Robert said.) My sister-in-law was about to give birth. My Harley had been stolen, and the insurance cheque arrived the week I found out I was pregnant – well there’s a message from Fate. No more leathers for me, for the duration. Everyone expressed their fears and concerns about my situation in the best and worst ways: I have never had so much advice in my life. I should marry him, I should have an abortion, I should be aware I’ll never make any money now, my career is over, no one will want to marry me, Louis will be sad if he thinks I’m waiting for someone better, we should live together, if I won’t move in with him I should move in with Robert. Shotguns were polished, voices were raised, true natures revealed. Relatives arrived from Ghana. My dad said to Louis, ‘I suppose I should take you into the library for a chat about your intentions, but I don’t have a library. How about the dining room?’ Louis and I sat in the middle of all this getting to know each other, saying to each other: ‘It’s going to be fine.’ To everybody else, we said: ‘One thing at a time, you know.’ The phrase ‘no, we’re just good parents’ emerged. �
��Semi-detached’ was another. We went around together, happy, fond, pregnant, proud, planning to stick by each other, but we weren’t a couple, nor planning to be.
My old friend Cynthia, the perfect embodiment of Jewish humour, was over from New York. She sat us down. ‘Could you have made it weirder if you tried?’ she asked.
‘He could have been gay?’ I suggested.
‘No, that would have been easier. No jealousy,’ she said.
‘OK, one-legged?’
Louis offered to cut his leg off.
Cynthia pointed out, later, that I couldn’t fall in love with Louis if I wasn’t sleeping with him.
It was so confusing for others that we had to make it clear for ourselves, and we did.
I didn’t stop to think of it being confusing for Robert. I wrote down a conversation we had in my notebook:
Robert: ‘There’s love between us, and we fancy each other.’
Louisa: ‘So why aren’t we going out together?’
R: ‘I was just wondering that.’
L: ‘Well, it’s because you love another’ (the one who had rejected him)
R: ‘I gangrene another – you said so.’
L: ‘Yeah, you gangrene lots of things.’
Silence
R: ‘Well we kept that moment of melodrama up for a good ten seconds.’
Later he was talking about friends having sex. I said, you’re not my friend, and he was hurt. I explained: that he was my friend of course, but not only: he was my lover and always would be. He told me a friend had said he should marry me; I agreed, but didn’t mention that I of course shouldn’t marry him. He said, again – Jesus, doesn’t it get repetitive? – ‘Anyway you don’t want to go out with an alcoholic.’ And again, it wasn’t about who I wanted to go out with, it’s about who I wanted him to be – or rather, not to be. I didn’t want him to be an alcoholic (not that either of us knew what alcoholic actually meant). I didn’t want him smoking sixty fags a day. I wanted him to stop drinking himself stupid and smoking himself dead. I described Dad’s bypasses to him blow by blow and told him about the writer Dee Wells having half her leg amputated because of smoking. ‘But why?’ he asked, and I explained about the blood system, and clots, atherosclerosis and nicotine, the hardening of arteries, the risk of embolism.
Ten days later we had another argument, explained by a letter I wrote from Paris but didn’t post:
30.6.92
Dear Robert
Here I am on the steps of Chopin’s tomb, so of course you cross my mind.
Yes I hope we are on speaking terms. Foolish not to be. But when at one a.m. a fellow has a choice between being with a woman who is crazy about him or going for another drink, and he chooses to go for another drink, the woman would be foolish not to hear what she is being told. And when he defends himself by saying ‘But this is how I am’ she would be foolish not to defend herself against him. When I invite you in it is because my feelings for you are uppermost in my heart. When I hold you off it is because your lack of feelings for me are uppermost in my mind. Meanwhile I have a pregnancy to look after and a life to try to make sense of after it has been turned upside down and I have to go to bed early and no doubt alone. None of this means I don’t wish you well.
xx L
Back in London his messages went from ‘Give us a call’ to ‘Still not in … hm’ to ‘Lou, please ring me, I hope you’re OK’ to ‘Give me a fucking call’. In the end we spoke. He thought I was giving him an ultimatum. I said yes I was, but it wasn’t about our relationship, it was about him. It was, Grow Up.
There now. Was that a moment? The polyhedron of missed opportunities flashes me another possibility as it whirls slowly by. He saw an ultimatum. What if I’d let him define his own ultimatum, and respond to it as he wished? What then?
A month’s silence followed. Then he was there at a party: for the first three hours I avoided him, but he needed to talk me through Ravel’s string quartet in F, quoting Debussy and Stravinsky (‘bespectacled little gay Russian dwarf’ – was that sardonic or reverent?). I was to notice the pizzicato in the basses. Later he curled up asleep around a candle in the garden. We shared a cab, stopped for a curry. I got to bed at 1.45; he wanted to sleep on my sofa. I pointed out it is cruel to want to sleep on the sofa of a woman who is crazy about you. I said, what if I sneak out in the middle of the night and make passionate love to you in your sleep? He had the grace to leave. I felt that his needs were so big in his eyes that he saw no others. I thought I knew his feelings. But I thought I knew everything, and if I didn’t I’d decide, just to keep things under control. Now I’m not so sure. I gave him the chocolate piano again. I said, take it away, any way I dispose of it will be too symbolic. I was four months pregnant, and my embryo was growing eyelashes.
There was a screening of an unforgiving, bleak, heartbreaking documentary he had scored, The Execution Protocol, about death row. Robert’s music pierced through it; a blade of cold light, desperation in the sound of a muted trumpet. I wanted to drink a whisky afterwards, but couldn’t. I gave it to him. Robert’s music has always, whatever else is going on, had the capacity to unravel me, or to rebuild me, or both at once.
The following week we had lunch. He picked me up, and kissed me, and took me to Alastair Little’s where he told me how gorgeous I was and got a stiffy during the fish soup and changed the subject eighteen times a minute. He said, ‘What are you going to live on?’, offered me money ‘you know, if you need some’, and started referring to me as ‘my wife and child’. He wanted to kick off the child’s musical education, and sang to it. We went to hear Katya Kabanova at Sadler’s Wells. He argued with the doorman, fed me early enough (‘by ten thirty or I will scream, it’s not princessy, it’s physical’) and came home with me. He wouldn’t let me go to bed; wouldn’t leave me alone. He was drinking neat Campari and mauling me (in the Northern sense of not leaving someone alone); then holding me. I cried. He mocked me for crying – or I felt he did – and I cursed him. He said, ‘What did I do?’ At 4 a.m. he was still banging on about Jánaček’s atonality and smoking in my bedroom. I left him there passed out when I went to work four hours later, and came back at the end of the day to find a tune written on the back of an envelope, dedicated and directed to me, a little swoopy arrow pointing to my address on the front. And an apology. ‘I’m sorry I upset you. I don’t know what I said but I’m sorry.’
I spent half my time wanting to know where I stood, and the other half running away from it.
Meanwhile Louis came to baby preparation classes with me and pretended to have contractions. I’d met his slow-moving, smiling mother – she was a midwife! – and she’d come to dinner with my parents. The first thing she said to me, in her deep, honeyed Ghanaian voice, was, ‘A baby is a blessing from God. How are you feeling, my darling?’ The new nephew was born and christened; Louis came, and wore a suit. Everybody was in love with Louis by now, except for me.
And then one day Robert had a new girlfriend. He called her Lacrimosa Clark because she wept easily, and also Clarkapart, because she was short like Napoleon Bonaparte, which developed into Wellaparte, because her profile was like the Duke of Wellington’s. When I heard, I cried so hard that Baroness Alacrity sent me flowers at work. My colleagues assumed they were from Robert, cheering me up about whatever it was I was so sad about. What a great guy, they said.
*
My daughter – let’s call her Lola – was born in the evening. She was the most strange and glorious little thing that ever existed. It took forty-eight hours, two inductions and an emergency caesarean. Did I care? Did I hell. I was listening to La Bohème, eating satsumas and translating the libretto for the nurses, as if they were interested, high as a satellite on gas and air. Louis was wearing surgical greens and talking Twi with the midwives. The babe was finally pulled out to the strains of Aretha Franklin singing ‘Dr Feelgood’, and I was fully, fully in love (apart from during the two-hour attack of post-natal depression three days later, wh
en I decided to send her back, as clearly I would never be good enough for her).
Robert came to visit the next morning. He pulled the pleated curtains shut behind him and said ‘Fancy a fuck?’ Then he sat and held her and got that look of amazement, and said, ‘She’s not that black. She could be mine?’
I moved house. I didn’t want my baby to live in a one-room flat. I extended the mortgage and got a place in Shepherd’s Bush, natural home of those who can no longer afford Notting Hill. Home also of Louis. And of Robert. The new place had a little garden to put the pram in. That’s what babies need.
Robert really liked her. I hadn’t expected that. I’d assumed that as a roué he would find babies dull, but far from it. He thought she was just great, called her ‘your pulchritudinous semi-negritudinous offspring’ and would attempt to come and sit smoking in the bathroom with us while I washed her, saying useful things like ‘She’ll need a nappy now, won’t she? Don’t babies need a nappy?’ It became apparent that he was to be my disreputable friend still, companion of nights off, keeper of misbehaviour and preserver of my wild young soul now that I was a clean and decent mother. He and Louis took to each other, and Louis was honoured with a nickname: Enigmus Africanus. Louis babysat when I went out with Robert; Robert babysat when I went out with Louis. But more often, in practice, it meant that when I finally collapsed with exhaustion after a long day’s mothering followed by him keeping me up all hours, he would go and talk to her. One dawn I found him lounging in a chair with an unlit fag and his feet up on the cot, explaining counterpoint. She was fast asleep.
Chapter Seven
London, 1994
I bought piano #3, a weird little square late nineteenth-century thing, in a junk shop for £15. It looked like no piano I had ever seen: much smaller than an upright, more like a low-level cabinet made of walnut or cherry. Inside the strings were rusted and it had moss growing on the swollen dampers. I thought of restoring it somehow, but one visit from Art put paid to that. Art is a soft-spoken, shaven-headed, polo-necked LA jazzer who learnt to tune pianos as apprentice to the ancient blind Jewish man who tuned the instruments in Hugh Hefner’s bunny mansion. His patience is considerable, but it was clear the little piano was, musically speaking, going nowhere. Meanwhile Robert tried to play ‘La Cathédrale Engloutie’ on it, in honour of its internal dampness, and burnt a hole in the top with a neglected cigarette. (This sort of thing happened frequently. I’ve seen him with three on the go.) In the end I gave it to a theatrical props company. It would look good at the back of someone’s parlour in a period drama. Why did I buy it in the first place? Because it was pretty, and £15, and, because I didn’t like having Robert around without a piano for him to play. When he was at the piano, I was happy. And because a proper home, one with a baby in it, needed a piano. Clearly, a Dad thing.